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BookReport
Tuesdays with Morrie: an old
man, a young man, and life’s
greatest lesson
By
Mitch Albom
Submit By:
Jonick Boguat
Submit To:
Christelyn Mandaya
STI COLLEGE– GENERAL SANTOS INC.
“Tuesdays with Morrie” By Mitch Albom 2
INTRODUCTION
The last class of my old professor’s life took place once a week in his house, by a
window in the study where he could watch a small hibiscus plant shed its pink
leaves. The class met on Tuesdays. It began after breakfast. The subject was The
Meaning of Life. It was taught from experience. No grades were given, but there
were oral exams each week. You were expected to respond to questions, and you
were expected to pose questions of your own. You were also required to perform
physical tasks now and then, such as lifting the professor’s head to a comfortable
spot on the pillow or placing his glasses on the bridge of his nose. Kissing him
good-bye earned you extra credit. No books were required, yet many topics were
covered, including love, work, community, family, aging, forgiveness, and, finally,
death. The last lecture was brief, only a few words. A funeral was held in lieu of
graduation. Although no final exam was given, you were expected to produce one
long paper on what was learned. That paper is presented here. The last class of
my old professor’s life had only one student. I was the student. It is the late spring
of 1979, a hot, sticky Saturday afternoon. Hundreds of us sit together, side by side,
in rows of wooden folding chairs on the main campus lawn. We wear blue nylon
robes. We listen impatiently to long speeches. When the ceremony is over, we
throw our caps in the air, and we are officially graduated from college, the senior
class of Brandeis University in the city of Waltham, Massachusetts. For many of
us, the curtain has just come down on childhood.
Afterward, I find Morrie Schwartz, my favorite professor, and introduce him to my
parents. He is a small man who takes small steps, as if a strong wind could, at any
time, whisk him up into the clouds. In his graduation day robe, he looks like a cross
between a biblical prophet and a Christmas elf He has sparkling blue green eyes,
thinning silver hair that spills onto his forehead, big ears, a triangular nose, and
tufts of graying eyebrows. Although his teeth are crooked and his lower ones are
slanted back—as if someone had once punched them in—when he smiles it’s as if
you’d just told him the first joke on earth. He tells my parents how I took every
class he taught. He tells them, “You have a special boy here. “Embarrassed, I look
at my feet. Before we leave, I hand my professor at present, a tan briefcase with
his initials on the front. I bought this the day before at a shopping mall. I didn’t want
to forget him. Maybe I didn’t want him to forget me. “Mitch, you are one of the good
ones,” he says, admiring the briefcase. Then he hugs me. I feel his thin arms
around my back. I am taller than he is, and when he holds me, I feel awkward,
older, as if I were the parent and he were the child. He asks if I will stay in touch,
and without hesitation I say, “Of course.” When he steps back, I see that he is
crying.
BACKGROUND
BACKGROUND INFORMATION - BIOGRAPHY
Morrie Schwartz was one of Mitch Albom’s college professors. Since his college
graduation, Mitch and Morrie Gradually lost touch; however, Mitch rediscovered Morrie
during the last months of his life and they were able, to rekindle their friendship. Mitch
visited Morrie every Tuesday, in his study, which turned into a private lesson .On how to
live life. Tuesdays with Morrie is the magical result of Mitch and Morrie’s time spent
together in the, Months leading to his death? Mitch Albom is not only a best-selling
author, he is also a newspaper columnist for the Detroit Free Press, radio .Host for ABC
and WJR-AM in Detroit. Albom is a native of Philadelphia, PA and attended Brandeis
University, where he obtained his…….
THEME
“Love each other or die” (pg. 163) - Throughout the book, Morrie recites a quote by
his favorite poet or this, Variation in his own words. This is one of the most important
lessons he wishes to teach Mitch and express on “Nightline”. Morrie feels that love and
compassion are necessary for a person to be fulfilled. Morrie says that when love
abounds, there is no higher sense of fulfillment one can experience. Additional themes
are identified in the complete study guide.
MAJOR AND MINOR CHARACTERS
LIST OF CHARACTERS
Major Characters
Morrie Schwartz - The novel is centered on him; Morrie is Mitch’s former college
professor who was Diagnosed with ALS (Lou Gherig's disease); he meets with Mitch in
his home every Tuesday to teach him about; the meaning of life.
Mitch Albom- Morrie's former student; he has since become a journalist and leads a
very fast paced life; finds Morrie after hearing he is sick on "ABC's Nightline" and visits
him every Tuesday.
Minor Characters
Ted Koppel - a famous television newsman/personality; he interviews Morrie three
times for the “ABC's Nightline” show; he eventually describes Morrie as his friend and is
almost in tears during his last interview With Morrie.
Charlotte - Morrie’s wife, who is also a college professor; she keeps her job as a
professor even while Morrie is Sick because it is what he wished for her.
Janine - Mitch’s wife; she takes a phone call from Morrie, whom she had never met,
and accompanie, Additional characters are identified in the complete study guide.
SETTINGS
The novel takes place during 1995, in Morrie’s study, in West Newton, Massachusetts.
Mitch and Morrie meet Every Tuesday, in his study, to discuss the meaning of life.
Morrie was a college professor for most of his career, and Mitch took all of his classes
offered, when he was in College. When Morrie taught small classes, he would often
hold them in his study
BODY
Morrie Schwartz was Mitch Albom’s favorite college professor. At the start of the novel
Albom recalls a Memory from his college graduation day: he is saying goodbye to
Morrie and gives him a tan briefcase with his Initials on it. They hug and when Mitch
steps back he sees that Morrie is crying. Mitch promises to stay in touch With Morrie but
he never does after college. Since his graduation, Mitch has become a newspaper
reporter and husband. He leads a very fast paced life and is constantly working and
traveling. He has become so engrossed in his work that it consumes his life.
The novel recommences about sixteen years after Mitch’s graduation day; Morrie has
since been diagnosed with amyotrophic lateral sclerosis, or ALS. Since Morrie’s
diagnosis, he began jotting down ideas and thoughts onto scrap paper, yellow pads or
even envelopes. He also wrote philosophies about living knowing death was
Very near. One of his friends was so taken with his writing, he sent them to the Boston
Globe reporter, who wrote a feature story about Morrie. The story intrigued one of the
producers of the show, “Nightline”.
ESSAY TOPICS / BOOK REPORTIDEAS / STUDY QUESTIONS
1. How is popular culture and the media represented throughout the novel?
Describe how Morrie has created his own culture. Pretending you are Mitch, use
what you have learned from Morrie's teachings to outline a new Set of your own
cultural values by which you will begin leading your life.
2. Describe how Mitch has suffered under the demands of the media and pop-
culture. Illustrate a personal Experience where you may have suffered as a result
of pop-culture values and demands; how did you escape and create your own
values, like Morrie? If you were not able to, how could you apply Morrie's
teachings to? See through pop-culture values?
CONFLICT
There are two conflicts in this novel: the major conflict is Morrie vs. ALS and the second,
minor conflict, is Mitch vs. himself. Morrie must come to terms with his illness and
accept his coming death from ALS. In the Meantime, Mitch, his former college student,
visits him every Tuesday.
PROTAGONIST
Morrie Schwartz is the protagonist of Tuesdays with Morrie; he is the character around
which
ANTAGONIST
The disease, Amyotrophic lateral sclerosis (ALS), is the antagonist of the story. This is
the disease from which Morrie is suffering throughout the novel. We see the disease
gradually begin taking over.
CLIMAX
Mitch visits Morrie for the last time, when he is very close to his death; after years of
trying
CONCLUSION
I look back sometimes at the person I was before I rediscovered my old professor. I
want to talk to that person. I want to tell him what to look out for, what mistakes to avoid.
I want to tell him to be more open, to ignore the lure of advertised values, to pay
attention when your loved ones are speaking, as if it were the last time you might hear
them. Mostly I want to tell that person to get on an airplane and visit a gentle old man in
West Newton, Massachusetts, sooner rather than later, before that old man gets sick
and loses his ability to dance. I know I cannot do this. None of us can undo what we’ve
done, or relive a life already recorded. But if Professor Morris Schwartz taught me
anything at all, it was this: there is no such thing as “too late” in life. He was changing
until the day he said good-bye. Not long after Morrie’s death, I reached my brother in
Spain. We had a long talk. I told him I respected his distance, and that all I wanted was
to be in touch—in the present, not just the past—to hold him in my life as much as he
could let me. “You’re my only brother,” I said. “I don’t want to lose you. I love you.” I had
never said such a thing to him before. A few days later, I received a message on my fax
machine. It was typed in the sprawling, poorly punctuated, all-cap-letters fashion that
always characterized my brother’s words. “HI I’VE JOINED THE NINETIES!” it began.
He wrote a few little stories, what he’d been doing that week, a couple of jokes. At the
end, he signed off this way:
I have heartburn and diarrhea at the moment—life’s a bitch. Chat later?
Sore Tush.
I laughed until there were tears in my eyes. This book was largely Morrie’s idea. He
called it our “final thesis.” Like the best of work projects, it brought us closer together,
and Morrie was delighted when several publishers expressed interest, even though he
died before meeting any of them. The advance money helped pay Morrie’s enormous
medical bills, and for that we were both grateful. The title, by the way, we came up with
one day in Morrie’s office. He liked naming things. He had several ideas. But when I
said, “How about Tuesdays with Morrie?” he smiled in an almost blushing way, and I
knew that was it. After Morrie died, I went through boxes of old college material. And I
discovered a final paper I had written for one of his classes. It was twenty years old
now. On the front page were my penciled comments scribbled to Morrie, and beneath
them were his comments scribbled back. Mine began, “Dear Coach …’ His began,
“Dear Player …” For some reason, each time I read that, I miss him more. Have you
ever really had a teacher? One who saw you as a raw but precious thing, a jewel that,
with wisdom, could be polished to a proud shine? If you are lucky enough to find your
way to such teachers, you will always find your way back. Sometimes it is only
“Tuesdays with Morrie” By Mitch Albom 56
In your head. Sometimes it is right alongside their beds. The last class of my old
professor’s life took place once a week, in his home, by a window in his study where he
could watch a small hibiscus plant shed its pink flowers. The class met on Tuesdays. No
books were required. The subject was the meaning of life. It was taught from
experience. The teaching goes on.
ANALYSIS
COMPARE AND CONTRAST MITCH AND MORRIE BELIEF ABOUT LIFE
DECRIBE THE IMPORTANCE OF LOVE IN MORRIE’S LIFE.
Morrie say “Path ends a life , not a relationship,, ” that’s what different it is “ I also
believe that the Parents, If they have you ,will hold you , Up Safety above there
Swindling , and Mitch believe Morrie had died this way in Tuesday”, as not to scar any
of his family member in .. Friend will not be the waiting in his study in Tuesday with a
smile and a lesson of life...
EXPLAIN THE DEVELOPMENT OF MORRIE’S RELIGIOUS BELIEF. HOW
DOES MORRIE VIEW RELIGION IN HIS LIFE?
May Sinton say: “Old age is a Foreign country with a” Tuesday with Morrie about Albom
Sociology teacher in, our System thought endow. Morrie Respond that he had not
thought very much about death before his illness, in her hand, their mother had died of
ALS.
EXPLAIN WHAT YOU BELIEF TO THE ULTIMATE LESSON THE READER IS
SUPPOSED TO TAKE AWAY FROM THE BOOK.
Life Lessons from Tuesdays with Morrie
1. “Accept what you are able to do and what you are not able to do.” (p. 18)
2. “Accept the past as past, without denying it or discarding it.” (p. 18)
3. “Learn to forgive yourself and to forgive others.” (p. 18)
4. “Don’t assume that it is too late to get involved.” (p. 18)
5. Find someone to share your heart, give to your community, be at peace with
yourself, and try to be as human as you can be. (p. 34)
6. “Love always wins.” (p. 40)
7. “The culture we have does not make people feel good about themselves. And you
have to be strong enough to say if the culture doesn’t work, don’t buy it.” (p. 42)
8. “So many people walk around with a meaningless life. They seem half-asleep,
even when they’re busy doing things they think are important. This is because
they’re chasing the wrong things. The way you get meaning into your life is to
devote yourself to loving others, devote yourself to your community around you,
and devote yourself to creating something that gives you purpose and meaning.”
(p. 43)
9. “. . . if you really want it, then you’ll make your dream happen.” (p. 47)
10. “The most important thing in life is to learn how to give out love, and to let it
come in.” (p. 52)
11. “Love is the only rational act.” (p. 52)
12. “I don’t allow myself any more self-pity than that. A little each morning, a few
tears, and that’s all . . . . It’s horrible to watch my body slowly wilt away to
nothing. But it’s also wonderful because of all the time I get to say goodbye.” (p.
57)
13. “Sometimes you can’t believe what you see; you have to believe what you feel.”
(p. 61)
14. “What if today were my last day on earth?” (p. 64)
15. “Once you learn how to die, you learn how to live.” (p. 82)
16. If you accept you are going to die at any time, then you might not be as
ambitious as you are. (p. 83)
17. There is no foundation, no secure ground, upon which people may stand today if
it isn’t the family. (p. 91)
18. “Don’t cling to things, because everything is impermanent.” (p. 103)
19. “. . . If you’ve found meaning in your life you don’t want to go back. You want to
go forward. You want to see more, do more? You can’t wait until sixty-five.” (p.
118)
20. “Money is not a substitute for tenderness, and power is not a substitute for
tenderness.” (p. 125)
21. “. . . Love is how you stay alive, even after you are gone.” (p. 133)
22. “Love each other or perish.” (p. 149)
23. “. . . The big things—how we think, what we value—those you must choose
yourself. You can’t let anyone--or any society—determine those for you.” (p. 155)
24. “Don’t let go too soon, but don’t hang on too long.” (p. 162)
25. “Be compassionate. And take responsibility for each other. If we only learned
those lessons, this world would be so much better a place.” (p. 163)
26. “Forgive yourself before you die. Then forgive others.” (p. 164)
27. “As long as we can love each other, and remember the feeling of love we had,
we can die without ever really going away. All the love you created is still there.
All the memories are still there. You live on—in the hearts of everyone you have
touched and nurtured while you were here.” (p. 174)
28. “Death ends a life, not a relationship.” (p. 174)
29. The important questions have to do with love, responsibility, spirituality,
awareness. (p. 175)
30. “You’re not a wave, you are part of the ocean.” (p. 180)
31. “. . . There is no such thing as ‘too late’ in life.” (p. 190)
CITE THE FAVORITEQUATATIONFROM THEBOOK AND EXPLAINWHY ITIS
PERSONALITY SIGNIFICANTTOYOU.
QUOTES - IMPORTANT QUOTATIONS AND ANALYSIS
1.) "Once you learn how to die, you learn how to live." (82) - Morrie
Morrie says this during the fourth Tuesday when he and Mitch discuss death. Morrie
feels that people refuse to believe that they will one day die, and therefore, do not live
their lives as fully as they would have liked and also have many regrets as they become
older and their death becomes closer. He feels that once we learn and accept that we
are one day going to die, we learn to live our lives fully and without any regrets. Morrie
repeats this quote frequently throughout the chapter to emphasize how important and
helpful it is to accept death, and what a benefit it would be to living the remainder of our
lives. Morrie also wants Mitch to see how he is able to appreciate the smaller, more
genuine things in life, knowing that his death is approaching.
2.) "You closed your eyes. That was the difference. Sometimes you cannot
believe what you see, you have to believe what you feel. And if you are ever going
to have other people trust you, you must feel that you can Trust them too-even
when you are in the dark. Even when you're falling." (61) - Morrie
During one of the flashbacks to when Mitch was a student of Morrie's, he recalls this
specific class in which Morrie had the students participate in "trust falls". The students
stood with their backs to their classmates and Tried to fall backwards relaying on the
others to catch them. Most of the students were.

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Book Report -Tuesday With Morrie

  • 1. BookReport Tuesdays with Morrie: an old man, a young man, and life’s greatest lesson By Mitch Albom Submit By: Jonick Boguat Submit To: Christelyn Mandaya STI COLLEGE– GENERAL SANTOS INC.
  • 2. “Tuesdays with Morrie” By Mitch Albom 2 INTRODUCTION The last class of my old professor’s life took place once a week in his house, by a window in the study where he could watch a small hibiscus plant shed its pink leaves. The class met on Tuesdays. It began after breakfast. The subject was The Meaning of Life. It was taught from experience. No grades were given, but there were oral exams each week. You were expected to respond to questions, and you were expected to pose questions of your own. You were also required to perform physical tasks now and then, such as lifting the professor’s head to a comfortable spot on the pillow or placing his glasses on the bridge of his nose. Kissing him good-bye earned you extra credit. No books were required, yet many topics were covered, including love, work, community, family, aging, forgiveness, and, finally, death. The last lecture was brief, only a few words. A funeral was held in lieu of graduation. Although no final exam was given, you were expected to produce one long paper on what was learned. That paper is presented here. The last class of my old professor’s life had only one student. I was the student. It is the late spring of 1979, a hot, sticky Saturday afternoon. Hundreds of us sit together, side by side, in rows of wooden folding chairs on the main campus lawn. We wear blue nylon robes. We listen impatiently to long speeches. When the ceremony is over, we throw our caps in the air, and we are officially graduated from college, the senior class of Brandeis University in the city of Waltham, Massachusetts. For many of us, the curtain has just come down on childhood. Afterward, I find Morrie Schwartz, my favorite professor, and introduce him to my parents. He is a small man who takes small steps, as if a strong wind could, at any time, whisk him up into the clouds. In his graduation day robe, he looks like a cross between a biblical prophet and a Christmas elf He has sparkling blue green eyes, thinning silver hair that spills onto his forehead, big ears, a triangular nose, and tufts of graying eyebrows. Although his teeth are crooked and his lower ones are slanted back—as if someone had once punched them in—when he smiles it’s as if you’d just told him the first joke on earth. He tells my parents how I took every class he taught. He tells them, “You have a special boy here. “Embarrassed, I look at my feet. Before we leave, I hand my professor at present, a tan briefcase with his initials on the front. I bought this the day before at a shopping mall. I didn’t want to forget him. Maybe I didn’t want him to forget me. “Mitch, you are one of the good ones,” he says, admiring the briefcase. Then he hugs me. I feel his thin arms around my back. I am taller than he is, and when he holds me, I feel awkward, older, as if I were the parent and he were the child. He asks if I will stay in touch, and without hesitation I say, “Of course.” When he steps back, I see that he is crying.
  • 3. BACKGROUND BACKGROUND INFORMATION - BIOGRAPHY Morrie Schwartz was one of Mitch Albom’s college professors. Since his college graduation, Mitch and Morrie Gradually lost touch; however, Mitch rediscovered Morrie during the last months of his life and they were able, to rekindle their friendship. Mitch visited Morrie every Tuesday, in his study, which turned into a private lesson .On how to live life. Tuesdays with Morrie is the magical result of Mitch and Morrie’s time spent together in the, Months leading to his death? Mitch Albom is not only a best-selling author, he is also a newspaper columnist for the Detroit Free Press, radio .Host for ABC and WJR-AM in Detroit. Albom is a native of Philadelphia, PA and attended Brandeis University, where he obtained his……. THEME “Love each other or die” (pg. 163) - Throughout the book, Morrie recites a quote by his favorite poet or this, Variation in his own words. This is one of the most important lessons he wishes to teach Mitch and express on “Nightline”. Morrie feels that love and compassion are necessary for a person to be fulfilled. Morrie says that when love abounds, there is no higher sense of fulfillment one can experience. Additional themes are identified in the complete study guide. MAJOR AND MINOR CHARACTERS LIST OF CHARACTERS Major Characters Morrie Schwartz - The novel is centered on him; Morrie is Mitch’s former college professor who was Diagnosed with ALS (Lou Gherig's disease); he meets with Mitch in his home every Tuesday to teach him about; the meaning of life. Mitch Albom- Morrie's former student; he has since become a journalist and leads a very fast paced life; finds Morrie after hearing he is sick on "ABC's Nightline" and visits him every Tuesday.
  • 4. Minor Characters Ted Koppel - a famous television newsman/personality; he interviews Morrie three times for the “ABC's Nightline” show; he eventually describes Morrie as his friend and is almost in tears during his last interview With Morrie. Charlotte - Morrie’s wife, who is also a college professor; she keeps her job as a professor even while Morrie is Sick because it is what he wished for her. Janine - Mitch’s wife; she takes a phone call from Morrie, whom she had never met, and accompanie, Additional characters are identified in the complete study guide. SETTINGS The novel takes place during 1995, in Morrie’s study, in West Newton, Massachusetts. Mitch and Morrie meet Every Tuesday, in his study, to discuss the meaning of life. Morrie was a college professor for most of his career, and Mitch took all of his classes offered, when he was in College. When Morrie taught small classes, he would often hold them in his study BODY Morrie Schwartz was Mitch Albom’s favorite college professor. At the start of the novel Albom recalls a Memory from his college graduation day: he is saying goodbye to Morrie and gives him a tan briefcase with his Initials on it. They hug and when Mitch steps back he sees that Morrie is crying. Mitch promises to stay in touch With Morrie but he never does after college. Since his graduation, Mitch has become a newspaper reporter and husband. He leads a very fast paced life and is constantly working and traveling. He has become so engrossed in his work that it consumes his life. The novel recommences about sixteen years after Mitch’s graduation day; Morrie has since been diagnosed with amyotrophic lateral sclerosis, or ALS. Since Morrie’s diagnosis, he began jotting down ideas and thoughts onto scrap paper, yellow pads or even envelopes. He also wrote philosophies about living knowing death was Very near. One of his friends was so taken with his writing, he sent them to the Boston Globe reporter, who wrote a feature story about Morrie. The story intrigued one of the producers of the show, “Nightline”.
  • 5. ESSAY TOPICS / BOOK REPORTIDEAS / STUDY QUESTIONS 1. How is popular culture and the media represented throughout the novel? Describe how Morrie has created his own culture. Pretending you are Mitch, use what you have learned from Morrie's teachings to outline a new Set of your own cultural values by which you will begin leading your life. 2. Describe how Mitch has suffered under the demands of the media and pop- culture. Illustrate a personal Experience where you may have suffered as a result of pop-culture values and demands; how did you escape and create your own values, like Morrie? If you were not able to, how could you apply Morrie's teachings to? See through pop-culture values? CONFLICT There are two conflicts in this novel: the major conflict is Morrie vs. ALS and the second, minor conflict, is Mitch vs. himself. Morrie must come to terms with his illness and accept his coming death from ALS. In the Meantime, Mitch, his former college student, visits him every Tuesday. PROTAGONIST Morrie Schwartz is the protagonist of Tuesdays with Morrie; he is the character around which ANTAGONIST The disease, Amyotrophic lateral sclerosis (ALS), is the antagonist of the story. This is the disease from which Morrie is suffering throughout the novel. We see the disease gradually begin taking over. CLIMAX Mitch visits Morrie for the last time, when he is very close to his death; after years of trying
  • 6. CONCLUSION I look back sometimes at the person I was before I rediscovered my old professor. I want to talk to that person. I want to tell him what to look out for, what mistakes to avoid. I want to tell him to be more open, to ignore the lure of advertised values, to pay attention when your loved ones are speaking, as if it were the last time you might hear them. Mostly I want to tell that person to get on an airplane and visit a gentle old man in West Newton, Massachusetts, sooner rather than later, before that old man gets sick and loses his ability to dance. I know I cannot do this. None of us can undo what we’ve done, or relive a life already recorded. But if Professor Morris Schwartz taught me anything at all, it was this: there is no such thing as “too late” in life. He was changing until the day he said good-bye. Not long after Morrie’s death, I reached my brother in Spain. We had a long talk. I told him I respected his distance, and that all I wanted was to be in touch—in the present, not just the past—to hold him in my life as much as he could let me. “You’re my only brother,” I said. “I don’t want to lose you. I love you.” I had never said such a thing to him before. A few days later, I received a message on my fax machine. It was typed in the sprawling, poorly punctuated, all-cap-letters fashion that always characterized my brother’s words. “HI I’VE JOINED THE NINETIES!” it began. He wrote a few little stories, what he’d been doing that week, a couple of jokes. At the end, he signed off this way: I have heartburn and diarrhea at the moment—life’s a bitch. Chat later? Sore Tush. I laughed until there were tears in my eyes. This book was largely Morrie’s idea. He called it our “final thesis.” Like the best of work projects, it brought us closer together, and Morrie was delighted when several publishers expressed interest, even though he died before meeting any of them. The advance money helped pay Morrie’s enormous medical bills, and for that we were both grateful. The title, by the way, we came up with one day in Morrie’s office. He liked naming things. He had several ideas. But when I said, “How about Tuesdays with Morrie?” he smiled in an almost blushing way, and I knew that was it. After Morrie died, I went through boxes of old college material. And I discovered a final paper I had written for one of his classes. It was twenty years old now. On the front page were my penciled comments scribbled to Morrie, and beneath them were his comments scribbled back. Mine began, “Dear Coach …’ His began, “Dear Player …” For some reason, each time I read that, I miss him more. Have you ever really had a teacher? One who saw you as a raw but precious thing, a jewel that, with wisdom, could be polished to a proud shine? If you are lucky enough to find your way to such teachers, you will always find your way back. Sometimes it is only “Tuesdays with Morrie” By Mitch Albom 56
  • 7. In your head. Sometimes it is right alongside their beds. The last class of my old professor’s life took place once a week, in his home, by a window in his study where he could watch a small hibiscus plant shed its pink flowers. The class met on Tuesdays. No books were required. The subject was the meaning of life. It was taught from experience. The teaching goes on. ANALYSIS COMPARE AND CONTRAST MITCH AND MORRIE BELIEF ABOUT LIFE DECRIBE THE IMPORTANCE OF LOVE IN MORRIE’S LIFE. Morrie say “Path ends a life , not a relationship,, ” that’s what different it is “ I also believe that the Parents, If they have you ,will hold you , Up Safety above there Swindling , and Mitch believe Morrie had died this way in Tuesday”, as not to scar any of his family member in .. Friend will not be the waiting in his study in Tuesday with a smile and a lesson of life... EXPLAIN THE DEVELOPMENT OF MORRIE’S RELIGIOUS BELIEF. HOW DOES MORRIE VIEW RELIGION IN HIS LIFE? May Sinton say: “Old age is a Foreign country with a” Tuesday with Morrie about Albom Sociology teacher in, our System thought endow. Morrie Respond that he had not thought very much about death before his illness, in her hand, their mother had died of ALS.
  • 8. EXPLAIN WHAT YOU BELIEF TO THE ULTIMATE LESSON THE READER IS SUPPOSED TO TAKE AWAY FROM THE BOOK. Life Lessons from Tuesdays with Morrie 1. “Accept what you are able to do and what you are not able to do.” (p. 18) 2. “Accept the past as past, without denying it or discarding it.” (p. 18) 3. “Learn to forgive yourself and to forgive others.” (p. 18) 4. “Don’t assume that it is too late to get involved.” (p. 18) 5. Find someone to share your heart, give to your community, be at peace with yourself, and try to be as human as you can be. (p. 34) 6. “Love always wins.” (p. 40) 7. “The culture we have does not make people feel good about themselves. And you have to be strong enough to say if the culture doesn’t work, don’t buy it.” (p. 42) 8. “So many people walk around with a meaningless life. They seem half-asleep, even when they’re busy doing things they think are important. This is because they’re chasing the wrong things. The way you get meaning into your life is to devote yourself to loving others, devote yourself to your community around you, and devote yourself to creating something that gives you purpose and meaning.” (p. 43) 9. “. . . if you really want it, then you’ll make your dream happen.” (p. 47) 10. “The most important thing in life is to learn how to give out love, and to let it come in.” (p. 52) 11. “Love is the only rational act.” (p. 52) 12. “I don’t allow myself any more self-pity than that. A little each morning, a few tears, and that’s all . . . . It’s horrible to watch my body slowly wilt away to nothing. But it’s also wonderful because of all the time I get to say goodbye.” (p. 57) 13. “Sometimes you can’t believe what you see; you have to believe what you feel.” (p. 61) 14. “What if today were my last day on earth?” (p. 64) 15. “Once you learn how to die, you learn how to live.” (p. 82) 16. If you accept you are going to die at any time, then you might not be as ambitious as you are. (p. 83) 17. There is no foundation, no secure ground, upon which people may stand today if it isn’t the family. (p. 91) 18. “Don’t cling to things, because everything is impermanent.” (p. 103) 19. “. . . If you’ve found meaning in your life you don’t want to go back. You want to go forward. You want to see more, do more? You can’t wait until sixty-five.” (p. 118) 20. “Money is not a substitute for tenderness, and power is not a substitute for tenderness.” (p. 125) 21. “. . . Love is how you stay alive, even after you are gone.” (p. 133) 22. “Love each other or perish.” (p. 149)
  • 9. 23. “. . . The big things—how we think, what we value—those you must choose yourself. You can’t let anyone--or any society—determine those for you.” (p. 155) 24. “Don’t let go too soon, but don’t hang on too long.” (p. 162) 25. “Be compassionate. And take responsibility for each other. If we only learned those lessons, this world would be so much better a place.” (p. 163) 26. “Forgive yourself before you die. Then forgive others.” (p. 164) 27. “As long as we can love each other, and remember the feeling of love we had, we can die without ever really going away. All the love you created is still there. All the memories are still there. You live on—in the hearts of everyone you have touched and nurtured while you were here.” (p. 174) 28. “Death ends a life, not a relationship.” (p. 174) 29. The important questions have to do with love, responsibility, spirituality, awareness. (p. 175) 30. “You’re not a wave, you are part of the ocean.” (p. 180) 31. “. . . There is no such thing as ‘too late’ in life.” (p. 190) CITE THE FAVORITEQUATATIONFROM THEBOOK AND EXPLAINWHY ITIS PERSONALITY SIGNIFICANTTOYOU. QUOTES - IMPORTANT QUOTATIONS AND ANALYSIS 1.) "Once you learn how to die, you learn how to live." (82) - Morrie Morrie says this during the fourth Tuesday when he and Mitch discuss death. Morrie feels that people refuse to believe that they will one day die, and therefore, do not live their lives as fully as they would have liked and also have many regrets as they become older and their death becomes closer. He feels that once we learn and accept that we are one day going to die, we learn to live our lives fully and without any regrets. Morrie repeats this quote frequently throughout the chapter to emphasize how important and helpful it is to accept death, and what a benefit it would be to living the remainder of our lives. Morrie also wants Mitch to see how he is able to appreciate the smaller, more genuine things in life, knowing that his death is approaching. 2.) "You closed your eyes. That was the difference. Sometimes you cannot believe what you see, you have to believe what you feel. And if you are ever going to have other people trust you, you must feel that you can Trust them too-even when you are in the dark. Even when you're falling." (61) - Morrie During one of the flashbacks to when Mitch was a student of Morrie's, he recalls this specific class in which Morrie had the students participate in "trust falls". The students stood with their backs to their classmates and Tried to fall backwards relaying on the others to catch them. Most of the students were.