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Barthes Theory
Barthes’ said that: a text had no beginning, that it is
reversible, we can gain access to it by many entrances
(none can be authoritatively declared to be the main
one), it can be indeterminable.
Text needs to be unravelled
Unravelling can lead to several potential meanings
We can look at text from one perspective and create one
meaning
You can continue by unravelling the narrative from a range
of angles and create new meanings
Meaning
Barthes said texts can be:
‘OPEN’ or ‘CLOSED’
(they can be unravelled) (only one obvious thread in the story)
Barthes then narrowed down this to Five Codes
which can be present in any narrative:
The Action Code – resolution is produced through action
e.g. battle
The Enigma Code – where tension is built up and
audience left questioning
The Symbolic Code – new meaning comes from conflicts/
opposing ideas
The Cultural Code – looks at the audience’s wider cultural
knowledge/morality/and ideology
The Semantic Code – story has an additional
meaning/underlying connotation
{
Se7en opening
sequence – link to
baths theory
Action
A person( unidentified)
Preparing a document Referential
Religion
Biblical – 7 sins
Morals
Character viewed himself to be
an angel
Semic
Pictures
Cut his fingertips to
remove fingerprints
Sewing
Book
Recording data
Enigma
Who were the people?
Who should they be looking
for?
What is the writing about?
Who was that person?
Symbolic
Preparation/planning (fingertips
removed)
Journal confused/ distorted
Precision in planning (sewing)
The films seems to portray a man who
has numerous targets and sets up
method to remove them from existence
How this theory links to our movie
Our film does follow Baths’ theory as our short film will
attempt to use the enigma code. We want the audience to
be left the edge of their seats and for them to be
questioning everything that occurs within our film
immediately after the tension is built up.

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Barthes theory edited

  • 2. Barthes’ said that: a text had no beginning, that it is reversible, we can gain access to it by many entrances (none can be authoritatively declared to be the main one), it can be indeterminable. Text needs to be unravelled Unravelling can lead to several potential meanings We can look at text from one perspective and create one meaning You can continue by unravelling the narrative from a range of angles and create new meanings Meaning
  • 3. Barthes said texts can be: ‘OPEN’ or ‘CLOSED’ (they can be unravelled) (only one obvious thread in the story)
  • 4. Barthes then narrowed down this to Five Codes which can be present in any narrative: The Action Code – resolution is produced through action e.g. battle The Enigma Code – where tension is built up and audience left questioning The Symbolic Code – new meaning comes from conflicts/ opposing ideas The Cultural Code – looks at the audience’s wider cultural knowledge/morality/and ideology The Semantic Code – story has an additional meaning/underlying connotation
  • 5. { Se7en opening sequence – link to baths theory Action A person( unidentified) Preparing a document Referential Religion Biblical – 7 sins Morals Character viewed himself to be an angel Semic Pictures Cut his fingertips to remove fingerprints Sewing Book Recording data Enigma Who were the people? Who should they be looking for? What is the writing about? Who was that person? Symbolic Preparation/planning (fingertips removed) Journal confused/ distorted Precision in planning (sewing) The films seems to portray a man who has numerous targets and sets up method to remove them from existence
  • 6. How this theory links to our movie Our film does follow Baths’ theory as our short film will attempt to use the enigma code. We want the audience to be left the edge of their seats and for them to be questioning everything that occurs within our film immediately after the tension is built up.