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CURATING THE EXHIBITION
Nowthat everyone hashandedintheireditionprints,it
was time tostart the curation of the exhibition.Myself
and 6 otherpeople fromboth2nd
and 1st
yearhelped
Duncan to setit up.We beganbypreparingthe surfaces
where the printswouldsitusingadust panand brush
and varnish.Once thishaddryed,we laidoutall of the
printsincludingthose fromJapan,ThailandandBrighton
of bothstudentsandtutors.
Whenall the printswere laidout,we startedto pickones
that lookedgoodnexttoeachotherand movedthem
around.I was lookingoutforworkthat sharedsome
similaritiesbutwasn’tsosimilarthatitlookedstrange
havingtheminclose proximity.
I reallyenjoyeddoingthispartof the curationand seeing
the varietyinwork.
We alsohad to make sure that the printswere mixedup
interms of where theycame from.We didn’twantthere
to be any divides asthe exhibitionisanexchange where
each country isworkingtogether.
At firstI wasunsure on the layoutof the exhibition,with
the printsbeingontablesratherthan on the walls.
However,once theywere all stuckdownandpresented
properly,Ithinkthe tablesofferedaninteresting
presentation.Notoftenare we made tolookdownat
artworkin an exhibitioninsteaditisusuallydirectlyin
frontof our eyes.The act of lookingdown,Ifeltmade me
engage more,especiallywiththe surface of the print.
I enjoyedworkingwithpeople fromdifferentyeargroupsandfeltitwashelpful tobothof usto
learnhowto compromise ideasandcome upwiththe bestsolutions.
As I helpedtocurate our2nd
yearexhibition,itwasinterestingtomake comparisonsbetweenthe
two.Due totheirbeingmore workthistime andit all beingof similarsize,Ifounditeasierto
organise where workshouldgo.Withourexhibitionlastyear,Ihadto take intoconsiderationthe
layoutrequirementsof peoplesworkalotmore.

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Curating the exhibition

  • 1. CURATING THE EXHIBITION Nowthat everyone hashandedintheireditionprints,it was time tostart the curation of the exhibition.Myself and 6 otherpeople fromboth2nd and 1st yearhelped Duncan to setit up.We beganbypreparingthe surfaces where the printswouldsitusingadust panand brush and varnish.Once thishaddryed,we laidoutall of the printsincludingthose fromJapan,ThailandandBrighton of bothstudentsandtutors. Whenall the printswere laidout,we startedto pickones that lookedgoodnexttoeachotherand movedthem around.I was lookingoutforworkthat sharedsome similaritiesbutwasn’tsosimilarthatitlookedstrange havingtheminclose proximity. I reallyenjoyeddoingthispartof the curationand seeing the varietyinwork. We alsohad to make sure that the printswere mixedup interms of where theycame from.We didn’twantthere to be any divides asthe exhibitionisanexchange where each country isworkingtogether. At firstI wasunsure on the layoutof the exhibition,with the printsbeingontablesratherthan on the walls. However,once theywere all stuckdownandpresented properly,Ithinkthe tablesofferedaninteresting presentation.Notoftenare we made tolookdownat artworkin an exhibitioninsteaditisusuallydirectlyin frontof our eyes.The act of lookingdown,Ifeltmade me engage more,especiallywiththe surface of the print. I enjoyedworkingwithpeople fromdifferentyeargroupsandfeltitwashelpful tobothof usto learnhowto compromise ideasandcome upwiththe bestsolutions. As I helpedtocurate our2nd yearexhibition,itwasinterestingtomake comparisonsbetweenthe two.Due totheirbeingmore workthistime andit all beingof similarsize,Ifounditeasierto organise where workshouldgo.Withourexhibitionlastyear,Ihadto take intoconsiderationthe layoutrequirementsof peoplesworkalotmore.