Nosarchives is a private archive founded in 2010 that collects amateur films and photographs from families across Europe. In six years, they have gathered over 1,000 collections comprising films from the 1920s to 1980s. Through partnerships with universities and cultural institutions, Nosarchives scans and catalogs the materials while training students. They have built trust with families by making the heirs an integral part of the process and compensating them for commercial use of the materials. Nosarchives hopes to expand their restoration lab collaboration and use digital outreach like Facebook to share the historical value of these amateur collections with new audiences.
This presentation has been prepared for CMA 2014, the Canadian Museums Association's yearly meeting taking place in Toronto from 7-11 April 2014. It focuses on inclusion of audience as co-curators and co-creators of added value to museums collections, on digital engagement (Jasper Visser & Jim Richardson) and "stepping down" from curators as opinion makers/leaders, to focus towards museums (and museum professionals) as enzymes of under-the-surface-lying creativity in the communities they wish to address, facilitators for new values and new visions to emerge. The presentation, quoting case studies from Uzbekistan, Afghanistan, and Italy (the Visual Arts Research and Documentation Centre at MACRO Contemporary Art Museum), was discussed on April 10, 2014 at the Fairmont Royal York Hotel (Imperial Room).
This presentation has been prepared for CMA 2014, the Canadian Museums Association's yearly meeting taking place in Toronto from 7-11 April 2014. It focuses on inclusion of audience as co-curators and co-creators of added value to museums collections, on digital engagement (Jasper Visser & Jim Richardson) and "stepping down" from curators as opinion makers/leaders, to focus towards museums (and museum professionals) as enzymes of under-the-surface-lying creativity in the communities they wish to address, facilitators for new values and new visions to emerge. The presentation, quoting case studies from Uzbekistan, Afghanistan, and Italy (the Visual Arts Research and Documentation Centre at MACRO Contemporary Art Museum), was discussed on April 10, 2014 at the Fairmont Royal York Hotel (Imperial Room).
Plenary talk delivered at the Rare Books & Manuscripts Preconference, American Library Association and Association of College & Research Libraries, Oakland, California, June 26, 2015
"This presentation has been prepared for CMA 2014, the Canadian Museums Association's yearly meeting taking place in Toronto from 7-11 April 2014. It focuses on inclusion of audience as co-curators and co-creators of added value to museums collections, on digital engagement (Jasper Visser & Jim Richardson) and "stepping down" from curators as opinion makers/leaders, to focus towards museums (and museum professionals) as enzymes of under-the-surface-lying creativity in the communities they wish to address, facilitators for new values and new visions to emerge. The presentation, quoting case studies from Uzbekistan, Afghanistan, and Italy (the Visual Arts Research and Documentation Centre at MACRO Contemporary Art Museum), was discussed on April 10, 2014 at the Fairmont Royal York Hotel (Imperial Room)." (Courtesy of Dr. Alessandro Califano)
Folklore Museums of today: Make them Come Alive! - Victoria Pervizou, Histori...WeAreMuseums
Folklore Museums of today: Make them Come Alive!
Victoria Pervizou, Cultural Manager, Historical and Folklore Museum of Nikiti (GR)
Presented on Tuesday 7 June 2016 at We Are Museums Bucharest (RO)
Podcasting, Museums & Info EvolutionElena Lagoudi
A short history of podcasting in the National Gallery and some new trends in information management, a presentation created for internal consumption and communications.
Presentation for the Finnish National Gallery brainstormning seminar and workshop Communicating Digital Collections, at Kiasma Helsinki 22 January 2016
Museum in a Box - Museum Showoff Feb 16Thomas Flynn
What if you could curate your own 3D printed museum? What if the objects in your collection would talk to the internet and connect you to other like minded humans?
Lego Beowulf and the Web of Hands and Hearts, for the Danish national museum ...Michael Edson
This is the text version of the talk.
A PowerPoint version of this talk is at http://www.slideshare.net/edsonm/michael-edson-lego-beowulf-and-the-web-of-hands-and-hearts-for-the-danish-national-museum-awards
This talk was delivered at the awards ceremony for the 2012 Bikuben Foundation Danish Museum Prize (Bikubenfondens Museumspriser) in Copenhagen, Denmark.
Ideas about what museums are, who they serve, and the role they play in society are changing with dramatic speed, driven largely by social media and the participatory culture of global networks.
Denmark supports world-class museums, with remarkable collections, expert staff, and beautiful architecture. But how can museum leaders balance the traditional concepts of organizational mission and outcomes with the disruptive possibilities being demonstrated by those who love and use museums in new ways?
In Ireland, University College Cork crowdsourced an exhibition celebrating the much loved Cork Club Sir Henrys. The project celebrated nostalgia, love and engaged the Cork community and diaspora. This presentation shows how UCC Library used social media to tap into the nostalgia around the club
Teksten in musea en tentoonstellingen. Niets nieuws onder de zon. Toch? Maar … hoe bewust gaat u als curator, communicatiemedewerker of publiekswerker met zaalteksten om? Hoe kunnen we meer halen uit het (educatieve en zelfs ontspannende) potentieel van tekstbordjes en algemene, oriënterende teksten? Zit de toon juist? En hoe zorgt u voor vlotte teksten die de lezer uitnodigen om (beter) te kijken en die ook de (kunst)historische inhoud correct weergeven?
Deze studiedag wil de staat opmaken van het tekstgebruik in musea en bij tentoonstellingen. Wie doet wat, en waarom? FARO nodigt een aantal ervaringsdeskundigen uit, uit binnen- en buitenland.
An overview of the results of the 2021 FIAT/IFTA Timeline Survey, as presented by Adrienne Warburton during the 2021 FIAT/IFTA World Conference (online).
The FIAT/IFTA Most Wanted List may be a new initiative of FIAT/IFTA. The aim is to create a central hub of Most Wanted Lists, provided by broadcast and audiovisual archives worldwide.
On these lists we would put those programmes, media fragments, excerpts or even complete series that archives are desperately looking for. Via a contact button, other archives could put themselves in contact with the archive that has published its list, in order to to signal a possible trouvaille.
All further explanations and a link to a survey to measure the interest are in this presentation.
More Related Content
Similar to Collecting amateur content (to make an archive) the nosarchives.com case study. Cecilia Pagliarani
Plenary talk delivered at the Rare Books & Manuscripts Preconference, American Library Association and Association of College & Research Libraries, Oakland, California, June 26, 2015
"This presentation has been prepared for CMA 2014, the Canadian Museums Association's yearly meeting taking place in Toronto from 7-11 April 2014. It focuses on inclusion of audience as co-curators and co-creators of added value to museums collections, on digital engagement (Jasper Visser & Jim Richardson) and "stepping down" from curators as opinion makers/leaders, to focus towards museums (and museum professionals) as enzymes of under-the-surface-lying creativity in the communities they wish to address, facilitators for new values and new visions to emerge. The presentation, quoting case studies from Uzbekistan, Afghanistan, and Italy (the Visual Arts Research and Documentation Centre at MACRO Contemporary Art Museum), was discussed on April 10, 2014 at the Fairmont Royal York Hotel (Imperial Room)." (Courtesy of Dr. Alessandro Califano)
Folklore Museums of today: Make them Come Alive! - Victoria Pervizou, Histori...WeAreMuseums
Folklore Museums of today: Make them Come Alive!
Victoria Pervizou, Cultural Manager, Historical and Folklore Museum of Nikiti (GR)
Presented on Tuesday 7 June 2016 at We Are Museums Bucharest (RO)
Podcasting, Museums & Info EvolutionElena Lagoudi
A short history of podcasting in the National Gallery and some new trends in information management, a presentation created for internal consumption and communications.
Presentation for the Finnish National Gallery brainstormning seminar and workshop Communicating Digital Collections, at Kiasma Helsinki 22 January 2016
Museum in a Box - Museum Showoff Feb 16Thomas Flynn
What if you could curate your own 3D printed museum? What if the objects in your collection would talk to the internet and connect you to other like minded humans?
Lego Beowulf and the Web of Hands and Hearts, for the Danish national museum ...Michael Edson
This is the text version of the talk.
A PowerPoint version of this talk is at http://www.slideshare.net/edsonm/michael-edson-lego-beowulf-and-the-web-of-hands-and-hearts-for-the-danish-national-museum-awards
This talk was delivered at the awards ceremony for the 2012 Bikuben Foundation Danish Museum Prize (Bikubenfondens Museumspriser) in Copenhagen, Denmark.
Ideas about what museums are, who they serve, and the role they play in society are changing with dramatic speed, driven largely by social media and the participatory culture of global networks.
Denmark supports world-class museums, with remarkable collections, expert staff, and beautiful architecture. But how can museum leaders balance the traditional concepts of organizational mission and outcomes with the disruptive possibilities being demonstrated by those who love and use museums in new ways?
In Ireland, University College Cork crowdsourced an exhibition celebrating the much loved Cork Club Sir Henrys. The project celebrated nostalgia, love and engaged the Cork community and diaspora. This presentation shows how UCC Library used social media to tap into the nostalgia around the club
Teksten in musea en tentoonstellingen. Niets nieuws onder de zon. Toch? Maar … hoe bewust gaat u als curator, communicatiemedewerker of publiekswerker met zaalteksten om? Hoe kunnen we meer halen uit het (educatieve en zelfs ontspannende) potentieel van tekstbordjes en algemene, oriënterende teksten? Zit de toon juist? En hoe zorgt u voor vlotte teksten die de lezer uitnodigen om (beter) te kijken en die ook de (kunst)historische inhoud correct weergeven?
Deze studiedag wil de staat opmaken van het tekstgebruik in musea en bij tentoonstellingen. Wie doet wat, en waarom? FARO nodigt een aantal ervaringsdeskundigen uit, uit binnen- en buitenland.
Similar to Collecting amateur content (to make an archive) the nosarchives.com case study. Cecilia Pagliarani (20)
An overview of the results of the 2021 FIAT/IFTA Timeline Survey, as presented by Adrienne Warburton during the 2021 FIAT/IFTA World Conference (online).
The FIAT/IFTA Most Wanted List may be a new initiative of FIAT/IFTA. The aim is to create a central hub of Most Wanted Lists, provided by broadcast and audiovisual archives worldwide.
On these lists we would put those programmes, media fragments, excerpts or even complete series that archives are desperately looking for. Via a contact button, other archives could put themselves in contact with the archive that has published its list, in order to to signal a possible trouvaille.
All further explanations and a link to a survey to measure the interest are in this presentation.
As presented by Johan Oomen (Sound an Vision) and Vasilis Mezaris (Information Technologies Institute Thessaloniki) at the 2019 FIAT/IFTA World Conference in Dubrovnik, Croatia.
Securing your Kubernetes cluster_ a step-by-step guide to success !KatiaHIMEUR1
Today, after several years of existence, an extremely active community and an ultra-dynamic ecosystem, Kubernetes has established itself as the de facto standard in container orchestration. Thanks to a wide range of managed services, it has never been so easy to set up a ready-to-use Kubernetes cluster.
However, this ease of use means that the subject of security in Kubernetes is often left for later, or even neglected. This exposes companies to significant risks.
In this talk, I'll show you step-by-step how to secure your Kubernetes cluster for greater peace of mind and reliability.
The Art of the Pitch: WordPress Relationships and SalesLaura Byrne
Clients don’t know what they don’t know. What web solutions are right for them? How does WordPress come into the picture? How do you make sure you understand scope and timeline? What do you do if sometime changes?
All these questions and more will be explored as we talk about matching clients’ needs with what your agency offers without pulling teeth or pulling your hair out. Practical tips, and strategies for successful relationship building that leads to closing the deal.
Generating a custom Ruby SDK for your web service or Rails API using Smithyg2nightmarescribd
Have you ever wanted a Ruby client API to communicate with your web service? Smithy is a protocol-agnostic language for defining services and SDKs. Smithy Ruby is an implementation of Smithy that generates a Ruby SDK using a Smithy model. In this talk, we will explore Smithy and Smithy Ruby to learn how to generate custom feature-rich SDKs that can communicate with any web service, such as a Rails JSON API.
State of ICS and IoT Cyber Threat Landscape Report 2024 previewPrayukth K V
The IoT and OT threat landscape report has been prepared by the Threat Research Team at Sectrio using data from Sectrio, cyber threat intelligence farming facilities spread across over 85 cities around the world. In addition, Sectrio also runs AI-based advanced threat and payload engagement facilities that serve as sinks to attract and engage sophisticated threat actors, and newer malware including new variants and latent threats that are at an earlier stage of development.
The latest edition of the OT/ICS and IoT security Threat Landscape Report 2024 also covers:
State of global ICS asset and network exposure
Sectoral targets and attacks as well as the cost of ransom
Global APT activity, AI usage, actor and tactic profiles, and implications
Rise in volumes of AI-powered cyberattacks
Major cyber events in 2024
Malware and malicious payload trends
Cyberattack types and targets
Vulnerability exploit attempts on CVEs
Attacks on counties – USA
Expansion of bot farms – how, where, and why
In-depth analysis of the cyber threat landscape across North America, South America, Europe, APAC, and the Middle East
Why are attacks on smart factories rising?
Cyber risk predictions
Axis of attacks – Europe
Systemic attacks in the Middle East
Download the full report from here:
https://sectrio.com/resources/ot-threat-landscape-reports/sectrio-releases-ot-ics-and-iot-security-threat-landscape-report-2024/
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
UiPath Test Automation using UiPath Test Suite series, part 3DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 3. In this session, we will cover desktop automation along with UI automation.
Topics covered:
UI automation Introduction,
UI automation Sample
Desktop automation flow
Pradeep Chinnala, Senior Consultant Automation Developer @WonderBotz and UiPath MVP
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
UiPath Test Automation using UiPath Test Suite series, part 4DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 4. In this session, we will cover Test Manager overview along with SAP heatmap.
The UiPath Test Manager overview with SAP heatmap webinar offers a concise yet comprehensive exploration of the role of a Test Manager within SAP environments, coupled with the utilization of heatmaps for effective testing strategies.
Participants will gain insights into the responsibilities, challenges, and best practices associated with test management in SAP projects. Additionally, the webinar delves into the significance of heatmaps as a visual aid for identifying testing priorities, areas of risk, and resource allocation within SAP landscapes. Through this session, attendees can expect to enhance their understanding of test management principles while learning practical approaches to optimize testing processes in SAP environments using heatmap visualization techniques
What will you get from this session?
1. Insights into SAP testing best practices
2. Heatmap utilization for testing
3. Optimization of testing processes
4. Demo
Topics covered:
Execution from the test manager
Orchestrator execution result
Defect reporting
SAP heatmap example with demo
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...DanBrown980551
Do you want to learn how to model and simulate an electrical network from scratch in under an hour?
Then welcome to this PowSyBl workshop, hosted by Rte, the French Transmission System Operator (TSO)!
During the webinar, you will discover the PowSyBl ecosystem as well as handle and study an electrical network through an interactive Python notebook.
PowSyBl is an open source project hosted by LF Energy, which offers a comprehensive set of features for electrical grid modelling and simulation. Among other advanced features, PowSyBl provides:
- A fully editable and extendable library for grid component modelling;
- Visualization tools to display your network;
- Grid simulation tools, such as power flows, security analyses (with or without remedial actions) and sensitivity analyses;
The framework is mostly written in Java, with a Python binding so that Python developers can access PowSyBl functionalities as well.
What you will learn during the webinar:
- For beginners: discover PowSyBl's functionalities through a quick general presentation and the notebook, without needing any expert coding skills;
- For advanced developers: master the skills to efficiently apply PowSyBl functionalities to your real-world scenarios.
Connector Corner: Automate dynamic content and events by pushing a buttonDianaGray10
Here is something new! In our next Connector Corner webinar, we will demonstrate how you can use a single workflow to:
Create a campaign using Mailchimp with merge tags/fields
Send an interactive Slack channel message (using buttons)
Have the message received by managers and peers along with a test email for review
But there’s more:
In a second workflow supporting the same use case, you’ll see:
Your campaign sent to target colleagues for approval
If the “Approve” button is clicked, a Jira/Zendesk ticket is created for the marketing design team
But—if the “Reject” button is pushed, colleagues will be alerted via Slack message
Join us to learn more about this new, human-in-the-loop capability, brought to you by Integration Service connectors.
And...
Speakers:
Akshay Agnihotri, Product Manager
Charlie Greenberg, Host
Smart TV Buyer Insights Survey 2024 by 91mobiles.pdf91mobiles
91mobiles recently conducted a Smart TV Buyer Insights Survey in which we asked over 3,000 respondents about the TV they own, aspects they look at on a new TV, and their TV buying preferences.
Neuro-symbolic is not enough, we need neuro-*semantic*Frank van Harmelen
Neuro-symbolic (NeSy) AI is on the rise. However, simply machine learning on just any symbolic structure is not sufficient to really harvest the gains of NeSy. These will only be gained when the symbolic structures have an actual semantics. I give an operational definition of semantics as “predictable inference”.
All of this illustrated with link prediction over knowledge graphs, but the argument is general.
2. nosarchives is a private memories archive set up in 2010 by my partner Manuel Kleidman and me as a
kind of democratic adventure.
In six years we gathered more than one 100 family funds consigned by direct heirs, and 350
anonymous funds whose heirs we managed to locate.
This archive was born from passion, after seeing for many years, while working as a documentary
editor and director, how productions were handling archival images, without any specific ground
rules. Establishing a clear position in regards to the heirs was our first important step, as shown in
the video. Our position is that of gallerists, nothing more and nothing less. We showcase their works
and for that we deserve to be compensated.
Thanks to the existence of our archive and through their publication, those celluloid films become
artworks, according to the law, and we represent them for all kinds of use, commercial and
educational.
A DEMOCRATIC ADVENTURE
3. Goals and Issues of a private memories archive
1. State of the art in the relationship between the state and the private memories
archive.
As its status is based on a stretch of the copyright law, an amateur film and photographs archive
is just now gaining some sort of legitimacy in eyes of institutions - at least in Italy.
Obtaining public funding to maintain the archive is almost impossible. This is because the
activity is perceived as interesting, so there's eventually a possibility to find support for the
modernization of the technical instruments, but is not yet considered of "cultural interest" and
is therefore not granted annual funds for its general work.
The commercial nature of nosarchives.com is a incentive to the access to funding cause the
conservation of private memories is perceived like a sharing activity between citizens (of the
world) but not as an actual commercial activity.
4. b. Personal
The lack of funding establishes a a chain of alternative plans that prevent the installation
of a stable employment setting, both in terms of personnel and of activities. Through
agreements with educational institutions such as local universities and colleges, we were
able to continue our scanning and database ingest work with trainees, with a turnover of
about three months each.
This creates issues for what concerns the handover of competences, as easily imaginable,
and puts the archive management in the position of never being able to truly delegate
actions, such as the administration and compilation of metadata.
However, much satisfaction and inspiration came from this peculiar relationship with the
students, some wrote their dissertation on nosarchives, others inspire the "pop" nature of
our communication.
5. nosarchives.com's collecting
At least twice a month, we receive boxes full of materials that the author's families send or bring
to us. How is this trust built, and why giving it to us and not to others?
And specifically, why would a family from Luxembourg (Merlo) or from the south of France
(Bonnet) comes to us and not to an archive from their own country?
1. The precious help received from Hubert best to conceptualize our position in relations to the
heirs definitely allowed us to have the right approach to difficult matter, so anarchically treated
until not long ago. Therefore, unlike other archives with way bigger means than ours, we were
able to maintain a strong coherency of image and message, since our first day online until
today.Families know that they're not signing any release, nothing is being ceded to the archive,
they never feel defrauded of their material, that is none other than the simulacrum of their lost
affections. We always keep this in mind when dealing with their materials. They know that we
don't have any funds to digitalize their films for free, so they offer a minimum refund to have a
copy of their memories. All materials are returned to the owners after they've been organized,
cleaned, numbered and scanned. The heirs contribute to the descriptions of the images by mail.
They're involved in every phase of the process and know that for every sale they'll receive 50% of
the price paid by the productions. This policy doesn't bring much gain to the archive, but it
allowed us to increase the number of contributors from 8 (in 2010) to 25 (in 2015).
6. 2.Our trainees also work as memories agents.
The knowledge we try to pass on is the curiosity regarding the
magic of the celluloid image, and I think we've accomplished
that, as many of our family collections came from our own
trainees' research work among their acquaintances.
3. Cultural actions turn into marketing actions.
In 2012 our archive included about 4000 and we started to
wonder how to let the world know about our collections, which
date back to 1920 (a trip around the world in 9,5mm) up to
1985 (work tripes in Asia and Italian engineers' visits to oil-
plants).
We then decided to organize "Il gusto della memoria", that from
a simple showcase evolved into a contest-based festival since it's
2013 edition. The only rule in our contest is to submit a film
comprised of at least 60% of images taken from
nosarchives.com. This year, the Istituto Luce became a festival
partner, both as a footage source and as a co-producer of the
winning films along nosarchives.
7. Collecting's rarities
The archive mainly receives 16mm, 8mm and 9,5mm films, while super8 reels are
rarer (at the moment, we have more than 10 spanning various decades). But
there's also astounding facts that have happened:
1. Mister Matrigale, along his non entirely interesting
holiday movies from his motorcycle trips around africa in the 70s, also
brought us a suitcase full of his grandfather's belongings. This man is about
80 years old and his grandfather would shoot photos about 150 years ago.
We found 580 glass plates shot between 1880 and 1915, depicting Rome
with dirt roads, navy cadets in Naples, their official balls and the
thermodynamics laboratories. A true rare gem that as today is gaining Mr.
Matrigal a lot more than his own films.
8. 2. nosarchives is hosted for 5 months by the
prestigious 'Bottega Margutta', head venue of the Via
Margutta International Association (that has been
Rome's official street of artists since the Renaissance).
Various historical roman families have brought us their
films, until one day Francesco Piccolo arrived with two
35mm reels. Our scanner can't process 35mm films, but
by simply looking at the negatives we realized it was a
professional print, developed by a famous cinema
laboratory. It's the film of his mother's first wedding,
with the famous notary Staderini, shot by Carlo
Ludovico Bragaglia, a master director of the “White
telephones” genre and author of 6 Totò movies. This
encounter sparkled the birth of a research and
restoration laboratory, set up by nosarchives.com in
collaboration with the Cineteca Nazionale and the La
Sapienza University of Rome. A DVD documenting this
process will be produced in the upcoming months.
9. Achivements attained in 5 years of the archive
Collaborations with historical and film research institutes of the Lazio Regions
CINETECA NAZIONALE
DASS (Arts and films studies department of the La Sapienza University)
ISTITUTO LUCE CINECITTA’(from 2015 also partner and co-producer of the Il
Gusto della Memoria festival)
Institutional Recognition
REGIONE LAZIO
UNESCO
clip video “L’Aldilà”
10. A brief introduction to our future plans
A new location, into the most importat restoration lab of Rome AUGUSTUS COLOR, member of DigItaly
A fanny way to collect, nosarchives bougth a 12m peniche to cross the european rivers to collect and organise screenings
( of course in summer season)
A new website,Nosarchives should rebuild its web portal. But how? Which website could work as a reference?
Nosarchives is working with a lot of young people, but instead of convincing them to think like an archive, the
archive itself is being convinced by them to think “young”. Pictures are now shared facebook, to stimulate and
describe what we are experiencing: an historical selfie. So, how are we supposed to uncover the historical part of
our work? Will a decriptiondo? Is it enough?
Nosarchives would like to imagine a pathway towards a mental process of different creations. Extirpate the image
from the past turn it into future, by creating creative space of work, by reusing the digitized materials. Pull it out
from its original contest, and give it an actual one: a work on the archive film timelessness and anachronist
essence. Emotions versus the footage history, how to contain both?