This document provides an overview of Attic and Hellenistic Greek literature, focusing on the emergence of drama and key playwrights such as Aeschylus and Sophocles. It discusses the origins and meaning of tragedy and theater. It also summarizes the lives and major works of Aeschylus, Sophocles, and Euripides. Key points covered include Aeschylus being considered the father of tragedy, Sophocles emphasizing character development, and Euripides introducing more realistic characters and innovations to the genre of tragedy.
The document provides background information on Greek tragedies and Sophocles' play Oedipus the King. It discusses that Greek tragedies often told the story of a flawed protagonist who faced difficult choices and conflicts both internally and externally. If the protagonist's struggles ended in defeat or death, it was considered a tragedy. It also summarizes that Sophocles was a famous Greek playwright who lived during Athens' Golden Age and produced over 120 plays, of which seven survive today including Oedipus the King. Considered one of Sophocles' greatest works, the play tells the tragic story of King Oedipus and his downfall after unknowingly killing his father and marrying his mother.
Classical Greek literature developed from an oral tradition of storytelling between the 8th and 5th centuries BC. Homer's epic poems The Iliad and The Odyssey were some of the first literary works written down in this period. In the 5th century BC, Greek theater blossomed with the innovations of playwrights like Aeschylus, Sophocles, and Euripides establishing tragic drama, and Aristophanes pioneering comic plays. Philosophy also advanced through the works of Socrates, Plato, and Aristotle, establishing foundations of Western thought.
1) In 5th century BC Athens, democracy and theater flourished alongside the teachings of philosophers like Socrates and Plato. Athens' wealth and military power made it a dominant city-state.
2) Greek theater originated from religious festivals honoring Dionysus and brought citizens together through shared myths. Performances involved male actors, chorus, and simple sets depicting locations.
3) Sophocles' play Oedipus the King dramatizes the well-known myth of a man destined to kill his father and marry his mother, highlighting the tragic irony as the audience knows Oedipus' fate before he does.
Western classical plays and opera evolved from ancient rituals and ceremonies. The ancient Greeks developed theatre with tragedies by playwrights like Aeschylus and comedies. The Romans adopted Greek theatre styles and added spectacles involving gladiators and chariot races. During the medieval era, church mysteries and morality plays developed. The Renaissance saw the rebirth of classical styles and the development of commedia dell'arte, masques and plays by Shakespeare. The Baroque period used new technologies for special effects and scene changes. Neoclassical theatre was grand and taught lessons through tragedies and comedies. Romanticism made melodrama and opera popular through the works of playwrights like Victor Hugo.
Western classical plays and opera evolved from ancient rituals and ceremonies. The ancient Greeks developed theatre with tragedies by playwrights like Aeschylus and comedies. The Romans adopted Greek theatre styles and added spectacles involving gladiators and chariot races. During the medieval era, church mysteries and morality plays developed. The Renaissance saw the rebirth of classical styles and the development of commedia dell'arte, masques and plays by Shakespeare. The Baroque period used new technologies for special effects and scene changes. Neoclassical theatre was grand and taught lessons through tragedies and comedies. Romantic theatre was popularized melodramas and operas with a focus on emotions, music, dance and spectacle
Presentation for english 4 ancient greek literatureNovem Ylayron
The document summarizes key aspects of ancient Greek literature from the earliest texts until the rise of the Byzantine Empire. It discusses the major genres including epics by Homer, lyric poetry such as that of Sappho, and the three main types of drama - tragedy, comedy, and satyr plays. It provides details on important playwrights such as Aeschylus, Sophocles, and Euripides and describes some of their most famous works. The document also briefly mentions some of the major historians and philosophers of ancient Greece.
The document provides an overview of the history and evolution of Western classical plays and opera from ancient times to the modern era. It begins with the origins of theater in ancient rituals and ceremonies. It then covers the major developments and forms of theater in ancient Greece and Rome, including tragedy, comedy, and satyr plays. Notable Greek playwrights such as Sophocles, Euripides, and Aeschylus are discussed. The document continues by outlining medieval, Renaissance, Baroque, Neoclassical, and Romantic theatrical periods in Europe, highlighting influential playwrights, innovations, and dominant genres of each period.
Sophocles was one of the most famous and respected ancient Greek tragedians. He lived from circa 495 BC to 406 BC in Athens, where he wrote around 123 plays and won first prize at the Dionysia festival nearly 20 times over his long career. His most famous works are the three Theban plays - Antigone, Oedipus the King, and Oedipus at Colonus - which tell the story of King Oedipus and his descendants. Sophocles helped develop tragedy as a dramatic form and was renowned for his skillful writing, use of complex characters, themes of fate and free will, and the elevated language of his plays.
The document provides background information on Greek tragedies and Sophocles' play Oedipus the King. It discusses that Greek tragedies often told the story of a flawed protagonist who faced difficult choices and conflicts both internally and externally. If the protagonist's struggles ended in defeat or death, it was considered a tragedy. It also summarizes that Sophocles was a famous Greek playwright who lived during Athens' Golden Age and produced over 120 plays, of which seven survive today including Oedipus the King. Considered one of Sophocles' greatest works, the play tells the tragic story of King Oedipus and his downfall after unknowingly killing his father and marrying his mother.
Classical Greek literature developed from an oral tradition of storytelling between the 8th and 5th centuries BC. Homer's epic poems The Iliad and The Odyssey were some of the first literary works written down in this period. In the 5th century BC, Greek theater blossomed with the innovations of playwrights like Aeschylus, Sophocles, and Euripides establishing tragic drama, and Aristophanes pioneering comic plays. Philosophy also advanced through the works of Socrates, Plato, and Aristotle, establishing foundations of Western thought.
1) In 5th century BC Athens, democracy and theater flourished alongside the teachings of philosophers like Socrates and Plato. Athens' wealth and military power made it a dominant city-state.
2) Greek theater originated from religious festivals honoring Dionysus and brought citizens together through shared myths. Performances involved male actors, chorus, and simple sets depicting locations.
3) Sophocles' play Oedipus the King dramatizes the well-known myth of a man destined to kill his father and marry his mother, highlighting the tragic irony as the audience knows Oedipus' fate before he does.
Western classical plays and opera evolved from ancient rituals and ceremonies. The ancient Greeks developed theatre with tragedies by playwrights like Aeschylus and comedies. The Romans adopted Greek theatre styles and added spectacles involving gladiators and chariot races. During the medieval era, church mysteries and morality plays developed. The Renaissance saw the rebirth of classical styles and the development of commedia dell'arte, masques and plays by Shakespeare. The Baroque period used new technologies for special effects and scene changes. Neoclassical theatre was grand and taught lessons through tragedies and comedies. Romanticism made melodrama and opera popular through the works of playwrights like Victor Hugo.
Western classical plays and opera evolved from ancient rituals and ceremonies. The ancient Greeks developed theatre with tragedies by playwrights like Aeschylus and comedies. The Romans adopted Greek theatre styles and added spectacles involving gladiators and chariot races. During the medieval era, church mysteries and morality plays developed. The Renaissance saw the rebirth of classical styles and the development of commedia dell'arte, masques and plays by Shakespeare. The Baroque period used new technologies for special effects and scene changes. Neoclassical theatre was grand and taught lessons through tragedies and comedies. Romantic theatre was popularized melodramas and operas with a focus on emotions, music, dance and spectacle
Presentation for english 4 ancient greek literatureNovem Ylayron
The document summarizes key aspects of ancient Greek literature from the earliest texts until the rise of the Byzantine Empire. It discusses the major genres including epics by Homer, lyric poetry such as that of Sappho, and the three main types of drama - tragedy, comedy, and satyr plays. It provides details on important playwrights such as Aeschylus, Sophocles, and Euripides and describes some of their most famous works. The document also briefly mentions some of the major historians and philosophers of ancient Greece.
The document provides an overview of the history and evolution of Western classical plays and opera from ancient times to the modern era. It begins with the origins of theater in ancient rituals and ceremonies. It then covers the major developments and forms of theater in ancient Greece and Rome, including tragedy, comedy, and satyr plays. Notable Greek playwrights such as Sophocles, Euripides, and Aeschylus are discussed. The document continues by outlining medieval, Renaissance, Baroque, Neoclassical, and Romantic theatrical periods in Europe, highlighting influential playwrights, innovations, and dominant genres of each period.
Sophocles was one of the most famous and respected ancient Greek tragedians. He lived from circa 495 BC to 406 BC in Athens, where he wrote around 123 plays and won first prize at the Dionysia festival nearly 20 times over his long career. His most famous works are the three Theban plays - Antigone, Oedipus the King, and Oedipus at Colonus - which tell the story of King Oedipus and his descendants. Sophocles helped develop tragedy as a dramatic form and was renowned for his skillful writing, use of complex characters, themes of fate and free will, and the elevated language of his plays.
This document provides an overview of Western classical plays and operas. It discusses the origins of theater in ancient Greek and Roman societies, where performances honored gods like Dionysus. The three main types of drama in ancient Greece were tragedies, comedies, and satyr plays. Tragedies dealt with tragic events and unhappy endings, while comedies were derived from imitation and humor. Famous Greek playwrights who developed these forms included Sophocles, Euripides, and Aeschylus. Their plays explored human nature and myths. Theater buildings consisted of an orchestra, skene, and viewing area cut into hillsides.
The document provides an overview of the history and structure of Greek theater. It discusses how Greek drama originated from religious festivals honoring Dionysus and tells stories through song and chanting. It evolved to include three speaking actors and a chorus. Key aspects of Greek theater included its simplicity, with minimal props and backdrops, and the importance of the chorus in setting the atmosphere. The document also profiles the three major Greek playwrights - Aeschylus, Sophocles, and Euripides - and provides biographical details and summaries of their works.
The document provides an overview of the history and structure of Greek theater. It discusses how Greek drama originated from religious festivals honoring Dionysus and tells stories through song and chanting. Over time, the recitation became more important and involved fewer performers. Key aspects of Greek drama included the chorus, three main actors on stage at a time, and simplistic sets. The document also profiles the three major Greek playwrights - Aeschylus, Sophocles, and Euripides - and provides biographical details and summaries of their works.
1. The document provides background information on Greek tragedy, including its origins in religious ceremonies and structure, which involved alternating episodes and choral odes.
2. It discusses key playwrights like Aeschylus and Sophocles, noting Sophocles focused on the human world rather than divine themes. His plays featured a protagonist struggling against fate.
3. The document also summarizes the classic Greek myth of Oedipus and his family that Sophocles explored in several of his surviving plays.
The document provides an overview of European literature from ancient Greece to the 20th century, covering major works, authors, and periods. It discusses Greek authors like Homer, Sophocles, and Euripides. For Rome, it mentions Virgil's Aeneid. The Middle Ages produced epics like the Nibelungenlied. The Renaissance saw the rediscovery of classical works. Countries covered include France, Germany, Italy, Russia, and Scandinavia. It provides biographical details and summaries of works by authors like Dante, Goethe, Pushkin, and Tolstoy.
Classical literature criticism historical and backgroundAhmad Sobhy Rakhia
classical literature criticism historical and background
it presented by:
Ahmad Sobhy Rakhia,
under the supervision: Dr. Iman Kash-Koush
Faculty of Arts, English Department, Second grade, Banha University.
Antigone Background Aristotle and Tragedy.pptkriskutateli
Sophocles' play Antigone focuses on the conflict between religious and political law. It was written during a time of transition to democracy in Athens. The character of Creon, who bans the burial of Antigone's brother, may have been modeled after Pericles and served as a warning about dictatorship. Antigone defies Creon to follow religious law and bury her brother. The play explores the debate over unwritten versus civic laws and was likely a reaction against priorities in Athens at the time. It would have been performed in the Athenian Theater for large audiences as part of a religious festival and dramatic competition.
Sophocles was a 5th century BC Greek playwright born in Colonus near Athens. He is considered one of the most influential writers of ancient Greece. His play Oedipus the King is generally seen as his most representative work. In the play, Oedipus fulfills a prophecy that he would kill his father and marry his mother, unwittingly committing both acts in his attempt to avoid the prophecy. The majority of the story takes place before the start of the play, setting up Oedipus' tragic fate that he cannot escape despite his efforts. The play focuses on Oedipus' interior life and psychology, seen as a modern approach for the time. Oedipus the
Greek literature began with ancient epics like the Iliad and Odyssey, and flourished during the Classical period with genres like lyric poetry, drama, history, and philosophy. The three great tragic playwrights who established the dramatic traditions were Aeschylus, Sophocles, and Euripides. Plato and Aristotle made seminal contributions to philosophy. Greek literature continued to develop through the Hellenistic and Roman periods, influencing works in other areas under Greek influence.
Acting originated in ancient Greece, where theatrical performances were held as worship to Dionysus. Key developments included Thespis being considered the first actor in the 6th century BC and the use of masks to portray characters. Theatrical traditions spread from Greece to Rome and throughout Europe over centuries. Different cultures developed their own forms of acting focused on religious rituals and stories.
Western drama originated in ancient Greece with tragedies, comedies, and satyr plays performed as part of religious festivals honoring Dionysus. The two masks of drama represent comedy and tragedy, which were associated with the Muses Thalia and Melpomene. Drama was later considered a genre of poetry. Rituals differed from plays in their use of suspense and audience identification with characters. Significant Greek dramatists included Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. Drama continued developing through Roman, Medieval, Renaissance, 18th century, 19th century, and modern eras with influences from various movements such as Romanticism, Realism, Symbolism
Greek theatre originated from religious ceremonies honoring Dionysus. Performances involved actors dressing as sacred animals and entering a drunken, ecstatic state. Thespis was the first to take on individual roles, separating from the chorus. Over time, theatre evolved from religious ritual to civic entertainment, with plays judged at festivals. Stages were built into hillsides with seating for thousands to view sacred performances.
The actors in ancient greek theatre also have a symbolic significance in a gr...charhonya
In ancient Greek theatre, actors had symbolic significance and represented different roles. Thespis was considered the first to use actors in dithyrambs, followed by Aeschylus and Sophocles. Actors were originally called hypocrites and represented leading characters, while the chorus in the orchestra were followers. Only men played roles, with females played by males before puberty. Greek theatre featured loud music, bright colors, and dancing, depicting violence and daily life through social, ethical, and war-related plays. Drama developed from dithyrambs honoring Dionysus, with Thespis introducing the first actor to exchange dialogue with the chorus leader.
The document provides a history of drama from its origins in ancient Greece to modern times. It notes that drama began as part of festivals honoring Dionysus in Greece, with the first genres being tragedy, comedy, and satyr plays performed by famous playwrights like Aeschylus and Aristophanes. Drama developed further in Rome and the Middle Ages before flourishing during the Renaissance with Shakespeare. Modern drama saw experimentation with forms and a shift from realism to symbolism and expressionism in the late 19th/early 20th centuries. Contemporary drama explores language and mirrors social issues.
This document provides an overview of the history and evolution of Western classical plays and opera from ancient times to the medieval period. It discusses the origins of theater in ancient Greek and Roman cultures, including important playwrights and theatrical forms such as tragedy, comedy, and satyr plays performed in Greek open-air theaters. Roman theater was influenced by Greek traditions. During the medieval era, minstrels performed in public spaces while churches began staging biblical plays that were later moved outside due to depictions of evil. The document traces the development of Western theatrical traditions over time.
The document provides a history of the development of drama from ancient Greek origins to modern forms. It traces how drama began as part of religious festivals honoring Dionysus in ancient Greece, involving tragedies, comedies, and satyr plays performed in theaters. Key figures who advanced early drama include Thespis, Aeschylus, Sophocles, and Euripides. Drama continued evolving through Roman, Medieval, Renaissance, 18th century, 19th century, and modern eras, influenced by movements such as Romanticism, Realism, Symbolism, and Expressionism. Modern drama incorporates experimentation with new forms and ideas from its long development.
The Eagle: Tennyson's Magnificence Six lines profoundly show Probing, Perpetu...Al Baha University
Irrespective of that, Winter is a short poem; however, it bears inside profound, interesting meanings and connotations. It is composed of eighteen lines at the end of the comic play Love’s Labour’s Lost. Its significance might be looked at from two sides; the first is the meaning of the natural season, winter, and how such time of year is described in this poem. The second side goes with the sort of used verse and its technique, style, and devices.
This study intends to explore the perceptions of descriptions, pictures, and metaphors behind this poem. Through an analytical and critical examination and scrutiny, the study tries to present the verse and poetic concepts that Shakespeare applied in the lines of this very short poem. The study starts with an introduction about Shakespeare, the poet, and dramatist, then critically, it comments on appreciating the profound elements of the poem. Afterward, the study moves ahead to deal with some verse elements such as rhythm, the use of meters, and other devices.
Here are some potential life lessons that can be gained from theaters and operas:
- Appreciation for storytelling and how it can convey meaningful messages or themes about human nature, relationships, society, etc. Stories have the power to teach profound truths about life.
- Understanding different perspectives and walking in another person's shoes through empathy with characters. This can build compassion.
- Learning that appearances can be deceiving, as characters are often more complex than they seem on the surface. There are usually underlying motivations or circumstances not immediately apparent.
- How to develop complex, multilayered characters and see people as more than just stereotypes. Real people have depth.
- Consequences of actions - many
This document provides background information on William Shakespeare and the time period in which he lived and wrote, known as the English Renaissance. It discusses Shakespeare's life and career, theater in Elizabethan England, and the key aspects of the Renaissance, including its restoration of classical influences and languages that inspired Shakespeare's works. The Renaissance era saw a rebirth of interest in classical antiquity that shaped Shakespeare's plays and their multidimensional characters.
The document discusses wound classification and wound healing. It describes 4 types of wounds from clean to dirty/infected with increasing expected infection rates. It explains primary, secondary, and tertiary wound healing. Local and general factors that can affect wound healing are outlined. Steps for wound management include cleaning, inspection/classification, and dressing selection based on exudate level. Common dressing types like hydrocolloids, hydrogels, alginates, foams are described.
Principle of Plastic Surgery, plastic surgery notesSirajudheenSRJ
Plastic surgery involves both reconstructive and cosmetic procedures on the skin and its underlying structures. It is a specialty without clear boundaries or a specific anatomic focus. Skin grafts and flaps are two techniques used in plastic surgery to reconstruct areas of missing or damaged tissue. For a skin graft to survive, known as "take", it must revascularize from the recipient bed through several phases over 72 hours. The thickness and amount of dermis included in a skin graft impacts how much it will contract both initially and over time as it heals. A flap maintains its original blood supply, either through a pedicle or by microvascular anastomosis in a free flap. The angiosome model of skin blood supply is important
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This document provides an overview of Western classical plays and operas. It discusses the origins of theater in ancient Greek and Roman societies, where performances honored gods like Dionysus. The three main types of drama in ancient Greece were tragedies, comedies, and satyr plays. Tragedies dealt with tragic events and unhappy endings, while comedies were derived from imitation and humor. Famous Greek playwrights who developed these forms included Sophocles, Euripides, and Aeschylus. Their plays explored human nature and myths. Theater buildings consisted of an orchestra, skene, and viewing area cut into hillsides.
The document provides an overview of the history and structure of Greek theater. It discusses how Greek drama originated from religious festivals honoring Dionysus and tells stories through song and chanting. It evolved to include three speaking actors and a chorus. Key aspects of Greek theater included its simplicity, with minimal props and backdrops, and the importance of the chorus in setting the atmosphere. The document also profiles the three major Greek playwrights - Aeschylus, Sophocles, and Euripides - and provides biographical details and summaries of their works.
The document provides an overview of the history and structure of Greek theater. It discusses how Greek drama originated from religious festivals honoring Dionysus and tells stories through song and chanting. Over time, the recitation became more important and involved fewer performers. Key aspects of Greek drama included the chorus, three main actors on stage at a time, and simplistic sets. The document also profiles the three major Greek playwrights - Aeschylus, Sophocles, and Euripides - and provides biographical details and summaries of their works.
1. The document provides background information on Greek tragedy, including its origins in religious ceremonies and structure, which involved alternating episodes and choral odes.
2. It discusses key playwrights like Aeschylus and Sophocles, noting Sophocles focused on the human world rather than divine themes. His plays featured a protagonist struggling against fate.
3. The document also summarizes the classic Greek myth of Oedipus and his family that Sophocles explored in several of his surviving plays.
The document provides an overview of European literature from ancient Greece to the 20th century, covering major works, authors, and periods. It discusses Greek authors like Homer, Sophocles, and Euripides. For Rome, it mentions Virgil's Aeneid. The Middle Ages produced epics like the Nibelungenlied. The Renaissance saw the rediscovery of classical works. Countries covered include France, Germany, Italy, Russia, and Scandinavia. It provides biographical details and summaries of works by authors like Dante, Goethe, Pushkin, and Tolstoy.
Classical literature criticism historical and backgroundAhmad Sobhy Rakhia
classical literature criticism historical and background
it presented by:
Ahmad Sobhy Rakhia,
under the supervision: Dr. Iman Kash-Koush
Faculty of Arts, English Department, Second grade, Banha University.
Antigone Background Aristotle and Tragedy.pptkriskutateli
Sophocles' play Antigone focuses on the conflict between religious and political law. It was written during a time of transition to democracy in Athens. The character of Creon, who bans the burial of Antigone's brother, may have been modeled after Pericles and served as a warning about dictatorship. Antigone defies Creon to follow religious law and bury her brother. The play explores the debate over unwritten versus civic laws and was likely a reaction against priorities in Athens at the time. It would have been performed in the Athenian Theater for large audiences as part of a religious festival and dramatic competition.
Sophocles was a 5th century BC Greek playwright born in Colonus near Athens. He is considered one of the most influential writers of ancient Greece. His play Oedipus the King is generally seen as his most representative work. In the play, Oedipus fulfills a prophecy that he would kill his father and marry his mother, unwittingly committing both acts in his attempt to avoid the prophecy. The majority of the story takes place before the start of the play, setting up Oedipus' tragic fate that he cannot escape despite his efforts. The play focuses on Oedipus' interior life and psychology, seen as a modern approach for the time. Oedipus the
Greek literature began with ancient epics like the Iliad and Odyssey, and flourished during the Classical period with genres like lyric poetry, drama, history, and philosophy. The three great tragic playwrights who established the dramatic traditions were Aeschylus, Sophocles, and Euripides. Plato and Aristotle made seminal contributions to philosophy. Greek literature continued to develop through the Hellenistic and Roman periods, influencing works in other areas under Greek influence.
Acting originated in ancient Greece, where theatrical performances were held as worship to Dionysus. Key developments included Thespis being considered the first actor in the 6th century BC and the use of masks to portray characters. Theatrical traditions spread from Greece to Rome and throughout Europe over centuries. Different cultures developed their own forms of acting focused on religious rituals and stories.
Western drama originated in ancient Greece with tragedies, comedies, and satyr plays performed as part of religious festivals honoring Dionysus. The two masks of drama represent comedy and tragedy, which were associated with the Muses Thalia and Melpomene. Drama was later considered a genre of poetry. Rituals differed from plays in their use of suspense and audience identification with characters. Significant Greek dramatists included Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. Drama continued developing through Roman, Medieval, Renaissance, 18th century, 19th century, and modern eras with influences from various movements such as Romanticism, Realism, Symbolism
Greek theatre originated from religious ceremonies honoring Dionysus. Performances involved actors dressing as sacred animals and entering a drunken, ecstatic state. Thespis was the first to take on individual roles, separating from the chorus. Over time, theatre evolved from religious ritual to civic entertainment, with plays judged at festivals. Stages were built into hillsides with seating for thousands to view sacred performances.
The actors in ancient greek theatre also have a symbolic significance in a gr...charhonya
In ancient Greek theatre, actors had symbolic significance and represented different roles. Thespis was considered the first to use actors in dithyrambs, followed by Aeschylus and Sophocles. Actors were originally called hypocrites and represented leading characters, while the chorus in the orchestra were followers. Only men played roles, with females played by males before puberty. Greek theatre featured loud music, bright colors, and dancing, depicting violence and daily life through social, ethical, and war-related plays. Drama developed from dithyrambs honoring Dionysus, with Thespis introducing the first actor to exchange dialogue with the chorus leader.
The document provides a history of drama from its origins in ancient Greece to modern times. It notes that drama began as part of festivals honoring Dionysus in Greece, with the first genres being tragedy, comedy, and satyr plays performed by famous playwrights like Aeschylus and Aristophanes. Drama developed further in Rome and the Middle Ages before flourishing during the Renaissance with Shakespeare. Modern drama saw experimentation with forms and a shift from realism to symbolism and expressionism in the late 19th/early 20th centuries. Contemporary drama explores language and mirrors social issues.
This document provides an overview of the history and evolution of Western classical plays and opera from ancient times to the medieval period. It discusses the origins of theater in ancient Greek and Roman cultures, including important playwrights and theatrical forms such as tragedy, comedy, and satyr plays performed in Greek open-air theaters. Roman theater was influenced by Greek traditions. During the medieval era, minstrels performed in public spaces while churches began staging biblical plays that were later moved outside due to depictions of evil. The document traces the development of Western theatrical traditions over time.
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Irrespective of that, Winter is a short poem; however, it bears inside profound, interesting meanings and connotations. It is composed of eighteen lines at the end of the comic play Love’s Labour’s Lost. Its significance might be looked at from two sides; the first is the meaning of the natural season, winter, and how such time of year is described in this poem. The second side goes with the sort of used verse and its technique, style, and devices.
This study intends to explore the perceptions of descriptions, pictures, and metaphors behind this poem. Through an analytical and critical examination and scrutiny, the study tries to present the verse and poetic concepts that Shakespeare applied in the lines of this very short poem. The study starts with an introduction about Shakespeare, the poet, and dramatist, then critically, it comments on appreciating the profound elements of the poem. Afterward, the study moves ahead to deal with some verse elements such as rhythm, the use of meters, and other devices.
Here are some potential life lessons that can be gained from theaters and operas:
- Appreciation for storytelling and how it can convey meaningful messages or themes about human nature, relationships, society, etc. Stories have the power to teach profound truths about life.
- Understanding different perspectives and walking in another person's shoes through empathy with characters. This can build compassion.
- Learning that appearances can be deceiving, as characters are often more complex than they seem on the surface. There are usually underlying motivations or circumstances not immediately apparent.
- How to develop complex, multilayered characters and see people as more than just stereotypes. Real people have depth.
- Consequences of actions - many
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This first suture serves to reapproximate the internal oblique muscle back to its normal position in the inguinal canal wall.
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1. Attica and Hellenistic Greek literature
Plan:
1.The emergence of drama.
2.Privates of the Greek Theater.
3.Aeschylus is the father of world tragedy.
4.Sophocles and world drama
2. Questions:
• 1. what is the meaning of Drama
• 2. who is the author of “Poetics”
• 3. what is the origin of tragedy
• 4. what is the origin of theatre
• 5. Speak about Aeschylus life and literary works
• 6. How many works of Aeschylus have reached us and what
are they?
• 7. What is Aeschylus' trilogy?
• 8. speak about Sophocles life and literary works
• 9. Who is the main protagonist of Sophocles' works?
• 10. How many works of Sophocles have reached us and
what are they?
3. • The meaning of the word Drama is "action". This phrase literally testifies to the fact that this janming
is composed of action and interpersonal conversations - diologists. The history of the origin of the
drama is connected with the religious rituals of the people of science of ancient times and the people
of modern times.Aristotle also makes firm remarks in the fourth chapter of his" Poetics". Judging by
the explanation of the great philosopher, even the phrase "tragedy" itself is firmly associated with the
figure of Dionis. The term is composed of two words, "trago la oide", meaning "goat song".From the
fact that all types of drama were born from religious rituals, the ancient Greeks looked at all this with
deep faith. Consequently, theatrical performances were considered one of the important political and
educational events and measures in the care of the state. Secondly, due to the fact that the emergence
of the drama was directly related to the rituals of Dionis, these performances were performed three
times a year in honor of this goddess, and during festive times lasting several days. The Greeks looked
at these performances as an important religious holiday, and not just as a pastime, and prepared to
celebrate these holidays as solemnly as possible, almost all of them were delighted to come to
theatrical performances. In the early days, theatrical performances were free< br > Like all games in
ancient Greece, theatrical performances were held on a competitive road. This poet, who wanted to
attend the mušobakas, entrusted the government's discretion with three tragedies and one drama of
satires, which, in content, were associated with each other. Comedians, on the other hand, participated
in only one work at a time. Greek Theater is absolutely unlike modern theater.First of all, its size is
unusually large, performances are shown on a day and outdoors. Since the Athens theater had a
capacity of 17,000 people, later theaters with a capacity of 30,000 to 50,000 people were also
built.The original meaning of" theatre "is" to see"," to observe". In the early days, the place where the
viewer sits was called by this name.
4. • The role of theater in the history of the spiritual development of the Greek people
is remarkable.The intense ijtimoly and political events that began in the early
years of the 5th century BC - the gradual transformation of Greek el from an old
system to a class state, the strengthening of toboro of the Democratic Movement
in the country-the unprecedented national solidarity of the years of the Iran-
Greek War and the passion for victory over the enemy, The poet is born about
525-524 in Elivsin in a noble aristocratic family. Aeschylus died at Gela in 456.
Aeschylus is imprisoned for the first time in a competition of dramatic poets at
the age of twenty, but winning is destined for him at the age of forty, after which
his works bring the poet a further thirteen victories.Compared to the ancient
scholars of the MA limotes, Aeschylus was an extremely productive writer.
However, of his rich literary heritage of about 90 tragedies, only seven have
survived to us. These are the abyss: the tragedies" Agamemnon"," the
Hoephores", and" the Eumenidae", which fall into the trilogy of" the Ertians","
the seven enemies of Thebes"," the beggars"," the chain Prometheus", and"
Oresteia".Give the severe glsmat of the human child a shouting rebellion against
the oppression and injustice of the face resonates particularly strongly in the
tragedy "chain Prometheus". This work is not only Aeschylus alone, but a great
monument restored to the honor of freedom and humanity of the entire world
literature. The tragedy "the chain Prometheus", along with the tragedies "The
Liberated Prometheus" and "the fiery Prometheus", forms a holistic trilogy, but
the next two parts did not come down to us: Aeschylus is indeed the father of the
tragedy. In his works, he reduced the role of Homs, bringing in a second actor
and increasing the number of diologists. Held in the Shakil of Greek tragedy,
O'mi, with his poetic skills and brilliant modern ideas expressed in his works,
Aeschylus had a strong influence on the literature of the entire ancient world.
5. • Sophocles creationThe second exponent of Greek tragedy, Sophocles, is born in 496 in a
place called colon, near Athens, where his father was the owner of a hardware Enterprise,
a much more wealthy and boobro man of his time. Sophocles is well educated in his
youth, studying diverse knowledge; his literary career began early and at the age of 28 he
triumphed over the great Aeschylus in a dramatic literary competition. Sofoki would
spend the rest of his life in honor, glory and respect in his home country, dying in 406.
After his death, among the great breeds of Greek Eli, he was considered a hero, a large
monument was erected in memory of him, and every year he was included in the
sacrificial slaughter dish above his grave.According to the testimony of ancient scholars,
Sophocles wrote more than 120 works during his sixty-year literary career, winning 24
contests of dramatic poets; but only seven reached us from these works. Sophocles took
them to even higher heights by transforming tragedy from a form of solemn religious
songs into a genuine drama. As a result of the increased emphasis on the nature and
spiritual experiences of the characters in Sofoki's works, vitality begins to gain in the
content of the work.In the history of world literature, Sophocles mainly includes his works
on the subject of narratives about Oedipus, with the tragedies "Oedipus the King",
"Oedipus Colonda" and "Antigone". The work of one of the playwrights of the ancient
world "Oedipus the king" in World Literature did not leave a deep mark on tragedy.
Sophocles ' work marks the birth of a special literary stream in European literature, the so-
called "education of fate", at the end of the XVIII asming, the beginning of the XIX
asming. Supporters of this current claim that, as if in the footsteps of Sophocles, in his
writings on the subject of fate, the world is unfaithful, human children are benavo -
wretched, involuntarily flowing in the whirlwind of life.In the eyes of the ancient Greek
man and Sophocles personally, the meaning of such concepts as happiness, justice and
necessity is very close to each other
6. • Sophocles attempts to reconcile some of the religious, moral dishes typical of
ancient tribal times with the new age of law. In this respect, Sophocles ' first
song is very characteristic. In this song, The Great Power of the human mind, the
wonderful intelligence that obeys the phenomena of nature, rises to the Blues,
but, at the same time, the end of the song ends with derogatory words addressed
to those who indulge in worldly interests and forget about divine duties, that is,
no matter how prosperous a human child is, he should not forget the habits left
before him, otherwise In addition to his outstanding images, Sophocles is also
famous in world literature as a skillful artist, whose dramatic events are
intertwined with rare mastery. The great Goethe spoke of the Greek playwright,
saying, " no one like Sophocles the stage and his professiondid not know".In
comparison to his great contemporary Aeschylus, the character description of the
characters, Sofoki used different methods to elevate the art of targetsiya to a
stage of high maturity. Its greatness is that the poet not only describes with rare
mastery that all people will be different, but also the various spiritual changes
that only a single person has struck a javelin in his heart, the rest of the opposite
senses and feelings. In general, all the events of" Oedipus the King " progress in
the process of moving sharply from one state to another: from joy to sorrow,
from hope to despair, from beginning to end.In the work of Sophocles, Greek
tragedy rises to the stage of high maturity and acquires universal significance.
The democratic spirit of the poet's works, the Humane content, the unique
artistic vision - ensure their eternal prosperity.
7. • Euripides, the third representative of ancient Greek tragedy, according to the narrations of
the Legends, comes into the world in 480 BC in a mediocre family on the island of Salamin
near Athens, just on the day of the Greek victory over Iran, receiving good knowledge. To
the knowledge of his contemporaries, the poet preferred to live a quiet life, calmly engaged
in science, science, art, literature and philosophy. Wins theater competitions three times.
During the Hellenistic period, Euripides became the favorite tragic poet of his people. Even
Aeschylus, Sophocles, is left in the shadow of his Dove. This situation also strongly affects
the fate of the poet's literary heritage, ensuring that 17 tragedies and one satire drama from
his 92 works arrive to us in full. These are: "Alcestida", "Medea", "Heraclides", "Ipollite",
"Gekuba", "Heracles", "beggars", "Trojan women", "Elektra", "Ion", "Iphigenia Taurida",
"Yelena", "Andromaxa", "Phoenician girls", "Orest", "Vakhic girls", "Iphigenia Avlida",
and one satire drama "Cyclops".All of these works were written on the subject of
mythological legends, such as Aeschylus and the tragedies of Sophocles, according to
Greek cuisine.The tragedy "Alcestida", created in the early days of the poet's work, is
considered. We do not see goddesses in the work. Individuals who pass before our eyes are
ordinary, round-minded people who live with the hypocrites of life, who have a selfish
interest, are not devoid of petty passions. People in this environment do not return from
anything in their own interests. In this work, Euripides brings the viewer into the life of the
Earth, a place of universal great matters, fate, everyday life from the sky of the concepts of
maslak, simple livelihood familiar to everyone, human passions. We see that in the work of
Euripides, a completely new genre-drama-is emerging, which does not look like either
tragedy or Comedy. These innovations, applied by the poet, were the most consistent way
in expressing the ordinary Magyars of life and truly human passions. Even more of
Euripides ' innovations in Greek tragedianavism
8. • Even more complete is the tragedy "Medea", the work of aks ettinivist, which is the
innovation that Euripides introduced into Greek tragedianavism. "Medea" is a tragedy of
humiliated love and jealousy. The poet does not bow in this work, nor in the face of the
goddesses, nor in the face of fate. With rare courage, patience and perseverance, she
creates the image of a woman who fights alone for her human happiness. The opening up
of the truly spiritual world of the human child, describing the so - called tense struggles
of conflicting feelings and sensations, is the first innovation and great discovery
introduced into the art of tragedy by Euripides. The Greek viewer, brought up in the
glorious works of Aeschylus and Sophocles, does not understand well the new life plates
in Euripides ' tragedy, which he coldly confronts. The work "Medea" found attention only
in the eyes of later contemporaries and was recognized as one of the greatest examples of
antique world tragedy. In honor of expanding the circle of innovations created by the
great poet of the ancient world, further increasing the vitality and artistic capabilities of
dramaturgy, only Shakespeare succeeded after Euripides. With this we end our debate
about ancient Greek tragedy. The post-Euripides tragedianavis were unable to innovate as
much as the genre was worth.Ancient Greek tragedy was the first even very large school
in the history of European theater. The great poets of the new time Shakespeare, Cornel,
Racine, Schiller, Goethe and others learned at this school. However, the importance of
ancient Greek tragedy in the worldview is not limited to this. The great tragedianavis
created bemisl works that, despite the passage of two and a half thousand years between
them, until today, without knowing what old age is, live in a whimsical way on the world
stage, still captivate, excite us with their ideological content and artistic sophistication.
With high artistic skill, the ideas of patriotism, human duty, freedom expressed in these
works are in harmony with the wishes and dreams of modern people; the main boon of
the eternal prosperity and unquenchable artistic beauty of ancient world tragedy is in this
truly humanistic content.
9. • The 5th century BC was a period of Greek society that rose to the stage of high
development in terms of socio-political and cultural aspects. This progress is firmly
connected with the strengthening of the Athenian state after the Iran - Greek War and its
development towards democracy, a great period that is really worth calling the Golden
Age of Greek Eli. Until the 5th century, the most advanced cultural center of Greek soil
was considered the Ionian province of Asia Minor, while after the Greek victory in the
Iran-Greek War, which lasted exactly half a century ( 499-449), the center of science, art
and culture moved to the state of Athens. The position of Athens in the field of literature is
so great that the literature of the 5th-4th centuries is given to the name of the Attica region,
where this muazzam city settled, and is called the Attica period of Greek literature. By the
middle of the 5th century, Athens had become the most energetic, largest of the Greek
states, a zabardast state that stood on top of a large Union of more than 150 individual
states, holding its own judgment on water and land. During this period, the Athenian state
rises to a high level of economic administration, not seen in Greek history, and at the same
time becomes the largest cultural center of the entire Greek world, the space of scientists,
poets, philosophers, sculptors, artists and people of diverse creativity. Athens achieves its
iqrisodic and cultural maturity mainly in the 50-30s of the 5th century, that is, when the
Pericles were standing, and for this reason this drum is often also said to be the "age of the
Pericles". Pericles (500-429 BC) shows considerable military skill at the time of the
Iranian war. Establishes a democracy system in the country and is elected to high office
for fifteen years. Periki was an extremely business statesman of his time, a fiery orator, a
person interested in science, art and literature. It gathers philosophers, scientists, poets and
art people from all over the Greek world to Athens. Among the great ones who stood close
to Pericles and assisted him in his work, we see Anaxagoras, Socrates, Herodotus, the
"father of historical science", Sophocles the great tragicom, Phidias the magnificent
sculptor and some more personalities who elevated the universal culture, similar to this. In
the Times of Pericles, scientific and philosophical influences develop, especially very
widely.Scientists thinkers own
10. • Scientists believe that thinkers in their works try to unravel natural phenomena,
positive laws, interpret them and, in this way, prove that the existing democratic
system is correct. The gradual weakening of old religious beliefs, the search for
divine forces from the phenomena of the universe (pantheism) to raise a person
from the position of a slave of the goddesses to the level of judgment of the
whole being, to look at his perception and talent with deep hope at the prospect of
tahsin reading-this is the main feature of New concepts first find their expression
in the philosophy of Anaxagoras ( 500-428 BC). This thinker scientist denies old
religious beliefs and understands the entire universe in the sense of Eternity,
composed of innumerable particles. He appreciates human consciousness,
strength and talent. One of the great thinkers of this period is Democritus ( 460-
370 ). In his doctrine, the scientist says: atoms and their action are eternal:
"nothing arises from absence and nothing disappears without a name-sign",
"changes in nature are the consequence of the transition of atoms from one state
to another."In the second Yam of the 5th century, a new scientific and
philosophical current appeared on the entire Ellada soil, aiming at the work of
studying social phenomena. Representatives of this current called themselves
"sophists". The word "sophist", meaning "wise man", "learned", "scientist", was
later used to refer to teachers of philosophy. The sophists spread knowledge with
enthusiasm among the crowd, they were the harbingers of ulmu-science.
Chunonchi is a supporter of this current, saying that Pratagor "the template of
everything is a person" increases human dignity.In 336 BC, Alexander The Great
of Macedon conquered Greek soil and began a war against the countries of the
East with a large army, which he gathered from the people of ellin, and soon
became the sole ruler of the vast Great Land, which stretched to the borders of
India.
11. • However, the vast state created by Alexander would be overthrown after his death and
split into ylric states, such as Egypt, Syria, Macedonia, Pergamum, after the bloody wars
that broke out between the Viceroy of sargardas. The disputes that began around the
Macedonian throne stretched too far, and the country passed to the seeds of Goh
Alexander, goh to the hands of his generals. Even if the Greeks used internal discord to
lose their old Independence, the Earth had not yet lost its value as a place of culture: the
science, art and literature and language of the people of ellin gradually expanded its scope
to extend to the lands of Egypt, India, and as a result, the only world culture built on the
basis of Greek culture For this reason, the period from the conquest of the Hellenistic
States and Alexander of all the states influenced by Greek culture to the transition of these
countries to Roman rule at the beginning of the new century is called the age of
Hellenism. The social changes that began in the Greek world and the mood of political
localism, recklessness and despair that were born as a result of these are the reasons for
the origin of a somewhat philosophical teaching.The most important of these currents is
the philosophy of the cynics, Stoics and Epicureans. While epicureans have promoted
spiritual tranquility, Stoics promote ideas of compassion, compassion.According to the
philosophy of the cynics, created by Antisphenes, a disciple of Socrates in the 4th century
BC, they promote poverty and godliness. The most important contribution of the
Hellenistic period to world literature is the "new" comedy. The term" new " comedy was
introduced into literary consumption in very old times, with the aim of distinguishing the
new type of comedy that emerged during the Hellenistic period from the "old" comedy of
the attic period as well as the "Middle" comedy of the 4th century. In Greece, the collapse
of the independence of the ellin people after the fall of Macedonian rule, the ever - fading
of the fervent political ideas of the past and the strengthening of personal interests as a
result of these are some of the main factors in the process of the emergence of a "new"
comedy. The" new " comedy also discusses everyday events, mainly found in ordinary
livelihoods, the issue of chunonchi love, family relationships.