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Setting the Scene:
Camera Shots and their uses
Mis-en-Scene
“Setting the
scene”

What to shoot?
How to shoot it?

Everything that
appears before
the camera and
its arrangement.
Scene   Part of the action in
        a single location
Scene   Part of the action in
        a single location
series of scenes which form a
Sequence   distinct narrative unit, usually
           connected either by unity of
           location or unity of time.
Establishing Shot


  Sets up, or "establishes", a scene's setting and/or its
  participants

  For example, an exterior shot of a large building on a
  sunny day, followed by an interior shot of a group
  talking, implies that the conversation is taking place
  inside that building.
Point of View Shot
 Also known as P.O.V. shot or a subjective
 camera.
 Short film scene that shows what a
 character (the subject) is looking at
 (represented through the camera).
 It is usually established by being
 positioned between a shot of a
 character looking at something, and a
 shot showing the character's reaction.
First
           Person



Over the
Shoulder
Ariel
                                     Shots
Usually done with a crane or with a camera attached to
a special helicopter to view large landscapes.

This sort of shot would be restricted to exterior
locations. A good area to do this shot would be a scene
that takes place on a building.

If the aerial shot is of a character it can make them
seem insignificant or vulnerable.
Refers to a shot looking
directly down on the       Bird’s Eye Shot
subject.

The perspective is very
foreshortened, making the
subject appear short and
squat.

This shot can be used to
give an overall
establishing shot of a
scene, or to emphasize
the smallness or
insignificance of the
subjects.
Crane
 Shot


        Shot taken by a camera on a
        crane.

        The most obvious uses are to
        view the actors from above or
        to move up and away from
        them, a common way of ending a
        movie.
A filmic recording of an entire dramatized scene,
from start to finish, from an angle that keeps all
the players in view.

It is often a long shot and can sometimes perform
a double function as an establishing shot.

It is the foundation of what is called camera
coverage, other shots that reveal different aspects
of the action, groupings of two or three of the
actors at crucial moments, close-ups of individuals,
insert shots of various props, and so on.
Long
Shot



 Sometimes referred to as a full shot or a wideshot.

 Typically shows the entire object or human figure
 and is usually intended to place it in some relation to
 its surroundings; however, it is not as far away as an
Medium
 Shot
A camera shot from a medium distance.
The dividing line between "long shot" and
"medium shot" is fuzzy, as is the line
between "medium shot" and "close-up".
In some standard texts and professional
references, a full-length view of a
human subject is called a medium shot.
Close
 Up
        Tightly frames a person or
        object. The most common
        close-ups are ones of actors'
        faces.

        Usually used for reaction
        shots displaying emotion of
        subject.

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Camera Shots

  • 1. Setting the Scene: Camera Shots and their uses
  • 2. Mis-en-Scene “Setting the scene” What to shoot? How to shoot it? Everything that appears before the camera and its arrangement.
  • 3. Scene Part of the action in a single location
  • 4. Scene Part of the action in a single location
  • 5. series of scenes which form a Sequence distinct narrative unit, usually connected either by unity of location or unity of time.
  • 6.
  • 7. Establishing Shot Sets up, or "establishes", a scene's setting and/or its participants For example, an exterior shot of a large building on a sunny day, followed by an interior shot of a group talking, implies that the conversation is taking place inside that building.
  • 8. Point of View Shot Also known as P.O.V. shot or a subjective camera. Short film scene that shows what a character (the subject) is looking at (represented through the camera). It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction.
  • 9. First Person Over the Shoulder
  • 10. Ariel Shots Usually done with a crane or with a camera attached to a special helicopter to view large landscapes. This sort of shot would be restricted to exterior locations. A good area to do this shot would be a scene that takes place on a building. If the aerial shot is of a character it can make them seem insignificant or vulnerable.
  • 11. Refers to a shot looking directly down on the Bird’s Eye Shot subject. The perspective is very foreshortened, making the subject appear short and squat. This shot can be used to give an overall establishing shot of a scene, or to emphasize the smallness or insignificance of the subjects.
  • 12. Crane Shot Shot taken by a camera on a crane. The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie.
  • 13.
  • 14. A filmic recording of an entire dramatized scene, from start to finish, from an angle that keeps all the players in view. It is often a long shot and can sometimes perform a double function as an establishing shot. It is the foundation of what is called camera coverage, other shots that reveal different aspects of the action, groupings of two or three of the actors at crucial moments, close-ups of individuals, insert shots of various props, and so on.
  • 15. Long Shot Sometimes referred to as a full shot or a wideshot. Typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings; however, it is not as far away as an
  • 16. Medium Shot A camera shot from a medium distance. The dividing line between "long shot" and "medium shot" is fuzzy, as is the line between "medium shot" and "close-up". In some standard texts and professional references, a full-length view of a human subject is called a medium shot.
  • 17.
  • 18. Close Up Tightly frames a person or object. The most common close-ups are ones of actors' faces. Usually used for reaction shots displaying emotion of subject.

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