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Jolene Beiser, MA, MLIS 
Archivist 
SAA Annual meeting 
August 15, 2014
KPFA 94.1fm Berkeley, CA 
KPFK 90.7fm, Los Angeles, CA 
KPFT 90.1fm, Houston, TX 
WBAI 99.5fm, New York, NY 
WPFW 89.3fm, Washington, DC
Less than 10% of the collection digitized (approximately 10,000 recordings) 
526 recordings available streaming on the Internet Archive: http://tinyurl.com/psrq6dd 
Other recordings available through U.C. Berkeley Library, the Pop-Up Archive, American Archive Preservation Project
Part of selection criteria for grant-funded preservation projects 
Part of selection criteria for weekly radio program From the Vault 
Check before production of fund raising giveaways 
Licensing requests 
When do we assess copyright risk?
Created to gain clarity on copyright issues for grant-funded digitization projects 
White Paper by law firm Garvey Schubert Barer “Pacifica Radio Archives Preservation and Access Project: Digitization, Preservation and Distribution” (©2012) 
Available at: http://tinyurl.com/nl5k59n 
Copyright Risk Factor Assessment Checklist for Pacifica Tapes
Pacifica’s relationship with producer plays an important role 
Often use “Institutional Memory” to assess relationship
*The Archives team should meet to determine whether this amount of music, literary work or re- broadcast in the program violates fair use (e.g.: a piece of incidental music in a documentary program is fairly low risk, but a music program where a DJ is playing records or the full reading of a novel or story not in the public domain is higher risk, etc.).
Several types of music in recordings 
Live performances-- In Pacifica studios or outside? Was it a concert benefitting Pacifica? 
Pre-recorded 
▪Complete songs? 
▪Is it the focus of the program or an intro/outro?
Station ID and Litigious entities
Paired with items or grant projects available streaming online 
Notice for copyright claimants: The Pacifica Radio Archives will honor all takedown requests in compliance with the Digital Millennium Copyright Act and other applicable intellectual copyright laws. Please send all copyright inquiries to info@pacificaradioarchives.org or to the Archives’ physical address at: 3729 Cahuenga Boulevard West, North Hollywood, CA, 91604 c/o Archives Director for review. Claimants are advised to leave detailed contact information including name, telephone number, e-mail address, and/or physical address where they may be reached, as well as all information pertaining to the specific nature of the complaint.
We need to digitize to know what’s actually on the tape.
We are a non-profit institution 
Very few items have copyright registration
Contact Information 
Jolene Beiser, Archivist 
Jolene@pacificaradioarchives.org 
Pacifica Radio Archives 
North Hollywood, CA 
http://Pacificaradioarchives.org

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Intellectual Property Rights and Levels of Access

  • 1. Jolene Beiser, MA, MLIS Archivist SAA Annual meeting August 15, 2014
  • 2. KPFA 94.1fm Berkeley, CA KPFK 90.7fm, Los Angeles, CA KPFT 90.1fm, Houston, TX WBAI 99.5fm, New York, NY WPFW 89.3fm, Washington, DC
  • 3. Less than 10% of the collection digitized (approximately 10,000 recordings) 526 recordings available streaming on the Internet Archive: http://tinyurl.com/psrq6dd Other recordings available through U.C. Berkeley Library, the Pop-Up Archive, American Archive Preservation Project
  • 4.
  • 5. Part of selection criteria for grant-funded preservation projects Part of selection criteria for weekly radio program From the Vault Check before production of fund raising giveaways Licensing requests When do we assess copyright risk?
  • 6. Created to gain clarity on copyright issues for grant-funded digitization projects White Paper by law firm Garvey Schubert Barer “Pacifica Radio Archives Preservation and Access Project: Digitization, Preservation and Distribution” (©2012) Available at: http://tinyurl.com/nl5k59n Copyright Risk Factor Assessment Checklist for Pacifica Tapes
  • 7.
  • 8.
  • 9.
  • 10. Pacifica’s relationship with producer plays an important role Often use “Institutional Memory” to assess relationship
  • 11. *The Archives team should meet to determine whether this amount of music, literary work or re- broadcast in the program violates fair use (e.g.: a piece of incidental music in a documentary program is fairly low risk, but a music program where a DJ is playing records or the full reading of a novel or story not in the public domain is higher risk, etc.).
  • 12. Several types of music in recordings Live performances-- In Pacifica studios or outside? Was it a concert benefitting Pacifica? Pre-recorded ▪Complete songs? ▪Is it the focus of the program or an intro/outro?
  • 13. Station ID and Litigious entities
  • 14. Paired with items or grant projects available streaming online Notice for copyright claimants: The Pacifica Radio Archives will honor all takedown requests in compliance with the Digital Millennium Copyright Act and other applicable intellectual copyright laws. Please send all copyright inquiries to info@pacificaradioarchives.org or to the Archives’ physical address at: 3729 Cahuenga Boulevard West, North Hollywood, CA, 91604 c/o Archives Director for review. Claimants are advised to leave detailed contact information including name, telephone number, e-mail address, and/or physical address where they may be reached, as well as all information pertaining to the specific nature of the complaint.
  • 15. We need to digitize to know what’s actually on the tape.
  • 16. We are a non-profit institution Very few items have copyright registration
  • 17. Contact Information Jolene Beiser, Archivist Jolene@pacificaradioarchives.org Pacifica Radio Archives North Hollywood, CA http://Pacificaradioarchives.org