The document discusses the need to move from simple support to deep collaboration in arts and culture. It provides examples of deep collaboration projects undertaken by the Center for Black Music Research, including highlighting the repertoire of Florence Price using rare manuscripts in their archives. These collaborations activated multiple parts of the arts ecosystem through exhibitions, workshops, publications, performances, and newly accessible arrangements. The document argues that successful arts ecosystems reflect and sustain culture through deep, cross-sector collaboration that has long-tail effects.
Philadelphia Museum of Art Library CommitteeHolly Mengel
The document summarizes a project to catalog and make available 115 hidden archival collections from 23 area archives and libraries in the Philadelphia region. It received $500,000 from the Mellon Foundation. As part of the project, staff at the Philadelphia Museum of Art processed and created finding aids for several collections, including records from Evan Turner and the Department of Community and Urban Outreach, Marketing and Public Relations Department records, the Stella Kramrisch papers, the FOCUS archives about women in visual arts, and the Julien Levy papers.
When Academic Museums Teach 21st Century SkillsWest Muse
Learn how three different academic art museums develop meaningful and effective educational opportunities for students and faculty that create and disseminate knowledge while also preparing them to be world citizens. This session demonstrates the benefits of museums changing their educational approaches through expanding their models, letting go of traditional roles as “authorities” and allowing others to play a significant role in the research, curatorial, and programmatic aspects of museums.
This document contains lecture slides about music appreciation. It introduces the focus of the course as increasing knowledge about music to help attend and understand musical events. It discusses the musical process of creation by composers, interpretation by performers, and response from listeners. Key aspects of musical works like melody, rhythm, and form are examined. Practical tips are provided for attending concerts including different types of performances and proper etiquette. Information needed for opera and ballet is also outlined.
Chapter 15 Singing in Friendship: The Renaissance MadrigalLaura Riddle
This document discusses secular music of the Middle Ages and Renaissance, including forms of entertainment music. It provides context on musical performances in medieval castles for royalty and aristocracy. Examples of medieval dances like the estampie are presented along with instruments of the time like recorders, shawms, and harps. The development of the madrigal is covered, contrasting it with motets. Specific madrigal composers like John Farmer and Thomas Weelkes are discussed. Musical examples from the period are referenced, including Weelkes' "As Vesta Was From Latmos Hill Descending." The document concludes with an overview of instruments common in Renaissance secular music.
Classicism values reason and order, appealing to rational taste, while Romanticism embraces emotion, individualism, and the sense of mystery and awe. It distrusts rules and formulae, valuing originality and cultivating national and racial identities. Romantic art expresses a longing for the impossible and unattainable through figures like the Byronic hero. Nature is seen as unpredictable rather than rational, and instrumental music is viewed as the perfect vehicle for communicating deep emotions.
Prelude 2 Music as Commodity and Social ActivityLaura Riddle
This document contains lecture slides about music from the Middle Ages and Renaissance periods. It provides an overview of the time periods from 476 CE to around 1400 CE, including important events and developments. It discusses the role of the Catholic church and Gregorian chant, the rise of cities and trade, as well as secular music at royal courts and by traveling minstrels. Musicians found employment supported by public and aristocratic institutions, and the merchant class emerged as new patrons of music.
Antonio Vivaldi was an Italian Baroque composer born in Venice in 1678. He was ordained as a priest but dedicated himself to music. One of his most famous works is The Four Seasons, a cycle of four violin concertos that aims to musically represent scenes from nature, such as storms. Each concerto contains three movements representing changing moods within each season. Vivaldi strived to scientifically represent human emotions in music during the Baroque era, when art and science were beginning to emerge as connected fields.
This document provides an overview of Western music history from ancient times through the Renaissance period. It discusses the development of music in ancient Greek and Roman civilizations. It then summarizes the Middle Ages, noting the fall of Rome in 476 CE as the beginning of this period, which saw the rise of the Catholic Church and Gregorian chant. The document also describes the emergence of cities, universities, and cathedrals in the later Middle Ages, as well as the roles of markets, courts, and traveling minstrels in secular music. Finally, it discusses the various social roles and classes of musicians during the Medieval and Renaissance eras.
Philadelphia Museum of Art Library CommitteeHolly Mengel
The document summarizes a project to catalog and make available 115 hidden archival collections from 23 area archives and libraries in the Philadelphia region. It received $500,000 from the Mellon Foundation. As part of the project, staff at the Philadelphia Museum of Art processed and created finding aids for several collections, including records from Evan Turner and the Department of Community and Urban Outreach, Marketing and Public Relations Department records, the Stella Kramrisch papers, the FOCUS archives about women in visual arts, and the Julien Levy papers.
When Academic Museums Teach 21st Century SkillsWest Muse
Learn how three different academic art museums develop meaningful and effective educational opportunities for students and faculty that create and disseminate knowledge while also preparing them to be world citizens. This session demonstrates the benefits of museums changing their educational approaches through expanding their models, letting go of traditional roles as “authorities” and allowing others to play a significant role in the research, curatorial, and programmatic aspects of museums.
This document contains lecture slides about music appreciation. It introduces the focus of the course as increasing knowledge about music to help attend and understand musical events. It discusses the musical process of creation by composers, interpretation by performers, and response from listeners. Key aspects of musical works like melody, rhythm, and form are examined. Practical tips are provided for attending concerts including different types of performances and proper etiquette. Information needed for opera and ballet is also outlined.
Chapter 15 Singing in Friendship: The Renaissance MadrigalLaura Riddle
This document discusses secular music of the Middle Ages and Renaissance, including forms of entertainment music. It provides context on musical performances in medieval castles for royalty and aristocracy. Examples of medieval dances like the estampie are presented along with instruments of the time like recorders, shawms, and harps. The development of the madrigal is covered, contrasting it with motets. Specific madrigal composers like John Farmer and Thomas Weelkes are discussed. Musical examples from the period are referenced, including Weelkes' "As Vesta Was From Latmos Hill Descending." The document concludes with an overview of instruments common in Renaissance secular music.
Classicism values reason and order, appealing to rational taste, while Romanticism embraces emotion, individualism, and the sense of mystery and awe. It distrusts rules and formulae, valuing originality and cultivating national and racial identities. Romantic art expresses a longing for the impossible and unattainable through figures like the Byronic hero. Nature is seen as unpredictable rather than rational, and instrumental music is viewed as the perfect vehicle for communicating deep emotions.
Prelude 2 Music as Commodity and Social ActivityLaura Riddle
This document contains lecture slides about music from the Middle Ages and Renaissance periods. It provides an overview of the time periods from 476 CE to around 1400 CE, including important events and developments. It discusses the role of the Catholic church and Gregorian chant, the rise of cities and trade, as well as secular music at royal courts and by traveling minstrels. Musicians found employment supported by public and aristocratic institutions, and the merchant class emerged as new patrons of music.
Antonio Vivaldi was an Italian Baroque composer born in Venice in 1678. He was ordained as a priest but dedicated himself to music. One of his most famous works is The Four Seasons, a cycle of four violin concertos that aims to musically represent scenes from nature, such as storms. Each concerto contains three movements representing changing moods within each season. Vivaldi strived to scientifically represent human emotions in music during the Baroque era, when art and science were beginning to emerge as connected fields.
This document provides an overview of Western music history from ancient times through the Renaissance period. It discusses the development of music in ancient Greek and Roman civilizations. It then summarizes the Middle Ages, noting the fall of Rome in 476 CE as the beginning of this period, which saw the rise of the Catholic Church and Gregorian chant. The document also describes the emergence of cities, universities, and cathedrals in the later Middle Ages, as well as the roles of markets, courts, and traveling minstrels in secular music. Finally, it discusses the various social roles and classes of musicians during the Medieval and Renaissance eras.
Jazz originated in New Orleans in the early 1900s as African American and European musical styles like blues and ragtime blended together. It spread to major cities in the 1920s and was performed in speakeasies and clubs after alcohol was banned. While popular, jazz was also controversial due to its improvisation, blending of styles, and association with African American culture. The document then provides brief biographies of early jazz pioneers like Louis Armstrong and Duke Ellington who helped popularize the genre.
The document announces the 2007 events and exhibits at the Chinese Culture Foundation of San Francisco which celebrate Chinese heritage and culture. It highlights exhibits that promote diversity and engage both the local community and emerging artists. Events include art exhibits, film screenings, poetry readings, and discussions that connect generations, broaden perspectives, and promote cultural understanding.
Chapter 59 Reality Shows: Adams and Contemporary OperaLaura Riddle
This document provides an overview of minimalism in music and profiles several influential minimalist composers. It discusses the key characteristics of minimalism such as repetition, cyclic patterns, and minimal variation. Composers highlighted include Terry Riley, Steve Reich, and Philip Glass. It also profiles the composer Philip Glass, describing his background and work establishing the Philip Glass Ensemble. Additionally, it summarizes excerpts from John Adams' opera Doctor Atomic, including a scene from Act II with syncopated rhythm and repeated text from the Bhagavad Gita.
Chapter 12 Style and Function of Music in SocietyLaura Riddle
This document discusses the style and function of music in society. It covers sacred and secular music and provides information on the nine Muses from Greek mythology that were associated with different artistic disciplines. The document also discusses how musical styles are named for historical periods but are not confined to specific places or times, and notes some technical factors that slowed music's development compared to other arts.
Chapter 12 Style and Function of Music in SocietyLaura Riddle
This document contains lecture slides about the style and function of music in society. It discusses musical styles and periods, noting that styles are named for but not confined to particular historical eras. Key periods mentioned include medieval, Renaissance, Baroque, Classical, Romantic, and modern. The slides also cover the nine Muses from Greek mythology and their associations with different artistic genres. Music is categorized as either sacred or secular and its stylistic development over history is outlined.
Keevin Kewis presents on the NMAI Artist Leadership Program for museums and cultural arts organizations. The program aims to rebuild cultural confidence in local indigenous artists and enable them to think more broadly about their art through community art projects. It also aims to give artists access to museum collections and present them as authorities on their own art. The program works to break down stereotypes, mentor young artists, and use art for community healing. The $25,000 contracts available through the program would support local artists in sharing their cultural knowledge and value through art in their own voice and languages. The program provides transformative opportunities for artists and helps ensure the survival of community cultural heritage.
The Renaissance saw the development of sacred and secular vocal music. Sacred music was mostly a cappella and included settings of the Mass, which had five movements. Secular music included the madrigal, a polyphonic work for multiple voices that used word painting to illustrate the text. Instrumental music such as dances became more prominent and genres like the lute fantasia were developed. A variety of instruments emerged and were often used to accompany vocal works.
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantLaura Riddle
This document provides an overview of music in the medieval period, including the development of Gregorian chant, the importance of monasteries in preserving culture, and key figures like Hildegard of Bingen. Chant was the dominant sacred music, consisting of single, unaccompanied melodic lines. It was transmitted orally until the development of musical notation starting in the 10th century. The church modes provided the basic scales used in both sacred and secular music during this time. Individual composers like Hildegard composed works for the church as well as morality plays integrating music.
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantLaura Riddle
This document summarizes key aspects of medieval music traditions including Gregorian chant, the development of Christian worship music, and prominent composer Hildegard of Bingen. Chant was the dominant sacred music, consisting of single melodic lines sung in Latin. Over time, churches developed elaborate structures with strong acoustics for musical performances. Hildegard composed chant and sequences incorporating her visions and established a prominent role for women. Her musical dramas depicted spiritual struggles through allegorical virtues and devils. Medieval music helped instruct worshippers and project sacred texts in elaborate sacred spaces.
This document discusses the legacy of the Renaissance in Palm Beach County, Florida through architecture, art, literature, inventions, and science. It provides examples of Renaissance influences like the symmetrical design and columns of St. Mark's Greek Orthodox Church reflecting classical architecture. It also discusses how Renaissance ideals of humanism are still seen today in areas like modern literature allowing freedom of expression and the printing press enabling mass book publication. The document argues the Renaissance interest in astronomy also continues as shown by an image of an upcoming planetarium event.
This document provides an overview of different types of musical ensembles, including orchestras, chamber ensembles, bands, vocal ensembles, opera, musical theater, and ballet. It discusses the typical instrumentation and roles of conductors for orchestras and chamber ensembles. It also briefly summarizes two classical works - Benjamin Britten's "Young Person's Guide to the Orchestra" and Henry Purcell's "Variations & Fugue on a Theme." The document appears to be slides from a lecture on musical ensembles.
Chapter 9 Voices and Instrument FamiliesLaura Riddle
This document provides an overview of voices and instrument families. It begins by explaining how sound is produced in voices and musical instruments. It then discusses the basic classifications of voices like soprano, alto and bass. Specific voice types like coloratura soprano and robusto tenor are also outlined. The major categories of musical instruments are defined as strings, brass, woodwinds, percussion, and keyboards. Examples are given for different instruments that fall within each category. The document concludes by noting electronic instruments create sound through electrical currents and speakers.
This document provides an overview of Kenyan culture, beginning with a history of foreign presence in Kenya from the Bantu migration to British colonization. It discusses some of Kenya's major ethnic groups like the Kikuyu and Maasai, and how their cultures have been influenced over time. It also examines modern Kenyan youth culture and art forms, noting a blending of traditional African and western influences as well as a move toward more independent street art and music genres.
Chapter 15 Singing in Friendship: The Renaissance MadrigalLaura Riddle
This document provides an overview of secular music in the Middle Ages and Renaissance, including for entertainment in castles and courts. It discusses forms like the estampie, cantigas, and madrigals. The madrigal originated in Italian courts in the 1500s and spread to other countries, set to vernacular language with imitative entrances of new text in songs about love and nature. Examples included are works by John Farmer, Thomas Weelkes, and an instrumental piece "Ecco en la primavera". The document also outlines instruments of the periods like lutes, recorders, shawms and others.
This document provides an overview of classical music and the classical era from 1750-1800. It discusses the key composers of Haydn and Mozart and cultural influences like the Enlightenment, American and French Revolutions. The classical style is described as emphasizing order, balance, and clarity over ornamentation. It discusses the transition from aristocratic patronage to public concerts and composition for amateurs. Elements of classical style included simplicity, regular rhythms, balanced melodies and themes, and equal treatment of instruments and voice.
Chapter 17 Glory Be: Music for the Renaissance MassLaura Riddle
This document summarizes a chapter about music for the Renaissance Catholic mass. It describes the structure of the ordinary and proper parts of the mass and how they were set to music. It discusses how the Protestant Reformation led to music for congregational participation, like hymns. The Counter-Reformation aimed to purge secular influences and ensure the sacred text was understood. Giovanni Pierluigi da Palestrina composed polyphonic masses to convince the Council of Trent that complex music could still honor the text, such as his famous Pope Marcellus Mass from 1562-1563.
This document discusses setting up a charitable trust to oversee the activities of The York Shakespeare Project. The trust would involve local schools, community groups, and individuals in workshops and activities related to upcoming York Shakespeare Project productions. It would also solicit and administer funds to finance the outreach and production activities of the project. The project would produce each of Shakespeare's plays in chronological order using local amateur performers and technicians, while also utilizing outside professional expertise as needed.
This document summarizes tobacco control data from Mexico's WHO report. Some key points:
1) Mexico has a middle-income population of over 110 million people and ratified the WHO FCTC in 2004.
2) Adult smoking prevalence is around 16% total, with higher rates for men. Smokeless tobacco use is low at 0.3%.
3) Mexico has some smoke-free laws and bans on tobacco advertising and promotions, but enforcement remains an issue. Treatment options exist but are not widely covered.
Конференция InternetExpo 2015 SEO СЕГОДНЯ: КУРС НА РАЗВИТИЕ САЙТАIngateDigitalAgency
1. Основные события 2015 года в поисковом продвижении.
• Влияние ссылок на ранжирование. Аналитика от Ingate.
• Вывод сайта из-под фильтра «Минусинск» на примере кейса.
• Влияние чистки ссылок на позиции в Google (аналитика).
• Борьба с рандомизацией позиций сайта в выдаче Яндекса на примере кейса.
2. Работа с внутренними факторами как основной инструмент продвижения сайта.
• Базовая оптимизация сайта: техническая, оптимизация контента, борьба с переоптимизацией.
• Особенности продвижения в различных тематиках на примере интернет-магазинов, сайтов автодилеров и сайтов клиник.
3. Оптимизация процесса продвижения.
• Своевременное выявление наложенных на сайт фильтров и прочих ограничений.
• Ускорение процесса согласования текстов.
• Эффективная приоритезация наполнения сайта контентом.
• Процесс продвижения на примере кейса.
Jazz originated in New Orleans in the early 1900s as African American and European musical styles like blues and ragtime blended together. It spread to major cities in the 1920s and was performed in speakeasies and clubs after alcohol was banned. While popular, jazz was also controversial due to its improvisation, blending of styles, and association with African American culture. The document then provides brief biographies of early jazz pioneers like Louis Armstrong and Duke Ellington who helped popularize the genre.
The document announces the 2007 events and exhibits at the Chinese Culture Foundation of San Francisco which celebrate Chinese heritage and culture. It highlights exhibits that promote diversity and engage both the local community and emerging artists. Events include art exhibits, film screenings, poetry readings, and discussions that connect generations, broaden perspectives, and promote cultural understanding.
Chapter 59 Reality Shows: Adams and Contemporary OperaLaura Riddle
This document provides an overview of minimalism in music and profiles several influential minimalist composers. It discusses the key characteristics of minimalism such as repetition, cyclic patterns, and minimal variation. Composers highlighted include Terry Riley, Steve Reich, and Philip Glass. It also profiles the composer Philip Glass, describing his background and work establishing the Philip Glass Ensemble. Additionally, it summarizes excerpts from John Adams' opera Doctor Atomic, including a scene from Act II with syncopated rhythm and repeated text from the Bhagavad Gita.
Chapter 12 Style and Function of Music in SocietyLaura Riddle
This document discusses the style and function of music in society. It covers sacred and secular music and provides information on the nine Muses from Greek mythology that were associated with different artistic disciplines. The document also discusses how musical styles are named for historical periods but are not confined to specific places or times, and notes some technical factors that slowed music's development compared to other arts.
Chapter 12 Style and Function of Music in SocietyLaura Riddle
This document contains lecture slides about the style and function of music in society. It discusses musical styles and periods, noting that styles are named for but not confined to particular historical eras. Key periods mentioned include medieval, Renaissance, Baroque, Classical, Romantic, and modern. The slides also cover the nine Muses from Greek mythology and their associations with different artistic genres. Music is categorized as either sacred or secular and its stylistic development over history is outlined.
Keevin Kewis presents on the NMAI Artist Leadership Program for museums and cultural arts organizations. The program aims to rebuild cultural confidence in local indigenous artists and enable them to think more broadly about their art through community art projects. It also aims to give artists access to museum collections and present them as authorities on their own art. The program works to break down stereotypes, mentor young artists, and use art for community healing. The $25,000 contracts available through the program would support local artists in sharing their cultural knowledge and value through art in their own voice and languages. The program provides transformative opportunities for artists and helps ensure the survival of community cultural heritage.
The Renaissance saw the development of sacred and secular vocal music. Sacred music was mostly a cappella and included settings of the Mass, which had five movements. Secular music included the madrigal, a polyphonic work for multiple voices that used word painting to illustrate the text. Instrumental music such as dances became more prominent and genres like the lute fantasia were developed. A variety of instruments emerged and were often used to accompany vocal works.
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantLaura Riddle
This document provides an overview of music in the medieval period, including the development of Gregorian chant, the importance of monasteries in preserving culture, and key figures like Hildegard of Bingen. Chant was the dominant sacred music, consisting of single, unaccompanied melodic lines. It was transmitted orally until the development of musical notation starting in the 10th century. The church modes provided the basic scales used in both sacred and secular music during this time. Individual composers like Hildegard composed works for the church as well as morality plays integrating music.
Chapter 13 Voice and Worship: Tradition and Individuality in Medieval ChantLaura Riddle
This document summarizes key aspects of medieval music traditions including Gregorian chant, the development of Christian worship music, and prominent composer Hildegard of Bingen. Chant was the dominant sacred music, consisting of single melodic lines sung in Latin. Over time, churches developed elaborate structures with strong acoustics for musical performances. Hildegard composed chant and sequences incorporating her visions and established a prominent role for women. Her musical dramas depicted spiritual struggles through allegorical virtues and devils. Medieval music helped instruct worshippers and project sacred texts in elaborate sacred spaces.
This document discusses the legacy of the Renaissance in Palm Beach County, Florida through architecture, art, literature, inventions, and science. It provides examples of Renaissance influences like the symmetrical design and columns of St. Mark's Greek Orthodox Church reflecting classical architecture. It also discusses how Renaissance ideals of humanism are still seen today in areas like modern literature allowing freedom of expression and the printing press enabling mass book publication. The document argues the Renaissance interest in astronomy also continues as shown by an image of an upcoming planetarium event.
This document provides an overview of different types of musical ensembles, including orchestras, chamber ensembles, bands, vocal ensembles, opera, musical theater, and ballet. It discusses the typical instrumentation and roles of conductors for orchestras and chamber ensembles. It also briefly summarizes two classical works - Benjamin Britten's "Young Person's Guide to the Orchestra" and Henry Purcell's "Variations & Fugue on a Theme." The document appears to be slides from a lecture on musical ensembles.
Chapter 9 Voices and Instrument FamiliesLaura Riddle
This document provides an overview of voices and instrument families. It begins by explaining how sound is produced in voices and musical instruments. It then discusses the basic classifications of voices like soprano, alto and bass. Specific voice types like coloratura soprano and robusto tenor are also outlined. The major categories of musical instruments are defined as strings, brass, woodwinds, percussion, and keyboards. Examples are given for different instruments that fall within each category. The document concludes by noting electronic instruments create sound through electrical currents and speakers.
This document provides an overview of Kenyan culture, beginning with a history of foreign presence in Kenya from the Bantu migration to British colonization. It discusses some of Kenya's major ethnic groups like the Kikuyu and Maasai, and how their cultures have been influenced over time. It also examines modern Kenyan youth culture and art forms, noting a blending of traditional African and western influences as well as a move toward more independent street art and music genres.
Chapter 15 Singing in Friendship: The Renaissance MadrigalLaura Riddle
This document provides an overview of secular music in the Middle Ages and Renaissance, including for entertainment in castles and courts. It discusses forms like the estampie, cantigas, and madrigals. The madrigal originated in Italian courts in the 1500s and spread to other countries, set to vernacular language with imitative entrances of new text in songs about love and nature. Examples included are works by John Farmer, Thomas Weelkes, and an instrumental piece "Ecco en la primavera". The document also outlines instruments of the periods like lutes, recorders, shawms and others.
This document provides an overview of classical music and the classical era from 1750-1800. It discusses the key composers of Haydn and Mozart and cultural influences like the Enlightenment, American and French Revolutions. The classical style is described as emphasizing order, balance, and clarity over ornamentation. It discusses the transition from aristocratic patronage to public concerts and composition for amateurs. Elements of classical style included simplicity, regular rhythms, balanced melodies and themes, and equal treatment of instruments and voice.
Chapter 17 Glory Be: Music for the Renaissance MassLaura Riddle
This document summarizes a chapter about music for the Renaissance Catholic mass. It describes the structure of the ordinary and proper parts of the mass and how they were set to music. It discusses how the Protestant Reformation led to music for congregational participation, like hymns. The Counter-Reformation aimed to purge secular influences and ensure the sacred text was understood. Giovanni Pierluigi da Palestrina composed polyphonic masses to convince the Council of Trent that complex music could still honor the text, such as his famous Pope Marcellus Mass from 1562-1563.
This document discusses setting up a charitable trust to oversee the activities of The York Shakespeare Project. The trust would involve local schools, community groups, and individuals in workshops and activities related to upcoming York Shakespeare Project productions. It would also solicit and administer funds to finance the outreach and production activities of the project. The project would produce each of Shakespeare's plays in chronological order using local amateur performers and technicians, while also utilizing outside professional expertise as needed.
This document summarizes tobacco control data from Mexico's WHO report. Some key points:
1) Mexico has a middle-income population of over 110 million people and ratified the WHO FCTC in 2004.
2) Adult smoking prevalence is around 16% total, with higher rates for men. Smokeless tobacco use is low at 0.3%.
3) Mexico has some smoke-free laws and bans on tobacco advertising and promotions, but enforcement remains an issue. Treatment options exist but are not widely covered.
Конференция InternetExpo 2015 SEO СЕГОДНЯ: КУРС НА РАЗВИТИЕ САЙТАIngateDigitalAgency
1. Основные события 2015 года в поисковом продвижении.
• Влияние ссылок на ранжирование. Аналитика от Ingate.
• Вывод сайта из-под фильтра «Минусинск» на примере кейса.
• Влияние чистки ссылок на позиции в Google (аналитика).
• Борьба с рандомизацией позиций сайта в выдаче Яндекса на примере кейса.
2. Работа с внутренними факторами как основной инструмент продвижения сайта.
• Базовая оптимизация сайта: техническая, оптимизация контента, борьба с переоптимизацией.
• Особенности продвижения в различных тематиках на примере интернет-магазинов, сайтов автодилеров и сайтов клиник.
3. Оптимизация процесса продвижения.
• Своевременное выявление наложенных на сайт фильтров и прочих ограничений.
• Ускорение процесса согласования текстов.
• Эффективная приоритезация наполнения сайта контентом.
• Процесс продвижения на примере кейса.
La familia es la unidad fundamental de la sociedad y viene en diferentes tipos como la nuclear, extensa, monoparental y homoparental. Se define principalmente por los lazos de matrimonio o afinidad y protección legal.
A talk I presented at vNext Orange County, 25th of February 2013 about the importance of delivering business value and how you as a developer can much easier meet the requirements of the end user by applying practices like DDD and utilizing things like CQRS and MVVM to help decouple your software and focus better.
El documento describe los 17 pasos para tramitar un Certificado de Sello Digital ante el SAT, que incluyen descargar e instalar el programa SOLCEDI, seleccionar la opción de solicitud de certificados, adjuntar el certificado FIEL vigente, completar la información de la empresa, establecer una contraseña de revocación, adjuntar el archivo .key de la FIEL, enviar la solicitud, dar seguimiento al trámite, y descargar el certificado de sello una vez aprobado.
Este documento habla sobre la autoestima. Define la autoestima como un conjunto de pensamientos y sentimientos hacia uno mismo. Explica que tener una alta autoestima significa sentirse capaz y valioso, mientras que tener una baja autoestima significa no sentirse apto para la vida.
Pasar Tas di Jalan Diponegoro telah berdiri sejak tahun 1970-an dan dikembangkan secara turun temurun oleh keluarga. Dokumen ini membahas mengenai keuntungan dan tantangan berdagang secara konvensional dan online serta solusi untuk mengembangkan bisnis tas lewat e-commerce.
The document provides information about the LA County Museum of Art (LACMA). It discusses that LACMA has one of the largest art collections in North America, with over 100,000 artworks from ancient times to present day. The collections cover various regions and are grouped by department within the museum buildings. The document then discusses some of the specific Islamic artworks in the collection, including tiles, calligraphy, carved wood and stone, and illuminated manuscripts.
2009 presentation at the Rare Books and Manuscripts Pre-Conference on the Mayme Clayton Library and Museum. Located in Culver City, CA, MCLM holds African Americana including rare books, manuscripts, photographs, motion pictures, ephemera, and art.
Anthropological Perspectives On Popular CultureStacy Taylor
This document provides an overview of anthropological perspectives on popular culture. It discusses how anthropologists were initially ambivalent about popular culture due to theoretical and political reasons, but interest has grown over the past three decades. Currently, there are three significant arenas of anthropological interest: how popular culture can be used for resistance, its relationship to religion, and how it relates to politics of difference. The document traces the history of the concept of popular culture and how anthropological approaches have been influenced by cultural studies and a turn toward urban ethnography in southern Africa.
Caribbean Arts and Popular Culture in the Region.pptxtraciawalcott2
Caribbean art can be defined as creative expressions from artists of Caribbean heritage. It is characterized as creolized/hybrid, reflecting the region's diversity through use of indigenous cultural materials and post-colonial ideologies. Common art forms include literature, music, dance, religion, visual art, and festival arts. Influences include migration, globalization, technology, politics, and religion. Popular culture involves aspects like music that some embrace and others reject as not "mainstream." Cultural theorists and artists like Rex Nettleford, Louise Bennett, Beryl McBurnie, Paule Marshall, and Aubrey Cummings have all contributed to defining and promoting Caribbean culture and arts.
The document outlines funding opportunities for the Program in African American History at the Library Company of Philadelphia, including $1 million for a permanently endowed program, $300,000 for the program director, and $400,000 for a curator of African American history. Short-term fellowships of $50,000 each are available for four scholars to conduct research. An annual Juneteenth symposium and biennial conference also promote scholarship in early African American history.
The GRAMMY Foundation awarded $300,000 in grants to 20 recipients to support music research and sound preservation projects. The grants will fund projects such as studying the perceptual deficits of cochlear implant users, investigating rhythm perception in toddlers with autism, and preserving rare recordings in archives. The Foundation has awarded nearly $7 million to support archiving, preservation and research over the past 30 years.
This document discusses the "Blues Aesthetic" and the "Black Aesthetic" as political expressions of African American culture. It argues that the Blues arose in the late 19th/early 20th century as a secular expression of African American musical culture that summed up their lives and history. The Blues reflects earlier African American musical developments and forms a reflection of post-Civil War African American culture that was no longer limited to religious references or social restraints of slavery. The document also discusses how the Black Aesthetic is rooted in ancient African animist beliefs and emphasizes continuity, endlessness, and the interconnection of all things. It traces how aspects of ancient African culture and aesthetics are reflected in various elements of African American
Circus Conservatory of America Library PresentationRainie Themer
In August of 2014 I visited Portland, ME to see the Circus Conservatory of America and to present a proposal about the Library of the Circus Conservatory of America to a group of librarians. Those in attendance included librarians from University of Southern Maine, Maine College of Art, Portland Public Library, University of New England, Bates College, and Colby. The presentation consisted of a brief overview of circus arts, what types of materials the Library of the Circus Conservatory of America would collect, and a discussion about how the Circus Conservatory of America and the libraries at the presentation could collaborate to create a regional performing arts collection.
Classical Music Open-Mic Night at Buzzbrews provides a venue for over 100 performers to share classical music with new audiences in a casual setting since 2011. The event aims to expose listeners to classical music and facilitate connections between people and musical traditions in a way that challenges the genre's stigma as stuffy or elitist. Performers of various experience levels are welcome to interact with audiences through meaningful musical experiences that transport listeners into the world of classical sounds.
The document provides information about the Wayne Leupold Archives:
1) The Archives is a division of the Leupold Foundation which aims to preserve, reproduce, and disseminate pipe organ culture through its collection of over 25,000 pieces of organ music, 3,000 books, and other holdings related to the pipe organ.
2) The collection includes music, books, and other materials from various donors and organists, with the largest portions coming from Wayne Leupold's personal library and the former Guilmant Organ School.
3) The Archives is located in North Carolina and offers educational programs, internships, and access to researchers by appointment to utilize its collection and resources.
4-5pages You can use your favorite movie or music.Article camitziesmith74
4-5pages
You can use your favorite movie or music.
Article can refer to the picture.
For details, please refer to the attachment. There are examples and information
Background:
Beginning in the 1960s, Marxist intellectuals in Britain began to study the reception of popular music by the social elites. These studies led to a distinctly British tradition of music analysis that has been referred to as Anglo Marxism.
Compared with Socialist Realists and Critical Theorists, Anglo Marxists have followed a more orthodox interpretation of Karl Marx. Their principal concerns have been understanding how the social elites raise their own musical tastes to the status of "high culture" while denigrating the artistic expressions of the dispossessed as "low culture."
Another interest for Anglo Marxists is how capitalist business transform and repackage the authentic musical expressions of local, indigenous and marginalized cultures into commercial products. This repackaged music then becomes a source of profit for the social elites. Working-class popular music is simultaneously denigrated by the social elites, and is also valued as a way to make money.
Analytic Approach:
An Anglo-Marxist might approach the analysis of a musical or movie work as follows:
Whose music is this? Is this the music predominantly of the working class? Or is the music predominantly of the bourgeois elite? (CLASS)
If the music or film originates predominantly in the working class, how has capitalism subverted or appropriated the music to serve the elites? (APPROPRIATION)
If the music or film originates predominantly with the bourgeois elite, how have the elites fostered the belief that the music is culturally superior? (SUPERIORITY)
...
The first hundred years of the Ipswich Thistle Pipe Band: Mainstream or minor...Music Health Australia
Presentation by Sandra Kirkwood at the International Association for the Study of Popular Music Conference at Queensland Conservatorium, Southbank, Brisbane on 28-29 November, 2008. The first hundred years of the Ipswich Thistle Pipe Band: Mainstream or Minority.
1. Giovanni Pierluigi da Palestrina was an influential Italian Renaissance composer known for his spiritual music.
2. His motet "Sicut Cervus" is analyzed, with its translation being "As a deer longs for springs of water, so my soul longs for you, O God".
3. Palestrina strategically wrote the piece as a simile comparing the deer's longing for water to one's soul longing for God, using text painting and changes in notes to enhance the comparison.
This document summarizes an exhibition titled "Is There Anyone Out There?" documenting Birmingham's alternative music scene from 1986-1990 centered around a venue called "The Click Club". It provides acknowledgments and thanks to contributors, describes The Click Club's role in showcasing diverse independent and alternative music, and outlines the goals of the exhibition in celebrating this cultural scene and archive of materials. The summary focuses on the key details around the venue, music, and purpose of commemorating the 30th anniversary of The Click Club through showcasing photographs, memories, and artifacts from that era.
Africans at the Crossroads: African World Revolution-Dr. John Henrik Clarke RBG Communiversity
The document provides biographical information about Dr. John Henrik Clarke, a prominent historian known for his work highlighting the role and achievements of Africans and African Americans in history. It details how Clarke's early experiences noticing the exclusion of Africans from biblical stories and lessons led him to embark on a lifelong search to uncover the true history of African peoples around the world. Through extensive research across multiple continents, Clarke found that early civilizations and advancements originated in Africa. He shared his findings in numerous books and lectures. The document also discusses Clarke being honored with libraries and collections named after him in recognition of his contributions to the field of Africans and African American studies.
This document provides an agenda and details for the Council of Public Liberal Arts Colleges Fall 2015 Regional Undergraduate Research, Scholarly and Creative Activity Conference hosted by Ramapo College of New Jersey. The conference will take place October 23-24 and feature oral presentations, a poster session, performances, and an art exhibition. Presentations will be in various disciplines including humanities, social sciences, STEM fields, and creative writing. The schedule provides times and locations for registration, meals, presentations, and other events. The art exhibition section profiles six student artworks to be displayed with information on each student artist. The performances section describes two planned performances by a vocal ensemble and horn ensemble.
This document summarizes and analyzes an academic article about Aboriginal hip hop culture in Australia. It discusses three key points:
1) It examines the work of three Aboriginal and non-Aboriginal Australian hip hop artists (Little G, MC Wire, and Morganics) who are part of the "conscious" hip hop scene and its influence on Aboriginal youth identity formation.
2) It argues that hip hop's localization in Australia is due not just to oppositional politics but also its internal logic of sampling, representing, and flow, which allows it to be adapted while maintaining local roots.
3) It provides an overview of the artist's performances and workshops to illustrate how they represent their communities and hip hop culture
A Scavenger Hunt for a Healthy Arts Community.
By
CHARLES CHIP MC NEAL
chip106@aol.com
October 2011
Lesley University
Creative Arts in Learning
EARTS 6101 Art and Culture in Community
International Journal of Humanities and Social Science Invention (IJHSSI)inventionjournals
This document summarizes a research paper on the Atam masquerade tradition of the Bakor people of Nigeria. It discusses how masquerades are an important part of cultural expression and identity in many African societies. The Atam masquerade holds significant ritual and social roles in Bakor society. It serves functions like cleansing, adjudication, and mourning royal figures. The paper aims to document the Atam tradition and its artistic and functional significance before it potentially disappears, as many cultural practices and skills are being lost. It examines masquerading as a form of artistic communication and how masks symbolize cultural beliefs and ideas.
Similar to Artists Make Archives Make Artists (20)
International Journal of Humanities and Social Science Invention (IJHSSI)
Artists Make Archives Make Artists
1. Why We Must Move From Simple Support Towards Deep Collaboration
Monica Hairston O’Connell, Executive Director
Center for Black Music Research, Columbia College Chicago
mhairston@colum.edu
monicaoconnell.com
@whistling_girl
3. Founded at Columbia College Chicago in 1983, The
Center for Black Music Research is the only
organization of its kind. It exists to illuminate the
significant role that black music plays in world culture
by serving as a nexus for all who value black music, by
promoting scholarly thought and knowledge about
black music, and by providing a safe haven for the
materials and information that document the black
music experience across Africa and the diaspora.
http:www.colum.edu/CBMR
6. Deep Collaboration
Cross-sector, cross-arts,
cross-venue
Multifaceted: activates
multiple parts of
ecosystem
Leverage serendipitous
resonance/improvisatory
Long-tail or spiraling
effect
7. “Records that have been naturally and
necessarily generated as a product of regular
legal, commercial, administrative social
[research or artistic] activities. They have been
defined as "the secretions of an organism"—
rather than those that have been consciously
written or created to communicate a particular
message to posterity.”
--Wikipedia
ARCHIVES
9. Ongoing initiative
that generates
interest in and
multifaceted usage
of Melba Liston
collection housed
in the CBMR
Library and
Archives.
10. Collaborations with Chicago Jazz Ensemble,
Jazz Institute of Chicago, Chicago Department of
Cultural Affairs, and scholars from San Francisco
State, Kansas, McGill, and Ohio State
universities and others resulted in:
• Exhibition on Black Women in Music
• Creation of the Melba Liston Research Collective
• Jazz Camp Workshops
• Special Publications
• New Work inspired by archival research
• Large-scale Performances
• Newly accessible arrangements of archival
manuscripts
11. Florence Price Project
Highlighted repertoire of Florence Price, an
important Chicago-based composer.
Re-creation of the score/parts for a major
Price work, for which the originals have
been lost since the late 1930s.
Utilized original and extremely rare
manuscripts in the CBMR archives.
Major funding from the federal, state, and
private foundations.
Florence B. Price Orchestral Music: third
release on CBMR’s Recorded Music of the
African Diaspora series The CBMR’s performance ensembles
take the results of scholarly
endeavors to the general public.
--Greetings/Intro. --This presentation is not only about the CBMR. It’s ultimately about what I think is the inherent the nature of diversity in the arts and how we might support it by recognizing archives as an important hub in our arts ecosystems. --”Always/Already”: It’s an adverb. The “always” describes an ongoing state. The already describes a state of being that is independent of and previous to any of our efforts to “work” on its behalf. Diversity is what the arts do. It’s what they are. It’s about essence. It’s that the very concept of the performing arts can be fully grasped only through their connection to diversity.--This is at the core of the awesome power the arts have to inspire, elevate, to mobilize. --Historically there have been structural, cultural and political challenges and obstructions to everyone having access to that power (and empowerment) in and through the arts. Those challenges still exist and they manifest in ways that we don’t always even see.--We’ve inherited habits of thought and practice that don’t serve our purpose well. NEXT SLIDE
--Sometimes we talk about and treat diversity in the arts as a rare condition or a limited resource. Precious, attractive, but also, somehow additive and ultimately finite.--Examples: programming diversity once or twice a season…or during a particular month out of the year. --recruiting A woman of color to our board to do the heavy lifting --or when our organizational Statements of commitment to diversity become a kind of public relations or a one time audience engagement campaign. (the document itself stands in for the ongoing persistent action around diversity efforts).--Critical race theorist Sara Ahmed calls these kinds of acts or language about diversity non-performatives meaning that they don’t do what they say they are doing. That ultimately , they maintain what is supposedly being redressed. Diversity as scarcity or as something only some of us do some of the time.--Diversity in the Performing Arts is “always-already.” NEXT SLIDE
--I know that diversity is an “always/already” condition of the arts in part because of my time at the CBMR. --The Center is unique because of its scope. Because it is ultimately concerned with exploring cultural connections across time and space, it actively collects across all genres, styles and idioms of black music. --So it represents a very rich musical diversity that is barely represented in textbooks, repertoires, and elsewhere.--I am not saying diversity just happens naturally so we don’t have to work at it. I want to suggest that we shift our efforts from the limited resource model to building the infrastructure that reveals and supports what already is. --THAT’s what’s going to be really powerful. THAT’s what’s going to be transformative! --The question is how we, by working together, can expand our means of circulating knowledge of and information about the arts as “always already” diverse.NEXT SLIDE
--Successful arts ecosystems reflect and sustain that condition! --One way we can do this is by: --Engagingarts and culture archives in our deep collaborations.NEXT SLIDE
--Engage=understand, activate and build.--Understand (how archives, research centers and their staffs can support your efforts and serve as resources and collaborators). --Activate archival materials (bringing them to life in new ways). --And Build (contribute)--So it’s a cyclical process that circulates and preserves knowledge and builds strong foundation for current and future generations to experience arts diversity as everyday.NEXT SLIDE
--When I use the phrase deep collaboration, I mean for us to move beyond simple support across the walls of academia, across sectors, towards collaborations whose results are more than the sum of their parts. --Not the logo exchange model --Not the one-time programming partnership model but--Cross sector and cross platform--Multifaceted: activate multiple parts of ecosystem--Leverage serendipitous resonance/ improvisatory--Long-tail or spiraling effectNEXT SLIDE
--Whether we are talking about the CBMR, the Schomburg Center for Research in Black Culture, the jazz archives at Rutgers, Tulane, or the University of Chicago, the archives at our HBCUs, our own organizational archives or countless others—there’s one in your town—we all know what archives are.--a collection of historical records, or the physical place they are located; normally unpublished and almost always unique--On last count, the CBMR holds 88 discrete archival collections; material there that does not exist elsewhere.--Wacky wikipedia quote: archivists understand archives to be records that have been naturally and necessarily generated –more like the "the secretions of an organism” than records that have been consciously written or created to communicate a particular message to posterity.--Strange way of putting it, but another way of saying that the job of a good arts and culture archive is to represent the “always/already.”--So, activating, and re-activating archival materials in all corners of our ecologies is a very good way of INSISTING on that state of affairs. Of saying NO to diversity as limited resource or a nonperformative.NEXT SLIDE
--I want to look at two simplified, streamlined ecosystemic processes of archival engagement in relation to the archive as hub. ( I am not a data visualist. But the idea here is that the study of ecosystems is the study of processes that link components)--Scholar Process: what we usually think of. Do the research. Activate archives through creation and dissemination of knowledge./Contribute…--This strand is important because it creates some of the pillars of a diverse arts infrastructure. Trust me. This stuff is not just going to appear in the curricula by itself. Examples: -- Blacks in Classical Music by Raoul Abdul. --I was well into my masters degree before I has the opportunity to take a class that went beyond a nod at Ellington, Armstrong and Joplin. --Sam Floyd’s anecdote--Archival researchers and the ways in which they create and disseminate knowledge can take many forms. CBMR hosts all kinds of Media makers, educators, students, and of course performing artists, composers, program directors, etc can activate archives as well. --CBMR gets stronger, more robust ability to document the always already and to support your efforts to represent it.NEXT SLIDE
--Quickly share highlights from two recent CBMR initiatives:--One of the CBMR’s largest collections is that of Melba Liston: a great but under-recognized jazz trombonist and composer/arranger. We have been working to bring attention to the collection and to her life and work.NEXT SLIDE
--The project is ongoing and continues to be successful.--By engaging in deep collaborations with our partners, we’ve activated and expanded the collection in a number of exciting ways.NEXT SLIDE
--A core aspect of the Florence Price project has been about making her work more accessible—through score recreation and the production of a high-quality recording.--These projects are examples of the kind of deep collaboration that were interested in promoting at the CBMR.NEXT SLIDE
--I want to encourage all of you to think about how these two concepts might apply to your work—the “always/already” and engaging archives. How would you use archives to reflect/sustain diversity in the arts. I’m looking forward to talking with you and hearing your ideas for how we. Together, can better support the “always/already.”NEXT SLIDE