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1. Blanche Dubois Analysis
We all need to see our version of our reality reflected back to us by others. It takes an exceptional person to retain their understanding of their identity
when others question it, deny it or even set out to destroy it. Many of us cannot withstand such an assault on our sense of self, submitting to the strong,
dominating personalities who want to shape the world in their own image. However, it is not only others who have the capacity to bring our fragile
sense of reality undone; maintaining one's self belief also requires withstanding the doubts of self.
Confusion about our identity and self doubt can arise when those to whom we look to validate our perception of who we are refuse to confirm this
perception. Blanche du Bois believes herself...show more content...
Perhaps it is more difficult to withstand the doubt within oneself. Robert Drewe writes his memoir, linking the crimes of the serial killer Eric Cooke
to his own story. The memories of his youth are infused with the guilt that he feels for having been instrumental in his mother's death. Is he a
murderer he asks himself, and the doctor who is far from reassuring. His failure to abide by the teachings of the Moral Agent lead to his girlfriend's
pregnancy. He describes his marriage as 'a celebration of flagrant immorality' from his parent's point of view. His concept of himself having contributed
to his mother's death weighs heavily and provides him with insight into the mind of the killer Cooke. There is sympathy for a man who has lived his
life as a social outcaste, who dies without his family even noting the time. It is Robert who is 'watching the clock'. Robert prefaces the memoir
with a quote from Ionesco, 'You can only predict things after they have happened'. Looking back on his life, he now thinks he sees a boy who
could have been more observant, the signs were all there. So keen was he to live his own life that he failed to really consider what the effects
might be on those that he loved. Even though his mother seems to do little more than hover on the margins of the pages, we sense Drewe's
insistent remorse. As a young boy, he did not really know his parents. He is aware that his mother also had different personas, Dot and Dorothy and
there is the growing realisation that Dorothy has suppressed Dot in order to be a wife and mother, according to the dictates of husband and society.
His taking her so much for granted, his failure to be the son that he now feels he could have been, lead to the depiction of himself as in need of
finding out who he really is. There is the feeling that he will be able to get back in touch with himself in the last line of the memoir as he sets out with
the
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2. Blanche Dubois Light
In the play Blanche avoids appearing in direct, bright light, especially in front of Mitch. She won't give anyone her real age, and that is why she wan't
get in the light so Mitch don't find out; and the light is symbolizes her past.She is haunted by her ghost that she has lost– her first lover, her purpose in
her life, her dignity, and her genteel society of her ancestors.When Blanche tells Mitch that being in love with her last husband, was like having the
world revealed in bright light. When Stanley and Blanche drink alcohol they do it differently, when Stanley drinks he drinks when he is with his
friends, but he ends up being mean to his wife and when Blanche drinks she to escape the harsh reality.
He has Blanche hiding her true self, to lie to other people, to get with men to make her happy,and where she has a mental illness where she hears stuff
and has panic attacks. Stanley is most the time trying to get Blanche in trouble, drinking, and hitting his wife; Stella is trying to help Blanche throw the
stuff that has happened to her and where she takes Stanley hitting her. Mitch is take cares of his mom....show more content...
Stanley is says mean thing to Blanche and Stella.
In the play there are different motifs in it how Blanch don't like lights, she drinking when she get upset, has a mental illness when her husband killed
himself, and she lies about stuff that is not really something to about. Stanley likes to drink alcohol, but when he does he gets mad and when he get
mad he get violent towards his wife and hits her; Stella has a mental illness when it comes down to Stanley getting mad at her she thinks it is normal
for him to do
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3. Blanche Dubois Opinion
The plot of A Streetcar Named Desire possesses a unique potential for a difference of opinions to exist. That is to say, much like most dramatic
literature, interpretation is based on individual emotion, this particular style of writing leaves plenty of room for personal perspectives and
speculations to materialize. With that stated, my account of the storyline is centered on Blanche DuBois' personal struggles and the explicit
confrontations she encounters with Stanley Kowalski. Although the story begins with a glimpse into the life of Stella and Stanley, it is quickly taken
over by the presence of Blanche. As her backstory unfolds, the intrigue which grabs holds of the audience begins to be fulfilled.
Blanche was portrayed as a disturbed yet educated Southern Bell, who hailed from a once prominent family, although, through generations it managed
to lose all inheritances and in the same manner the respectability of the family name. This fact, undoubtedly afflicted Blanche and unlike her younger
sister Stella, she could not accept the unfortunate circumstances of the families tribulations, much like her own...show more content...
Her prim and proper ways were no match for the tactics of the brazen Stanley Kowalski. Stanley, had no formal education to speak of and was utterly
sophomoric in his attempts at sophisticated dialog, however he displayed a prodigious ability to apply "street smarts" and common sense within his
deductions. These deductions inevitably exposed Blanche's half–truths and out right delusions. He forced her to acknowledge her troubles, past and
present, then in a most heinous act forced himself upon her, driving her to her ultimate breaking point. In the end, Blanche was committed to a mental
facility leaving only one resounding moral to the story... Don't live in
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4. Pablo Blanche Dubois
Introductory Wall Text The Album of La Revue Blanche, a collection of prints commissioned by the late 19th century Parisian anarchist journal La
Revue Blanche, provides not only an insight into popular fin–de–siГЁcle French print culture, but also a beautiful case–study in the techniques
developed by leading artists in the realm of fine art lithography. As a graphic art that makes use of the immiscibility of grease and water, this
planographic printing process provides a wide array of stylistic possibilities as these various prints demonstrate. As the new invention of photography
was rapidly replacing the traditional print as the sole means for reproductions in the late 19th century, artistic quality in prints became increasingly
important and printmaking flourished as an independent art form. Parisian print publishers and dealers soon began to produce albums of prints
published regularly in limited editions that were purchased by a rapidly growing group of...show more content...
The sheer range of stylistic effects within lithography is vast, and the artists of La Revue Blanche display ever more inventive ways of working in this
medium. For some of these artists, the Revue's commission would become a hallmark moment in their career, and inspire much more sustained work
in the graphic arts. For others, it bolstered an already flourishing graphic career. In this sense, La Revue played an active role in promoting the modern
lithographic print, and is perhaps one of the most successful examples of the symbiotic relationship between avant–garde art prints and the particular
culture that fueled their
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