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COMMUNICATION THEORY
COMMUNICATION
 Communication: Process of sending and receiving
messages
 Nonverbal - communicating without the use of words
 Kinesics: body language
NON-VERBAL
COMMUNICATION
(TOTAL OF 9)
 Vocalization: sighs, groans, laughs
 Eye Contact
CONTINUE NON-VERBAL
 Touch
 Proxemics (management of space)
 Humans are territorial like animals
 How do you react when someone is a
Close talker?
CONTINUE NON-VERBAL
 Dance
 Signs
 Sign Language
CONTINUE NON-VERBAL
 Visual Art Forms
 Edvard Munch’s The Scream
CONTINUE NON-VERBAL
 Time
 In American culture, time is a commodity and is equated
with attention and worthiness
 Example: By showing up late, you are communicating,
“You are not worth my time.”
COMMUNICATION:
VERBAL
 Verbal: communication through the use of words and
includes paralanguage.
 Paralanguage: The way we say our own words
(volume, stress, pitch…)
 Process of Symbolic Speech
 The Process of Symbolic Speech is a bridge between
the speaker and listener where private ideas are made
public.
 Communication is successful when the listener hears
the same message the speaker sends.
 Communication breaks down if the decoded (heard)
message is different from the encoded (spoken)
message.
MESSAGE MODEL DIAGRAM
Sender (initiates) Receiver
-idea -message
-encoding -decoding
-message -idea
Non-verbal and verbal feedback
VERBAL COMMUNICATION (CONT)
 (a)The speaker is influenced by four factors:
 (1)Words known. Limited by own vocabulary
 (2)Estimation of whether or not words suit his
audience (age, background, technical expertise)
 (3)Assessment of social context (cursing around
friends or grandparents)
 (4)Types of words associated with ideas to
communicate (Shut up, Be quiet, Settle down)
CONTINUE PROCESS
 (b) Sending – Has an idea and chooses words to convey it.
 (c)Message
 (d)Receiving – the message faces distracters (noise,
volume)
 (e)Interpreting – no assurance symbols will be interpreted
as the speaker intended
 (f)Listener – one who reacts to message conveyed. How
listener reacts is dependent upon past experiences
PROBLEMS WITH THE
MESSAGE MODEL (TOP OF PAGE 4)
 Language is ambiguous – listener must determine which
of the possible meanings of an expression is the one the
speaker intended
 What the speaker is referring to is vague
 Listener fails to recognize the speaker’s intentions
 “I’ll be here tonight” (prediction? promise? threat?)
 We speak non-literally (sarcasm, euphemisms)
 We speak indirectly – we are communicating more than
what our words say
 “Did you drive today” means, “Can I get a ride home?”
 Speaker and listener do not share similar backgrounds or
experiences
CONTINUE PROBLEMS
(MIDDLE OF PAGE 4)
 Dialectical differences
 Regional: pop or soda; hoagie, sub, or hero.
 Pronunciation: water, aunt, Acme
 British/American: biscuit/cookie, truck/lorry,
trunk/boot
 Language – is a learned shared patterned system
of arbitrary vocal symbols through which a
society interacts and communicates in terms of
a common cultural experience

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Communication Theory Key Concepts

  • 2. COMMUNICATION  Communication: Process of sending and receiving messages  Nonverbal - communicating without the use of words  Kinesics: body language
  • 3. NON-VERBAL COMMUNICATION (TOTAL OF 9)  Vocalization: sighs, groans, laughs  Eye Contact
  • 4. CONTINUE NON-VERBAL  Touch  Proxemics (management of space)  Humans are territorial like animals  How do you react when someone is a Close talker?
  • 5. CONTINUE NON-VERBAL  Dance  Signs  Sign Language
  • 6. CONTINUE NON-VERBAL  Visual Art Forms  Edvard Munch’s The Scream
  • 7. CONTINUE NON-VERBAL  Time  In American culture, time is a commodity and is equated with attention and worthiness  Example: By showing up late, you are communicating, “You are not worth my time.”
  • 8. COMMUNICATION: VERBAL  Verbal: communication through the use of words and includes paralanguage.  Paralanguage: The way we say our own words (volume, stress, pitch…)  Process of Symbolic Speech  The Process of Symbolic Speech is a bridge between the speaker and listener where private ideas are made public.  Communication is successful when the listener hears the same message the speaker sends.  Communication breaks down if the decoded (heard) message is different from the encoded (spoken) message.
  • 9. MESSAGE MODEL DIAGRAM Sender (initiates) Receiver -idea -message -encoding -decoding -message -idea Non-verbal and verbal feedback
  • 10. VERBAL COMMUNICATION (CONT)  (a)The speaker is influenced by four factors:  (1)Words known. Limited by own vocabulary  (2)Estimation of whether or not words suit his audience (age, background, technical expertise)  (3)Assessment of social context (cursing around friends or grandparents)  (4)Types of words associated with ideas to communicate (Shut up, Be quiet, Settle down)
  • 11. CONTINUE PROCESS  (b) Sending – Has an idea and chooses words to convey it.  (c)Message  (d)Receiving – the message faces distracters (noise, volume)  (e)Interpreting – no assurance symbols will be interpreted as the speaker intended  (f)Listener – one who reacts to message conveyed. How listener reacts is dependent upon past experiences
  • 12. PROBLEMS WITH THE MESSAGE MODEL (TOP OF PAGE 4)  Language is ambiguous – listener must determine which of the possible meanings of an expression is the one the speaker intended  What the speaker is referring to is vague  Listener fails to recognize the speaker’s intentions  “I’ll be here tonight” (prediction? promise? threat?)  We speak non-literally (sarcasm, euphemisms)  We speak indirectly – we are communicating more than what our words say  “Did you drive today” means, “Can I get a ride home?”  Speaker and listener do not share similar backgrounds or experiences
  • 13. CONTINUE PROBLEMS (MIDDLE OF PAGE 4)  Dialectical differences  Regional: pop or soda; hoagie, sub, or hero.  Pronunciation: water, aunt, Acme  British/American: biscuit/cookie, truck/lorry, trunk/boot  Language – is a learned shared patterned system of arbitrary vocal symbols through which a society interacts and communicates in terms of a common cultural experience