Breakdown sheet scene_1
•
0 likes•449 views
This breakdown sheet is for scene 1 of the project titled "The Search". The scene takes place in Sam's bedroom, which will be filmed in front of a green screen to make it appear he is sitting on his bed. It involves the introduction of character Sam, takes place during the day, and covers script page 1. Sam will wear an Aztec shirt, skinny jeans, and Converse sneakers, while green screen effects will be used to show him floating above his bed, indicating he has special powers.
Report
Share
Report
Share
Download to read offline
Recommended
Hollow oak
The document is a screenplay describing the opening credits sequence of a film called "Hollow Oak". It introduces the antagonist character who is seen in his bedroom, with photos strewn around and pictures covering the walls. Shots show the antagonist scratching himself and his shadow becoming distorted on the wall. As the credits roll, the antagonist is seen writing in journals and looking out windows as a thumping sound grows louder. Wide shots show the setting changing from day to night. The credits end with the antagonist walking down a hall towards the thumping sound, revealed to be someone banging on a door and yelling to be let out.
Revised pitch
The revised pitch document summarizes a zombie film plot and takes inspiration from popular zombie movies like Zombieland, The Walking Dead, and I Am Legend. The plot involves two characters eating breakfast around a campfire when they hear noises and discover a third character killing a zombie sneaking up on them. They realize the area is no longer safe as more zombies approach. The document discusses shots that will emphasize weapons, zombies, gore, abandoned areas to create unease, and close-ups of the protagonist to show how they have adapted to the apocalypse. It also notes the third character will not be introduced much, creating narrative mysteries.
Starwars (emil tanev) (1)
The scene from Star Wars 7 features a battle between the First Order and rebels. There is a range of lighting used throughout, from dim to daylight. Costumes are futuristic with villains in black and heroes in white. Props include futuristic guns, lightsabers, X-wings and TIE fighters. Wide shots show the scale of the battle while close-ups capture emotions. Diegetic sounds of blasters firing create a sense of intensity. The editing is very fast-paced once Rey touches Anakin's lightsaber.
Offside
Offside is a short film directed by Guy Nattiv and Erez Tadmor that takes place at the security zone separating Israel and Palestine. It follows soldiers playing a game of football across the dividing fence. The film uses camera techniques like panning shots, close-ups, and shot reverse shot to build tension and show different perspectives. Silence and a radio commentary drive the narrative without dialogue. The deserted location, soldiers with guns, and authentic uniforms make the violence and conflict feel realistic.
L'intervalle2
Introduction to 2014/15 edition of 'Le Cinema Cent Ans De Jeunesse', international film education programme led by Cinematheque Francaise
Rules of the game l'intervalle d1
This document provides exercises for an Understanding Cinema course. The first exercise has students take photos of two actors from different distances to explore how focal length affects the perceived space between subjects. The second asks students to film a character's reaction from two camera angles. The third involves filming the same scene in long takes and with montage editing. Finally, students must make a short film involving a character distancing themselves from an envious situation and meeting someone new, using spacing between elements to elicit emotion.
Bsis the script2013 (1) (1)
This document provides the beginning and ending dialogue for a 5 minute screenplay called "The Script II". The writer, Geoffrey Fletcher, leaves the middle scene open for others to imagine, including choosing the characters, location, events, and adding up to 3 minutes of original dialogue. Participants are encouraged to be creative in how they imagine and develop the story using any genre or production style. The beginning establishes that characters A and B find themselves in a situation and must get out. In the end, character B attempts an action that character A warns against, and we see the result.
Shots
This document discusses different types of camera shots used in filmmaking including panorama, wide, two shot, close up, and extreme close up shots. It provides examples of when each shot type would be used, such as using a panorama shot as an establishing shot or a close up shot to show a character's expressions in detail. It also includes a storyboard example showing how different shot types could be arranged to tell a story.
Recommended
Hollow oak
The document is a screenplay describing the opening credits sequence of a film called "Hollow Oak". It introduces the antagonist character who is seen in his bedroom, with photos strewn around and pictures covering the walls. Shots show the antagonist scratching himself and his shadow becoming distorted on the wall. As the credits roll, the antagonist is seen writing in journals and looking out windows as a thumping sound grows louder. Wide shots show the setting changing from day to night. The credits end with the antagonist walking down a hall towards the thumping sound, revealed to be someone banging on a door and yelling to be let out.
Revised pitch
The revised pitch document summarizes a zombie film plot and takes inspiration from popular zombie movies like Zombieland, The Walking Dead, and I Am Legend. The plot involves two characters eating breakfast around a campfire when they hear noises and discover a third character killing a zombie sneaking up on them. They realize the area is no longer safe as more zombies approach. The document discusses shots that will emphasize weapons, zombies, gore, abandoned areas to create unease, and close-ups of the protagonist to show how they have adapted to the apocalypse. It also notes the third character will not be introduced much, creating narrative mysteries.
Starwars (emil tanev) (1)
The scene from Star Wars 7 features a battle between the First Order and rebels. There is a range of lighting used throughout, from dim to daylight. Costumes are futuristic with villains in black and heroes in white. Props include futuristic guns, lightsabers, X-wings and TIE fighters. Wide shots show the scale of the battle while close-ups capture emotions. Diegetic sounds of blasters firing create a sense of intensity. The editing is very fast-paced once Rey touches Anakin's lightsaber.
Offside
Offside is a short film directed by Guy Nattiv and Erez Tadmor that takes place at the security zone separating Israel and Palestine. It follows soldiers playing a game of football across the dividing fence. The film uses camera techniques like panning shots, close-ups, and shot reverse shot to build tension and show different perspectives. Silence and a radio commentary drive the narrative without dialogue. The deserted location, soldiers with guns, and authentic uniforms make the violence and conflict feel realistic.
L'intervalle2
Introduction to 2014/15 edition of 'Le Cinema Cent Ans De Jeunesse', international film education programme led by Cinematheque Francaise
Rules of the game l'intervalle d1
This document provides exercises for an Understanding Cinema course. The first exercise has students take photos of two actors from different distances to explore how focal length affects the perceived space between subjects. The second asks students to film a character's reaction from two camera angles. The third involves filming the same scene in long takes and with montage editing. Finally, students must make a short film involving a character distancing themselves from an envious situation and meeting someone new, using spacing between elements to elicit emotion.
Bsis the script2013 (1) (1)
This document provides the beginning and ending dialogue for a 5 minute screenplay called "The Script II". The writer, Geoffrey Fletcher, leaves the middle scene open for others to imagine, including choosing the characters, location, events, and adding up to 3 minutes of original dialogue. Participants are encouraged to be creative in how they imagine and develop the story using any genre or production style. The beginning establishes that characters A and B find themselves in a situation and must get out. In the end, character B attempts an action that character A warns against, and we see the result.
Shots
This document discusses different types of camera shots used in filmmaking including panorama, wide, two shot, close up, and extreme close up shots. It provides examples of when each shot type would be used, such as using a panorama shot as an establishing shot or a close up shot to show a character's expressions in detail. It also includes a storyboard example showing how different shot types could be arranged to tell a story.
Shot list – inscium
The document outlines a shot list for the opening sequence of a horror film called Inscium. It describes 9 different shots that will be used to introduce the main character Ben and establish the isolating and terrifying setting of a forest. These shots include an establishing shot of the woods, long shots and tracking shots of Ben walking alone down a path, whip pans to create a sense of danger, and close-ups of Ben's face contorted in terror. Later shots include point-of-view shots from the antagonist, a pan to a child's grave to startle the audience, and high and low angle shots to convey Ben's vulnerability in the woods.
Does virtual reality really help the military with training their soldiers?
Virtual reality is being used by the military to train soldiers through simulated combat scenarios. The document describes a scenario where a soldier named Sam Rogers makes a tactical error while in a virtual reality simulation by running towards an exposed area while firing his weapon, drawing attention from enemy forces. His instructor criticizes his decision and notes that Rogers has improved in his training but still has more to learn. Rogers is undergoing extensive virtual reality and flight simulator training over three months to become a well-rounded soldier, with the goal of avenging his brother's death in combat.
Tic Tac Toe Board
The document provides a tic-tac-toe board with activities for students to choose from to complete based on the book Freak the Mighty. Students must complete three activities which include creating a character map, vocabulary maps, a story map, a comic strip, illustrating a scene, and writing journal entries. The document also includes a grading rubric to assess student work.
Camera angles
The document provides descriptions of different camera shot types including their purposes and intended effects on viewers. Wide angle shots show full context while low angle shots make subjects appear powerful. High angle shots make subjects seem vulnerable. Point of view and over the shoulder shots involve viewers. Close ups convey emotion while establishing shots set the scene. Tracking and panning shots follow action.
Analyzing plot structure
The document discusses the plot structure of plays according to Aristotle and Freytag's Pyramid. It introduces Freytag's five-part system used to describe a story's plot, including exposition, inciting incident, rising action, climax, and falling action. Students are assigned to read a play and complete a plot structure diagram based on the script.
Panic At The Disco - Camera Analysis
The music video begins with a flashback from the previous video, showing the storyline is continuing. Brendon is shown walking in a heavenly light, suggesting his location, before he falls down. The video then cuts to montages that establish Brendon's new setting and glimpses of his transformation into a devil. A single long shot smoothly follows Brendon as lights flash and he transforms, using shallow depth of field. The video cuts between close-ups and wider shots to fully show Brendon's transformed devil appearance with wings and horns. It concludes with a dominant red light on Brendon's face contrasting the white light behind him.
Knowing too much
The camera work in the video effectively builds tension and engages the audience. Various shots such as long shots, mid shots, and close ups are used to focus on key elements, develop characters, and move the story forward. Fast-paced jump cuts between the protagonist and antagonist escalate tension as their interaction plays out. Camera movements like tracking and handheld shots emphasize fear and urgency from the protagonist's perspective. The isolated location and climax of the encounter are also highlighted through strategic camera placement and shots that tell the story in under 3 minutes.
Media presentation
1) The scene takes place in an isolated desert campfire location somewhere between modern-day Iran and Iraq, known as ancient Persia, during the night.
2) The music and sound effects build suspense and enhance the fighting, with Arabic vocals, metallic sword clashes, and crackling fire sounds.
3) The editing cuts between close-ups and longer shots to follow the interaction and fighting sequence, though there is some continuity error when a character is thrust against a horse. Special effects generate the actor's burning arms.
URB: THE TIME BENDER Screenplay
The document provides a summary of the opening scenes of a screenplay. It describes establishing shots of a canal and abandoned railway bridge. The main character, Urb, is seen walking along the bridge and witnessing a girl being attacked by a gang in the distance. Urb runs to help the girl and uses time manipulation powers to rewind time and prevent the attack. The opening credits roll as Urb gives a slight grin to the now confused but safe girl.
Star wars micro analysis
This scene from Star Wars shows the battle between the First Order and rebels. Throughout the scene, the camera follows the movements of Finn as he fights with his lightsaber and the flying vehicles smoothly. The costumes distinguish the heroes from the villains, with the stormtroopers in white. Sound effects like lightsabers, guns, and explosions build tension, as does the changing editing pace. Special effects are used like rays from guns and Darth Vader's powers.
L'intervalle
This document outlines exercises for students to explore different types of cinematic spaces and spacing through filming various scenes and shots. It discusses intimate, personal, social, and public spaces. It provides examples of scenes that demonstrate separations between characters, spaces maintained by desire, and metaphysical/metaphorical spaces. Students are given instructions to film scenes exploring variations in focal length, characters' movement and perspective, interactions between characters, and pulling away from a scene while maintaining some connection.
Hush teaser trailer shots
The document provides a detailed breakdown of 24 shots for a teaser trailer. The shots progress from establishing exterior shots of a house to close-ups of a character on a laptop to shots of additional characters outside the house. They include variations in camera angles, movements, focuses, and character actions and reactions. The trailer ends with title cards revealing the film is called 'HUSH' and will be 'COMING SOON'.
Shot list snow white
Snow White walks into the forest where she finds a poisoned apple on the ground. A close up shot shows her biting into the apple, after which her clothes change color to black as she collapses. The camera zooms out to show her transformation from a close up to a long shot. Prince Charming then discovers Snow White lying unconscious on the forest floor. He kisses her to break the spell. The document outlines various shots needed for the story including establishing shots, point of view shots, close ups, and long shots, noting potential framing and technical issues for each shot.
Shot list performer
The shot list describes 3 shots - a long wide shot of the performer walking in a field singing and playing guitar, keeping her centered in the frame. A medium shot of the performer standing and singing/playing guitar, with the camera panning smoothly. A close up shot of the performer playing guitar where the camera will pan down the guitar, with care taken to properly frame the increasing surface area of the guitar.
Shot list romeo
The shot list describes 5 shots for a film adaptation of Romeo and Juliet. The first shot will be an establishing shot introducing the characters in the forest in their original costumes. The second shot will show Romeo and Juliet holding hands transitioning to a long shot as they walk together. The third shot will show Romeo's clothes changing color as he walks away from Juliet. The fourth shot will include long shots from different angles of Romeo walking alone in the forest over time. The fifth shot will show Romeo putting down a bottle which then falls and he collapses, then he wakes as Juliet appears in the shot.
Camera angles and movements
The document defines various camera shots and their purposes, including wide angle shots to capture scenery, low angle shots to portray size and dominance, and high angle shots to demonstrate vulnerability. It also discusses two-shots to focus on two characters, point of view shots from a character's perspective, and framing shots to draw attention to a section of the scene. Establishing shots are used to set the location of a scene.
Camera shots
The document discusses different camera shots and angles used in filmmaking. It defines shots like extreme long shot, long shot, medium shot, close up, and full shot that show different portions of the subject. It also explains different camera angles like low angle, high angle, oblique angle, and eye level angle and how they influence the perceived power dynamics. Finally, it covers camera movements like panning, elevating, tilting, dollying, tracking, and zooming in/out.
Risk assessment
The document provides a risk assessment for filming a scene in a room, identifying potential hazards such as an open window, trip hazards from furniture, hot pipes and radiators, unnecessary lighting, and carrying heavy objects. It assigns each risk a level of medium or low and recommends mitigation strategies such as closing the window, removing or securing furniture, turning off radiators and lights when not in use, and having multiple people carry heavy loads.
Locations
The document outlines three filming locations for a reality TV show: 1) A house interior made to look like a studio featuring high-key lighting for an introductory sequence. 2) A local forest area with roofed tree areas ideal for establishing shots depicting an exotic forest location. Scenes will use various camera angles and shots through foliage. 3) A river bank close to a park that could be used in the opening sequence as an obstacle to create drama and intrigue for future episodes.
Shot list little red riding hood
The shot list summarizes key shots needed for a film depicting Little Red Riding Hood. It outlines 5 shots: 1) an establishing shot of Little Red Riding Hood walking into the forest in her original colors; 2) a long shot of her walking through the woods; 3) a medium wide shot where the wolf appears in the background and her clothes change; 4) a medium shot zooming into a close up as she sees the wolf and starts to run; 5) an establishing long shot panning from the grandma's house to Little Red Riding Hood walking towards it as her clothes change back. Each shot lists the camera distance, angle, movement, and potential framing or composition issues.
Presentation2
This document discusses graphic design services for marketing materials. Specifically, it mentions postcard designs in 4 sentences and business card designs in 5 sentences, suggesting it offers the creation of both postcards and business cards for promotional purposes.
Dress normal campaign finished 2
The document provides information about GAP's "Dress Normal" advertising campaign from 2014, including:
- The campaign featured print ads directed by Sofia Coppola celebrating family moments around the holidays.
- Response to the campaign was largely negative, with critics arguing that telling people to dress "normal" was misguided and sales declines showed customers did not want to dress normal.
- Wieden + Kennedy, GAP's advertising agency, created the campaign and is known for its long-standing work with Nike. It takes a creatively-driven approach to developing relationships between brands and customers.
More Related Content
What's hot
Shot list – inscium
The document outlines a shot list for the opening sequence of a horror film called Inscium. It describes 9 different shots that will be used to introduce the main character Ben and establish the isolating and terrifying setting of a forest. These shots include an establishing shot of the woods, long shots and tracking shots of Ben walking alone down a path, whip pans to create a sense of danger, and close-ups of Ben's face contorted in terror. Later shots include point-of-view shots from the antagonist, a pan to a child's grave to startle the audience, and high and low angle shots to convey Ben's vulnerability in the woods.
Does virtual reality really help the military with training their soldiers?
Virtual reality is being used by the military to train soldiers through simulated combat scenarios. The document describes a scenario where a soldier named Sam Rogers makes a tactical error while in a virtual reality simulation by running towards an exposed area while firing his weapon, drawing attention from enemy forces. His instructor criticizes his decision and notes that Rogers has improved in his training but still has more to learn. Rogers is undergoing extensive virtual reality and flight simulator training over three months to become a well-rounded soldier, with the goal of avenging his brother's death in combat.
Tic Tac Toe Board
The document provides a tic-tac-toe board with activities for students to choose from to complete based on the book Freak the Mighty. Students must complete three activities which include creating a character map, vocabulary maps, a story map, a comic strip, illustrating a scene, and writing journal entries. The document also includes a grading rubric to assess student work.
Camera angles
The document provides descriptions of different camera shot types including their purposes and intended effects on viewers. Wide angle shots show full context while low angle shots make subjects appear powerful. High angle shots make subjects seem vulnerable. Point of view and over the shoulder shots involve viewers. Close ups convey emotion while establishing shots set the scene. Tracking and panning shots follow action.
Analyzing plot structure
The document discusses the plot structure of plays according to Aristotle and Freytag's Pyramid. It introduces Freytag's five-part system used to describe a story's plot, including exposition, inciting incident, rising action, climax, and falling action. Students are assigned to read a play and complete a plot structure diagram based on the script.
Panic At The Disco - Camera Analysis
The music video begins with a flashback from the previous video, showing the storyline is continuing. Brendon is shown walking in a heavenly light, suggesting his location, before he falls down. The video then cuts to montages that establish Brendon's new setting and glimpses of his transformation into a devil. A single long shot smoothly follows Brendon as lights flash and he transforms, using shallow depth of field. The video cuts between close-ups and wider shots to fully show Brendon's transformed devil appearance with wings and horns. It concludes with a dominant red light on Brendon's face contrasting the white light behind him.
Knowing too much
The camera work in the video effectively builds tension and engages the audience. Various shots such as long shots, mid shots, and close ups are used to focus on key elements, develop characters, and move the story forward. Fast-paced jump cuts between the protagonist and antagonist escalate tension as their interaction plays out. Camera movements like tracking and handheld shots emphasize fear and urgency from the protagonist's perspective. The isolated location and climax of the encounter are also highlighted through strategic camera placement and shots that tell the story in under 3 minutes.
Media presentation
1) The scene takes place in an isolated desert campfire location somewhere between modern-day Iran and Iraq, known as ancient Persia, during the night.
2) The music and sound effects build suspense and enhance the fighting, with Arabic vocals, metallic sword clashes, and crackling fire sounds.
3) The editing cuts between close-ups and longer shots to follow the interaction and fighting sequence, though there is some continuity error when a character is thrust against a horse. Special effects generate the actor's burning arms.
URB: THE TIME BENDER Screenplay
The document provides a summary of the opening scenes of a screenplay. It describes establishing shots of a canal and abandoned railway bridge. The main character, Urb, is seen walking along the bridge and witnessing a girl being attacked by a gang in the distance. Urb runs to help the girl and uses time manipulation powers to rewind time and prevent the attack. The opening credits roll as Urb gives a slight grin to the now confused but safe girl.
Star wars micro analysis
This scene from Star Wars shows the battle between the First Order and rebels. Throughout the scene, the camera follows the movements of Finn as he fights with his lightsaber and the flying vehicles smoothly. The costumes distinguish the heroes from the villains, with the stormtroopers in white. Sound effects like lightsabers, guns, and explosions build tension, as does the changing editing pace. Special effects are used like rays from guns and Darth Vader's powers.
L'intervalle
This document outlines exercises for students to explore different types of cinematic spaces and spacing through filming various scenes and shots. It discusses intimate, personal, social, and public spaces. It provides examples of scenes that demonstrate separations between characters, spaces maintained by desire, and metaphysical/metaphorical spaces. Students are given instructions to film scenes exploring variations in focal length, characters' movement and perspective, interactions between characters, and pulling away from a scene while maintaining some connection.
Hush teaser trailer shots
The document provides a detailed breakdown of 24 shots for a teaser trailer. The shots progress from establishing exterior shots of a house to close-ups of a character on a laptop to shots of additional characters outside the house. They include variations in camera angles, movements, focuses, and character actions and reactions. The trailer ends with title cards revealing the film is called 'HUSH' and will be 'COMING SOON'.
Shot list snow white
Snow White walks into the forest where she finds a poisoned apple on the ground. A close up shot shows her biting into the apple, after which her clothes change color to black as she collapses. The camera zooms out to show her transformation from a close up to a long shot. Prince Charming then discovers Snow White lying unconscious on the forest floor. He kisses her to break the spell. The document outlines various shots needed for the story including establishing shots, point of view shots, close ups, and long shots, noting potential framing and technical issues for each shot.
Shot list performer
The shot list describes 3 shots - a long wide shot of the performer walking in a field singing and playing guitar, keeping her centered in the frame. A medium shot of the performer standing and singing/playing guitar, with the camera panning smoothly. A close up shot of the performer playing guitar where the camera will pan down the guitar, with care taken to properly frame the increasing surface area of the guitar.
Shot list romeo
The shot list describes 5 shots for a film adaptation of Romeo and Juliet. The first shot will be an establishing shot introducing the characters in the forest in their original costumes. The second shot will show Romeo and Juliet holding hands transitioning to a long shot as they walk together. The third shot will show Romeo's clothes changing color as he walks away from Juliet. The fourth shot will include long shots from different angles of Romeo walking alone in the forest over time. The fifth shot will show Romeo putting down a bottle which then falls and he collapses, then he wakes as Juliet appears in the shot.
Camera angles and movements
The document defines various camera shots and their purposes, including wide angle shots to capture scenery, low angle shots to portray size and dominance, and high angle shots to demonstrate vulnerability. It also discusses two-shots to focus on two characters, point of view shots from a character's perspective, and framing shots to draw attention to a section of the scene. Establishing shots are used to set the location of a scene.
Camera shots
The document discusses different camera shots and angles used in filmmaking. It defines shots like extreme long shot, long shot, medium shot, close up, and full shot that show different portions of the subject. It also explains different camera angles like low angle, high angle, oblique angle, and eye level angle and how they influence the perceived power dynamics. Finally, it covers camera movements like panning, elevating, tilting, dollying, tracking, and zooming in/out.
Risk assessment
The document provides a risk assessment for filming a scene in a room, identifying potential hazards such as an open window, trip hazards from furniture, hot pipes and radiators, unnecessary lighting, and carrying heavy objects. It assigns each risk a level of medium or low and recommends mitigation strategies such as closing the window, removing or securing furniture, turning off radiators and lights when not in use, and having multiple people carry heavy loads.
Locations
The document outlines three filming locations for a reality TV show: 1) A house interior made to look like a studio featuring high-key lighting for an introductory sequence. 2) A local forest area with roofed tree areas ideal for establishing shots depicting an exotic forest location. Scenes will use various camera angles and shots through foliage. 3) A river bank close to a park that could be used in the opening sequence as an obstacle to create drama and intrigue for future episodes.
Shot list little red riding hood
The shot list summarizes key shots needed for a film depicting Little Red Riding Hood. It outlines 5 shots: 1) an establishing shot of Little Red Riding Hood walking into the forest in her original colors; 2) a long shot of her walking through the woods; 3) a medium wide shot where the wolf appears in the background and her clothes change; 4) a medium shot zooming into a close up as she sees the wolf and starts to run; 5) an establishing long shot panning from the grandma's house to Little Red Riding Hood walking towards it as her clothes change back. Each shot lists the camera distance, angle, movement, and potential framing or composition issues.
What's hot (20)
Does virtual reality really help the military with training their soldiers?
Does virtual reality really help the military with training their soldiers?
More from amybrown113
Presentation2
This document discusses graphic design services for marketing materials. Specifically, it mentions postcard designs in 4 sentences and business card designs in 5 sentences, suggesting it offers the creation of both postcards and business cards for promotional purposes.
Dress normal campaign finished 2
The document provides information about GAP's "Dress Normal" advertising campaign from 2014, including:
- The campaign featured print ads directed by Sofia Coppola celebrating family moments around the holidays.
- Response to the campaign was largely negative, with critics arguing that telling people to dress "normal" was misguided and sales declines showed customers did not want to dress normal.
- Wieden + Kennedy, GAP's advertising agency, created the campaign and is known for its long-standing work with Nike. It takes a creatively-driven approach to developing relationships between brands and customers.
Audience research grid
The document summarizes audience research from potential customers of Gap about an advertising campaign with the slogan "Dress Normal". It provides profiles of 7 individuals who were asked about their initial thoughts on the advert, relationship with the Gap brand, and likelihood of purchasing from Gap based on the advert. Overall, most participants felt the clothing was not stylish, colorful or unique enough for their tastes, and did not find the advert changed their negative perception of Gap's product offerings.
Annis draft life on the river cam
This document outlines a script for a documentary about life working on the River Cam in Cambridge, England. It is divided into six acts that follow workers on the river through different locations and weather. In each act, an interviewer asks workers about their job, opinions on the river, and what tourism is like from their perspective. The acts show the river on a sunny day, introduce several workers by name, and have one act set on a rainy day to show the challenges of working on the river in different weather.
Anni sims dont delete
Skins is a popular British teen drama television series that follows friendship groups in Bristol through their last two years of school. Over six series and 61 episodes, the show focuses on the lives of nine main characters - Effy, Freddie, Cook, JJ, Thomas, Naomi, Emily, Katie, and Pandora - and deals with themes of friendship, family, and the emotional experiences of teenagers as they grow up. While some of the troubles the characters face are realistic, others are exaggerated for dramatic effect, but the show aims to represent different personalities and draw in teen viewers by relating to their own life struggles.
Animated music video extract
Luke and Sam walk out of their college together laughing but go separate ways, with Luke putting his headphones on. He then sits on a bench in the smoking area to have a cigarette before heading inside the main building, walking in time to his music. Inside the cafe, Luke buys a drink from the vending machine and takes the lid off to drink as he walks away from the camera.
Pitch document - Dazzle Dog
Dazzle Dog is an undercover crime fighting wizard dog who transforms from a normal house dog by day to fight crime at night with his cat and mouse sidekicks. Each episode of the proposed Cartoon Network series will be 6 minutes long with 11 episodes per series. Dazzle Dog is drawn to look confident with patches and wizard clothing to distinguish him and reflect his transformation from house dog to crime fighter in the story.
Pitch document
This pitch document proposes a 2D cell animation series consisting of 6 episodes telling the story of a young animal who does not fit in. The document outlines the story, which follows the animal as he struggles to fit in until making friends with another outcast animal and another differently animal. It also includes details on the character design meant to portray the animal's personality and planned run time of 5-7 minutes per episode. The target audience is ages 3 to 8 and it is intended to air on CBBC.
Pitch document
This pitch document proposes a 2D cell animation series about a character who struggles to fit in because he looks different from others. Over the course of the series, he meets another outcast animal and they become friends, later meeting a third friend. The character design aims to portray the character as friendly yet shy. The series would have 6 episodes of 5-7 minutes each, telling the story of an outcast finding acceptance through friendship. It is targeted at ages 3 to 8 and would air on CBBC.
Animation200501
This document outlines animation rates for various roles in productions using animation techniques like cel, sand/paint on glass, puppetry, claymation, and computer generated imaging. It provides recommended minimum weekly rates for roles such as director, producer, editor, character designer, animator, artist, and others ranging from £420 to £696 per 40-hour week depending on seniority and responsibilities. Additional fees may apply for materials, special skills, or work done off-site.
Location scouting report-7
This location scouting report examines the Student Centre and LRC at Long Road Sixth Form College as potential locations for scene #5 of the script. The report provides details about the locations such as them being interior spaces, notes on lighting, noise levels, windows, doors and power sources. It identifies the main limitation being ambient noise from students if the areas are busy. Permission to film has not yet been obtained.
Location scouting report-6
This location scouting report provides details for filming Scene 3 of an unknown script in the lunch hall/refectory of Long Road Sixth Form College. The location is an interior space with many artificial lights and windows to let in natural light. There will be ambient noise from students talking that may be used under voiceover. Permission to film during lesson time is still needed.
Location scouting report-5
This location scouting report provides details for filming a scene in the G block corridor at Long Road Sixth Form College. The scene will be filmed during lesson time at an unknown date, indoors with artificial lighting sources. There may be ambient noise from nearby classrooms that can be addressed by having those doors closed. The corridor contains two windows, around ten doors, and two power sources. Permission to film has not yet been obtained.
Location scouting report-2
This location scouting report provides details for filming a scene in the C block corridor of Long Road Sixth Form during lesson time. The corridor has 20 artificial lights, windows along its length, doors spaced along it, and ambient noise from people talking when busy. Filming may be difficult due to people frequently walking up and down the corridor, but no set dressing will be needed as the location matches what is wanted. Permission to film and dates are still to be determined.
Location scouting report-6
This location scouting report provides details for filming Scene 3 of an unknown script in the lunch hall/refectory of Long Road Sixth Form College. The location is an interior space with many artificial lights and windows to let in natural light. There will be ambient noise from students talking that may be used under voiceover. Permission to film during lesson time is still needed.
Location scouting report-7
This location scouting report examines the Student Centre and LRC at Long Road Sixth Form College as potential locations for scene #5 of the script. The report provides details such as the location being an interior space, contact information, lighting sources, ambient noise levels, number of windows and doors, and notes that permission has not yet been obtained. It also notes potential limitations depending on student occupancy and recommends no set dressing changes are needed.
Location scouting report-6
This location scouting report examines the lunch hall at Long Road Sixth Form College as a potential shooting location. The scene would take place indoors during the day. The location has many artificial lights, ambient noise from talking and laughing students, and multiple windows and doors. Background noise from students may be an issue but could be reduced by filming during lessons. No set dressing or permission is required.
Location scouting report-5
This location scouting report provides details for filming a scene in the G block corridor at Long Road Sixth Form College. The scene will be filmed during lesson time at an unknown date, indoors with artificial lighting sources. There may be ambient noise from nearby classrooms that can be addressed by having those doors closed. The corridor contains two windows, around ten doors, and two power sources. Permission to film has not yet been obtained.
More from amybrown113 (20)
Breakdown sheet scene_1
- 1. BREAKDOWN SHEET BREAKDOWN! SHEET # SCENE # PROJECT TITLE! 1 The Search INT / EXT SETTING 1 LOCATION Sam's Bedroom F15 - Green Screen Room DESCRIPTION DAY / NIGHT Introduction of Sam SCRIPT PAGES Page 1 CAST EXTRAS VFX Sam - Character 1 - PROPS WARDROBE He will be wearing an aztec shirt, skinny jeans and a pair of converse Green screen will be used in this scene to show Sam sitting on his bed in his bedroom SET DRESSING Green Screen - NOTES When he is sitting on his bed he starts to float above it to show that he has some sort of powers.