The first half of the decade saw warfare escalate all the way from the Maghreb, to the Middle East, into Europe, thus positioning the issue of displaced people in the centre of public discourse. This forceful displacement urged people to seek refuge on European soil, with the Greek islands neighbouring the Turkish coast becoming the informal gate for people on their way to the greek mainland and then westward into the European Union, while at the same time acquiring particularities of a war front, an extension of the warzone, through human bodies and stories that arrive on their shores. European authorities have taken to an increasingly militarized management of their respective sovereign borders, while the division between the European core and its periphery has become all the more acute. The fortification of the border, both literal and symbolic, heightens a sense of national space in a Europe in crisis. National space is ‘protected’ by exotic invaders, the displaced, the unwanted, the new enemy. Even though -exceptions aside- humanitarian etiquette would not permit such a bold statement on the authorities’ part, razor fences are erected in a domino-like effect and treaties that have been standing for decades are put to test in an attempt to shore up state sovereignty, as European states externalise their bordering and carceral practices. This is a crisis to be understood and examined in territorial terms. The space within which this flow occurs-the 'Refugeescape'- is the site of this intervention. As new narratives establish themselves across Europe, the emerging architectures of bordering are to be examined afresh. The migrant corridor assumes qualities of an archipelago of exception, with conflicting agents making for the emergence of places of ‘legislative void’ within the borderscape. Extraterritorial islands, where notions of sovereignty and citizenship for refugees and locals alike are open for negotiation. Such a displaced reality could not be examined in linear means. Established between London, Athens and Lesvos island, the Embassy for the Displaced initiative is deployed as a vessel that aims at occupying these extraterritorial sites in an effort to document and examine this displacement of historic proportions, and establish the criteria that allow for a subversive insertion of practices that negotiate issues of citizenship, space, and autonomy for displaced people. In the present proposal this will be attempted through an archaeological archiving process of objects, visual stimuli and testimonies, the decoding of a series of design interventions and the use of new representational media, such as three dimensional scanning and Virtual Reality environments. From the body, to the camp, and, eventually, the landscape, an inventory of the potential of design to formule new bordering and citizenship strategies for a project of autonomy is to be drafted.