Origin
Key proponents
What is Mythology/ Archetype ?
Gallery of Archetype
Basic theoretical tenets
Jung and Freude
Strength and Objections
Basic questions
Key terms
Wrapping up
are incorporated in the following slide
2. Outline
* Origin
*Key proponents
* What is Mythology/ Archetype ?
* Gallery of Archetype
* Basic theoretical tenets
*Jung and Freude
* Strength and Objections
* Basic questions
*Key terms
* Wrapping up
3. Origin
The word archetype is from the Greek ‘arkhetupon’
first mold or model
being the initial version of something later multiplied
Archetypal literary criticism was given impetus by Maud Bodkin's
Archetypal Patterns in Poetry (1934) and flourished especially during the
1950s and 1960s.
Abrams M H(1999., Pp.13)
4. Important antecedents
James G. Frazer:
The Golden Bough (1890-1915)
identified elemental patterns of myth and
ritual
claimed, recur in the legends and
ceremonials of diverse and far-flung
cultures and religions
Carl G. Jung (1875-1961):
applied the term "archetype" to what
he called "primordial images,"
the "psychic residue" of repeated
patterns of common human experience
in the lives of our very ancient ancestors
maintained, survive in the "collective
unconscious" of the human race and
are expressed in myths, religion,
dreams, and private fantasies, as well
as in works of literature
Abrams M H(1999., Pp.12)
5. Primordial Images and
unconscious
Primordial images
we, as individuals, have these archetypal images
ingrained in our understanding before we are
born
primordial images are embedded in the collective
unconscious
collective unconscious
objective psyche /the racial memory
is a heritage shared by all humanity, the psychic residue of
prehistoric ancestors
something passed on genetically
It belongs to the species
expresses itself through archetypal characters and
patterns.
These patterns occur in all cultures as myth.
Myths are symbolic representations of psychic events
Personal unconscious
contains all the stuff that simply
isn't conscious
Universal
which is why they can be found all
over the world and throughout
history
6. Important antecedents(cont’)
The Cambridge School of Comparative Anthropology, which
boasted of scholars like:
Jane Harrison
Gilbert Murray
Andrew Lang, was inspired by Frazer.
Jessie Weston
Dr. Shobha Ramaswamy(2014.,Pp.10)
7. Important antecedents(Cont’)
Among the prominent practitioners of various modes of
archetypal criticism
G. Wilson Knight
Robert Graves
Philip Wheelwright
Richard Chase
Leslie Fiedler
Joseph Campbell
Northrop Frey
Abrams M H(1999., Pp.12)
8. Northrop Frye
remarkable and influential book
Anatomy of Criticism (1957)
developed the archetypal approach
combined with the typological
interpretation of the Bible and the
conception of the imagination in the
writings of the poet and painter William
Blake (1757-1827)
four radical mythoi correspondent to the
four seasons in the cycle of the natural
world, are incorporated in the four
major genres of
comedy (spring), romance (summer),
tragedy (autumn), and satire (winter)
Abrams MH(1999. Pp.12)
9.
10. Mythology/ Archetype
Myth universal
similar motifs or themes may be found among many different
mythologies
certain images that recur in the myths of peoples widely separated in
time and place
tend to have a common meaning
tend to elicit comparable psychological responses and to serve similar
cultural functions
Such motifs and images are called archetypes.
Archetypes are universal symbols.
Guerine, Wilfred L.,et al(2005. Pp. 185)
11. Mythology/ Archetype (cont’)
archetype denotes recurrent
narrative designs
patterns of action
character-types
themes
images
which are identifiable in a wide variety of works of
literature
myths, dreams, and even social rituals.
Abrams MH(1999. Pp.13)
12. Mythology/ Archetyp(cont’)
The term archetype can be
applied to:
An image
A theme
A symbol
An idea
A character type
A plot pattern
An event
A tradition
A story
Archetypes can be expressed
in:
Dreams
Religions
Fantasies
Folklore
Movies
Social rituals
Art
Literature
Myths
16. Situational Archetypes
The task/trial
The journey
The Quest
The loss of innocence
The initiation
Apocalypse/end of
the world
Pursuit of revenge
Descent into the
underworld/heavenly
ascent
Searching for father
Damsel in distress
Banishment of the
prince
17. Some Special Archetypes: Shadow, Persona,
and Anima
Individuation
related to those archetypes designated as
the shadow(darker side , the inferior and less pleasing aspects)
the persona(the actor's mask)
the anima(love at first sight, human psych is bisexual)
‘Individuation is a psychological growing up, the process of
discovering those aspects of one's self that make one an individual
different from other members of the species’
a process of recognition
as one matures, the individual must consciously recognize the various
aspects, unfavorable as well as favorable, of one's total self
Guerine, Wilfred L.,et al(2005. Pp. 185)
18. Key theoretical tenets
Concerned to identify and analyze the occurrence and
variance of recognizable archetypes in different works
of literature
Wishes to discover how certain works of literature
(classics) image a kind of reality to which readers give
recurrent response while other works
studies in depth the archetypes or archetypal patterns
Guerine, Wilfred L.,et al(2005. Pp. 183)
19. Mythological criticism and the
psychological approach
Differences of degree and of affinities
Psychology tends to be experimental and diagnostic;
it is closely related to biological science.
Mythology tends to be speculative and philosophical;
its affinities are with religion, anthropology, and cultural
history
20. Jung and Freud
the predominance of
religion in considerations of
the psyche–and others
Carl Jung and his mentor
Sigmund Freud had
fundamental disagreements
and an ultimate falling-out
a fierce competition between
Freudians and Jungians
based on theoretical
disagreements
21. Jung and Freud(cont’)
view the human psyche as "by
nature religious“
make this the focus of his
exploration
believed libido (psychic energy) to
be more psychic than sexual;
he considered Freudian theories
too negative because of Freud's
emphasis on the neurotic rather
than the healthy aspects of the
psyche
Guerine, Wilfred L.,et al(2005. Pp. 202)
22. Jung and Freud(cont’)
believed religion was an
expression of underlying
psychological neuroses and
distress
suggested that religion was an
attempt to control the Oedipal
complex
a means of giving structure to social
groups
wish fulfillment
an infantile delusion
and an attempt to control the outside
world
23. Strengths
Offers unusual opportunities for enhancement of our literary
appreciation and understanding
Possesses quiet the same combination of breadth and depth
Takes us far beyond the historical and aesthetic realms of
literary studies
Back to the beginning of human kind’s oldest rituals and
beliefs and deep into our own individual hearts
Guerine, Wilfred L.,et al(2005. Pp. 219)
24. Inherent Limitations
The work of Jung is based upon western mythology
Culturally specific
Other cultures might be informed by significantly different myth
structures
They run the risk of being destructed from the aesthetic
experiences of the work itself
Freudian critics lose sight of a great works aesthetics value and
focuses on the sexual symbolism
Myth critics tend to give attention only for archetypes and ritual/
mythical patterns
Guerine, Wilfred L.,et al(2005. Pp. 219)
25. Basic questions
What images, symbols, figures, ideas, themes, events
etc… are present that are expressed in other literary
works?
What myths, dreams, literature, movies, fantasies and
even ritualized modes of social behavior are present?
26. Key terms
Season
Persona
Hero
Character
Anima/ Amines
Situational
Mythos
Individual/ collective unconscious
Religion
First model
Recurrence
Quest
Individuation
27. Wrapping up
A first mold- model- first pattern
Recurrent archetypes or archetypal patterns(literature,
social rituals, art, movies …)
Northrop Frey, C,G.Jung ,Frezer
Character Archetype and Situation archetype
28. Movie Recommendation
Shrek
Cinderella
Moana
Nemo
Lord of the rings
Frankenstine
Kungfu panda
Rambo
Harrypoter