Talk by Roger Bamkin, Director of Wikimedia UK on Tue 16 Oct 2012 at the DMU Transdisciplinary Common Room http://transdisciplinarydmu.blogspot.co.uk/2012/09/augmented-reality-creating-worlds-first.html
Transforming museums with technology - Transforming a city from inside a museumRoger Bamkin
The TEDx talk on 8th September at Bristol M Shed. Daringly we spoke about the M Shed's on-line presense. They have spent millions transforming the museum from its former name of the Bristol Industrial Museum. Sadly on Wikipedia their former reincarnation looks like a better museum that they are now. How can you transform a museum? Why would you want to? Is it possible to change the on-line profile of your museum. We talk here about the work that Wikimedia UK have done with Derby Museum. As a result they have 1200 articles on their museum and are probable seen as one the UKs top museums on many wikipedias.
Evaluating impact: transliteracy and creative business innovation via social ...Dr Sue Thomas
This article outlines the emergent theoretical framework which informed a series of initiatives developed at De Montfort University, Leicester, UK, between 2005-11 with the aim of stimulating the use of social media for business innovation, and analyses their impact in relation to the Research Excellence Framework (REF) exercise to be held in the UK in 2014 (in so far as it was understood in the first half of 2011). The new concept of transliteracy, developed at the Institute of Creative Technologies at DMU, was a key element in the theory informing the projects, some of which were also underpinned by research on the Amplified Individual undertaken at the Institute for the Future, Palo Alto. Although they differed in style and reach, all shared a focus on the use of social media by small to medium sized creative businesses and non-profit organisations in and around the city of Leicester, UK. In the light of the importance of assessing impact in today’s academic climate, Dr Souvik Mukherjee was appointed in 2011 to look at how that combination of research and practice might be used to demonstrate impact and make recommendations for future research. We understand that many other countries are already, or soon will be, conducting a similar audit of the ways in which higher education effects knowledge exchange and public engagement, so this article should also be of interest outside the United Kingdom.
Transforming museums with technology - Transforming a city from inside a museumRoger Bamkin
The TEDx talk on 8th September at Bristol M Shed. Daringly we spoke about the M Shed's on-line presense. They have spent millions transforming the museum from its former name of the Bristol Industrial Museum. Sadly on Wikipedia their former reincarnation looks like a better museum that they are now. How can you transform a museum? Why would you want to? Is it possible to change the on-line profile of your museum. We talk here about the work that Wikimedia UK have done with Derby Museum. As a result they have 1200 articles on their museum and are probable seen as one the UKs top museums on many wikipedias.
Evaluating impact: transliteracy and creative business innovation via social ...Dr Sue Thomas
This article outlines the emergent theoretical framework which informed a series of initiatives developed at De Montfort University, Leicester, UK, between 2005-11 with the aim of stimulating the use of social media for business innovation, and analyses their impact in relation to the Research Excellence Framework (REF) exercise to be held in the UK in 2014 (in so far as it was understood in the first half of 2011). The new concept of transliteracy, developed at the Institute of Creative Technologies at DMU, was a key element in the theory informing the projects, some of which were also underpinned by research on the Amplified Individual undertaken at the Institute for the Future, Palo Alto. Although they differed in style and reach, all shared a focus on the use of social media by small to medium sized creative businesses and non-profit organisations in and around the city of Leicester, UK. In the light of the importance of assessing impact in today’s academic climate, Dr Souvik Mukherjee was appointed in 2011 to look at how that combination of research and practice might be used to demonstrate impact and make recommendations for future research. We understand that many other countries are already, or soon will be, conducting a similar audit of the ways in which higher education effects knowledge exchange and public engagement, so this article should also be of interest outside the United Kingdom.
Glam derby collaborating with a smalll museumRoger Bamkin
Late Draft of presentation given at Wikimania in Haifa, Israel in August 2011. At this point we had 1,000 translations - this was to eventually be 1,200 translations for the Wright challenge. We also gathered an editor in Africa
eventually. One small museum - the first you can tour in a dozen languages we think
People involved include Jimmy Wales, Jonathon Wallis, Terence Eden, Roger Shelley, Nick Moyes, Richard Mackney, James Bamkin, Andy Mabbut, Rachel Atherton, Lucy Salt, Joseph Wright, Erasmus Darwin, Lvova, Tappinen, Conte de Sarre, Sanko, Fwahwah, Palnatoke, Mayor of Derby, Ting Cheng, Arnau Duran, Kipelboy
Technobiophilia: soothing our connected minds and easing our wired lives, Bi...Dr Sue Thomas
Published on 20 May 2015
Technobiophilia: soothing our connected minds and easing our wired lives
In her 2013 book Technobiophilia: Nature and Cyberspace, Sue Thomas interrogates the prevalence online of nature-derived metaphors, and comes to a surprising conclusion. The root of this trend, she believes, lies in biophilia, defined by E.O. Wilson as ‘the innate attraction to life and lifelike processes’. Working from the strong thread of biophilia which runs through our online lives, she expands Wilson’s definition to the ‘innate attraction to life and lifelike processes *as they appear in technology*’, a phenomenon she calls ‘technobiophilia’. Attention to technobiophilia and its application to urban design offers a way to make our digital lives integrated, healthy, and mindful. In this talk she outlines the key elements of the concept and shows how, even in an intensely digital culture, the restorative qualities of biophilia can alleviate mental fatigue and enhance our capacity for directed attention, thus soothing our connected minds and easing our wired lives.
Sue's website: https://suethomasnet.wordpress.com
YouTube video of this talk: https://youtu.be/yOrt8zINrnE
A day off in the cyberpark – how the growing synergies between nature and tec...Dr Sue Thomas
A day off in the cyberpark – how the growing synergies between nature and technology will soon affect our workplaces and leisure time
Keynote presentation by Dr Sue Thomas, Visiting Fellow, The Media School, Bournemouth University www.suethomas.net
Seminar 11: ''Affective Digital Economy: Intimacy, Identity and Networked Realities''
ESRC Seminar Series: Digital Policy: Connectivity, Creativity and Rights
Friday November 29 2013, University of Leicester
This lecture uncovers a hidden literacy in the way we think about nature in cyberspace. Why are there so many nature metaphors – clouds, rivers, streams, viruses, and bugs – in the language of the internet? Why do we adorn our screens with exotic images of forests, waterfalls, animals and beaches? In her new book ‘Technobiophilia: Nature and Cyberspace’, Sue Thomas interrogates the prevalence online of nature-derived metaphors and imagery and come to a surprising conclusion. The root of this trend, she believes, lies in biophilia, defined by biologist E.O. Wilson as ‘the innate attraction to life and lifelike processes’. In this lecture, which marks the US launch of the book, she explores the strong thread of biophilia which runs through our online lives, a phenomenon she calls ‘technobiophilia’, or, the ‘innate attraction to life and lifelike processes as they appear in technology’. The restorative qualities of biophilia can alleviate mental fatigue and enhance our capacity for directed attention, soothing our connected minds and easing our relationship with computers. More information at www.suethomas.net
This lecture was part of a series of Fall guest lectures exploring the intriguing new concept of metaliteracy developed by Tom Mackey and Trudi Jacobson, and it was presented live in the new Metaliteracy MOOC. The MOOC is open to students at the University at Albany and Empire State College for credit as well as to all global participants as a free and open learning experience. http://metaliteracy.cdlprojects.com/index.html
Technobiophilia: How nature calms your wired life. At Cafe Scientifique, Bour...Dr Sue Thomas
Why do we adorn our screens with pictures of forests, waterfalls, animals and beaches? Why are there so many nature metaphors in the language of the internet? The answer lies in biophilia, the innate human attraction to life and life-like processes. Sue Thomas believes that nature can soothe our connected minds and offer unexpected benefits – an improved attention span, a rested mind, and enhanced creativity. So there’s no need to choose between technology and well-being – we can have both! This talk is about the best way to make our digital lives integrated, healthy, and mindful.
Cafe Scientifique Bournemouth, at Cafe Boscanova, Boscombe on 1st October 2013 http://cafescibournemouth.wordpress.com/2013/09/10/tuesday-1st-october-cafe-scientifique-exclusive-to-mark-our-1-year-anniversary/
www.suethomas.net
Sue Thomas 'A Journey of Integration' PhD Thesis 2004 [computers, connectedne...Dr Sue Thomas
'A Journey of Integration: Virtuality and Physicality in a Computer-Mediated Environment'
. PhD by Published Works, 2004. Sue Thomas
This thesis details the history of Sue Thomas’s writings on computer-mediated experience since 1988, from the research for and writing of her first novel Correspondence (1992), through a second novel Water (1994) and a number of collected and single works in print and new media, to the non-fiction book Hello World: travels in virtuality (2004). It argues that computers offer an opportunity to explore our sense of connectedness not just with each other, but also with the natural, the mechanical and the digital. However, the immense promise of digital life lies in its very resistance to definition, and the growing web of online social networks must be regarded as an ecological system living and evolving on its own terms. (Chapter 6 has been removed for revision)
[with audio] Technobiophilia: Sue Thomas, The Future of Cyberspace, Professor...Dr Sue Thomas
NB: YOU NEED TO DOWNLOAD THESE SLIDES TO HEAR THE SOUND
The act of entering cyberspace was, along with the entering of outer space, one of the most profound experiences of the twentieth century. In 1969, humans landed first ‘on’ the moon (July), and then ‘in’ cyberspace (September) with the connection of the first two nodes of the internet. Today the mountains of the Moon remain neglected and unexplored, but cyberspace has evolved into a deeply familiar habitat whose geography has been shaped by those who built and used it. This talk explores the evolution of the landscape of cyberspace from its creation as an unpopulated wilderness through its exploration, colonisation, cultivation, settlement and growth, and offers some predictions for the future of this most exotic place.
Sue Thomas is Professor of New Media at the Institute of Creative Technologies in the Faculty of Art, Design and Humanities. She has written several books including the novel 'Correspondence', short-listed for the 1992 Arthur C Clarke Award for Best Science Fiction Novel, and most recently the 2004 non-fiction cyberspace travelogue 'Hello World: travels in virtuality'. She has written about computers and the internet since the 1980s and is now working on 'Nature and Cyberspace: Stories, Memes and Metaphors', a study of the relationships between cyberspace and the natural world, forthcoming with Bloomsbury Academic. She co-directs the influential Transliteracy Research Group and the DMU Transdisciplinary Group, and is a Fellow of the Royal Society of Arts.
www.technobiophilia.com
Technobiophilia: Sue Thomas, The Future of Cyberspace, Professorial Lecture, ...Dr Sue Thomas
The act of entering cyberspace was, along with the entering of outer space, one of the most profound experiences of the twentieth century. In 1969, humans landed first ‘on’ the moon (July), and then ‘in’ cyberspace (September) with the connection of the first two nodes of the internet. Today the mountains of the Moon remain neglected and unexplored, but cyberspace has evolved into a deeply familiar habitat whose geography has been shaped by those who built and used it. This talk explores the evolution of the landscape of cyberspace from its creation as an unpopulated wilderness through its exploration, colonisation, cultivation, settlement and growth, and offers some predictions for the future of this most exotic place.
Sue Thomas is Professor of New Media at the Institute of Creative Technologies in the Faculty of Art, Design and Humanities. She has written several books including the novel 'Correspondence', short-listed for the 1992 Arthur C Clarke Award for Best Science Fiction Novel, and most recently the 2004 non-fiction cyberspace travelogue 'Hello World: travels in virtuality'. She has written about computers and the internet since the 1980s and is now working on 'Nature and Cyberspace: Stories, Memes and Metaphors', a study of the relationships between cyberspace and the natural world, forthcoming with Bloomsbury Academic. She co-directs the influential Transliteracy Research Group and the DMU Transdisciplinary Group, and is a Fellow of the Royal Society of Arts.
www.technobiophilia.com
Evaluating Impact: NLab, Amplified Leicester, and creative innovation via soc...Dr Sue Thomas
SEMINAR: Evaluating Impact: NLab, Amplified Leicester, and creative innovation via social media
Wednesday 8th June 2011, 4pm at the Institute of Creative Technologies De Montfort University, Leicester, UK .
Since 2005, DMU has initiated a series of projects which share a common focus of exploring social media as a means of stimulating creative innovation in business, non-profit, and community life in and around Leicester. They include NLab and CreativeCoffee Club (funded by HEIF, the Higher Education Innovation Fund) and Amplified Leicester (funded by NESTA, the National Endowment for Science, Technology and the Arts). Professor Sue Thomas has devised and directed these activities across the Faculty of Humanities and the Institute of Creative Technologies.
Emergence has been a dominant feature of all the projects and, despite being driven by different agendas, each has informed the shaping of the others. An important element has been the creation and evolution of spaces, both physical and intellectual, which support:
* the application of academic research to real-life problems
* the connection of cutting-edge research into social media innovation with local creative businesses
* the creation of a network linking De Montfort University with small businesses, non-profits, and local agencies
Dr Souvik Mukherjee has evaluated the impact of these projects both in relation to their importance for the Research Excellence Framework and with regard to indications of future developments building on current achievements. In the process, he has also gleaned valuable insights into the REF Impact agenda which will be of interest to colleagues in a wide range of disciplines.
Dr Mukherjee is a Research fellow in the Department of Media, Film and Journalism in the Faculty of Humanities. He is currently involved in analysing the impact of social media projects on communities, especially in relation to business innovation and transliteracy. Having completed his PhD on storytelling in New Media, especially focusing on videogame narratives, Souvik has published and presented papers on a range of related topics. Besides New Media, he also takes a keen interest in e-learning and has been involved in analysing online media and virtual learning network usage in higher education. After completing his project at DMU, Souvik intends to return home to India to develop New Media research networks there.
Amplified Leicester Panel
23 March 2011
Amplified Communities of Faith or Belief convened by George Ballentyne, Leicester Council of Faiths, with guests Sughra Ahmed, Richard Hopper and Matthew Hughes
http://ampleic.ning.com/events/amplified-communities-of-faith
Transliteracy Sue Thomas Xi'an (Mandarin)Dr Sue Thomas
Presentation of Transliteracy: Crossing Divides at the DAW Symposium, Xi'an, China, July 2010. Includes Bobbi Newman's Transliteracy slides. http://www.digitalartweeks.ethz.ch/web/DAW10/Symposium
Translated into Mandarin.
Transliteracy Sue Thomas Xi'an (English)Dr Sue Thomas
Presentation of Transliteracy: Crossing Divides at the DAW Symposium, Xi'an, China, July 2010. Includes Bobbi Newman's Transliteracy slides. http://www.digitalartweeks.ethz.ch/web/DAW10/Symposium
Amplified Leicester and the Resilience Imperative - Andrea SaveriDr Sue Thomas
Andrea Saveri Keynote at the Amplified Leicester Showcase, 15 April 2010, Phoenix Square Digital Media Centre, Leicester, UK www.amplifiedleicester.com
Amplified Leicester is a city-wide experiment in social media. Amplified individuals use social media and the web to enhance their abilities to sense their world, create shared resources and act collaboratively. www.amplifiedleicester.com
Glam derby collaborating with a smalll museumRoger Bamkin
Late Draft of presentation given at Wikimania in Haifa, Israel in August 2011. At this point we had 1,000 translations - this was to eventually be 1,200 translations for the Wright challenge. We also gathered an editor in Africa
eventually. One small museum - the first you can tour in a dozen languages we think
People involved include Jimmy Wales, Jonathon Wallis, Terence Eden, Roger Shelley, Nick Moyes, Richard Mackney, James Bamkin, Andy Mabbut, Rachel Atherton, Lucy Salt, Joseph Wright, Erasmus Darwin, Lvova, Tappinen, Conte de Sarre, Sanko, Fwahwah, Palnatoke, Mayor of Derby, Ting Cheng, Arnau Duran, Kipelboy
Similar to Creating the World's First Wikipedia Town (7)
Technobiophilia: soothing our connected minds and easing our wired lives, Bi...Dr Sue Thomas
Published on 20 May 2015
Technobiophilia: soothing our connected minds and easing our wired lives
In her 2013 book Technobiophilia: Nature and Cyberspace, Sue Thomas interrogates the prevalence online of nature-derived metaphors, and comes to a surprising conclusion. The root of this trend, she believes, lies in biophilia, defined by E.O. Wilson as ‘the innate attraction to life and lifelike processes’. Working from the strong thread of biophilia which runs through our online lives, she expands Wilson’s definition to the ‘innate attraction to life and lifelike processes *as they appear in technology*’, a phenomenon she calls ‘technobiophilia’. Attention to technobiophilia and its application to urban design offers a way to make our digital lives integrated, healthy, and mindful. In this talk she outlines the key elements of the concept and shows how, even in an intensely digital culture, the restorative qualities of biophilia can alleviate mental fatigue and enhance our capacity for directed attention, thus soothing our connected minds and easing our wired lives.
Sue's website: https://suethomasnet.wordpress.com
YouTube video of this talk: https://youtu.be/yOrt8zINrnE
A day off in the cyberpark – how the growing synergies between nature and tec...Dr Sue Thomas
A day off in the cyberpark – how the growing synergies between nature and technology will soon affect our workplaces and leisure time
Keynote presentation by Dr Sue Thomas, Visiting Fellow, The Media School, Bournemouth University www.suethomas.net
Seminar 11: ''Affective Digital Economy: Intimacy, Identity and Networked Realities''
ESRC Seminar Series: Digital Policy: Connectivity, Creativity and Rights
Friday November 29 2013, University of Leicester
This lecture uncovers a hidden literacy in the way we think about nature in cyberspace. Why are there so many nature metaphors – clouds, rivers, streams, viruses, and bugs – in the language of the internet? Why do we adorn our screens with exotic images of forests, waterfalls, animals and beaches? In her new book ‘Technobiophilia: Nature and Cyberspace’, Sue Thomas interrogates the prevalence online of nature-derived metaphors and imagery and come to a surprising conclusion. The root of this trend, she believes, lies in biophilia, defined by biologist E.O. Wilson as ‘the innate attraction to life and lifelike processes’. In this lecture, which marks the US launch of the book, she explores the strong thread of biophilia which runs through our online lives, a phenomenon she calls ‘technobiophilia’, or, the ‘innate attraction to life and lifelike processes as they appear in technology’. The restorative qualities of biophilia can alleviate mental fatigue and enhance our capacity for directed attention, soothing our connected minds and easing our relationship with computers. More information at www.suethomas.net
This lecture was part of a series of Fall guest lectures exploring the intriguing new concept of metaliteracy developed by Tom Mackey and Trudi Jacobson, and it was presented live in the new Metaliteracy MOOC. The MOOC is open to students at the University at Albany and Empire State College for credit as well as to all global participants as a free and open learning experience. http://metaliteracy.cdlprojects.com/index.html
Technobiophilia: How nature calms your wired life. At Cafe Scientifique, Bour...Dr Sue Thomas
Why do we adorn our screens with pictures of forests, waterfalls, animals and beaches? Why are there so many nature metaphors in the language of the internet? The answer lies in biophilia, the innate human attraction to life and life-like processes. Sue Thomas believes that nature can soothe our connected minds and offer unexpected benefits – an improved attention span, a rested mind, and enhanced creativity. So there’s no need to choose between technology and well-being – we can have both! This talk is about the best way to make our digital lives integrated, healthy, and mindful.
Cafe Scientifique Bournemouth, at Cafe Boscanova, Boscombe on 1st October 2013 http://cafescibournemouth.wordpress.com/2013/09/10/tuesday-1st-october-cafe-scientifique-exclusive-to-mark-our-1-year-anniversary/
www.suethomas.net
Sue Thomas 'A Journey of Integration' PhD Thesis 2004 [computers, connectedne...Dr Sue Thomas
'A Journey of Integration: Virtuality and Physicality in a Computer-Mediated Environment'
. PhD by Published Works, 2004. Sue Thomas
This thesis details the history of Sue Thomas’s writings on computer-mediated experience since 1988, from the research for and writing of her first novel Correspondence (1992), through a second novel Water (1994) and a number of collected and single works in print and new media, to the non-fiction book Hello World: travels in virtuality (2004). It argues that computers offer an opportunity to explore our sense of connectedness not just with each other, but also with the natural, the mechanical and the digital. However, the immense promise of digital life lies in its very resistance to definition, and the growing web of online social networks must be regarded as an ecological system living and evolving on its own terms. (Chapter 6 has been removed for revision)
[with audio] Technobiophilia: Sue Thomas, The Future of Cyberspace, Professor...Dr Sue Thomas
NB: YOU NEED TO DOWNLOAD THESE SLIDES TO HEAR THE SOUND
The act of entering cyberspace was, along with the entering of outer space, one of the most profound experiences of the twentieth century. In 1969, humans landed first ‘on’ the moon (July), and then ‘in’ cyberspace (September) with the connection of the first two nodes of the internet. Today the mountains of the Moon remain neglected and unexplored, but cyberspace has evolved into a deeply familiar habitat whose geography has been shaped by those who built and used it. This talk explores the evolution of the landscape of cyberspace from its creation as an unpopulated wilderness through its exploration, colonisation, cultivation, settlement and growth, and offers some predictions for the future of this most exotic place.
Sue Thomas is Professor of New Media at the Institute of Creative Technologies in the Faculty of Art, Design and Humanities. She has written several books including the novel 'Correspondence', short-listed for the 1992 Arthur C Clarke Award for Best Science Fiction Novel, and most recently the 2004 non-fiction cyberspace travelogue 'Hello World: travels in virtuality'. She has written about computers and the internet since the 1980s and is now working on 'Nature and Cyberspace: Stories, Memes and Metaphors', a study of the relationships between cyberspace and the natural world, forthcoming with Bloomsbury Academic. She co-directs the influential Transliteracy Research Group and the DMU Transdisciplinary Group, and is a Fellow of the Royal Society of Arts.
www.technobiophilia.com
Technobiophilia: Sue Thomas, The Future of Cyberspace, Professorial Lecture, ...Dr Sue Thomas
The act of entering cyberspace was, along with the entering of outer space, one of the most profound experiences of the twentieth century. In 1969, humans landed first ‘on’ the moon (July), and then ‘in’ cyberspace (September) with the connection of the first two nodes of the internet. Today the mountains of the Moon remain neglected and unexplored, but cyberspace has evolved into a deeply familiar habitat whose geography has been shaped by those who built and used it. This talk explores the evolution of the landscape of cyberspace from its creation as an unpopulated wilderness through its exploration, colonisation, cultivation, settlement and growth, and offers some predictions for the future of this most exotic place.
Sue Thomas is Professor of New Media at the Institute of Creative Technologies in the Faculty of Art, Design and Humanities. She has written several books including the novel 'Correspondence', short-listed for the 1992 Arthur C Clarke Award for Best Science Fiction Novel, and most recently the 2004 non-fiction cyberspace travelogue 'Hello World: travels in virtuality'. She has written about computers and the internet since the 1980s and is now working on 'Nature and Cyberspace: Stories, Memes and Metaphors', a study of the relationships between cyberspace and the natural world, forthcoming with Bloomsbury Academic. She co-directs the influential Transliteracy Research Group and the DMU Transdisciplinary Group, and is a Fellow of the Royal Society of Arts.
www.technobiophilia.com
Evaluating Impact: NLab, Amplified Leicester, and creative innovation via soc...Dr Sue Thomas
SEMINAR: Evaluating Impact: NLab, Amplified Leicester, and creative innovation via social media
Wednesday 8th June 2011, 4pm at the Institute of Creative Technologies De Montfort University, Leicester, UK .
Since 2005, DMU has initiated a series of projects which share a common focus of exploring social media as a means of stimulating creative innovation in business, non-profit, and community life in and around Leicester. They include NLab and CreativeCoffee Club (funded by HEIF, the Higher Education Innovation Fund) and Amplified Leicester (funded by NESTA, the National Endowment for Science, Technology and the Arts). Professor Sue Thomas has devised and directed these activities across the Faculty of Humanities and the Institute of Creative Technologies.
Emergence has been a dominant feature of all the projects and, despite being driven by different agendas, each has informed the shaping of the others. An important element has been the creation and evolution of spaces, both physical and intellectual, which support:
* the application of academic research to real-life problems
* the connection of cutting-edge research into social media innovation with local creative businesses
* the creation of a network linking De Montfort University with small businesses, non-profits, and local agencies
Dr Souvik Mukherjee has evaluated the impact of these projects both in relation to their importance for the Research Excellence Framework and with regard to indications of future developments building on current achievements. In the process, he has also gleaned valuable insights into the REF Impact agenda which will be of interest to colleagues in a wide range of disciplines.
Dr Mukherjee is a Research fellow in the Department of Media, Film and Journalism in the Faculty of Humanities. He is currently involved in analysing the impact of social media projects on communities, especially in relation to business innovation and transliteracy. Having completed his PhD on storytelling in New Media, especially focusing on videogame narratives, Souvik has published and presented papers on a range of related topics. Besides New Media, he also takes a keen interest in e-learning and has been involved in analysing online media and virtual learning network usage in higher education. After completing his project at DMU, Souvik intends to return home to India to develop New Media research networks there.
Amplified Leicester Panel
23 March 2011
Amplified Communities of Faith or Belief convened by George Ballentyne, Leicester Council of Faiths, with guests Sughra Ahmed, Richard Hopper and Matthew Hughes
http://ampleic.ning.com/events/amplified-communities-of-faith
Transliteracy Sue Thomas Xi'an (Mandarin)Dr Sue Thomas
Presentation of Transliteracy: Crossing Divides at the DAW Symposium, Xi'an, China, July 2010. Includes Bobbi Newman's Transliteracy slides. http://www.digitalartweeks.ethz.ch/web/DAW10/Symposium
Translated into Mandarin.
Transliteracy Sue Thomas Xi'an (English)Dr Sue Thomas
Presentation of Transliteracy: Crossing Divides at the DAW Symposium, Xi'an, China, July 2010. Includes Bobbi Newman's Transliteracy slides. http://www.digitalartweeks.ethz.ch/web/DAW10/Symposium
Amplified Leicester and the Resilience Imperative - Andrea SaveriDr Sue Thomas
Andrea Saveri Keynote at the Amplified Leicester Showcase, 15 April 2010, Phoenix Square Digital Media Centre, Leicester, UK www.amplifiedleicester.com
Amplified Leicester is a city-wide experiment in social media. Amplified individuals use social media and the web to enhance their abilities to sense their world, create shared resources and act collaboratively. www.amplifiedleicester.com
Plenary Talk, Narrative and Multimodality Conference, 27-28 April, 2007, Birmingham, UK. Sue Thomas, Professor of New Media, De Montfort University. [1] some images have been removed for copyright reasons.[2] text will be available at a later date.
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
In his public lecture, Christian Timmerer provides insights into the fascinating history of video streaming, starting from its humble beginnings before YouTube to the groundbreaking technologies that now dominate platforms like Netflix and ORF ON. Timmerer also presents provocative contributions of his own that have significantly influenced the industry. He concludes by looking at future challenges and invites the audience to join in a discussion.
Removing Uninteresting Bytes in Software FuzzingAftab Hussain
Imagine a world where software fuzzing, the process of mutating bytes in test seeds to uncover hidden and erroneous program behaviors, becomes faster and more effective. A lot depends on the initial seeds, which can significantly dictate the trajectory of a fuzzing campaign, particularly in terms of how long it takes to uncover interesting behaviour in your code. We introduce DIAR, a technique designed to speedup fuzzing campaigns by pinpointing and eliminating those uninteresting bytes in the seeds. Picture this: instead of wasting valuable resources on meaningless mutations in large, bloated seeds, DIAR removes the unnecessary bytes, streamlining the entire process.
In this work, we equipped AFL, a popular fuzzer, with DIAR and examined two critical Linux libraries -- Libxml's xmllint, a tool for parsing xml documents, and Binutil's readelf, an essential debugging and security analysis command-line tool used to display detailed information about ELF (Executable and Linkable Format). Our preliminary results show that AFL+DIAR does not only discover new paths more quickly but also achieves higher coverage overall. This work thus showcases how starting with lean and optimized seeds can lead to faster, more comprehensive fuzzing campaigns -- and DIAR helps you find such seeds.
- These are slides of the talk given at IEEE International Conference on Software Testing Verification and Validation Workshop, ICSTW 2022.
Maruthi Prithivirajan, Head of ASEAN & IN Solution Architecture, Neo4j
Get an inside look at the latest Neo4j innovations that enable relationship-driven intelligence at scale. Learn more about the newest cloud integrations and product enhancements that make Neo4j an essential choice for developers building apps with interconnected data and generative AI.
GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024Neo4j
Neha Bajwa, Vice President of Product Marketing, Neo4j
Join us as we explore breakthrough innovations enabled by interconnected data and AI. Discover firsthand how organizations use relationships in data to uncover contextual insights and solve our most pressing challenges – from optimizing supply chains, detecting fraud, and improving customer experiences to accelerating drug discoveries.
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...SOFTTECHHUB
The choice of an operating system plays a pivotal role in shaping our computing experience. For decades, Microsoft's Windows has dominated the market, offering a familiar and widely adopted platform for personal and professional use. However, as technological advancements continue to push the boundaries of innovation, alternative operating systems have emerged, challenging the status quo and offering users a fresh perspective on computing.
One such alternative that has garnered significant attention and acclaim is Nitrux Linux 3.5.0, a sleek, powerful, and user-friendly Linux distribution that promises to redefine the way we interact with our devices. With its focus on performance, security, and customization, Nitrux Linux presents a compelling case for those seeking to break free from the constraints of proprietary software and embrace the freedom and flexibility of open-source computing.
Generative AI Deep Dive: Advancing from Proof of Concept to ProductionAggregage
Join Maher Hanafi, VP of Engineering at Betterworks, in this new session where he'll share a practical framework to transform Gen AI prototypes into impactful products! He'll delve into the complexities of data collection and management, model selection and optimization, and ensuring security, scalability, and responsible use.
Encryption in Microsoft 365 - ExpertsLive Netherlands 2024Albert Hoitingh
In this session I delve into the encryption technology used in Microsoft 365 and Microsoft Purview. Including the concepts of Customer Key and Double Key Encryption.
Dr. Sean Tan, Head of Data Science, Changi Airport Group
Discover how Changi Airport Group (CAG) leverages graph technologies and generative AI to revolutionize their search capabilities. This session delves into the unique search needs of CAG’s diverse passengers and customers, showcasing how graph data structures enhance the accuracy and relevance of AI-generated search results, mitigating the risk of “hallucinations” and improving the overall customer journey.
Pushing the limits of ePRTC: 100ns holdover for 100 daysAdtran
At WSTS 2024, Alon Stern explored the topic of parametric holdover and explained how recent research findings can be implemented in real-world PNT networks to achieve 100 nanoseconds of accuracy for up to 100 days.
Communications Mining Series - Zero to Hero - Session 1DianaGray10
This session provides introduction to UiPath Communication Mining, importance and platform overview. You will acquire a good understand of the phases in Communication Mining as we go over the platform with you. Topics covered:
• Communication Mining Overview
• Why is it important?
• How can it help today’s business and the benefits
• Phases in Communication Mining
• Demo on Platform overview
• Q/A
GridMate - End to end testing is a critical piece to ensure quality and avoid...ThomasParaiso2
End to end testing is a critical piece to ensure quality and avoid regressions. In this session, we share our journey building an E2E testing pipeline for GridMate components (LWC and Aura) using Cypress, JSForce, FakerJS…
Securing your Kubernetes cluster_ a step-by-step guide to success !KatiaHIMEUR1
Today, after several years of existence, an extremely active community and an ultra-dynamic ecosystem, Kubernetes has established itself as the de facto standard in container orchestration. Thanks to a wide range of managed services, it has never been so easy to set up a ready-to-use Kubernetes cluster.
However, this ease of use means that the subject of security in Kubernetes is often left for later, or even neglected. This exposes companies to significant risks.
In this talk, I'll show you step-by-step how to secure your Kubernetes cluster for greater peace of mind and reliability.
UiPath Test Automation using UiPath Test Suite series, part 5DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 5. In this session, we will cover CI/CD with devops.
Topics covered:
CI/CD with in UiPath
End-to-end overview of CI/CD pipeline with Azure devops
Speaker:
Lyndsey Byblow, Test Suite Sales Engineer @ UiPath, Inc.
Elizabeth Buie - Older adults: Are we really designing for our future selves?
Creating the World's First Wikipedia Town
1. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar
Why
Monmouth
How
Gibraltar
Roger Bamkin
This presentation is CC-BY-SA
except for logos and screen prints which are Fair Use or used with permission and the geotagged map
1
De Monffort University
15 October 2012
2. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar
Why
Monmouth
How
Gibraltar
2
3. Click to edit Master title style
British
Museum 1. Google
Main Page
Derby
Welcome 2. Facebook
Who
QRpedia 3. YouTube
When http://en.wikipedia.org/wiki/Moorish
Bristol 4. Yahoo
Where _Gibraltar
Why
Monmouth 5. Baidu.com
How 6. Blogger.com
Gibraltar
7. Wikipedia This is us. We have > 400 million users/ month
8. Windows Live
9. Twitter
3
10. QQ.com
4. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
4
5. Click to edit Master title style
British
Museum In Reality On Wikipedia
Main Page
Derby
Welcome
Who
QRpedia
When http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar
Why
Monmouth
How
Gibraltar
Derby Museum
Derby Museum is a small
regional museum The wiki article was OK
5
6. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who After one meeting
QRpedia
When As a result of the meetings
http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar
We wrote 10-20 articles
Why
Monmouth
How The Derby Museum article
Gibraltar
spread quickly to a dozen Derby Museum article now
languages mentioned ~ 40 objects.
It was bigger. And better
6
7. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome We wanted to use QR codes in
addition to labels
Who
QRpedia
When http://en.wikipedia.org/wiki/Moorish
We installed QR codes in Derby
Bristol
Where _Gibraltar
museum on sample objects
Why
Monmouth
Visitors were reading facts not
How
Gibraltar written by curators QR Code
Devised in 1994 by Toyota.
Both Wikipedians and curators Used in UK as a gimmick
could edit the Wikipedia page for marketing.
7
8. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
8
9. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
By April all QR codes replaced
Who
QRpedia
When We created a web site to receive
http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar the QRpedia requests
Why
Monmouth
The website recognises the
How
Gibraltar
QRpedia Code language of the users phone
•First used at Derby It redirects to the correct article in
Museums in April 2011
the language defined by the phone
•Allows mobile access to
Devised by Bamkin and Terence Eden
the Wikipedia page in your 9
language
10. Click to edit QRpedia work?
How does Master title style
British
Museum
Main Page
Derby
Welcome
Who But where
QRpedia
When will we find
http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar all the
Why
extra text
Monmouth
in French,
How
Gibraltar German ,
Polish etc?
We will ...
... And you can do it
10
NOW!
11. Ben e f it
^
Click to edit Master title style
“Collateral damage”
British
Museum
Main Page
The Wikipedia article about Derby is now in 60 languages.
Derby
Welcome
Most objects in the museum now have a QRpedia code.
Who
QRpedia
When However:
http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar
Nearby bridges got articles, churches, the library next door, castles,
Why
Monmouth archaeological sites and in different languages
How
Gibraltar Paintings that people thought were in Derby (but are not) got articles
Paintings that were in storage got articles
11
12. Click to edit Master title style
British
Museum
Main Page The article was written in
Derby
Welcome French
Who
QRpedia ... translated into English
When http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar ... and then into Russian
Why
Monmouth
How ... Featured on the
Gibraltar Russian main page
Where 53,000 read it
12
13. Clickarticles on Derby Museum exhibits
1,200 to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar
Why
Monmouth
How
Gibraltar
13
14. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar
Why
Monmouth
How
Gibraltar
14
Who wrote them all?
15. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
15
16. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
16
17. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When http://en.wikipedia.org/wiki/Moorish
Bristol
Where _Gibraltar UK
Museums
Why
Monmouth
How
Gibraltar
17
18. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
18
19. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
19
20. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth Why Gibraltar?
How
Gibraltar
It really is bi-lingual
Its culturally rich
Its 3 times the population of
Monmouth 21
Its almost a country
21. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
22
22. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
23
23. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
24
24. Click to edit Master title style
British
Museum
Main Page
Derby
Welcome
Who
QRpedia
When
Bristol
Where
Why
Monmouth
How
Gibraltar
25
Editor's Notes
A1 Hello etc. This talk is called ..... We think it should be called “transforming a city from a museum” We are going to talk about technology because that's what we use. However the job of Wikimedia UK is part of a global movement to
B2
C3 Wikimedia and our most famous project (Wikipedia) is full of big numbers. 3.7m articles in English, over 100 languages, over 10 m articles. Possibly the most amazing is that we have over 400 million different people visit our site every month. We are in the top ten web sites in the World .... And we are free!
L12 Actually Derby museum’s article was unusually large before we started. In reality it not such a grand museum as Bristol's main museum or the M Shed but in cyberspace on Wikipedia it probably scored 6/10 for a museum
q17
M13
P16 Steve thinks we need more explanation of how QRpedia works
P16 supplemental You find a QR code in this case one for Derby Museum, you click on it with in this case a phone set to operate in Japanese and because of this Qrpedia displays not the English page, not a translation, but an article about this museum written by someone in Japan.
O15
T20
U21
22
Google uses the number of links to decide how important a page is. On non-English Wiki s-best UK museum will not be National Museum of Wales Optimisation is done using links. Derby Museum=1200