We have begun our six month study of Secants with the Storyboard from our tale... 'Eru finds a Golden Pen'. By working through Imaging, Sound, Motion and Content Bridging we will learn to build and use secants constructively. We have in V1 constructed Storyboard, Interludes and Prelude for the use of depicting an interactive 3 dimensional Media using secant driven wheels. We have begun our crossover walk and looked at the interlacing of these events to create a content mix. In V2 we will explore the standards that are generated from this approach and several new goals emerge for our project.

1. ARK MEDIA
Dimensional Design of the Art
MDIA

2. Instance Intervals
CROSSWALK DESIGN
AND LOAD INTERVALS
GLASS MODEL
CONFECTION
CONTENT MIX
The greater marvel is the Walk that Christ+ brings to us
V1 V2 V3
Our Lady of
Czestochowa
August 26th

3. Crosswalk and
Interlude
We are describing
Dimensional Media
It is necessary to supply a load statement for the project and
include within it the crosswalk and the interlude/prelude renditions
available to this version for mixing
A rewritten narrative is necessary to define the story
An updated Storyboard is required to include all the elements
Secants and wheels are operative only when we take the time to
define the engineering requirements
The summation of these important combinations will enable us to
cost the load statement and begin the task of developing
standards.
The story (even when we move from content to building) guides the
work, and the elements of the story even if they are abstract in
terms, need to be well understood and articulated.

4. 8/27/2021
Brij Consulting, LLC, Jean A. Marshall 4
Opening and Interval in story
Attende Domine
(Hear Us, O Lord)
| Lent Song |
Chant | Catholic
Plainsong |
Sunday 7pm Choir
- YouTube
[fade in mod effect]
Image Switch Image Side to
Side Effect Mod
Image Strats Length
Sound Amplify
Switch
Motion path
Strats Length
correlations
There is an integral path and a motion path, but
the integral defines itself as the sound and image
is defined, but the motion path must be setup
Secant mapping
see “Portfolio
Wheels” maps
Slide 19

5. 8/27/2021
Brij Consulting, LLC, Jean A. Marshall 5
Opening Scene, Scene 1
Once there was a boy named Eru who lived in a land of doom and
gloom. "O sorrow is mine, and sadness, can I ever find a new life?"
This thought kept coming to him as he walked towards an
enchanted wood.
On the other side of the same wood was a girl named Allbe, and
she had similar thoughts, except that she was lonely. "If only I had
a boy to tell my happy thoughts to, then I could find how to make
such lovely things become real."
When they came to their respective edge of this lovely place, they
wondered could they dare enter there. So that night they both
slept and dreamt of things they could not describe even to
themselves. And in the morning, they thought, we must discover
their secret and so both entered. [Stone becomes Visible, Shimmer.]
Both are
anticipating
future
happiness
but not
panning out
in reality
Adding
depth to
story is
operative at
intervals
Interlude 1

6. Shining Stone, Scene Two
A beautiful path opened for each one and the first thing they
came upon was a kind of small shining stone.
"Oh, what is this?" Allbe thought of it as a pendant and wished
to wear it around her neck and so it came to be a pendant to
her, and she immediately felt quite happy. Eru thought of his
stone as a wonderful ring and so it became so for him, and so
elated he could hardly quit admiring it.
It came to both of their minds that they should write this story
and so they asked the trees to make pencils for them. A
beautiful box of pencils arrived and paper to go with them.
And they were sitting in the lovely wood dreaming, but still far
apart.
Unexpected
gifts from
close
relatives
In the dreaming sequence
nuances of story are added
Interlude 2

7. Deer and Lion, Scene Three
Allbe thought, I know I will draw for myself a lovely animal,
someone to spend my time with. And she drew for herself a deer,
and it was so lovely and beautiful, and it appeared next to her.
She loved the deer and the little doe loved her.
Eru had a similar thought: I shall draw the most beautiful golden
lion, and he will be my powerful friend. And so, the lovely and
peaceful lion came and lay at his feet.
They both looked up at that moment for they heard in the wood
a beautiful song, and they both started to walk toward it. The
lion and the deer came too, and they brought with them the gift
of the trees.
"The Deer's Cry", or St. Patrick's Breastplate,
sung by Angelina, (EWTN) - YouTube
Interlude 3

8. Lovely Wizard, Scene Four
Just then swirling through the trees came this unusual pilgrim. He had on a
magic cloak of some kind that everywhere he went he made beauty and
good things appear. He appeared to them both separately and asked:
child, what is it you wish for?
Allbe repeated her wish for a boy to share her thoughts with, so that they
could be complete. And the lovely wizard smiled. Yes, he said, I know
such a boy. When he is ready to share your thoughts, I will show him to
you.
"For now." repeated the wizard, "share my thoughts and you will find true
happiness." Then he departed her.
Eru lamented to the wizard, "all I know is error, and sorrow, and sadness. I
want to know the works that are good. Are there any?" The wizard said:
Yes. But you need to share in my good to know what is truly good. Stay
and complete your journey. And so Eru agreed.
Now the woods could not really be all that large, and yet they wandered
in it for some time never meeting. But they came to many of the same
places at different times and with a different kind of thinking.
Interlude 4

9. Rock of Joy, Scene Five
The lion would often discover these interesting things for Eru. And
he thought: the power of the lion is in his keen instincts for good.
And so, a similar thought did occur to Allbe as the little doe
would spring up into the air at the discovery of things like the
rock of joy.
Rites of the
Church
Seasons of
the Church
Liturgy
Interlude 5

10. Beauty Ever New, Scene Six
The rock of joy was near a waterfall; A waterfall so enchanting that neither
wished to leave it; yet having found joy they hoped for more and went back
into the woods again. Both stopping to drink from the lovely brook that flowed
past it.
Oneday Eru said: I wish to live here and never depart this place. "Draw a
house," the thought had come to him. And so, he did, and every day he
thought of new ways to improve the house and spent hours thinking about
that.
Allbe saw her reflection in the shining brook and thought, O my hair is a
tangled mess and my dress such a sight. How could I meet some lovely boy
looking like this? "Draw a new you," the thought came to her. And so, she did
and spent hours thinking what a new "her" ought to become.
O but she became so beautiful all the trees thought their leaves rather dismal
and so they began to compete for the beauty of the skies
Interlude 5

11. Beauty Ever Ancient, Scene Seven
There is much to teach about in these
interludes where the House and the Beauty of
Body and Soul become expressed, and the
Preludes that begin the wedding meditation
The Invitation to
the Kingdom of
God is to the
Wedding Feast
Interlude 5
See the Jewel Bedecked
Bride on Slide 1
PRAYER TO REDEEM LOST TIME
O MY GOD! Source of all mercy! I acknowledge Thy
sovereign power.
While recalling the wasted years that are past, I
believe that Thou, Lord, can in an instant turn this
loss to gain. Miserable as I am, yet I firmly believe
that Thou can do all things. Please restore to me
the time lost, giving me Thy grace, both now and
the future, that I may appear before Thee in
"wedding garments."
Amen.

12. Allbe Evertrue at Last, Scene Eight
Eru seeing that beauty was appearing all around him thought surely, he needed some
new clothes, and his house even became as lovely as the trees.
Then oneday near this lovely singing fountain, which both suddenly found; and then
they found each other...
"I found you and my joy is complete!" Eru said it first. "You make all that I hope full of
more wonder!"
Eru changed his name to Evertrue And so they married as the kind wizard instructed
and their names became: Allbe Evertrue.
And they lived happily ever after.
Oh wait... what about the golden pen?
Oneday the Wizard came by to see what the two were doing in the wood. And they
both ran to him with grateful hearts. You have supplied us with such wonder. How can
we repay you for your great kindness to us?
The wizard said: I want you to take this golden pen and together write a story that
completes my thoughts.
And then what wonders did appear.
Interlude 6

13. Storyboard
Version 2, Eru Finds a
Golden Pen
What a mystery of the Word is this, that a
kiss begot a kiss, and all that loved and ever
was remained in Him was bliss.
I heard the wheels called “wheelwork.”
14Each living creature had four faces: the first a cherub, the second a human
being, the third a lion, the fourth an eagle.e
15*
When the cherubim rose up, they were indeed the living creatures I had seen
by the river Chebar.f
16When the cherubim moved, the wheels went beside them; when the cherubim
lifted up their wings to rise from the earth, even then the wheels did not leave
their sides.
17When they stood still, the wheels stood still; when they rose up, the wheels
rose up with them, for the spirit of the living creatures was in them.
18Then the glory of the LORD left the threshold of the temple and took its place
upon the cherubim.
19The cherubim lifted their wings and rose up from the earth before my eyes as
they departed with the wheels beside them.
They stopped at the entrance of the eastern gate of the LORD’s house, and the
glory of the God of Israel was up above them.g

14. Interludes
Allbe remembers her
happiness as a child
Eru wants a marriage
like his grandfather’s
The rock of joy was near a waterfall; A waterfall so
enchanting that neither wished to leave it; yet having
found joy they hoped for more and went back into the
woods again. Both stopping to drink from the lovely
brook that flowed past it.

15. Morning Star
Revelation 2:28, NASB: "and I
will give him the morning
star." Revelation 2:28, NLT:
"They will have the same
authority I received from my
Father, and I will also give
them the morning star!"
Revelation 2:28, CSB: "just as
I have received this from my
Father. I will also give him
the morning star."
“A man who prays lives out the mystery of existence,
and a man who does not pray scarcely exists.” Thus
writes St. Charbel Makhlouf (1828–1898)

16. First Prelude
First Prelude of the Wedding Feast:
◦ 584.The Sabbath before the Entry into Jerusalem. The Supper at
Bethany. 188 for Jesus, continued …[Peter had commented that the Feast reminds
him of the Wedding Feast of Cana but at least here there were no shortages, recalling
possibly that they were the extra guests who were unexpected at the time.]
◦ 5 Mary Magdalene comes back in. She is holding in her hands a thin-necked
amphora, ending in a little bill, as pretty as the neck of a bird. The alabaster is of a
precious rosy yellow hue, like the complexion of some blondes. The apostles look at
her thinking, perhaps, that she is bringing some rare delicacy. But Mary does not go
to the center, inside the U of the table, where her sister is. She goes behind the seat-
beds and stops between that of Jesus and Lazarus and that of the two Jameses.
She uncorks the alabaster vase and places her hand under the little bill to receive a
few drops of a viscous liquid that flows slowly from the open amphora. A strong
smell of tuberoses and other essences, a very intense pleasant scent spreads in the
hall. But Mary is not satisfied with the little quantity of perfume that flows. She
stoops and with a sharp blow she breaks the neck of the amphora against the corner
of Jesus' little bed.
The thin neck falls on the floor, shedding scented drops on the marble pavement.
The amphora now has a wide aperture through which plenty unguent flows in thick
gushes. Mary places herself behind Jesus and spreads the thick oil on her Jesus' hair,
she sprinkles all His locks with it, she stretches them and then puts them in order
with the comb taken from her own hair, tidying them on the adored head. Jesus' fair-
red hair shines now like dark gold and is very bright after the unction. The light of
the chandelier, lit by the servants, is reflected on Jesus fair hair like a beautiful
copper-colored bronze helmet. The scent is exhilarating. Through the nostrils it rises
to the head and, spread as it is without restraint, it is so intense that it is almost as
exciting as sternutatory powder.
Lazarus, with his head turned round, smiles watching how carefully Mary anoints
and arranges Jesus' locks so that His hair may look tidy after the scented massage,
while she does not worry about her plaits, which, no longer supported by the wide
comb that helps the hairpins to hold them in place, are falling lower and lower on
her neck, and are about to loosen completely on her shoulders.
Martha also looks at her smiling. The others are talking to one another in low voices
with different expressions on their faces. But Mary is not yet satisfied. There is still
plenty ointment in the broken vase, and Jesus' hair, although thick, is already
saturated with it. Mary then repeats the loving gesture of an evening of long-ago.
She kneels down at the foot of the bed, she unties the buckles of Jesus' sandals and
takes them off, and dipping the long fingers of her beautiful hand into the vase, she
takes as much ointment as she can and spreads it on His bare feet, toe by toe, then on
the soles and heels, then up, on the malleoli, which she uncovers by throwing back
His linen tunic, and lastly on the insteps, she delays on the metatarsi, which will be
pierced by the dreadful nails, she insists until she finds no more balm in the hollow
vase. Then she shatters it on the floor and with her hands now free she removes her
big hairpins, she quickly looses her heavy plaits and with that golden, bright, soft,
flowing bundle of hair she removes the excess of ointment from Jesus' feet that are
dripping balm.
The Banquet in Bethany
6 Judas, who so far has been silent watching with lewd envious eyes the beautiful
woman and the Master Whose head and feet she was anointing, raises his voice, the
only voice of open reproach; some of the others, not all of them, had murmured
something or had made gestures of surprised but also calm disapproval. But Judas,
who has stood up to have a better view of the ointment spread on Jesus' feet, says with
ill grace: «What a useless heathen waste! Why do that? And then we expect the Chiefs
of the Sanhedrin not to speak of sin! Those are deeds of a lustful courtesan and they
do not become the new life you are leading, woman. They are too strong a recollection
of your past! »
The insult is such that everybody is dumbfounded. It is such that everybody stirs,
some sit up on the beds, some jump to their feet, everyone looks at Judas, as if he had
suddenly become insane. Martha flares up. Lazarus springs to his feet striking the
table with his fist and says: «In my house...», then he looks at Jesus and controls
himself.
«Yes. Are you all looking at me? You have all murmured in your hearts. But now that
I echoed your words and I openly said what you thought, you are all ready to say that I
am wrong. I will repeat what I said. I do not mean that Mary is the Master's lover. But
I say that certain actions do not become Him or her. It is an imprudent action. And an
unjust one. Yes. Why such waste? If she wanted to destroy the memories of her past,
she could have given that vase and ointment to me. It was at least a pound of pure
nard!
And of high value. I could have sold it for at least three hundred denarii, as that is the
price for nard of that quality. And I could have sold the vase, which was beautiful and
precious. I would have given the money to the poor who crowd round us. We never
have enough. And those asking for alms tomorrow in Jerusalem will be numberless. »
«That is true» say the others assenting. «You could have used a little for the Master
and the rest...»
7 Mary of Magdala seems to be deaf. She continues wiping Jesus' feet with her loose
hair that now, at its end, is also heavy with the ointment and darker than on the top of
her head. Jesus' feet are smooth and soft in their shade of old ivory, as if they were
covered with fresh skin. And Mary puts the sandals on the Christ's feet again, kissing
each foot before and after putting the sandal on, deaf to everything that is not her love
Jesus defends her laying His hand on her head bent in the last kiss and saying: «Leave
her alone. Why are you annoying and upsetting her? You do not realize what she has
done. Mary has accomplished an action that is rightful and good with regard to Me.
The poor will always be among you. I am about to go away. You will always have
them, but you will soon not have Me any longer. You will always be able to give alms
to the poor. Shortly to Me, to the Son of man among men, it will no longer be possible
to give any honor, through the will of men, and because the hour has come.
Love is light to her. She feels that I am about to die, and she wanted to anticipate the
burial anointing for My body. I tell you solemnly that wherever the Good News is
proclaimed, this prophetic action of love of hers will be remembered. Poem of the
Man-God Jesus+ makes known He will
give His Life for the Bride

17. First Prelude
Storyboard
The
Banquet in
Bethany
1
2
3
4
5
6
Hidden
Echo thinking
Echo thinking
Acts completed by
Jesus+ and Mary

18. Ark Media
Crosswalk
Interpolated & Unmixed
We have exceeded the
Scorecard for Ark Metric
Combinations because of the
introduction of Wheels and
Secants. New standards are
interpolated and will be further
refined.
(50.00000)
-
50.00000
100.00000
150.00000
200.00000
250.00000
Carriage Add Burden
yield
Transit Yield Full Secant Future Value
1W vs 7W
Cost Simulation Cost 7 Wheel
Linear (Cost Simulation) Linear (Cost 7 Wheel)
1W=504,365
7W= 506,242 ∆ = 1877 δ = FV 187.4 x10 +3
δ
Increase in Magnitude of unmixed = 10

19. Secant Wheels
Need to be defined and
correlated to the
storyboards with refined
characteristics
Mixing story contents will
enhance the secant ratio
and better define the mix
Built in short intervals it is
easier to change and to
remix

20. V2 GLASS MODEL
CONFECTION
Confecting the Story in Glass… coming next!

21. Managing the Content Mix
In our V2 section we will learn:
1. How each segment is loaded
2. How content is mixed
3. The difference between a premix
and a remix
4. Generating tables for encryptions
5. Operating Simulated Versions
Dif. x 12
Old rate – new yield
His Yoke is Easy, and
His Burden is Light
Our Table
needs a
Triple Walk

22. Simulation Proof
◦ Using a quadratic equation, we
proofed the Matrix for Simulation
terms against our Time and Motion
Standard
◦ This means we have a good and
reliable instance window with which
to simulate our future results
◦ We need to establish this new
fingerprint with an encryption path,
markers and a key for loading
8/27/2021
Brij Consulting, LLC Jean Marshall
22
504,365
144
c
-152.656
154.428
153.981
-461.065
-471.116035
10.05103547
151.9413
2.04
153.9813
144956
144755
201
A
Clock foil x 3 =335 x 3 = 1005
ω
W1

23. Our papers
8/27/2021 23
This paper is Ark Media
Brij Consulting, LLC Jean Marshall
V3 and V4
holds all
contents
1. Portfolio Wheels: Study of Secants and Wheels in the Dynamic requirement for
Media to write and produce in Ark Science and Dimensional Systems, Introduction
of the Story “Eru finds a Golden Pen.”
https://www.slideshare.net/Marshallja/presentations
See next slide for list of the preceding
Digital Plait content

24. 8/27/2021 24
Brij Consulting, LLC Jean Marshall
1. Ark in Glass: Changing the Schema for Ark Mode crossover, beginning study of Secants
and Wheels for the “cube-ified glass” engineering of Imaging, sound and motion
characteristics.
2. The New Stone: Simulations and Re-instancing to package, confect and view glass media
3. Dimensional Building: Dimensional Arrays, Z strength, Product Media, Interdimensional
Matrices.
4. The Dynamic Instance: Product Media Discussed
5. The Glass Build: Base Build and Modules Assembled, considering impact of dimensional
systems
6. Glass in the Making: Costing and Loading, Assembly and Assimilation, IP Defined, Logos
7. Art of the Science: What can be made? Assimilation discussed, look at basic product
ideas
8. Digital Glass Production: Pipe Transit and RIK Declare, Batch Appliance (Dialogue paper)
9. Imposition of Value Engineering: Establishing and Justifying the Load for Pipe Transit
10. The Digital Plait Position: Engineering Design of the Load and Thruput
11. ^Mu Sic in the Advancing Age: Use of Fingerprint and Encryption for Operational Loads
12. Engineering Objects: The Purpose of this Paper is to Consider the means to raise up a
Digital Portal Production System using appliances gained through Plait Object and Gate
driven configurations that work with Digital Mechanics. Six-Layer Glass and Appliances
13. Instancing at the Gate: Use of Gates and Instances, bridging of the engineering process
14. Interpolative Scope: Use of a Demand and Production Scope for building and delivery of
product, learning to specify material, looking for union of Vector
15. Functional Glass: Fitness for Function and Moral Intelligence, Bayesian Analysis
16. The Glass Wall: This is a very difficult staging of advanced engineering to depict …Motivated
by sound it creates a means by sound to cascade light for safe and wireless power
17. The Glass Wave: Learning to Plait Gates, Reconcile Metrics to Scorecard, and load value of Scrum
18. Scrum Costing w/notes (Book It Daniel): establishing scrum standards (Dialogue paper)
19. Gate Plait Green (Mark It Mark): first scalable plait arrangement overcomes bottleneck
(Dialogue paper)
20. Scorecard Integration (Map It Ralph): A review of mappings to date, marking old vs. new
(Dialogue paper)
^Mu Sic, requires update
To Change
Digital Plait Papers with Content
Description

25. Interlude 1, 2, & 3
Interlude 1: Both Eru and Allbe are struggling with less than satisfactory relationships with vain and
self-seeking partners, who use them rather than engage with them in the building of their life. They
begin to pray and are drawn to their own quiet place of contemplation. They each decide that
when they marry, they want to be in the Church, joined before God in the Covenant Union.
Interlude 2: While both Allbe and Eru are looking more deeply into prayer and seeking their
answers from God, gifts arrive from their relatives that more than compensate their interest in
seeing into the revelations poured into their soul. In this Interlude Allbe’s Aunt and Eru’s
Grandfather give them gifts of a family treasure they had stored up. Since both are
graduating from college and graduate school, the timing is ripe for their journey to begin.
Interlude 3: Both Allbe and Eru sought a spiritual counselor from a religious
order and found that he recommended to write a journal of their prayers and
to draw pictures of what their mind sees. There is a promise of a ring here that
unites the two. It remains deep in the background of the soul. It eludes their
scrutiny but leads them forward. The recommended hymn is The Deer Cry
(Breastplate of St. Patrick,) also called the Lorica
Scene One
Scene Two
Scene Three
Allbe remembers her
happiness as a child

26. Interlude 4, 5 & 6
Interlude 4: They are encouraged to pick a patron saint as he is preparing to finish receiving
sacraments, the Sacrament of Confirmation in particular. Allbe is learning to teach. They are
spiritually visited by a patron saint of the church they are attending. Both seem to be in a hurry to
get married, but the saint is trying to slow them down. There are vows and promises involved.
Scene Four
Interlude 5: Both Allbe and Eru are struggling to ponder the higher gifts, and they are advised by
a “wizard,” who looks convincingly like St. Padre Pio, to use the contemplative concept of
practicing the Presence of God. He tells them of many good things to read and to study in order
to know God better, and to consider their life’s work as a vocation, a calling from God. Scene Five
Interlude 6: Allbe and Eru are searching in the same library one afternoon for the same book,
aptly called, “The Interior Castle,” and they finally meet. Both have the same wonder: this one
completes my thoughts. They begin to study together, but withdraw in solitude many times,
Trying to gain some order to their own reasons and considerations about new thinking. Scene Eight
Eru wants a
marriage like his
grandfather’s