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Course Outline
AS Media Studies
G321: Foundation Portfolio in
Media- coursework
• kept on a blog.
• This is a coursework unit where candidates
produce a media artefact from a series of
briefs.
• This process involves progression from a pre-
production, preliminary exercise to a more fully
realised piece.
• The briefs offered are: print, video, audio and
website.
• Candidates present their research and
planning on a blog and do an evaluation in
digital format, based on seven required
prompt questions
Print
• Preliminary exercise: using DTP and an
image manipulation program, produce the
front page of a new school/college
magazine, featuring a photograph of a
student in medium close-up plus some
appropriately laid-out text and a masthead.
• Main task: the front page, contents and
double page spread of a new music
magazine (if done as a group task, each
member of the group to produce an
individual edition of the magazine, following
the same house style)
Video
• Preliminary exercise: Continuity task involving
filming and editing a character opening a
door, crossing a room and sitting down in a
chair opposite another character, with whom
she/he then exchanges a couple of lines of
dialogue. This task should demonstrate match
on action, shot/reverse shot and the 180-
degree rule.
• Main task: the titles and opening of a new
fiction film, to last a maximum of two minutes.
• All video and audio material must be original,
produced by the candidate(s), with the
exception of music or audio effects from a
copyright-free source.
59/60
56/60 still A*
Audio
• Preliminary exercise: the introductory music/jingle
for a show on the radio with a presenter
introducing and greeting their guest (who must
respond) and playing an archive sound clip
relating to the guest (approximately 30-40 seconds
duration in total). This exercise is to demonstrate
understanding of sound editing and mixing and
conventions of radio.
• Main task: A five minute news bulletin (local radio)
to include title music, presenter, specialist
reporters, OBs, recorded interview, a vox pop and
appropriate sound fx and structure.
• All audio material must be original, produced by
the candidate(s), with the exception of music or
audio effects from a copyright-free source
Exam
• Textual Analysis and Representation.
• In Section A, Representation in TV Drama.
• candidates answer questions on a 4 minute
unseen TV drama extract that is then linked to
some aspect of the representation within the
sequence.
• Institutions and Audiences
• In Section B, candidates study the British Film
Industry.
• We examine the production, distribution,
marketing and exchange of films made by UK
based film companies.
• The aim of this course is to;
• • enhance candidates enjoyment and
appreciation of the media and its role in
their daily lives;
• • develop critical understanding of the
media through engagement with media
products and concepts and through the
creative application of practical skills;
• • explore production processes,
technologies and contexts;
• • become independent in research skills
and their application

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Course outline

  • 2.
  • 3. G321: Foundation Portfolio in Media- coursework • kept on a blog. • This is a coursework unit where candidates produce a media artefact from a series of briefs. • This process involves progression from a pre- production, preliminary exercise to a more fully realised piece. • The briefs offered are: print, video, audio and website. • Candidates present their research and planning on a blog and do an evaluation in digital format, based on seven required prompt questions
  • 4.
  • 5.
  • 6.
  • 7.
  • 8. Print • Preliminary exercise: using DTP and an image manipulation program, produce the front page of a new school/college magazine, featuring a photograph of a student in medium close-up plus some appropriately laid-out text and a masthead. • Main task: the front page, contents and double page spread of a new music magazine (if done as a group task, each member of the group to produce an individual edition of the magazine, following the same house style)
  • 9. Video • Preliminary exercise: Continuity task involving filming and editing a character opening a door, crossing a room and sitting down in a chair opposite another character, with whom she/he then exchanges a couple of lines of dialogue. This task should demonstrate match on action, shot/reverse shot and the 180- degree rule. • Main task: the titles and opening of a new fiction film, to last a maximum of two minutes. • All video and audio material must be original, produced by the candidate(s), with the exception of music or audio effects from a copyright-free source.
  • 10. 59/60
  • 12. Audio • Preliminary exercise: the introductory music/jingle for a show on the radio with a presenter introducing and greeting their guest (who must respond) and playing an archive sound clip relating to the guest (approximately 30-40 seconds duration in total). This exercise is to demonstrate understanding of sound editing and mixing and conventions of radio. • Main task: A five minute news bulletin (local radio) to include title music, presenter, specialist reporters, OBs, recorded interview, a vox pop and appropriate sound fx and structure. • All audio material must be original, produced by the candidate(s), with the exception of music or audio effects from a copyright-free source
  • 13. Exam • Textual Analysis and Representation. • In Section A, Representation in TV Drama. • candidates answer questions on a 4 minute unseen TV drama extract that is then linked to some aspect of the representation within the sequence. • Institutions and Audiences • In Section B, candidates study the British Film Industry. • We examine the production, distribution, marketing and exchange of films made by UK based film companies.
  • 14. • The aim of this course is to; • • enhance candidates enjoyment and appreciation of the media and its role in their daily lives; • • develop critical understanding of the media through engagement with media products and concepts and through the creative application of practical skills; • • explore production processes, technologies and contexts; • • become independent in research skills and their application