Brand image and House style
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This document discusses brand image and house style across three different publications - Empire, Total Film, and Onscreen. It seems to analyze how each movie magazine cultivates a unique identity and visual aesthetic in order to appeal to specific target audiences and tastes in film. The document examines what brand of film criticism and journalism each magazine has become known for.
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Research Task 6 - Different Types of Font Types
This document contains a list of different fonts under various categories including arrival, coverline, and sans serif/serif fonts. It discusses using Didot Headline, a serif font, for the body text of a project. The document was created by JK Khela for a font type research task.
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This document contains a list of different fonts under various categories including arrival, coverline, and sans serif/serif fonts. It discusses using Didot Headline, a serif font, for the body text of a project. The document was created by JK Khela as part of a font type research task.
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This document contains a list of different fonts under various categories including arrival, coverline, and sans serif/serif fonts. It discusses using Didot Headline, a serif font, for the body text of a project. The document provides examples of fonts for headings, subtitles, and the main text of a document.
Brand image and House style
This document discusses brand image and house style across three different publications - Empire, Total Film, and Onscreen. It seems to analyze how each movie magazine cultivates a unique identity and visual aesthetic in order to appeal to specific target audiences and tastes in film. The document examines what brand of film criticism and journalism each magazine has become known for.
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This document contains a list of different fonts under various categories including arrival, coverline, and sans serif/serif fonts. It discusses using Didot Headline, a serif font, for the body text of a project. The document was created by JK Khela for a font type research task.
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This document contains a list of different fonts under various categories including arrival, coverline, and sans serif/serif fonts. It discusses using Didot Headline, a serif font, for the body text of a project. The document was created by JK Khela as part of a font type research task.
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This document contains a list of different fonts under various categories including arrival, coverline, and sans serif/serif fonts. It discusses using Didot Headline, a serif font, for the body text of a project. The document provides examples of fonts for headings, subtitles, and the main text of a document.
Brand image and House style
This document discusses brand image and house style across three different publications - Empire, Total Film, and Onscreen. It seems to analyze how each movie magazine cultivates a unique identity and visual aesthetic in order to appeal to specific target audiences and tastes in film. The document examines what brand of film criticism and journalism each magazine has become known for.
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This document summarizes conventions used in magazine covers. Magazine 1 displays the largest masthead as the title and uses varying text sizes. Both the actor and their role are clearly visible. Magazine 2 also has a distinct masthead font from the other text. The actors hide but do not cover the masthead title. Magazine 3 varies text size based on significance and uses different fonts to distinguish the title from other text.
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The document discusses graphic elements used in an issue of "Empire" magazine to draw and direct the reader's attention. Large text headers, prominent images, and use of color are used to highlight key sections and stories. The reader's eye is drawn to the big red "Contents" header at the top, and their attention is then directed to a large central image addressing the reader directly. Additional elements like subtitles, figures, and calls to action are strategically placed and designed to entice the reader to explore different parts of the magazine.
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This document analyzes the conventional elements of three movie magazine covers. It describes the location of elements like the masthead, cover lines, images, dates, barcodes and color schemes. For each magazine, it explains how these elements provide information about the featured films and are intended to attract audiences. The elements analyzed include titles, descriptions of characters and plots, and the symbolic meanings conveyed by the color schemes.
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This document discusses conventions used in magazine covers. It analyzes three magazine covers and identifies the conventions used for each. Magazine 1 has the largest masthead to serve as the title and uses varying text sizes. It clearly shows the actor and role. Magazine 2 has a distinct masthead typeface even when actors hide it. The reduced text emphasizes other elements. Magazine 3 varies text size based on significance and uses blue to symbolize the ocean and knowledge.
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Graphic Elements
The document summarizes the graphic elements on magazine covers that are designed to draw a reader's attention. Large bold text and images are used prominently to highlight key sections and stories. On one magazine cover, a large figure addresses the audience while advertising an upcoming movie. Other elements like colored bars and subtitles describe the magazine's contents. Circled text offering prizes also grabs readers' eyes. Overall, the graphic design uses size, color, images and prizes to guide readers through the magazine in a strategic way.
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Brand image and House style
- 2. Brand Image and House Style - Empire
- 6. Brand Image and House Style – Total Film
- 10. Brand Image and House Style - Onscreen