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ARCHETYPAL/MYTH CRITICISM
Helina Worku
Dec,27,2022
Outline
* Origin
*Key proponents
* What is Mythology/ Archetype ?
* Gallery of Archetype
* Basic theoretical tenets
*Jung and Freude
* Strength and Objections
* Basic questions
*Key terms
* Wrapping up
Origin
 The word archetype is from the Greek ‘arkhetupon’
 first mold or model
 being the initial version of something later multiplied
 Archetypal literary criticism was given impetus by Maud Bodkin's
Archetypal Patterns in Poetry (1934) and flourished especially during the
1950s and 1960s.
Abrams M H(1999., Pp.13)
Important antecedents
James G. Frazer:
The Golden Bough (1890-1915)
identified elemental patterns of myth and
ritual
claimed, recur in the legends and
ceremonials of diverse and far-flung
cultures and religions
Carl G. Jung (1875-1961):
applied the term "archetype" to what
he called "primordial images,"
the "psychic residue" of repeated
patterns of common human experience
in the lives of our very ancient ancestors
maintained, survive in the "collective
unconscious" of the human race and
are expressed in myths, religion,
dreams, and private fantasies, as well
as in works of literature
Abrams M H(1999., Pp.12)
Primordial Images and
unconscious
Primordial images
 we, as individuals, have these archetypal images
ingrained in our understanding before we are
born
 primordial images are embedded in the collective
unconscious
collective unconscious
 objective psyche /the racial memory
 is a heritage shared by all humanity, the psychic residue of
prehistoric ancestors
 something passed on genetically
 It belongs to the species
 expresses itself through archetypal characters and
patterns.
 These patterns occur in all cultures as myth.
 Myths are symbolic representations of psychic events
Personal unconscious
 contains all the stuff that simply
isn't conscious
Universal
 which is why they can be found all
over the world and throughout
history
Important antecedents(cont’)
 The Cambridge School of Comparative Anthropology, which
boasted of scholars like:
 Jane Harrison
 Gilbert Murray
 Andrew Lang, was inspired by Frazer.
 Jessie Weston
Dr. Shobha Ramaswamy(2014.,Pp.10)
Important antecedents(Cont’)
 Among the prominent practitioners of various modes of
archetypal criticism
 G. Wilson Knight
 Robert Graves
 Philip Wheelwright
 Richard Chase
 Leslie Fiedler
 Joseph Campbell
 Northrop Frey
Abrams M H(1999., Pp.12)
Northrop Frye
 remarkable and influential book
Anatomy of Criticism (1957)
 developed the archetypal approach
 combined with the typological
interpretation of the Bible and the
conception of the imagination in the
writings of the poet and painter William
Blake (1757-1827)
 four radical mythoi correspondent to the
four seasons in the cycle of the natural
world, are incorporated in the four
major genres of
 comedy (spring), romance (summer),
tragedy (autumn), and satire (winter)
 Abrams MH(1999. Pp.12)
Mythology/ Archetype
 Myth universal
 similar motifs or themes may be found among many different
mythologies
 certain images that recur in the myths of peoples widely separated in
time and place
 tend to have a common meaning
 tend to elicit comparable psychological responses and to serve similar
cultural functions
 Such motifs and images are called archetypes.
 Archetypes are universal symbols.
Guerine, Wilfred L.,et al(2005. Pp. 185)
Mythology/ Archetype (cont’)
 archetype denotes recurrent
 narrative designs
 patterns of action
 character-types
 themes
 images
 which are identifiable in a wide variety of works of
literature
 myths, dreams, and even social rituals.
Abrams MH(1999. Pp.13)
Mythology/ Archetyp(cont’)
 The term archetype can be
applied to:
 An image
 A theme
 A symbol
 An idea
 A character type
 A plot pattern
 An event
 A tradition
 A story
 Archetypes can be expressed
in:
 Dreams
 Religions
 Fantasies
 Folklore
 Movies
 Social rituals
 Art
 Literature
 Myths
Gallery of Archtype
Gallery of Archetype(cont’)
Archetypal Characters
 Hero/Heroine
 Sidekick/Helper
 Villain
 Wise Sage
 Mentor
 Outcast
 Oracle
 Caring Mother/Earth Mother
 Trickster (joker, jester, clown, fool,
fraud, prankster,
 Mad Scientist
 Femme Fatale
 “Don Juan”
 Star-Crossed Lovers
 Witch/Shrew
 Underdog
 Stern Father
 Damsel in Distress
 Mentor – Pupil Relationship
 Soul mate, Good mother, Terrible
mother
Situational Archetypes
 The task/trial
 The journey
 The Quest
 The loss of innocence
 The initiation
 Apocalypse/end of
the world
 Pursuit of revenge
 Descent into the
underworld/heavenly
ascent
 Searching for father
 Damsel in distress
 Banishment of the
prince
Some Special Archetypes: Shadow, Persona,
and Anima
Individuation
 related to those archetypes designated as
 the shadow(darker side , the inferior and less pleasing aspects)
 the persona(the actor's mask)
 the anima(love at first sight, human psych is bisexual)
 ‘Individuation is a psychological growing up, the process of
discovering those aspects of one's self that make one an individual
different from other members of the species’
 a process of recognition
 as one matures, the individual must consciously recognize the various
aspects, unfavorable as well as favorable, of one's total self
Guerine, Wilfred L.,et al(2005. Pp. 185)
Key theoretical tenets
 Concerned to identify and analyze the occurrence and
variance of recognizable archetypes in different works
of literature
 Wishes to discover how certain works of literature
(classics) image a kind of reality to which readers give
recurrent response while other works
 studies in depth the archetypes or archetypal patterns
Guerine, Wilfred L.,et al(2005. Pp. 183)
Mythological criticism and the
psychological approach
 Differences of degree and of affinities
 Psychology tends to be experimental and diagnostic;
 it is closely related to biological science.
 Mythology tends to be speculative and philosophical;
 its affinities are with religion, anthropology, and cultural
history
Jung and Freud
 the predominance of
religion in considerations of
the psyche–and others
 Carl Jung and his mentor
Sigmund Freud had
fundamental disagreements
and an ultimate falling-out
 a fierce competition between
Freudians and Jungians
 based on theoretical
disagreements
Jung and Freud(cont’)
 view the human psyche as "by
nature religious“
 make this the focus of his
exploration
 believed libido (psychic energy) to
be more psychic than sexual;
 he considered Freudian theories
too negative because of Freud's
emphasis on the neurotic rather
than the healthy aspects of the
psyche
Guerine, Wilfred L.,et al(2005. Pp. 202)
Jung and Freud(cont’)
 believed religion was an
expression of underlying
psychological neuroses and
distress
 suggested that religion was an
attempt to control the Oedipal
complex
 a means of giving structure to social
groups
 wish fulfillment
 an infantile delusion
 and an attempt to control the outside
world
Strengths
 Offers unusual opportunities for enhancement of our literary
appreciation and understanding
 Possesses quiet the same combination of breadth and depth
 Takes us far beyond the historical and aesthetic realms of
literary studies
 Back to the beginning of human kind’s oldest rituals and
beliefs and deep into our own individual hearts
Guerine, Wilfred L.,et al(2005. Pp. 219)
Inherent Limitations
 The work of Jung is based upon western mythology
 Culturally specific
 Other cultures might be informed by significantly different myth
structures
 They run the risk of being destructed from the aesthetic
experiences of the work itself
 Freudian critics lose sight of a great works aesthetics value and
focuses on the sexual symbolism
 Myth critics tend to give attention only for archetypes and ritual/
mythical patterns
Guerine, Wilfred L.,et al(2005. Pp. 219)
Basic questions
 What images, symbols, figures, ideas, themes, events
etc… are present that are expressed in other literary
works?
 What myths, dreams, literature, movies, fantasies and
even ritualized modes of social behavior are present?
Key terms
 Season
 Persona
 Hero
 Character
 Anima/ Amines
 Situational
 Mythos
 Individual/ collective unconscious
 Religion
 First model
 Recurrence
 Quest
 Individuation
Wrapping up
 A first mold- model- first pattern
 Recurrent archetypes or archetypal patterns(literature,
social rituals, art, movies …)
 Northrop Frey, C,G.Jung ,Frezer
 Character Archetype and Situation archetype
Movie Recommendation
 Shrek
 Cinderella
 Moana
 Nemo
 Lord of the rings
 Frankenstine
 Kungfu panda
 Rambo
 Harrypoter
THANK YOU!
December,27

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Archetypal and/or Myth Literary Criticism

  • 2. Outline * Origin *Key proponents * What is Mythology/ Archetype ? * Gallery of Archetype * Basic theoretical tenets *Jung and Freude * Strength and Objections * Basic questions *Key terms * Wrapping up
  • 3. Origin  The word archetype is from the Greek ‘arkhetupon’  first mold or model  being the initial version of something later multiplied  Archetypal literary criticism was given impetus by Maud Bodkin's Archetypal Patterns in Poetry (1934) and flourished especially during the 1950s and 1960s. Abrams M H(1999., Pp.13)
  • 4. Important antecedents James G. Frazer: The Golden Bough (1890-1915) identified elemental patterns of myth and ritual claimed, recur in the legends and ceremonials of diverse and far-flung cultures and religions Carl G. Jung (1875-1961): applied the term "archetype" to what he called "primordial images," the "psychic residue" of repeated patterns of common human experience in the lives of our very ancient ancestors maintained, survive in the "collective unconscious" of the human race and are expressed in myths, religion, dreams, and private fantasies, as well as in works of literature Abrams M H(1999., Pp.12)
  • 5. Primordial Images and unconscious Primordial images  we, as individuals, have these archetypal images ingrained in our understanding before we are born  primordial images are embedded in the collective unconscious collective unconscious  objective psyche /the racial memory  is a heritage shared by all humanity, the psychic residue of prehistoric ancestors  something passed on genetically  It belongs to the species  expresses itself through archetypal characters and patterns.  These patterns occur in all cultures as myth.  Myths are symbolic representations of psychic events Personal unconscious  contains all the stuff that simply isn't conscious Universal  which is why they can be found all over the world and throughout history
  • 6. Important antecedents(cont’)  The Cambridge School of Comparative Anthropology, which boasted of scholars like:  Jane Harrison  Gilbert Murray  Andrew Lang, was inspired by Frazer.  Jessie Weston Dr. Shobha Ramaswamy(2014.,Pp.10)
  • 7. Important antecedents(Cont’)  Among the prominent practitioners of various modes of archetypal criticism  G. Wilson Knight  Robert Graves  Philip Wheelwright  Richard Chase  Leslie Fiedler  Joseph Campbell  Northrop Frey Abrams M H(1999., Pp.12)
  • 8. Northrop Frye  remarkable and influential book Anatomy of Criticism (1957)  developed the archetypal approach  combined with the typological interpretation of the Bible and the conception of the imagination in the writings of the poet and painter William Blake (1757-1827)  four radical mythoi correspondent to the four seasons in the cycle of the natural world, are incorporated in the four major genres of  comedy (spring), romance (summer), tragedy (autumn), and satire (winter)  Abrams MH(1999. Pp.12)
  • 9.
  • 10. Mythology/ Archetype  Myth universal  similar motifs or themes may be found among many different mythologies  certain images that recur in the myths of peoples widely separated in time and place  tend to have a common meaning  tend to elicit comparable psychological responses and to serve similar cultural functions  Such motifs and images are called archetypes.  Archetypes are universal symbols. Guerine, Wilfred L.,et al(2005. Pp. 185)
  • 11. Mythology/ Archetype (cont’)  archetype denotes recurrent  narrative designs  patterns of action  character-types  themes  images  which are identifiable in a wide variety of works of literature  myths, dreams, and even social rituals. Abrams MH(1999. Pp.13)
  • 12. Mythology/ Archetyp(cont’)  The term archetype can be applied to:  An image  A theme  A symbol  An idea  A character type  A plot pattern  An event  A tradition  A story  Archetypes can be expressed in:  Dreams  Religions  Fantasies  Folklore  Movies  Social rituals  Art  Literature  Myths
  • 15. Archetypal Characters  Hero/Heroine  Sidekick/Helper  Villain  Wise Sage  Mentor  Outcast  Oracle  Caring Mother/Earth Mother  Trickster (joker, jester, clown, fool, fraud, prankster,  Mad Scientist  Femme Fatale  “Don Juan”  Star-Crossed Lovers  Witch/Shrew  Underdog  Stern Father  Damsel in Distress  Mentor – Pupil Relationship  Soul mate, Good mother, Terrible mother
  • 16. Situational Archetypes  The task/trial  The journey  The Quest  The loss of innocence  The initiation  Apocalypse/end of the world  Pursuit of revenge  Descent into the underworld/heavenly ascent  Searching for father  Damsel in distress  Banishment of the prince
  • 17. Some Special Archetypes: Shadow, Persona, and Anima Individuation  related to those archetypes designated as  the shadow(darker side , the inferior and less pleasing aspects)  the persona(the actor's mask)  the anima(love at first sight, human psych is bisexual)  ‘Individuation is a psychological growing up, the process of discovering those aspects of one's self that make one an individual different from other members of the species’  a process of recognition  as one matures, the individual must consciously recognize the various aspects, unfavorable as well as favorable, of one's total self Guerine, Wilfred L.,et al(2005. Pp. 185)
  • 18. Key theoretical tenets  Concerned to identify and analyze the occurrence and variance of recognizable archetypes in different works of literature  Wishes to discover how certain works of literature (classics) image a kind of reality to which readers give recurrent response while other works  studies in depth the archetypes or archetypal patterns Guerine, Wilfred L.,et al(2005. Pp. 183)
  • 19. Mythological criticism and the psychological approach  Differences of degree and of affinities  Psychology tends to be experimental and diagnostic;  it is closely related to biological science.  Mythology tends to be speculative and philosophical;  its affinities are with religion, anthropology, and cultural history
  • 20. Jung and Freud  the predominance of religion in considerations of the psyche–and others  Carl Jung and his mentor Sigmund Freud had fundamental disagreements and an ultimate falling-out  a fierce competition between Freudians and Jungians  based on theoretical disagreements
  • 21. Jung and Freud(cont’)  view the human psyche as "by nature religious“  make this the focus of his exploration  believed libido (psychic energy) to be more psychic than sexual;  he considered Freudian theories too negative because of Freud's emphasis on the neurotic rather than the healthy aspects of the psyche Guerine, Wilfred L.,et al(2005. Pp. 202)
  • 22. Jung and Freud(cont’)  believed religion was an expression of underlying psychological neuroses and distress  suggested that religion was an attempt to control the Oedipal complex  a means of giving structure to social groups  wish fulfillment  an infantile delusion  and an attempt to control the outside world
  • 23. Strengths  Offers unusual opportunities for enhancement of our literary appreciation and understanding  Possesses quiet the same combination of breadth and depth  Takes us far beyond the historical and aesthetic realms of literary studies  Back to the beginning of human kind’s oldest rituals and beliefs and deep into our own individual hearts Guerine, Wilfred L.,et al(2005. Pp. 219)
  • 24. Inherent Limitations  The work of Jung is based upon western mythology  Culturally specific  Other cultures might be informed by significantly different myth structures  They run the risk of being destructed from the aesthetic experiences of the work itself  Freudian critics lose sight of a great works aesthetics value and focuses on the sexual symbolism  Myth critics tend to give attention only for archetypes and ritual/ mythical patterns Guerine, Wilfred L.,et al(2005. Pp. 219)
  • 25. Basic questions  What images, symbols, figures, ideas, themes, events etc… are present that are expressed in other literary works?  What myths, dreams, literature, movies, fantasies and even ritualized modes of social behavior are present?
  • 26. Key terms  Season  Persona  Hero  Character  Anima/ Amines  Situational  Mythos  Individual/ collective unconscious  Religion  First model  Recurrence  Quest  Individuation
  • 27. Wrapping up  A first mold- model- first pattern  Recurrent archetypes or archetypal patterns(literature, social rituals, art, movies …)  Northrop Frey, C,G.Jung ,Frezer  Character Archetype and Situation archetype
  • 28. Movie Recommendation  Shrek  Cinderella  Moana  Nemo  Lord of the rings  Frankenstine  Kungfu panda  Rambo  Harrypoter