The document discusses different types of characters in literature including protagonists like heroes and anti-heroes, antagonists like the main antagonist and nemesis, and supporting characters like sidekicks and mentors. It provides examples of each type of character from the movie Big Hero 6, describing characters like Hiro Hamada, Baymax, and Professor Callaghan. The document is analyzing literary characters from the film.
The document discusses different types of characters in literature, including protagonists like heroes and anti-heroes, antagonists such as nemeses and shape-shifters, and supporting characters like sidekicks and mentors. It also covers character development, describing flat and round characters. Examples are provided for each type from the film Big Hero 6.
Balaoing Fredalyn B. (Types of Characters in Literature)balaoing
This document discusses different types of characters in literature. It begins by defining protagonists, antagonists, and supporting characters. It then provides details on four types of protagonists: the hero, anti-hero, tragic hero, and caricature. Five types of antagonists are also defined: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development - flat characters and round characters. The document contains examples and images to illustrate each character type.
The document discusses types of characters in literature. It provides definitions and examples of different types of protagonists (hero, anti-hero, tragic hero, caricature), antagonists (main antagonist, nemesis, shape-shifter, change agent, romantic angle), and supporting characters (sidekick, mentor, foil, comic relief, extras, chorus). It also discusses character development, including flat and round characters. The document is a study on literary characters completed by Keena Patricia C. Gonzales for a class at Centro Escolar University in the Philippines.
This document discusses different types of characters in literature, including protagonists, antagonists, and supporting characters. It provides definitions and examples for each type of character:
- The four types of protagonists are the hero, anti-hero, tragic hero, and caricature. Examples given include Beatrice "Tris" Prior from Divergent and Maleficent from the movie of the same name.
- The five types of antagonists are the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Examples include Darth Vader and Mystique.
- The six types of supporting characters are the sidekick, mentor, foil, comic relief,
Abril, Angelinn Meryl V. (Types of Character in Literature)Meggy_Abril
This document discusses different types of characters in literature. It begins by defining four types of protagonists: the hero, anti-hero, tragic hero, and caricature. Examples and descriptions are provided for each. Six types of antagonists are also defined: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. The document then discusses six types of supporting characters: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it covers two types of character development - the flat character and round character. Examples are given throughout to illustrate each concept.
This document discusses different types of characters in literature. It defines four types of protagonists: the hero, anti-hero, tragic hero, and caricature. It also defines five types of antagonists: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development: the flat character and round character. Examples are provided for each type of character.
Propp's character roles and Propp's narrative functions chhaynes16
This document discusses the soap opera genre and Propp's character roles and narrative functions as they relate to two soap opera trailers. It analyzes the trailers from Coronation Street and EastEnders in terms of Propp's roles of villain, princess, and fake hero. It also examines narrative functions like exposure, struggle, and punishment that appear in events within the trailers.
The document discusses different types of characters in literature including protagonists like heroes and anti-heroes, as well as antagonists such as main antagonists and nemeses. It also covers supporting character archetypes including sidekicks, mentors, foils, and comic relief. Examples are provided for each type of character from works like Captain America, Harry Potter, and Frozen.
The document discusses different types of characters in literature, including protagonists like heroes and anti-heroes, antagonists such as nemeses and shape-shifters, and supporting characters like sidekicks and mentors. It also covers character development, describing flat and round characters. Examples are provided for each type from the film Big Hero 6.
Balaoing Fredalyn B. (Types of Characters in Literature)balaoing
This document discusses different types of characters in literature. It begins by defining protagonists, antagonists, and supporting characters. It then provides details on four types of protagonists: the hero, anti-hero, tragic hero, and caricature. Five types of antagonists are also defined: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development - flat characters and round characters. The document contains examples and images to illustrate each character type.
The document discusses types of characters in literature. It provides definitions and examples of different types of protagonists (hero, anti-hero, tragic hero, caricature), antagonists (main antagonist, nemesis, shape-shifter, change agent, romantic angle), and supporting characters (sidekick, mentor, foil, comic relief, extras, chorus). It also discusses character development, including flat and round characters. The document is a study on literary characters completed by Keena Patricia C. Gonzales for a class at Centro Escolar University in the Philippines.
This document discusses different types of characters in literature, including protagonists, antagonists, and supporting characters. It provides definitions and examples for each type of character:
- The four types of protagonists are the hero, anti-hero, tragic hero, and caricature. Examples given include Beatrice "Tris" Prior from Divergent and Maleficent from the movie of the same name.
- The five types of antagonists are the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Examples include Darth Vader and Mystique.
- The six types of supporting characters are the sidekick, mentor, foil, comic relief,
Abril, Angelinn Meryl V. (Types of Character in Literature)Meggy_Abril
This document discusses different types of characters in literature. It begins by defining four types of protagonists: the hero, anti-hero, tragic hero, and caricature. Examples and descriptions are provided for each. Six types of antagonists are also defined: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. The document then discusses six types of supporting characters: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it covers two types of character development - the flat character and round character. Examples are given throughout to illustrate each concept.
This document discusses different types of characters in literature. It defines four types of protagonists: the hero, anti-hero, tragic hero, and caricature. It also defines five types of antagonists: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development: the flat character and round character. Examples are provided for each type of character.
Propp's character roles and Propp's narrative functions chhaynes16
This document discusses the soap opera genre and Propp's character roles and narrative functions as they relate to two soap opera trailers. It analyzes the trailers from Coronation Street and EastEnders in terms of Propp's roles of villain, princess, and fake hero. It also examines narrative functions like exposure, struggle, and punishment that appear in events within the trailers.
The document discusses different types of characters in literature including protagonists like heroes and anti-heroes, as well as antagonists such as main antagonists and nemeses. It also covers supporting character archetypes including sidekicks, mentors, foils, and comic relief. Examples are provided for each type of character from works like Captain America, Harry Potter, and Frozen.
The document summarizes and analyzes a graphic novel story using various narrative theories. It applies Vladimir Propp's character archetypes and plot functions to analyze the story elements. It also uses theories from Todorov, Levi-Strauss and others to examine the story's structure, including its equilibrium disruptions, binary oppositions, and use of a single, linear narrative thread. The story involves a dragon kidnapping a princess and a hero's quest to rescue her, making it an anti-realistic fantasy narrative.
This document summarizes several media theories that can be applied to analyzing short films, including Propp's character archetypes and Todorov's narrative structure. Propp identified 7 common character types in folktales, such as the villain, donor, and hero. Todorov described the typical 5-stage narrative structure as equilibrium, disruption, resolution, attempt to restore order, and new equilibrium. The author explains how these theories can inform the development of their own short film about a conspiracy theorist, with character types like the villainous government figure and supporting friend, following Todorov's narrative stages from normal day to discovery of clues to confronting the conspiracy.
Propp was a literary critic who developed a theory of narrative structures involving eight character types that commonly appear in stories. The eight types are: the hero, villain, dispatcher, helper, princess, her father, donor, and false hero. Propp's theory helped writers and filmmakers develop successful narratives by providing a framework to categorize characters based on their roles and personalities.
This document compares the opening of a student-created spy thriller "Torment" to scenes from the James Bond film "Spectre" to analyze how it develops and challenges conventions of real spy/thriller films. The student notes their opening contains darker lighting and more sinister tones compared to "Spectre", with an emphasis on creating a sense of danger, mystery, and hopelessness rather than flashy action scenes. Key differences include having a female lead rather than male, and focusing more on plot and intrigue over visual spectacle. Overall the student aims to craft a thriller tone rather than an action film with their opening.
This is a quick slide share about the character & narrative theorists and how they are present within horror films. This is research for my short horror film.
The document discusses the representation of social groups in a media product. It notes that the media product portrays a strong female protagonist who tortures a male hostage, contrasting common portrayals of women as victims. It also features a racially diverse cast, including a Jamaican female protagonist and Russian ally, avoiding stereotypical portrayals of these groups. The document argues this representation of empowered women and diverse racial groups is realistic and will be well-received by audiences.
This document is a letter from the editor of The Last Word magazine introducing the Fall 2015 issue. It discusses the importance of open discussion on all topics and contributing voices to cultural conversations. It promotes the work of the writers and encourages readers to also contribute their voices. It provides information on how to contact the magazine through their website and social media platforms.
The document discusses the use of character archetypes from Vladimir Propp's theory in a thriller. The main characters discussed are the princess/damsel in distress, the villain, and the hero. The damsel in distress character subverts stereotypes by being Asian and strong-minded. The villain is portrayed through dark colors and clothing to represent evilness. Character shots and music are used to further develop the archetypes and foreshadow events according to common storytelling conventions.
The poster for the film Halloween features the title in large, bold orange text against a black background. The use of orange relates to the holiday of Halloween and pumpkins. It also corresponds to the large physique of the antagonist Michael Myers. The text "Evil has a destiny" in white may suggest that Myers' motives are pure as he returns for his sister, not to harm her. At the top is "A Rob Zombie Film" to draw in his established fan base within the horror genre. In the background is a figure holding Myers' iconic mask and a knife, displaying him as the villain.
The document discusses several common character tropes that are often seen in slasher films. It describes the villain, who is usually disfigured or wears a mask, and is oddly powerful. It also discusses the group of friends, which often includes a jock, stoner/nerd, promiscuous girl, and final girl. Other tropes mentioned include the benefactor, who gifts the group items; common locations like cabins in the woods; and the final girl character who is typically the last survivor. The document also examines psychological theories about the oedipal complex and how some analyses see the final girl representing castration anxiety.
The document summarizes a group's final idea for a narrative story called "The Boy That Cried Wolf." It includes:
1) Details on the characters, including the antagonist Hermione Wolfgang and protagonist Harry, who lies repeatedly.
2) An outline of the 5 stage narrative structure to be followed, with some subversions like ending on a cliffhanger.
3) Changes made to simplify the original narrative and emphasize the horror element more toward the end through the unknown.
4) The revised stages of Exposition, Development, Complication, Climax, and added Resolution, which leaves the audience wondering if Harry survives the assault committed at the climax.
The document summarizes a group's final idea for a narrative story called "The Boy That Cried Wolf." It includes:
1) Details on the characters of Harry as the false hero/protagonist and Hermione as the antagonist/villain.
2) A description of the 5 stage narrative structure to be followed, with some subversions including leaving the story on a cliffhanger.
3) Explanations of changes made to simplify the original narrative and emphasize the horror element more toward the end.
4) Outlines of the exposition, development, complication, and climax scenes before adding a resolution at the end.
This document discusses the typical conventions of several horror subgenres, including supernatural, gothic, possession, and slasher films. For supernatural films, it notes that they are often set in isolated homes of the main characters where a supernatural presence is unwelcome. Gothic films commonly use gloomy settings like castles and churches with secret areas. Possession films typically have isolated locations like abandoned buildings with a hidden dark history. Slasher films feature quiet suburban towns as settings and involve an unknown killer in a mask who uses weapons to kill victims after disabling their means of escape. The document provides examples from films to illustrate these conventions.
The document is a game of Jeopardy about literary terms. It contains questions in different categories with point values ranging from 100 to 5000. The questions test knowledge of literary devices, genres, characters and their roles, elements of plot, and other concepts in literature.
This document provides information on various horror subgenres and their typical conventions. It discusses the conventions of supernatural horror films, including common settings like isolated homes. It also covers conventions for gothic horror like gloomy settings and mysterious atmospheres. Possession films typically have isolated locations with dark histories and use religious imagery. Slasher films are set in suburban towns and feature masked or disfigured killers. Psychological horror relies on characters' fears and doubts rather than violence. The document analyzes examples from films to illustrate different conventions. Clips from films like Insidious and The Exorcism of Emily Rose are also embedded. The writer's group chose the possession subgenre for their film due to its complexity and relevance.
Balaoing fredalyn B. (Types of chareacters in Literature)balaoing
This document discusses different types of characters in literature. It begins by defining protagonists, antagonists, and supporting characters. It then provides details on four types of protagonists: the hero, anti-hero, tragic hero, and caricature. Five types of antagonists are also defined: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development - flat characters and round characters. Examples and definitions are provided for each type of character.
Balaoing Fredalyn B. ( Types of characters in Literature)balaoing
The document discusses different types of characters in literature including protagonists like heroes, anti-heroes, and tragic heroes. It also discusses antagonists and supporting characters such as sidekicks, mentors, foils, and extras. There are two types of character development - flat characters that do not change and round characters that are more complex and dynamic. The document provides examples and photos to illustrate each character type. It concludes with exercises for the reader to apply what they have learned.
Balaoing Frdalyn B. (Types of chareacters in Literature)balaoing
This document discusses different types of characters in literature. It begins by defining protagonists, antagonists, and supporting characters. It then provides details on four types of protagonists: the hero, anti-hero, tragic hero, and caricature. Five types of antagonists are also defined: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development - flat characters and round characters. The document contains examples and images to illustrate each character type.
This document discusses different types of characters in literature including protagonists like heroes, anti-heroes, tragic heroes, and caricatures. It also discusses antagonists such as the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Supporting characters like sidekicks, mentors, foils, comic relief, extras, and the chorus are also examined. The document concludes by discussing character development types like flat and round characters and applying the concepts in a brain exercise.
This document discusses different types of characters in literature including protagonists like heroes, anti-heroes, tragic heroes, and caricatures. It also discusses antagonists such as the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Supporting characters like sidekicks, mentors, foils, comic relief, extras, and the chorus are also examined. The document concludes by discussing character development types like flat and round characters and applying the concepts in a brain exercise.
This document discusses different types of characters in literature, including:
1. Protagonists such as heroes, anti-heroes, tragic heroes, and caricatures.
2. Antagonists including main antagonists, nemeses, shape-shifters, change agents, and romantic angles.
3. Supporting characters like sidekicks, mentors, foils, comic reliefs, extras, and choruses.
4. Character development types of flat characters and round characters.
The document provides definitions and examples for each type of character.
This document summarizes different types of characters in literature. It discusses four types of protagonists - the hero, anti-hero, tragic hero, and caricature. It also outlines five types of antagonists - the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are mentioned: the sidekick, mentor, foil, comic relief, extras, and chorus. The document concludes by defining two types of character development - flat and round characters.
The document summarizes and analyzes a graphic novel story using various narrative theories. It applies Vladimir Propp's character archetypes and plot functions to analyze the story elements. It also uses theories from Todorov, Levi-Strauss and others to examine the story's structure, including its equilibrium disruptions, binary oppositions, and use of a single, linear narrative thread. The story involves a dragon kidnapping a princess and a hero's quest to rescue her, making it an anti-realistic fantasy narrative.
This document summarizes several media theories that can be applied to analyzing short films, including Propp's character archetypes and Todorov's narrative structure. Propp identified 7 common character types in folktales, such as the villain, donor, and hero. Todorov described the typical 5-stage narrative structure as equilibrium, disruption, resolution, attempt to restore order, and new equilibrium. The author explains how these theories can inform the development of their own short film about a conspiracy theorist, with character types like the villainous government figure and supporting friend, following Todorov's narrative stages from normal day to discovery of clues to confronting the conspiracy.
Propp was a literary critic who developed a theory of narrative structures involving eight character types that commonly appear in stories. The eight types are: the hero, villain, dispatcher, helper, princess, her father, donor, and false hero. Propp's theory helped writers and filmmakers develop successful narratives by providing a framework to categorize characters based on their roles and personalities.
This document compares the opening of a student-created spy thriller "Torment" to scenes from the James Bond film "Spectre" to analyze how it develops and challenges conventions of real spy/thriller films. The student notes their opening contains darker lighting and more sinister tones compared to "Spectre", with an emphasis on creating a sense of danger, mystery, and hopelessness rather than flashy action scenes. Key differences include having a female lead rather than male, and focusing more on plot and intrigue over visual spectacle. Overall the student aims to craft a thriller tone rather than an action film with their opening.
This is a quick slide share about the character & narrative theorists and how they are present within horror films. This is research for my short horror film.
The document discusses the representation of social groups in a media product. It notes that the media product portrays a strong female protagonist who tortures a male hostage, contrasting common portrayals of women as victims. It also features a racially diverse cast, including a Jamaican female protagonist and Russian ally, avoiding stereotypical portrayals of these groups. The document argues this representation of empowered women and diverse racial groups is realistic and will be well-received by audiences.
This document is a letter from the editor of The Last Word magazine introducing the Fall 2015 issue. It discusses the importance of open discussion on all topics and contributing voices to cultural conversations. It promotes the work of the writers and encourages readers to also contribute their voices. It provides information on how to contact the magazine through their website and social media platforms.
The document discusses the use of character archetypes from Vladimir Propp's theory in a thriller. The main characters discussed are the princess/damsel in distress, the villain, and the hero. The damsel in distress character subverts stereotypes by being Asian and strong-minded. The villain is portrayed through dark colors and clothing to represent evilness. Character shots and music are used to further develop the archetypes and foreshadow events according to common storytelling conventions.
The poster for the film Halloween features the title in large, bold orange text against a black background. The use of orange relates to the holiday of Halloween and pumpkins. It also corresponds to the large physique of the antagonist Michael Myers. The text "Evil has a destiny" in white may suggest that Myers' motives are pure as he returns for his sister, not to harm her. At the top is "A Rob Zombie Film" to draw in his established fan base within the horror genre. In the background is a figure holding Myers' iconic mask and a knife, displaying him as the villain.
The document discusses several common character tropes that are often seen in slasher films. It describes the villain, who is usually disfigured or wears a mask, and is oddly powerful. It also discusses the group of friends, which often includes a jock, stoner/nerd, promiscuous girl, and final girl. Other tropes mentioned include the benefactor, who gifts the group items; common locations like cabins in the woods; and the final girl character who is typically the last survivor. The document also examines psychological theories about the oedipal complex and how some analyses see the final girl representing castration anxiety.
The document summarizes a group's final idea for a narrative story called "The Boy That Cried Wolf." It includes:
1) Details on the characters, including the antagonist Hermione Wolfgang and protagonist Harry, who lies repeatedly.
2) An outline of the 5 stage narrative structure to be followed, with some subversions like ending on a cliffhanger.
3) Changes made to simplify the original narrative and emphasize the horror element more toward the end through the unknown.
4) The revised stages of Exposition, Development, Complication, Climax, and added Resolution, which leaves the audience wondering if Harry survives the assault committed at the climax.
The document summarizes a group's final idea for a narrative story called "The Boy That Cried Wolf." It includes:
1) Details on the characters of Harry as the false hero/protagonist and Hermione as the antagonist/villain.
2) A description of the 5 stage narrative structure to be followed, with some subversions including leaving the story on a cliffhanger.
3) Explanations of changes made to simplify the original narrative and emphasize the horror element more toward the end.
4) Outlines of the exposition, development, complication, and climax scenes before adding a resolution at the end.
This document discusses the typical conventions of several horror subgenres, including supernatural, gothic, possession, and slasher films. For supernatural films, it notes that they are often set in isolated homes of the main characters where a supernatural presence is unwelcome. Gothic films commonly use gloomy settings like castles and churches with secret areas. Possession films typically have isolated locations like abandoned buildings with a hidden dark history. Slasher films feature quiet suburban towns as settings and involve an unknown killer in a mask who uses weapons to kill victims after disabling their means of escape. The document provides examples from films to illustrate these conventions.
The document is a game of Jeopardy about literary terms. It contains questions in different categories with point values ranging from 100 to 5000. The questions test knowledge of literary devices, genres, characters and their roles, elements of plot, and other concepts in literature.
This document provides information on various horror subgenres and their typical conventions. It discusses the conventions of supernatural horror films, including common settings like isolated homes. It also covers conventions for gothic horror like gloomy settings and mysterious atmospheres. Possession films typically have isolated locations with dark histories and use religious imagery. Slasher films are set in suburban towns and feature masked or disfigured killers. Psychological horror relies on characters' fears and doubts rather than violence. The document analyzes examples from films to illustrate different conventions. Clips from films like Insidious and The Exorcism of Emily Rose are also embedded. The writer's group chose the possession subgenre for their film due to its complexity and relevance.
Balaoing fredalyn B. (Types of chareacters in Literature)balaoing
This document discusses different types of characters in literature. It begins by defining protagonists, antagonists, and supporting characters. It then provides details on four types of protagonists: the hero, anti-hero, tragic hero, and caricature. Five types of antagonists are also defined: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development - flat characters and round characters. Examples and definitions are provided for each type of character.
Balaoing Fredalyn B. ( Types of characters in Literature)balaoing
The document discusses different types of characters in literature including protagonists like heroes, anti-heroes, and tragic heroes. It also discusses antagonists and supporting characters such as sidekicks, mentors, foils, and extras. There are two types of character development - flat characters that do not change and round characters that are more complex and dynamic. The document provides examples and photos to illustrate each character type. It concludes with exercises for the reader to apply what they have learned.
Balaoing Frdalyn B. (Types of chareacters in Literature)balaoing
This document discusses different types of characters in literature. It begins by defining protagonists, antagonists, and supporting characters. It then provides details on four types of protagonists: the hero, anti-hero, tragic hero, and caricature. Five types of antagonists are also defined: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development - flat characters and round characters. The document contains examples and images to illustrate each character type.
This document discusses different types of characters in literature including protagonists like heroes, anti-heroes, tragic heroes, and caricatures. It also discusses antagonists such as the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Supporting characters like sidekicks, mentors, foils, comic relief, extras, and the chorus are also examined. The document concludes by discussing character development types like flat and round characters and applying the concepts in a brain exercise.
This document discusses different types of characters in literature including protagonists like heroes, anti-heroes, tragic heroes, and caricatures. It also discusses antagonists such as the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Supporting characters like sidekicks, mentors, foils, comic relief, extras, and the chorus are also examined. The document concludes by discussing character development types like flat and round characters and applying the concepts in a brain exercise.
This document discusses different types of characters in literature, including:
1. Protagonists such as heroes, anti-heroes, tragic heroes, and caricatures.
2. Antagonists including main antagonists, nemeses, shape-shifters, change agents, and romantic angles.
3. Supporting characters like sidekicks, mentors, foils, comic reliefs, extras, and choruses.
4. Character development types of flat characters and round characters.
The document provides definitions and examples for each type of character.
This document summarizes different types of characters in literature. It discusses four types of protagonists - the hero, anti-hero, tragic hero, and caricature. It also outlines five types of antagonists - the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are mentioned: the sidekick, mentor, foil, comic relief, extras, and chorus. The document concludes by defining two types of character development - flat and round characters.
This document discusses different types of characters in literature. It begins by outlining four types of protagonists: the hero, anti-hero, tragic hero, and caricature. It then discusses five types of antagonists: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are also outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development: flat characters and round characters. The document provides examples and definitions for each character type.
This document discusses types of characters in literature. It covers protagonists like the hero, anti-hero, tragic hero, and caricature. It also discusses antagonists including the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Supporting characters are explored such as the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it addresses character development through flat and round characters.
This document discusses different types of characters in literature. It describes four types of protagonists: the hero, anti-hero, tragic hero, and caricature. It also outlines five types of antagonists: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are provided: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development: flat characters and round characters.
The document discusses different types of characters in literature including protagonists, antagonists, and supporting characters. It provides definitions and examples of different character archetypes such as heroes, anti-heroes, tragic heroes, and caricatures for protagonists. For antagonists it discusses main antagonists, nemeses, shape-shifters, change agents, and romantic angles. Supporting character types covered are sidekicks, mentors, foils, comic relief, extras, and choruses. Character development types of flat and round characters are also defined. The document is intended as a learning exercise for understanding literary characters.
The document discusses different types of characters in literature including protagonists like heroes, anti-heroes, tragic heroes and caricatures. It also discusses antagonist types such as the main antagonist, nemesis, shape-shifter, change agent and romantic angle. Supporting character types are mentioned like sidekicks, mentors, foils, comic relief, extras, and choruses. Character development types of flat and round characters are defined. The document provides definitions and examples for each character type.
The document discusses different types of characters in literature including protagonists like heroes, anti-heroes, tragic heroes, and caricatures. It also discusses antagonists such as the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Supporting characters are explored like sidekicks, mentors, foils, comic relief, extras, and the chorus. Character development types of flat and round characters are presented. The document provides definitions and examples for each character type.
This document discusses different types of characters in literature. It defines protagonists as the main characters, and describes four types: the hero, anti-hero, tragic hero, and caricature. It also defines antagonists as characters that oppose the protagonist, and lists five types: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. It then discusses six types of supporting characters: the sidekick, mentor, foil, comic relief, extras, and chorus. For each type of character, it provides a definition and examples from movies and literature.
This document discusses different types of characters in literature, including protagonists, antagonists, and supporting characters. It provides definitions and examples of different character types such as heroes, anti-heroes, tragic heroes, caricatures, main antagonists, nemeses, shape-shifters, change agents, romantic angles, sidekicks, mentors, foils, comic relief, extras, and choruses. It also covers flat and round character development. The document is presented as a learning exercise with images and definitions for each character type.
This document discusses different types of characters in literature including protagonists like heroes, anti-heroes, and tragic heroes. It also discusses antagonists, supporting characters like sidekicks and mentors, and character development types like flat and round characters. Examples and definitions are provided for each character type. The document concludes with a brain exercise asking the reader to identify new concepts learned, make connections, and consider real-world applications of these literary character types.
This document discusses different types of characters in literature. It begins by defining protagonists as the main characters, and antagonists as those who oppose the protagonists. It then describes four types of protagonists: the hero, anti-hero, tragic hero, and caricature. It also lists five types of antagonists: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. The document further discusses six types of supporting characters: the sidekick, mentor, foil, comic relief, extras, and chorus. It concludes by defining two types of character development: flat characters that do not change, and round characters that do change over the course of the story.
Types of characters in literature mary rose tan bsmt2cMary Rose Tan
This document discusses different types of characters in literature. It provides descriptions and examples of four types of protagonists: the hero, anti-hero, tragic hero, and caricature. It also discusses five types of antagonists: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it covers two types of character development: flat characters and round characters. Images and hyperlinks are provided to exemplify each type of character.
The document discusses different types of characters in literature including protagonists, antagonists, and supporting characters. It provides definitions and examples of different character types such as heroes, anti-heroes, tragic heroes, caricatures, main antagonists, nemeses, shape-shifters, change agents, romantic angles, sidekicks, mentors, foils, comic relief, extras, and choruses. It also covers character development, describing flat and round characters. The document is intended as a learning exercise to help understand literary characters.
The author's friend was calling mutual friends for an emergency and the author told her three times to tell them to hurry to class. This caused the friend to angrily shout at the author. They rode home together in an uncomfortable silence and avoided eye contact, still angry. The next day, the author admitted being mad at her friend and they were finally able to reconcile.
The author's friend was calling other friends for an emergency and the author told her three times to tell them to go to class faster. The friend then angrily shouted at the author, which made the author mad as well. They did not talk to each other on the ride home. The next day, the author told the friend they were mad about being shouted at, but they eventually reconciled.
This letter expresses regret and a commitment to change. The author forgot about caring for their family while focusing only on themselves. Now that they are alone, the author will repay past favors and be a better partner and family member going forward, driven by their love and dedication to improving themselves.
This letter expresses regret and a commitment to change. The author forgot about caring for their family while focusing only on themselves. Now that they are alone, the author will repay past favors and be a better partner and family member going forward, driven by their love and dedication to improving themselves.
The document discusses the seven types of literary conflict: internal conflict (man vs. self), and six types of external conflict - man vs. man, man vs. nature, man vs. society, man vs. supernatural, man vs. fate, and man vs. tools. It provides examples and descriptions of each type of conflict. It also discusses how conflict is important in storytelling and how it moves the plot forward.
This document discusses the seven types of literary conflict:
1) Internal conflict or "Man vs. Self" where a character struggles within their own mind.
2) External conflicts include "Man vs. Man", "Man vs. Nature", "Man vs. Society", "Man vs. Supernatural", "Man vs. Fate", and "Man vs. Tools" where a character struggles against other characters, natural forces, social expectations, supernatural beings, destiny, or technology.
3) The document provides examples and photos to illustrate each type of conflict and instructs students to personalize their learning by reflecting on how the conflicts relate to their own experiences and situations.
The document discusses the key elements of a plot structure including exposition, rising action, climax, falling action and resolution. It provides definitions and examples for each element. The rising action is described as a series of events building up to the climax. The example given is Jack and Rose meeting on the Titanic. The climax is when the ship hits an iceberg and splits in two. In the falling action, passengers wait for lifeboats and the resolution occurs when Rose is rescued.
The document discusses the key elements of plot structure in stories, including rising action, climax, falling action, and resolution. It provides definitions and examples for each element. The author learned about plotting a narrative and how to apply the different stages of a plot in creating their own story sample. They will be able to use this knowledge in their Communication Skills class.
This document discusses different types of characters in literature. It defines protagonists as the main characters, and lists four types: the hero, anti-hero, tragic hero, and caricature. It also defines five types of antagonists, or opposing characters: the main antagonist, nemesis, shape-shifter, change agent, and romantic angle. Six types of supporting characters are outlined: the sidekick, mentor, foil, comic relief, extras, and chorus. Finally, it discusses two types of character development: flat characters that do not change, and round characters that undergo development.
The document discusses the key elements of plot structure in stories, including rising action, climax, falling action, and resolution. It provides definitions and examples for each element. The author learned about plotting a narrative and how to apply the different stages of a plot in creating their own story sample. They will be able to use this knowledge in their Communication Skills class.
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1. TYPES OF
CHARACTERS
IN LITERATURE
DIMAILIG, ARAH MAE L.
BSMT-2C
10 JULY 2015
MR. JAIME CABRERA
CENTRO ESCOLAR UNIVERSITY,
MANILA PHILIPPINES
I learn about types of
characters in literature,
electronic research, and
citing references by
completing this exercise.
PROTAGONISTS
ANTAGONISTS
SUPPORT CHARACTERS
CHARACTER DEVELOPMENT
BRAIN EXERCISE
If you’re
doing your
best, you
won’t
have any
time to
worry
about
failure.
Related Stuff
2. 1. Types of
Protagonists
There are four types of
protagonists.
1. THE HERO
2. THE ANTI-HERO
3. THE TRAGIC HERO
4. THE CARICATURE
3. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
HERO
is a person or character who, in the face of
danger and adversity or from a position of
weakness, displays courage or self-
sacrifice—that is, heroism—for some greater
good; a man of distinguished courage or
ability, admired for his brave deeds and
noble qualities. Historically, the first heroes
displayed courage or excellence as warriors.
The word's meaning was later extended to
include moral excellence.
https://en.wikipedia.org/wiki/Hero
01
In my own words: a person who is admired for
great or brave acts or fine qualities.
My own example: Baymax is a healthcare robot.
He is highly intelligent in the world of medics,
devoted and is extremely caring for his patient.
Photo Source & hyperlink
BAYMAX
4. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
TADASHI
ANTI-HERO
a central character in a story,
movie, or drama who lacks
conventional heroic
attributes.https://www.google.c
om.ph
02
In my own words: a main character in a book, play, movie,
etc., who does not have the usual good qualities that are
expected in a hero.
My own example: Tadashi is a good guy. He just is. He
actually developed, built and programmed a state-of-the-art
nursebot—a Healthcare Companion named Baymax that will
likely help millions worldwide. But it's his role as big brother that
makes Tadashi truly special. Every kid needs a guy like Tadashi
looking out for him, and Hiro knows just how lucky he is to
have him in his life.
Photo Source & hyperlink
5. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
HIRO HAMADA &
TADASHI HAMADA
TRAGIC HERO
A tragic hero is a person of noble birth
with heroicor potentially heroic qualities.
This person is fated by the Gods or by some
supernatural force to doom and
destruction or at least to great suffering.
https://www.google.com.ph
03
In my own words: The tragic hero is the man of innate
nobleness who yet has some one defect that lays him
open to ruin.
My own example: Tadashi Hamada is a brilliant inventor
and the older brother of Hiro. Together, the two live with
their aunt Cass in the beautiful city of San Fransokyo. Their
parents died 10 years prior to the events of the film,
growing up together in Cass' cafe and bakery.
Photo Source & hyperlink
6. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
HEATHCLIFF
CARICATURE
A caricature is
a rendered image showing the
features of its subject in a
simplified or exaggerated
way.https://en.wikipedia.org/wi
ki/Caricature
04
In my own words: a drawing that makes
someone look funny or foolish because some
part of the person's appearance is exaggerated.
My own example: . He is later seen assisting them
in training for their battle against Yokai, albeit
nonchalantly.
Photo Source & hyperlink
7. 2. Types of
Antagonists
There are five kinds of
antagonists.
1. THE MAIN ANTAGONIST
2. THE NEMESIS
3. THE SHAPE-SHIFTER
4. THE CHANGE AGENT
5. THE ROMANTIC ANGLE
8. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
ANTAGONIST05
Mr. Robert
Callaghan
Antagonist is a person who opposes a
protagonist.https://www.google.com.ph
In my own words:a person who is opposed to, struggles against, or
competes with another; opponent.
My own example: As the masked villain, Callaghan was taller, darker,
with a brooding appearance that gave off an ominous aura. His face
was covered by a red and white kabuki mask, which acted as his
ultimate source of power and control over the Microbots. .
Photo Source & hyperlink
9. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
NEMESIS06
YOKAI
an opponent or enemy that is very difficult to
defeat.
http://www.merriam-
webster.com/dictionary/nemesis
In my own words:
an opponent or rival whom a person cannot best or overcome.
My own example: After his plot is foiled, Yokai is arrested; seeing his
daughter one last time before facing imprisonment.
Photo Source & hyperlink
10. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
SHAPE-SHIFTER07
BAYMAX
Shapeshifters are a race of supernatural
creatures who can take the form of any human
being.
https://www.google.com.ph
In my own words: shapeshifters can change their
form so as to appear as any person living, dead,
or fictional.
My own example: Baymax is a healthcare robot.
He is highly intelligent in the world of medics,
devoted and is extremely caring for his patient.
Photo Source & hyperlink
11. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
CHANGE AGENT
08
GO GO
TOMAGO
A change agent is a person from inside
or outside the organization who helps
an organization transform itself by
focusing on such matters as
organizational effectiveness,
improvement, and development.
https://www.google.com.ph
In my own words: Change agents can be vital to
struggling organizations, helping them get back
on track by adapting to a changing
environment.
My own example: To bring Yokai to justice
(accomplished). To protect San Fransokyo.
Photo Source & hyperlink
12. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
ROMANTIC ANGLE
09
ROMANTIC ANGLE
a piece of writing telling of heroic or marvelous
deeds, great ceremonies, etc., usually in a
historical or imaginary
settings.http://www.wordreference.com/definiti
on/romance
In my own words: a romantic spirit, feeling, or
quality.
My own example: Kryptonite was first introduced
to the public in 1943 as a plot device to allow
the radio serial voice actor, Bud Collyer, to take
some time off.
Photo Source & hyperlink
13. 3. Types of
Support
Characters
There are six types of
supporting characters.
1. THE SIDEKICK CHARACTER
2. THE MENTOR CHARACTER
3. THE FOIL CHARACTER
4. THE COMIC RELIEF CHARACTER
5. THE EXTRAS
6. THE CHORUS (e.g., Greek tragedy)
14. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
SIDEKICK10
BATMAN
a person's assistant or close associate, especially
one who has less authority than that person.
http://www.thefreedictionary.com/sidekick
In my own words: A close companion or comrade.
My own example: Batman has the ability to function under great physical
pain and to withstand telepathy and mind control. He is a master of
disguise, multilingual, and an expert in espionage, often gathering
information under the identity of Matches Malone, a notorious gangster.
Photo Source & hyperlink
15. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
MENTOR11
PROFESSOR ROBERT
CALLAGHAN
an experienced and trusted
adviser.
https://www.google.com.ph
In my own words: adviser or trainer.
My own example: Professor Robert Callaghan heads
up the robotics program at the famous San
Fransokyo Institute of Technology and is Tadashi's
teacher and mentor. When Hiro visits the university for
the first time, he is star-struck by the world-renowned
roboticist—while Callaghan immediately sees the
potential in the 14-year-old prodigy.
Photo Source & hyperlink
16. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
FOIL12
FOIL
prevent (something considered
wrong or undesirable) from
success.
https://www.google.com.ph
In my own words: to prevent from attaining an
end; defeat
My own example: Robin is a real boy, a
superhero in the DC comics universe. Robin has
long been a fixture in the Batman comic books
as Batman's partner.
Photo Source & hyperlink
17. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
COMIC RELIEF13
COMIC RELIEF
Comic relief is the inclusion of
a humorous character, scene, or witty
dialogue in an otherwise serious work,
often to relieve tension.
https://en.wikipedia.org/wiki/Comic_re
lief
In my own words: Comic relief usually means a
releasing of emotional or other tension resulting from
a comic episode interposed in the midst of serious or
tragic elements in a drama.
My own example: Kronk is not just slapstick humor.
The comic absurdity that he constantly finds himself in
keeps the film light hearted and makes up for the
somewhat boring main characters.
Photo Source & hyperlink
18. Insert any photo
that shows this
idea. The photo
should be clear
and should fit and
fill this space.
EXTRAS14
EXTRAS
a person engaged
temporarily to fill out a scene
in a movie or play, especially
as one of a crowd.
https://www.google.com.ph
In my own words: a person or thing that is
additional.
My own example: Plankton is much smaller than
the other main characters; he is easily stepped
on and/or sent flying back to the Chum Bucket
with a mere flick of the finger.
Photo Source & hyperlink
19. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
CHORUS15
CHORUS
The chorus was a group that
often danced and chanted in
unison to enhance the
presentation of the drama.
http://www.answers.com/Q/Wh
at_is_a_chorus_in_literature
In my own words: The chorus could act as narrator
introducing and setting scenes and letting the audience
know about off stage action.
My own example: Relating strongly to a character warms a
certain little compartment of the heart and can make a
reader or viewer feel at home, which is why wide
representation is so important and also why we often end up
with these weird and cringe-worthy cut-out ‘geek’ or ‘book
loving’ heroes that fans are meant to empathise with.
Photo Source & hyperlink
21. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
FLAT CHARACTER
16
COMIC RELIEF
Flat characters are two-
dimensional in that they are
relatively uncomplicated and
do not change throughout the
course of a work.
https://www.google.com.ph
In my own words: an easily recognized character type
fiction.
My own example: The character had to be a charming,
relaxed, European type (secret) agent. Among other
things, the character had to express satisfaction (mild
satisfied smiling), self-confidence, auto safety, trust. As for
clothing, the character had to wear a perfectly styled
black suit and a red necktie.
Photo Source & hyperlink
22. Insert any photo
that shows this
idea. The photo
should be clear
and should fit
and fill this
space.
ROUND CHARACTER
17
ROUND CHARACTER
round characters are complex
and undergo development,
sometimes sufficiently to surprise
the reader.
https://www.google.com.ph
In my own words: A round character is a major
character in a work of fiction who encounters
conflict and is changed by it.
My own example: Heathcliff is a round
character.
Photo Source & hyperlink
23. 5. BRAIN
EXERCISE &
PRACTICE
Complete Name
Course, Section, Subject
Date Completed
Teacher’s Name
University, Country
I personalize my learning
about the types of literary
characters by completing
this activity.
1. NEW INPUTS
2. CONNECTIONS
3. APPLICATIONS
Related Stuff
24. New concepts learned
The new stuff that I learned is that creating
characters is difficult but enjoyable.
There are many characters that we can
define as an example of every situation or
role in a given assignments.
Creating a cartoon characters is not easy
but it entertains other people especially the
kids or children.
NEW INPUTS
18
25. This reminds me of…
This reminds me of my childhood days
when instead of taking a bath and going
to school I refer to watch my favorite
cartoons.
This also reminds me when we are on a
mall and I saw a CD of a cartoon and I
didn’t want to go home without the CD.
CONNECTIONS
19
26. Usefulness in real situations
It is useful in real situation because I can
relate it in my everyday living because I
can see some stuffs that cartoon may
show us.
In cartoon characters, it is not all about
making us happy but also in giving us
knowledge on what we are watching.
APPLICATIONS
20
Note: Tests can include ideas from this source.
27. Works Cited
o https://en.wikipedia.org/wiki/Hero
o https://www.google.com.ph
o https://en.wikipedia.org/wiki/Caricature
o http://www.merriam-
webster.com/dictionary/nemesis
o https://en.wikipedia.org/wiki/Comic_relief
o http://www.wordreference.com/definition/romance
o http://www.answers.com/Q/What_is_a_chorus_in_lite
rature
o http://www.thefreedictionary.com/sidekick
o http://www.wordreference.com/definition/romance
o https://www.google.com.ph
REFERENCING
21