Velázquez and the Family of Philip IV, the latest court portraits guimera
Velazquez spent the last decade of his life painting portraits of King Philip IV's royal family as demand increased across Europe. This included portraits of Philip's second wife Marie-Anne depicted as prim and austere, their son Philip Prosper showing dull sadness before his early death, and daughters Maria Theresa and Margarita depicted as pretty yet reflecting their personalities. Velazquez strived to create harmonious and pure paintings during this period until his death.
Velázquez, painter of princes and jesters.ppsxguimera
At the age of 24 he was appointed painter to King Philip IV.
Four years later he was promoted to chamber painter, the most important position among court painters.
Velázquez was a famous Spanish Baroque artist born in 1599 who lived and worked in Seville, Italy, and Madrid. His most important paintings include "Las Meninas" from 1656, which is housed at the Prado Museum in Madrid and depicts the Infanta Margarita surrounded by her entourage in a royal palace. Though unsigned, "Las Meninas" is considered one of the most important paintings in the history of art.
Diego Velázquez was a renowned Spanish painter during the Baroque period. Some of his most famous works included portraits of the Spanish royal family and Pope Innocent X. He traveled to Italy in 1649 where he was influenced by Italian masters and painted the portrait of Pope Innocent X, which was praised by contemporaries. Velázquez was appointed as the court painter to King Philip IV of Spain in 1623, a prestigious role he held for the rest of his career. He is considered one of the most important painters in history.
Philip IV ruled Spain from 1605 to 1665. His favorite, the Count Duke of Olivares, constructed the Royal Palace of El Buen Retiro so that the king could relax away from ruling issues. Philip IV had two wives, Elisabeth of France who bore him two children including the future Queen of France, and Mariana of Austria who bore him Charles II, the last Habsburg king of Spain.
The ruff was an item of clothing worn around the neck in 16th-17th century Europe that symbolized wealth and status. Ruffs were made of stiffened linen or lace and increased dramatically in size over the century, requiring upright posture. By forcing good posture, ruffs emphasized aristocratic ideals of dignity and refinement. Ruffs began falling out of fashion in the early 17th century and were eventually banned in Spain, though the style persisted longer in the Dutch Republic as seen in portraits from that time.
VELÁZQUEZ, Diego Rodriguez de Silva y, Featured Paintings in Detail (1)guimera
The document provides details on several paintings by Diego Velázquez, including Las Meninas (1656-1657), Infanta Margarita (c. 1654), Infante Felipe Próspero (c. 1660), Infanta María Teresa (1651-1652), and Queen Doña Mariana of Austria (1652-1653). It includes the title, date created, materials, dimensions, and location of each painting. It also provides short descriptions and context for some of the pieces. The document discusses Velázquez's role as a painter for King Philip IV and his mastery of portraiture and Baroque style.
Neoclassicism and Romanticism were two major artistic movements that emerged in the late 18th and early 19th centuries. Neoclassicism was a return to classical Greco-Roman styles and emphasized order, logic and morality. Romanticism valued emotion, individualism and nature, and was a reaction against Neoclassicism and the rationalism of the Enlightenment. Francisco Goya was a Spanish painter who worked during this period and bridged the styles, producing both Neoclassical court portraits as well as Romantic works reflecting the turmoil of his times through dark and imaginative subjects.
Velázquez and the Family of Philip IV, the latest court portraits guimera
Velazquez spent the last decade of his life painting portraits of King Philip IV's royal family as demand increased across Europe. This included portraits of Philip's second wife Marie-Anne depicted as prim and austere, their son Philip Prosper showing dull sadness before his early death, and daughters Maria Theresa and Margarita depicted as pretty yet reflecting their personalities. Velazquez strived to create harmonious and pure paintings during this period until his death.
Velázquez, painter of princes and jesters.ppsxguimera
At the age of 24 he was appointed painter to King Philip IV.
Four years later he was promoted to chamber painter, the most important position among court painters.
Velázquez was a famous Spanish Baroque artist born in 1599 who lived and worked in Seville, Italy, and Madrid. His most important paintings include "Las Meninas" from 1656, which is housed at the Prado Museum in Madrid and depicts the Infanta Margarita surrounded by her entourage in a royal palace. Though unsigned, "Las Meninas" is considered one of the most important paintings in the history of art.
Diego Velázquez was a renowned Spanish painter during the Baroque period. Some of his most famous works included portraits of the Spanish royal family and Pope Innocent X. He traveled to Italy in 1649 where he was influenced by Italian masters and painted the portrait of Pope Innocent X, which was praised by contemporaries. Velázquez was appointed as the court painter to King Philip IV of Spain in 1623, a prestigious role he held for the rest of his career. He is considered one of the most important painters in history.
Philip IV ruled Spain from 1605 to 1665. His favorite, the Count Duke of Olivares, constructed the Royal Palace of El Buen Retiro so that the king could relax away from ruling issues. Philip IV had two wives, Elisabeth of France who bore him two children including the future Queen of France, and Mariana of Austria who bore him Charles II, the last Habsburg king of Spain.
The ruff was an item of clothing worn around the neck in 16th-17th century Europe that symbolized wealth and status. Ruffs were made of stiffened linen or lace and increased dramatically in size over the century, requiring upright posture. By forcing good posture, ruffs emphasized aristocratic ideals of dignity and refinement. Ruffs began falling out of fashion in the early 17th century and were eventually banned in Spain, though the style persisted longer in the Dutch Republic as seen in portraits from that time.
VELÁZQUEZ, Diego Rodriguez de Silva y, Featured Paintings in Detail (1)guimera
The document provides details on several paintings by Diego Velázquez, including Las Meninas (1656-1657), Infanta Margarita (c. 1654), Infante Felipe Próspero (c. 1660), Infanta María Teresa (1651-1652), and Queen Doña Mariana of Austria (1652-1653). It includes the title, date created, materials, dimensions, and location of each painting. It also provides short descriptions and context for some of the pieces. The document discusses Velázquez's role as a painter for King Philip IV and his mastery of portraiture and Baroque style.
Neoclassicism and Romanticism were two major artistic movements that emerged in the late 18th and early 19th centuries. Neoclassicism was a return to classical Greco-Roman styles and emphasized order, logic and morality. Romanticism valued emotion, individualism and nature, and was a reaction against Neoclassicism and the rationalism of the Enlightenment. Francisco Goya was a Spanish painter who worked during this period and bridged the styles, producing both Neoclassical court portraits as well as Romantic works reflecting the turmoil of his times through dark and imaginative subjects.
Diego Velázquez was a 17th century Spanish painter who served as the court painter for King Philip IV of Spain. He is considered one of the most important painters of the Spanish Golden Age. Velázquez produced numerous portraits of the Spanish royal family and other notable figures. His masterpiece, Las Meninas, painted in 1656, depicts the Infanta Margarita surrounded by figures in a palace interior.
The Golden Age of Spanish painting flourished during the 17th century. Several notable Spanish Baroque artists are discussed, including Velazquez, Zurbaran, Murillo, Alonso Cano, and Ribera. Diego Velazquez was one of the most famous Spanish painters of this era, known for his portraits of King Philip IV as well as two of his most famous works, "Las Meninas" and "La Rendición de Breda".
Sofonisba Anguissola was the first internationally known female painter in history. She was born in Cremona, Italy in 1532 to a noble family and received an education in fine art. As a young woman she traveled to Rome where she met Michelangelo, who recognized her talent after she drew a laughing child and then successfully drew a crying child at his challenge. She later became a lady-in-waiting and tutor to Queen Isabel of Spain. Anguissola painted many portraits of royalty and aristocrats over her long career, including several self-portraits showing her artistic progression. She lived to age 92 and opened doors for many other female painters.
Velazquez was a renowned Spanish painter known for his realistic portraits and mastery of light and shadow. He served as a court painter for King Philip IV from 1623 until his death in 1660. Some of his most famous works include Las Meninas, The Rokeby Venus, and portraits of Pope Innocent X and Juan de Pareja. The document provides background information on Velazquez and analyzes several of his paintings through detailed descriptions of his techniques and the subjects depicted.
This document contains portraits and biographies of several Spanish royalty and artists from the 15th-19th centuries. It includes portraits of Queen Isabella II, Queen Elizabeth II, King Ferdinand VII, King Carlos IV, Queen Isabella I of Castile, and painter Francisco de Goya, among others. The portraits were painted during different periods and showcase the styles of various Spanish artists like Vicente López, Luis de Madrazo, and Federico de Madrazo. Brief biographies provide context on the subjects and significance of the portraits.
Few painters have achieved success so early and remained so successful throughout their lives as Velazquez. Even in his teens he was acclaimed as a master painter. By the age of 24 he had become Court Painter to King Philip IV. For nearly 40 years he produced an incomparable series of the king and of other figures at court. H e created an art as moving and as varied as any in Europe and less comfined to its age than many other, seemingly freer, painters.
This document provides information about several famous artworks and their artists:
1) It describes Raphael's painting The Sistine Madonna, including details about its composition and symbolism.
2) It summarizes Edouard Manet's painting A Bar at the Folies-Bergère, focusing on its subdued colors, brushwork, and intentionally confusing spatial levels and perspectives.
3) It gives background information about Pierre-Auguste Renoir's painting Dance at Bougival, noting the village of Bougival was a popular spot for Impressionist painters.
Diego Velazquez was a prominent Spanish painter born in 1599 in Seville, Spain. He lived during the Baroque period in the 16th and 17th centuries when Spain was a powerful empire. His most famous paintings include Las Meninas from 1656, which depicts the unclear subject of the royal family or the painter himself, and La Rendición de Breda from 1634-35 depicting the transfer of a key during a siege. Velazquez married and had two daughters, one who died in infancy, before he passed away in 1660 in Madrid at the age of 61.
Sofonisba Anguissola was one of the most prominent female painters of the Renaissance. She was born in 1532 in Cremona, Italy and received painting instruction from several teachers. In 1559 she traveled to Spain to become a lady-in-waiting and painting teacher for Queen Isabel of Valois. She painted many portraits of the Spanish royal family during her time at the court. Anguissola married in 1573 and left Spain, living later in Genoa and Palermo where she continued painting until her death in 1625 at age 93. Several of her works were later attributed to other famous painters of the time like Van Dyck and El Greco.
Diego Velázquez was a leading Spanish painter during the Golden Age who served as the court painter to King Philip IV. He was renowned for his portraits of the Spanish royal family and other European nobility, as well as scenes of historical and cultural significance. His masterpiece, Las Meninas from 1656, depicts the royal family and their entourage in a spectacular composition that exemplifies Velázquez's exceptional skill.
1) The rise of absolute monarchy in 17th century Europe led to powerful monarchs claiming divine right to rule and portraying themselves as such through portraiture.
2) Artists like Rubens and Velasquez painted portraits of monarchs like Marie de Medici and Philip IV that depicted them as living gods to promote their authority and divine right to rule.
3) Louis XIV of France epitomized absolute monarchy, portraying himself as the "Sun King" through grand portraits and the opulent Versailles palace, designed to showcase his immense wealth and power over the state.
Diego Velázquez was a leading Spanish painter born in 1599 in Seville. He was the leading artist of King Philip IV and painted many portraits of the Spanish royal family as well as scenes of historical significance. His most famous painting was Las Meninas from 1656, which depicted the Infanta Margarita with her entourage of maids of honor, chaperones, and dwarves. Velázquez painted in a realistic style that was influential for later realist and impressionist artists. He died in 1660 and is considered one of the most important painters of Spain's Golden Age.
The document provides a biography of Ana de Mendoza y de la Cerda, known as the Princess of Eboli, who lived in 16th century Spain. It details her aristocratic family background, her childhood in Cifuentes, her marriage at age 13 to Ruy Gómez de Silva, and their life together in Madrid and Pastrana, where they had 10 children. The summary also discusses her imprisonment for 13 years by King Philip II, possibly due to her relationship with Antonio Pérez or involvement in political intrigues, and her death in prison in Pastrana in 1592.
VELÁZQUEZ, Diego Rodriguez de Silva y, Featured Paintings in Detail(2)guimera
The document provides details on several paintings by the renowned Spanish painter Diego Velázquez, including The Surrender of Breda, The Fable of Arachne, Venus at her Mirror, and Infanta Margarita Teresa in a Blue Dress. It describes the subjects, dimensions, current locations and stylistic elements of each painting. It also provides biographical information on Velázquez, noting he was the leading artist at the court of King Philip IV and one of the most important painters of the Spanish Golden Age.
This document provides information on several Spanish artists from different historical periods including Pablo Picasso, Salvador Dali, Francisco Goya, Diego Velazquez, and El Greco. It summarizes key details about each artist's life and career, and highlights some of their most famous works such as Picasso's Guernica, Dali's Persistence of Memory, Goya's Third of May 1808, Velazquez's Las Meninas, and El Greco's The Disrobing of Christ.
The document provides details about King Charles V and King Philip II of Spain from the 16th century, including:
1) Charles V inherited a vast empire from his parents and fought many wars to defend Catholicism against France, the Ottoman Empire, and German Protestants.
2) Philip II aimed to preserve and defend Catholicism through religious intolerance, continuing Charles V's wars and starting new conflicts, including against England.
3) Both monarchs oversaw the Spanish conquest and colonization of the Americas, establishing viceroy systems to govern the new Spanish Empire.
Ever since Peter the Great, it was Russian policy to become a major European power. He lead a cultural revolution with an aim to transform the traditional and medieval social and political system into a modern society. In 1764, two years after Catherine the Great on the throne, She brought out Gotzkowski’s collection of 225 paintings, mainly Dutch and Flemish paintings. Politically, Empress Catherine’s patronage would enhance her image of an enlightened monarch. The Gotzkowski’s collection makes up the core of the paintings in Hermitage. In general the Hermitage collection is quite representative of the development of European arts since the 17C. After Catherine the Great, successive monarchs had added to the collection. It is really surprising to find large number of Impressionists paintings and modern paintings in the collection.
This document provides an overview of portraiture during the Spanish Golden Age, listing many prominent artists and the royal and religious figures they portrayed. It includes portraits by Velázquez of King Philip IV at various stages of his life, as well as portraits of Charles V and Philip II by Titian. Portraits of other nobles and religious figures by artists like Murillo and Zurbarán are also mentioned.
This document summarizes Diego Velázquez's painting "The Surrender of Breda". The painting depicts the 1625 surrender of Breda to Spanish general Ambrogio Spinola after a long siege. It is considered one of Velázquez's masterworks and captures a pivotal moment of Spanish military success in the Eighty Years' War. The capture of Breda was notable because Spinola took the city against orders to abandon siege warfare and instead implement an economic blockade of the Dutch Republic.
Diego Velázquez was a 17th century Spanish painter who served as the court painter for King Philip IV of Spain. He is considered one of the most important painters of the Spanish Golden Age. Velázquez produced numerous portraits of the Spanish royal family and other notable figures. His masterpiece, Las Meninas, painted in 1656, depicts the Infanta Margarita surrounded by figures in a palace interior.
The Golden Age of Spanish painting flourished during the 17th century. Several notable Spanish Baroque artists are discussed, including Velazquez, Zurbaran, Murillo, Alonso Cano, and Ribera. Diego Velazquez was one of the most famous Spanish painters of this era, known for his portraits of King Philip IV as well as two of his most famous works, "Las Meninas" and "La Rendición de Breda".
Sofonisba Anguissola was the first internationally known female painter in history. She was born in Cremona, Italy in 1532 to a noble family and received an education in fine art. As a young woman she traveled to Rome where she met Michelangelo, who recognized her talent after she drew a laughing child and then successfully drew a crying child at his challenge. She later became a lady-in-waiting and tutor to Queen Isabel of Spain. Anguissola painted many portraits of royalty and aristocrats over her long career, including several self-portraits showing her artistic progression. She lived to age 92 and opened doors for many other female painters.
Velazquez was a renowned Spanish painter known for his realistic portraits and mastery of light and shadow. He served as a court painter for King Philip IV from 1623 until his death in 1660. Some of his most famous works include Las Meninas, The Rokeby Venus, and portraits of Pope Innocent X and Juan de Pareja. The document provides background information on Velazquez and analyzes several of his paintings through detailed descriptions of his techniques and the subjects depicted.
This document contains portraits and biographies of several Spanish royalty and artists from the 15th-19th centuries. It includes portraits of Queen Isabella II, Queen Elizabeth II, King Ferdinand VII, King Carlos IV, Queen Isabella I of Castile, and painter Francisco de Goya, among others. The portraits were painted during different periods and showcase the styles of various Spanish artists like Vicente López, Luis de Madrazo, and Federico de Madrazo. Brief biographies provide context on the subjects and significance of the portraits.
Few painters have achieved success so early and remained so successful throughout their lives as Velazquez. Even in his teens he was acclaimed as a master painter. By the age of 24 he had become Court Painter to King Philip IV. For nearly 40 years he produced an incomparable series of the king and of other figures at court. H e created an art as moving and as varied as any in Europe and less comfined to its age than many other, seemingly freer, painters.
This document provides information about several famous artworks and their artists:
1) It describes Raphael's painting The Sistine Madonna, including details about its composition and symbolism.
2) It summarizes Edouard Manet's painting A Bar at the Folies-Bergère, focusing on its subdued colors, brushwork, and intentionally confusing spatial levels and perspectives.
3) It gives background information about Pierre-Auguste Renoir's painting Dance at Bougival, noting the village of Bougival was a popular spot for Impressionist painters.
Diego Velazquez was a prominent Spanish painter born in 1599 in Seville, Spain. He lived during the Baroque period in the 16th and 17th centuries when Spain was a powerful empire. His most famous paintings include Las Meninas from 1656, which depicts the unclear subject of the royal family or the painter himself, and La Rendición de Breda from 1634-35 depicting the transfer of a key during a siege. Velazquez married and had two daughters, one who died in infancy, before he passed away in 1660 in Madrid at the age of 61.
Sofonisba Anguissola was one of the most prominent female painters of the Renaissance. She was born in 1532 in Cremona, Italy and received painting instruction from several teachers. In 1559 she traveled to Spain to become a lady-in-waiting and painting teacher for Queen Isabel of Valois. She painted many portraits of the Spanish royal family during her time at the court. Anguissola married in 1573 and left Spain, living later in Genoa and Palermo where she continued painting until her death in 1625 at age 93. Several of her works were later attributed to other famous painters of the time like Van Dyck and El Greco.
Diego Velázquez was a leading Spanish painter during the Golden Age who served as the court painter to King Philip IV. He was renowned for his portraits of the Spanish royal family and other European nobility, as well as scenes of historical and cultural significance. His masterpiece, Las Meninas from 1656, depicts the royal family and their entourage in a spectacular composition that exemplifies Velázquez's exceptional skill.
1) The rise of absolute monarchy in 17th century Europe led to powerful monarchs claiming divine right to rule and portraying themselves as such through portraiture.
2) Artists like Rubens and Velasquez painted portraits of monarchs like Marie de Medici and Philip IV that depicted them as living gods to promote their authority and divine right to rule.
3) Louis XIV of France epitomized absolute monarchy, portraying himself as the "Sun King" through grand portraits and the opulent Versailles palace, designed to showcase his immense wealth and power over the state.
Diego Velázquez was a leading Spanish painter born in 1599 in Seville. He was the leading artist of King Philip IV and painted many portraits of the Spanish royal family as well as scenes of historical significance. His most famous painting was Las Meninas from 1656, which depicted the Infanta Margarita with her entourage of maids of honor, chaperones, and dwarves. Velázquez painted in a realistic style that was influential for later realist and impressionist artists. He died in 1660 and is considered one of the most important painters of Spain's Golden Age.
The document provides a biography of Ana de Mendoza y de la Cerda, known as the Princess of Eboli, who lived in 16th century Spain. It details her aristocratic family background, her childhood in Cifuentes, her marriage at age 13 to Ruy Gómez de Silva, and their life together in Madrid and Pastrana, where they had 10 children. The summary also discusses her imprisonment for 13 years by King Philip II, possibly due to her relationship with Antonio Pérez or involvement in political intrigues, and her death in prison in Pastrana in 1592.
VELÁZQUEZ, Diego Rodriguez de Silva y, Featured Paintings in Detail(2)guimera
The document provides details on several paintings by the renowned Spanish painter Diego Velázquez, including The Surrender of Breda, The Fable of Arachne, Venus at her Mirror, and Infanta Margarita Teresa in a Blue Dress. It describes the subjects, dimensions, current locations and stylistic elements of each painting. It also provides biographical information on Velázquez, noting he was the leading artist at the court of King Philip IV and one of the most important painters of the Spanish Golden Age.
This document provides information on several Spanish artists from different historical periods including Pablo Picasso, Salvador Dali, Francisco Goya, Diego Velazquez, and El Greco. It summarizes key details about each artist's life and career, and highlights some of their most famous works such as Picasso's Guernica, Dali's Persistence of Memory, Goya's Third of May 1808, Velazquez's Las Meninas, and El Greco's The Disrobing of Christ.
The document provides details about King Charles V and King Philip II of Spain from the 16th century, including:
1) Charles V inherited a vast empire from his parents and fought many wars to defend Catholicism against France, the Ottoman Empire, and German Protestants.
2) Philip II aimed to preserve and defend Catholicism through religious intolerance, continuing Charles V's wars and starting new conflicts, including against England.
3) Both monarchs oversaw the Spanish conquest and colonization of the Americas, establishing viceroy systems to govern the new Spanish Empire.
Ever since Peter the Great, it was Russian policy to become a major European power. He lead a cultural revolution with an aim to transform the traditional and medieval social and political system into a modern society. In 1764, two years after Catherine the Great on the throne, She brought out Gotzkowski’s collection of 225 paintings, mainly Dutch and Flemish paintings. Politically, Empress Catherine’s patronage would enhance her image of an enlightened monarch. The Gotzkowski’s collection makes up the core of the paintings in Hermitage. In general the Hermitage collection is quite representative of the development of European arts since the 17C. After Catherine the Great, successive monarchs had added to the collection. It is really surprising to find large number of Impressionists paintings and modern paintings in the collection.
This document provides an overview of portraiture during the Spanish Golden Age, listing many prominent artists and the royal and religious figures they portrayed. It includes portraits by Velázquez of King Philip IV at various stages of his life, as well as portraits of Charles V and Philip II by Titian. Portraits of other nobles and religious figures by artists like Murillo and Zurbarán are also mentioned.
This document summarizes Diego Velázquez's painting "The Surrender of Breda". The painting depicts the 1625 surrender of Breda to Spanish general Ambrogio Spinola after a long siege. It is considered one of Velázquez's masterworks and captures a pivotal moment of Spanish military success in the Eighty Years' War. The capture of Breda was notable because Spinola took the city against orders to abandon siege warfare and instead implement an economic blockade of the Dutch Republic.
Similar to Art in-detail las-meninas-by-velazquez,-diego-rodriguez-de-silva-y (20)
big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
From Gethsemane to the Tomb ... Passion Stories.ppsxguimera
This document provides summaries of paintings depicting scenes from Jesus's passion and death. It describes paintings showing Jesus in the Garden of Gethsemane praying before his arrest, Jesus appearing before Pilate, Jesus being mocked and crowned with thorns, Jesus carrying the cross, Jesus on the cross with Mary and John, the crucifixion and death of Jesus, his body being taken down and mourned over, and his entombment. The paintings highlighted come from artists like William Blake, James Tissot, Hieronymus Bosch, and Lovis Corinth and are housed in museums around the world.
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
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4. VELÁZQUEZ, Diego Rodriguez de Silva y
Las Meninas
1656
Oil on canvas, 318 x 276 cm
Museo del Prado, Madrid
Las Meninas is one of Velázquez`s largest paintings.
"Las Meninas" is a Portuguese word used to name the Maids of Honour of the Royal children in the 17th century.
5. Las Meninas or The Family of Philip IV it was painted in 1656 in the Cuarto del Príncipe in the Alcázar in Madrid.
Shows the Infanta Margarita who is attended by meninas María Agustina Sarmiento and Isabel de Velasco.
We also see the artist, the dwarves Mari Bárbola and Nicolasito Pertusato with his mastiff,
to the lady-in-waiting Marcela de Ulloa next to a guardadamas,
and the chamberlain José Nieto standing in the doorway in the background.
Reflected in the mirror are the faces of Philip IV and Mariana of Austria, who are watching the scene taking place.
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8. Velázquez
On the left in the painting, dark and calm, the painter Velázquez standing with brush and palette in front of a tall canvas.
On his chest is the red cross of the Order of Santiago, which he did not receive until 1659, three years after the painting was completed.
Philip IV ordered this to be added after Velázquez's death, "and some say that his Majesty himself painted it".
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14. King Philip IV and Queen Mariana of Austria
A mirror on the back wall reflects two figures identified as King Philip IV and Queen Mariana.
The children of Philip IV and his first wife Isabel de Bourbon were dead by the date of this painting,
except for the eighteen-year-old Infanta María Teresa, who is not shown in this group.
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20. Don José Nieto Velázquez, chamberlain
On a flight of steps stands Don José Nieto Velázquez —the queen's chamberlain, responsible for the separation and selection
of the rooms for the members of the royalty and of the location of the offices and bedrooms for the palace residents.
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26. Doña Marcela de Ulloa, the lady-in-waiting
next to a
unidentified guardadamas (bodyguard)
Almost swallowed up in the shadows, a unidentified guardadamas - a guard or escort to the ladies –
and the doña Marcela de Ulloa, the princess' chaperone, dressed in mourning .
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32. Doña María Agustina Sarmiento de Sotomayor, menina
Doña María Agustina Sarmiento de Sotomayor, who kneels before Margaret Theresa,
offering her a drink from a red cup, or bucaro, that she holds on a golden tray.
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38. Margaret Theresa of Spain, Infanta
Philip married Mariana as his second wife in 1649, and at the time this picture was painted
the five-year-old Infanta Margarita was her only child.
Engaged from a very early age to her uncle, the emperor Leopold I of the Holy Roman Empire, in 1666, at the age of 15 years old,
she married by proxy.
The moved to Vienna, capital of the Empire, where she died at the age of 21 years old while giving birth to her fourth child.
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44. Doña Isabel de Velasco, menina
Doña Isabel de Velasco is poised to curtsy to the Infanta ...
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50. Maribarbola, the dwarf German
The royal court jester Mari Bárbola (María Bárbara Asquín) ...
Achondroplastic dwarf of German origin, who entered the palace in 1651, the year of the birth of the Infanta.
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56. Nicolas Pertusato, the dwarf Italian
Nicolasito Pertusato, Italian dwarf of noble origin, possibly affected by a lack of growth hormones,
tries to rouse a sleepy mastiff with his foot.
Was the king’s valet and it is known that he lived until he was seventy-five years old.
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61. Solomon, mastiff
Solomon, sleepy mastiff of Nicolasito Pertusato, Italian dwarf.
The dog is thought to be descended from two mastiffs from Lyme Hall in Cheshire, given to Phillip III
in 1604 by James I of England.
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69. Art in Detail_ VELÁZQUEZ, Diego Rodriguez de Silva y
Las Meninas
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