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Comic AnalysisComic Analysis
Batman: Shadow of the BatBatman: Shadow of the Bat
Luke TurnerLuke Turner
AbstractAbstract
ïŹ Batman’s background: Batman, or Bruce Wayne, was born into wealth. At a youngBatman’s background: Batman, or Bruce Wayne, was born into wealth. At a young
age he witnessed his parent’s murder, and from that point on wanted to seekage he witnessed his parent’s murder, and from that point on wanted to seek
vengeance. When he came of age, he trained to learn martial arts and made a suit sovengeance. When he came of age, he trained to learn martial arts and made a suit so
that he could oppose the crime within his city. He is very against killing people andthat he could oppose the crime within his city. He is very against killing people and
has never stooped down to such a level.has never stooped down to such a level.
ïŹ One of the largest key elements in comics is angles of the pictures. Different anglesOne of the largest key elements in comics is angles of the pictures. Different angles
capture different ideas within any sort of media. For example, shots looking up oncapture different ideas within any sort of media. For example, shots looking up on
people usually mean that they have a lot of power, and shots with a lot of depth, suchpeople usually mean that they have a lot of power, and shots with a lot of depth, such
as people falling, show distance. The angle of a shot tells a story sometimes evenas people falling, show distance. The angle of a shot tells a story sometimes even
better than words.better than words.
ïŹ In this Batman comic angle is essential. Narcosis is working with Mad Hatter as aIn this Batman comic angle is essential. Narcosis is working with Mad Hatter as a
partner. When they are plotting together the camera shoots down on them so theypartner. When they are plotting together the camera shoots down on them so they
both look to be the same size (Hatter is about two and a half feet shorter thanboth look to be the same size (Hatter is about two and a half feet shorter than
Narcosis), and when Mad Hatter begins asking questions about their plan, they areNarcosis), and when Mad Hatter begins asking questions about their plan, they are
shot straight on, showing Mad Hatter is inferior.shot straight on, showing Mad Hatter is inferior.
ïŹ At the end of the book when Batman defeats Mad Hatter he is shown loomingAt the end of the book when Batman defeats Mad Hatter he is shown looming
over him. This shows Batman’s control of the situation. Also, there are plenty ofover him. This shows Batman’s control of the situation. Also, there are plenty of
establishing shots that have beautiful angles. One shot is a landscape with a veryestablishing shots that have beautiful angles. One shot is a landscape with a very
close “Danger” sign. This, without dialogue, establishes the area that the scene willclose “Danger” sign. This, without dialogue, establishes the area that the scene will
take place, and gives the reader a sign of what is to come.take place, and gives the reader a sign of what is to come.
The Focus`The Focus`
ïŹ The focus on Perspective helps show thatThe focus on Perspective helps show that
the way a comic is drawn out will help tellthe way a comic is drawn out will help tell
its story more. Whether it be subtle visualsits story more. Whether it be subtle visuals
such as danger signs or the breaking ofsuch as danger signs or the breaking of
the fourth wall, how a reader sees what hethe fourth wall, how a reader sees what he
is viewing will drive the story home.is viewing will drive the story home.
Breaking the Fourth WallBreaking the Fourth Wall
The borders of a comic panel can
Be broken to add exaggeration
And uniqueness to a comic.
The faces taken out of panels in Batman
Show a scene taking place while
Also showing a voiceover of who’s speaking
Choice of WordChoice of Word
The words in a comic are used to explain
Story that the pictures cannot do justice.
The flare gun is
explained just in case
People do not
understand the picture.
Camera PositionCamera Position
The position of the camera carries
great impact on how characters
are
viewed
Within the comic, Mad Hatter and
Narcosis are a few feet apart in
Height, but when they team up there
Are camera angles that show them
On an equal playing field.
Differences in CharactersDifferences in Characters
Mccloud says that there
Are plenty of different body types
And not everyone should be
Drawn the same way.
Mad Hatter is a midget and Narcosis
Has a burnt-up body. They have different
Physiques.
Choice of ImageChoice of Image
What image an artist puts
On his panels will tell a lot
Of story details to the reader.
The image of BUTANE on the
Barrel helps readers know
That it is flammable
Body ConstructionBody ConstructionRemember how a
character’s body
Is constructed, even under
clothes.
Narcosis wears
A cloak and veil.
It’s important to
Remember how
His physique is
Under the clothes.
SymmetrySymmetry
It’s important to keep things
Symmetrical, especially with
people
Batman’s face is
Symmetrical. Even
A smidge off and his
Face would look funny
And his anger couldn’t
Be taken seriously.
DetailDetail
Every detail mattters
In comics. Newer comics
Use even more details
Than the older ones.
There are details from
Shadows to wrinkles
That really show the
Characters.
IntensityIntensity
Intensity is important to
Rectify the panels and
Add a kick to the visuals.
Explosions are a great
Example of intensity.
Fire, debris and loud
Noises make a panel
Extremely intense.
ExaggerationExaggeration
Exaggeration shows
True emotion. Never
Dull it down.
Narcosis looks
Angry and has
His arms
Outstretched,
Showing him
Reaching for
Something.
FlowFlow
Comics need to flow.
The easiest way to do
That is to read from
Left to right.
This comic takes each
Moment from left to right
And is easy to follow
Facial ExpressionsFacial Expressions
Emotion is everything within
A comic. There are countless
Emotions and they have to
Be portrayed just right.
There is no question that Batman
Is angry. His face is tense and his
Teeth are bared.
Body LanguageBody Language
Body language helps show
Expressions. There is
Much that someone can show
Through action that can’t be
Seen in their face, or can be
Further explained with their body.
Batman’s anger is further
Exemplified with his looming
Over Mad Hatter and his
Muscles puffed out.
Universal SymbolsUniversal Symbols
Some items or actions are universally know.
For example, a thumbs up is a good sign.
Barrels are universally known
To blow up. Red labels usually
Mean danger.
Worm’s Eye View/Dutch TiltWorm’s Eye View/Dutch Tilt
Worm’s eye view helps
Show things in a light
That makes items or people
Seem larger than they are.
The view of the Truck
Makes it seem like it is a
Very powerful
Moment to MomentMoment to Moment
Moment to moment means
That comics flow from
Panel to panel and we see
Most every sequence in an
Action scene.
In this scene, batman is ripping the
Hat off of his head. He speaks and
Rips the hat off and we see every
Moment of it.
Choice of FrameChoice of Frame
What lies within a frame can tell
Story details without characters
Even talking. We see this sign
Posted that gives us setting
Details.
Frames show readers what
They need to see. There will
Be pictures of items, people,
Or simply dialogue boxes
That move the story forward.
ConclusionConclusion
ïŹ Altogether, Batman: Shadow of the Bat isAltogether, Batman: Shadow of the Bat is
a wonderful story driven by its visuals. Ita wonderful story driven by its visuals. It
makes Batman seem strong and ferociousmakes Batman seem strong and ferocious
while making Mad Hatter go from inwhile making Mad Hatter go from in
control to frail and hopeless by the timecontrol to frail and hopeless by the time
Batman is done with him. Perception isBatman is done with him. Perception is
key to creating a great comic.key to creating a great comic.

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Comic analysis-Turner

  • 1. Comic AnalysisComic Analysis Batman: Shadow of the BatBatman: Shadow of the Bat Luke TurnerLuke Turner
  • 2. AbstractAbstract ïŹ Batman’s background: Batman, or Bruce Wayne, was born into wealth. At a youngBatman’s background: Batman, or Bruce Wayne, was born into wealth. At a young age he witnessed his parent’s murder, and from that point on wanted to seekage he witnessed his parent’s murder, and from that point on wanted to seek vengeance. When he came of age, he trained to learn martial arts and made a suit sovengeance. When he came of age, he trained to learn martial arts and made a suit so that he could oppose the crime within his city. He is very against killing people andthat he could oppose the crime within his city. He is very against killing people and has never stooped down to such a level.has never stooped down to such a level. ïŹ One of the largest key elements in comics is angles of the pictures. Different anglesOne of the largest key elements in comics is angles of the pictures. Different angles capture different ideas within any sort of media. For example, shots looking up oncapture different ideas within any sort of media. For example, shots looking up on people usually mean that they have a lot of power, and shots with a lot of depth, suchpeople usually mean that they have a lot of power, and shots with a lot of depth, such as people falling, show distance. The angle of a shot tells a story sometimes evenas people falling, show distance. The angle of a shot tells a story sometimes even better than words.better than words. ïŹ In this Batman comic angle is essential. Narcosis is working with Mad Hatter as aIn this Batman comic angle is essential. Narcosis is working with Mad Hatter as a partner. When they are plotting together the camera shoots down on them so theypartner. When they are plotting together the camera shoots down on them so they both look to be the same size (Hatter is about two and a half feet shorter thanboth look to be the same size (Hatter is about two and a half feet shorter than Narcosis), and when Mad Hatter begins asking questions about their plan, they areNarcosis), and when Mad Hatter begins asking questions about their plan, they are shot straight on, showing Mad Hatter is inferior.shot straight on, showing Mad Hatter is inferior. ïŹ At the end of the book when Batman defeats Mad Hatter he is shown loomingAt the end of the book when Batman defeats Mad Hatter he is shown looming over him. This shows Batman’s control of the situation. Also, there are plenty ofover him. This shows Batman’s control of the situation. Also, there are plenty of establishing shots that have beautiful angles. One shot is a landscape with a veryestablishing shots that have beautiful angles. One shot is a landscape with a very close “Danger” sign. This, without dialogue, establishes the area that the scene willclose “Danger” sign. This, without dialogue, establishes the area that the scene will take place, and gives the reader a sign of what is to come.take place, and gives the reader a sign of what is to come.
  • 3. The Focus`The Focus` ïŹ The focus on Perspective helps show thatThe focus on Perspective helps show that the way a comic is drawn out will help tellthe way a comic is drawn out will help tell its story more. Whether it be subtle visualsits story more. Whether it be subtle visuals such as danger signs or the breaking ofsuch as danger signs or the breaking of the fourth wall, how a reader sees what hethe fourth wall, how a reader sees what he is viewing will drive the story home.is viewing will drive the story home.
  • 4. Breaking the Fourth WallBreaking the Fourth Wall The borders of a comic panel can Be broken to add exaggeration And uniqueness to a comic. The faces taken out of panels in Batman Show a scene taking place while Also showing a voiceover of who’s speaking
  • 5. Choice of WordChoice of Word The words in a comic are used to explain Story that the pictures cannot do justice. The flare gun is explained just in case People do not understand the picture.
  • 6. Camera PositionCamera Position The position of the camera carries great impact on how characters are viewed Within the comic, Mad Hatter and Narcosis are a few feet apart in Height, but when they team up there Are camera angles that show them On an equal playing field.
  • 7. Differences in CharactersDifferences in Characters Mccloud says that there Are plenty of different body types And not everyone should be Drawn the same way. Mad Hatter is a midget and Narcosis Has a burnt-up body. They have different Physiques.
  • 8. Choice of ImageChoice of Image What image an artist puts On his panels will tell a lot Of story details to the reader. The image of BUTANE on the Barrel helps readers know That it is flammable
  • 9. Body ConstructionBody ConstructionRemember how a character’s body Is constructed, even under clothes. Narcosis wears A cloak and veil. It’s important to Remember how His physique is Under the clothes.
  • 10. SymmetrySymmetry It’s important to keep things Symmetrical, especially with people Batman’s face is Symmetrical. Even A smidge off and his Face would look funny And his anger couldn’t Be taken seriously.
  • 11. DetailDetail Every detail mattters In comics. Newer comics Use even more details Than the older ones. There are details from Shadows to wrinkles That really show the Characters.
  • 12. IntensityIntensity Intensity is important to Rectify the panels and Add a kick to the visuals. Explosions are a great Example of intensity. Fire, debris and loud Noises make a panel Extremely intense.
  • 13. ExaggerationExaggeration Exaggeration shows True emotion. Never Dull it down. Narcosis looks Angry and has His arms Outstretched, Showing him Reaching for Something.
  • 14. FlowFlow Comics need to flow. The easiest way to do That is to read from Left to right. This comic takes each Moment from left to right And is easy to follow
  • 15. Facial ExpressionsFacial Expressions Emotion is everything within A comic. There are countless Emotions and they have to Be portrayed just right. There is no question that Batman Is angry. His face is tense and his Teeth are bared.
  • 16. Body LanguageBody Language Body language helps show Expressions. There is Much that someone can show Through action that can’t be Seen in their face, or can be Further explained with their body. Batman’s anger is further Exemplified with his looming Over Mad Hatter and his Muscles puffed out.
  • 17. Universal SymbolsUniversal Symbols Some items or actions are universally know. For example, a thumbs up is a good sign. Barrels are universally known To blow up. Red labels usually Mean danger.
  • 18. Worm’s Eye View/Dutch TiltWorm’s Eye View/Dutch Tilt Worm’s eye view helps Show things in a light That makes items or people Seem larger than they are. The view of the Truck Makes it seem like it is a Very powerful
  • 19. Moment to MomentMoment to Moment Moment to moment means That comics flow from Panel to panel and we see Most every sequence in an Action scene. In this scene, batman is ripping the Hat off of his head. He speaks and Rips the hat off and we see every Moment of it.
  • 20. Choice of FrameChoice of Frame What lies within a frame can tell Story details without characters Even talking. We see this sign Posted that gives us setting Details. Frames show readers what They need to see. There will Be pictures of items, people, Or simply dialogue boxes That move the story forward.
  • 21. ConclusionConclusion ïŹ Altogether, Batman: Shadow of the Bat isAltogether, Batman: Shadow of the Bat is a wonderful story driven by its visuals. Ita wonderful story driven by its visuals. It makes Batman seem strong and ferociousmakes Batman seem strong and ferocious while making Mad Hatter go from inwhile making Mad Hatter go from in control to frail and hopeless by the timecontrol to frail and hopeless by the time Batman is done with him. Perception isBatman is done with him. Perception is key to creating a great comic.key to creating a great comic.