Giuseppe Arcimboldo was an Italian painter best known for creating imaginative portrait heads made entirely of objects like fruits, vegetables, flowers, fish, and books. He served as a court painter for Holy Roman Emperors Ferdinand I, Maximilian II, and Rudolph II from 1562 until his death in 1593. Some of his most famous works from this period include his interpretations of the Four Seasons from the 1560s-1570s and the portraits Flora and Vertumnus, which featured Emperor Rudolph II composed entirely of plants and food. While highly acclaimed during his lifetime, interest in Arcimboldo's unique style declined after his death, though it saw a revival in the
Mozart’s Works in the German Singspiel Operatic TraditionEdward E. Reicin
Based in Chicago, Edward Reicin is an established attorney and entrepreneur who heads MPC Containment International, Ltd. With extensive experience as an opera singer, Edward Reicin has performed bass roles in productions that include Wolfgang Amadeus Mozart’s The Magic Flute and Don Giovanni.
Unique among composers of his time, Mozart excelled in both comedic and tragic operatic settings, including Italian opera and the German-language Singspiel. The latter, similar to today’s Broadway musicals, has spoken dialogue surrounding its musical pieces, instead of sung dialogue.
Less formal than Italian operas of the day, Singspiele was commonly performed by traveling troupes, rather than the larger opera companies, in mid-18th century Austria. This gave Mozart the opportunity to add personal wit and whimsy to Singspiel compositions, and to interpret popular themes from the entire musical spectrum. Composed at age 12, his first secular Singspiele, the one-act Bastien und Bastienne, parodied Le Devin du village, a French opera by Jean-Jacques Rousseau.
After having focused on serious operas in Italian for many years, Mozart returned to Singpiel with the never-completed work Zaide in 1779. It is telling that Mozart’s Italian-language opera Idomeneo attained success during the same period as this project faltered. However, Mozart did return to the form in several full length works, including Die Entfuhrung aus dem Serail and his penultimate opera The Magic Flute.
Wallace Collection, London Painting only 3.0Jerry Daperro
The Wallace Collection (is) the finest collection of art ever assembled by one family and now s national museum. Five generations of collections, four Marquises of Hereford and Sir Richard Wallace, each made their own special contribution. The Wallace Collection a national museums in the heart of London, own one of the finest collection of fine and decorative art in the world. The Collection was bequeathed to the British nation by the widow of Sir Richard Wallace in 1897. The Collection was assembled entirely in the 18C and 19C. It is an oasis of European art in the heart of London, with emphasizes on French arts.
The artworks in the Galleria Nazionale dell’Umbria are displayed on the upper floors of the Palazzo dei Priori, Perugia, Italy.
Its collection is one of the most exhaustive and complete in the Region for the multiplicity and variety of its are works, which cover a period from the 13C to the 19C. Some of the artists included are Master of San Francesco, Armolfo di Cambio, Nicola and Giovanni Pisano, Duccio di Buoninsegna, Gentile de Fabriano, Fra’ Angelico, Benozzo Gozzoli, piero della Francesca, Agostino de Duccio and Grancesco di Giogio Martini. In addition, there are many works by Perugino, Pintoricchio, Orazio Gentileschi, Pietro da Cortona, Valentin de Boulogne, Sebastiano Conca, Pierre Subleyras and Jean Baptiste Wicar. Many of the paintings were by artists were born in the city of Perugia.
The collection primarily is primarily makes up of religious paintings on the running up, during and after the Age of Renaissance. The majority of the works stilted toward the Renaissance from the end of 13C though to the early 15C. Many of these exhibits are diptychs, triptychs or polyptychs. These are the kind of paintings that the ordinary Italian of the time were likely to encountered, in their daily life.
Mozart’s Works in the German Singspiel Operatic TraditionEdward E. Reicin
Based in Chicago, Edward Reicin is an established attorney and entrepreneur who heads MPC Containment International, Ltd. With extensive experience as an opera singer, Edward Reicin has performed bass roles in productions that include Wolfgang Amadeus Mozart’s The Magic Flute and Don Giovanni.
Unique among composers of his time, Mozart excelled in both comedic and tragic operatic settings, including Italian opera and the German-language Singspiel. The latter, similar to today’s Broadway musicals, has spoken dialogue surrounding its musical pieces, instead of sung dialogue.
Less formal than Italian operas of the day, Singspiele was commonly performed by traveling troupes, rather than the larger opera companies, in mid-18th century Austria. This gave Mozart the opportunity to add personal wit and whimsy to Singspiel compositions, and to interpret popular themes from the entire musical spectrum. Composed at age 12, his first secular Singspiele, the one-act Bastien und Bastienne, parodied Le Devin du village, a French opera by Jean-Jacques Rousseau.
After having focused on serious operas in Italian for many years, Mozart returned to Singpiel with the never-completed work Zaide in 1779. It is telling that Mozart’s Italian-language opera Idomeneo attained success during the same period as this project faltered. However, Mozart did return to the form in several full length works, including Die Entfuhrung aus dem Serail and his penultimate opera The Magic Flute.
Wallace Collection, London Painting only 3.0Jerry Daperro
The Wallace Collection (is) the finest collection of art ever assembled by one family and now s national museum. Five generations of collections, four Marquises of Hereford and Sir Richard Wallace, each made their own special contribution. The Wallace Collection a national museums in the heart of London, own one of the finest collection of fine and decorative art in the world. The Collection was bequeathed to the British nation by the widow of Sir Richard Wallace in 1897. The Collection was assembled entirely in the 18C and 19C. It is an oasis of European art in the heart of London, with emphasizes on French arts.
The artworks in the Galleria Nazionale dell’Umbria are displayed on the upper floors of the Palazzo dei Priori, Perugia, Italy.
Its collection is one of the most exhaustive and complete in the Region for the multiplicity and variety of its are works, which cover a period from the 13C to the 19C. Some of the artists included are Master of San Francesco, Armolfo di Cambio, Nicola and Giovanni Pisano, Duccio di Buoninsegna, Gentile de Fabriano, Fra’ Angelico, Benozzo Gozzoli, piero della Francesca, Agostino de Duccio and Grancesco di Giogio Martini. In addition, there are many works by Perugino, Pintoricchio, Orazio Gentileschi, Pietro da Cortona, Valentin de Boulogne, Sebastiano Conca, Pierre Subleyras and Jean Baptiste Wicar. Many of the paintings were by artists were born in the city of Perugia.
The collection primarily is primarily makes up of religious paintings on the running up, during and after the Age of Renaissance. The majority of the works stilted toward the Renaissance from the end of 13C though to the early 15C. Many of these exhibits are diptychs, triptychs or polyptychs. These are the kind of paintings that the ordinary Italian of the time were likely to encountered, in their daily life.
Dulwich Picture Gallery boosts one of the of the finest smaller collection of Old Master in the world, full of household names and hidden gems. Its collection reflects the taste and market opportunities of its time by concentrated on European paintings of the 17C and 18C, the period sometimes known as ‘The Age of Baroque’. The gallery is situation in the Southeast of London, only about 5 miles from the centre of London. It about half an hour by bus or 12 minutes by local trains, depart from Victoria station..
The National Gallery of Ireland founded in 1854 houses an impressive collection of over 15,000 artworks. Spanning the history of western European art from around 1300 to the present day, the collection includes well-known artist from Mantegna and Titian to Monet and Picasso, including various schools and era.
The Gallery was brought into existence, in 1651 by a Papal brief issued by Giambattiste Pamphilj, elected to the papal throne in 1644 as Innocent X. He placed the paintings and furnishings of Palazzo Pamphilj in Piazza Navona under the encumbrance of entail. The collection was enlarged later in 1647 by marriage to the Borghese. Today the gallery has a fairly large collection of around 400 paintings, including works by Rapheal, ?Tintoretto, Titian, Caravaggio, Bernini and some Flemish masters. It most famous painting is by Velazquez’s portrait of Pope innocent X.
The Museum of Capodimonte is situated on the Capodimonte hill of Naples overlooking the Bay of Naples. The building is surrounded by a beautiful park. It is part of the Galleria Nazionale of paintings as well as a museum, with palatial rooms to visit. It is one of the largest museum in Italy and one of the most under-rated in its class. Its collection covers works of the period between 13C to 20C, including older works from the Farnese ‘primitive’ paintings. Simone Martini, Raphael, Titan, Caravaggio, Masaccio, Lorenzo Lotto, Giovanni Bellini, Giorgio Vasari and many others famous names are included in its collection.
The building is surrounded by a beautiful park. Friendly warning. It is located on the Capodimonte Hill outside of the main city. If you go to visit the gallery you must take the public transport to get there, but watch out for pick pockets. So be careful and hide your money well.
The Prado is unique among the world’s great museums. Its collection is astonishingly rich, with master paintings from the 13C to the 18C. It is one of the more complete wider representation of European schools of paintings. Assembled by the Spanish kings for their palaces, its treasures are now housed in the grandiose Neo-Classical palace designed in 1787. The Prado contains the most important collection of Spanish masters to be found anywhere in the world. It has the finest works included paintings by El Greco, Zurbaran, Velazquez, Murillo, Goya etc. The great strength of the museum is that it has also amassed extensive collections of other European artists. As the Low Countries were once part of the Spanish Empire, its collection included works by Rogier van der Weyden, the unsurpassed works of Hieronymus Bosch, Pieter Bruegel, etc. Rubens’ works are well-represented
National Gallery of Scotland, Edinburugh Jerry Daperro
The National Gallery Scotland is one of the finest in the world. It has a comprehensive collection including works by Italian, French, Flemish & Dutch masters. Its collections covered all the major developments in European paintings between the 15th and the 19h century. Also it includes a rich collection of Scottish paintings. It is a home of Scottish art and painting. The gallery is situated in the heart of Edinburgh. The gallery is also benefit from the exchange program of paintings with the National Gallery London. The gallery is well worth a visit.
Within its elegant neoclassical exterior designed by William Henry Playfair, are housed works by the greatest names in Western art including Raphael, Titian, El Greco, Veazquez, Rembrandt, Rubens, Watteau, Tiepolo, Canova and many of the Impressionists and Post impressionists. The Gallery also contains the most comprehensive collection of Scttish art from the 11C to the 19C.
The Statens Museum for Kunst (SMK) is located in Copenhagen. It is home to Danish art. Its collection includes some 260,000 works, spanning more than seven hundred years from the late Middle Ages to the present day. It has numerous masterpieces by artists such as Albrecht Durer, Peter Paul Rubens, CW Eckersberg and Christen Kobke. Today, the SMK attracts around 450,000 visitors annually.
Most of us outside of Scandinavia, are unfamiliar with Nordic pictorial and sculptural traditions. But their paintings do reflect their underlying Nordic cultures, social values on compassion & emotion and finally their natural environment. The Nordic approach is visually less intense and flamboyant as compared with the Italian Baroque or to the French Impressionist. Their approach is more humanistic and much closer to our daily life. Stylistically their 18C and 19C paintings were mostly realistism with clarity, sharpness, crispness and on occasion melancolia. It much closer to ordinary persons and our life.
The iconography of 'Madonna and Child' and 'Venus and Cupid' in the most repr...PasqualeRaimo
Questo ciclo di lezioni in lingua inglese, prende il titolo “Un viaggio nell’arte tra l’amore sacro e profano”. In pratica viene messo a confronto il tema iconografico della Madonna con il Bambino e quello di Venere con Cupido attraverso le opere d’arte più rappresentative esposte in quattro tra i più rappresentativi musei d’Europa: The State Hermitage Museum di SanPietroburgo, il Victoria and Albert Museum di Londra, il Museo di Capodimonte di Napoli e il Museo del Prado di Madrid.
Prima di passare alla visione le singole opere d’arte, il progetto prevede un conciso cenno storico circa l’origine e la struttura dei suddetti musei. Le opere che saranno analizzate sono soprattutto dipinti, oscillanti cronologicamente tra l’XI e il XIX secolo, ma non mancherà la descrizione anche di oggetti d’arte di diversa tipologia (sculture, bronzi, arti applicate, etc.). Per ogni opera esaminata, prima della sua descrizione si procederà con una breve introduzione biografica dell’autore.
2. Giuseppe Arcimboldo (1527-1593) Although Giuseppe Arcimboldo was extremely famous during his lifetime, he was soon forgotten after his death. We do not know why people ever lost interest in his art. Perhaps he was misunderstood by the generations that followed. The interest to his abstruse and fantastic pictures, of which we only have a very few originals, nowadays, revived only at the end of the 19th century. Apart from the fantastic pictures, he probably painted quite a few more traditional ones. But many of these, too, seem to have disappeared. Giuseppe Arcimboldo was born into the family of a painter for the Milan Cathedral in 1527. The other variants of the name: Josephus, Joseph or Josepho Arcimboldi or Arcimboldus. It is uncertain which version is the correct one, because the painter used all these variants to sign his works. Many art historians agreed to use the variant of Giuseppe Arcimboldo. In 1549, at the age of 22, Giuseppe Arcimboldo made his debut as an artist. The records of the Milan Cathedral tell us that, together with his father, he was paid for designing several stained glass windows. He went on to work for the Milan Cathedral after his father’s death, until 1558. During this period he designed stained glass windows for the Milan Cathedral and several gobelin tapestries for the Como Cathedral.
3. In 1562, Giuseppe Arcimboldo became a court painter of Emperor Ferdinand I (Habsburg) and left for Vienna, then moved to Prague. During the 2 years, when Arcimboldo served Ferdinand I, he painted several portraits of the Imperial family as well as the first series of his Four Seasons. The artistic concept of these pictures of 1563 was unique and laid the foundation of Arcimboldo’s success as a painter. The documents of the time bear witness to the fact that monarchs and his contemporaries in general were quite enthusiastic about his art. When Ferdinand I died, in 1564, and was succeeded by Emperor Maximilian II (1527-1576), Arcimboldo continued as his court artist. There is little doubt that a large number of pictures were painted between 1564 and 1576, but only very few of them are known to us: Water and Fire (1566), The Lawyer (1566), The Cook (1570) another series of the Four Seasons in 1572, two series of Four Seasons in 1573, including Spring (1573), Summer (1573), Autumn (1573), Winter (1573). In 1575 Arcimboldo made several paintings for the private chambers of the Emperor. We do not know of any other works. But apart from painting, Arcimboldo also had other duties at the Imperial court. As he was a man of many talents he also served the Emperor as an architect, stage designer, engineer, water engineer and art specialist. Because of his extensive knowledge he was able to exert his influence on Maximilian II.
4. Like his 2 predecessors, Emperor Rudolph II (1552-1612) also took Arcimboldo into his service. The eleven years, which the artist spent with Rudolph II, were probably the peak of his career. The Emperor was extremely fond of Arcimboldo and showed great appreciation for him. All we know about Arcimboldo’s activities as an artist at the Imperial court is that he painted The Four Seasons twice in 1577, that he dedicated a red leather folio containing 150 pen-and-ink drawings to the Emperor in 1585, and that he organized a number of festive processions and tournaments in the same year. We have no knowledge of any further pictures, which he might have painted, at the court in Prague after 1585. In 1587, after 11 years of service and a number of urgent requests, Arcimboldo finally received permission from Rudolph II to return to his native Milan. And so he went back in the same year, but honored the Emperor’s request to continue working for him even, though he was no longer in his service. In 1591 he painted two of his most famous pictures, Flora (c.1591) and Vertumnus (1590-1591), which he sent to Prague. Vertumnus was particularly appreciated by everyone, especially by Rudolph himself. It is a head-and-shoulder portrait of the Emperor, showing him in the form of Vertumnus, the ancient Roman god of vegetation and transformation. Rudolph consists entirely of magnificent fruits, flowers and vegetables. Delighted with these paintings, Rudolph II awarded Arcimboldo one of his highest orders in 1592. Next year on 11 July 1593 the painter died.