A Brief History of Music Education in AmericaBrian Ebie
This presentation briefly examines the growth of music education in American educational systems, with an emphasis on singing schools and the transition to choral programs and general music appreciation courses. The presentation concludes with a birdseye view of the trends and developments in music education during the 20th century, including various Education Acts, NCLB, Common Core, and the role of the arts--specifically music--in those legislative educational policies.
A Brief History of Music Education in AmericaBrian Ebie
This presentation briefly examines the growth of music education in American educational systems, with an emphasis on singing schools and the transition to choral programs and general music appreciation courses. The presentation concludes with a birdseye view of the trends and developments in music education during the 20th century, including various Education Acts, NCLB, Common Core, and the role of the arts--specifically music--in those legislative educational policies.
A brief survey of the origin of music education in the "new" world. This presentation briefly examines existing music in societies and among peoples, as well as the European influences upon music education.
Material compiled by Dr. Brian Ebie.
An Overview of Music Education in the Ancient WorldBrian Ebie
A brief survey of the role of music teaching in the ancient world. The inclusion of music in societies and among peoples, as well as the culturally perceived value of music education is highlighted in the presentation.
Ancient Greece, the Roman Empire, and other geographic regions are examined based on the role of music learning and participation among the people. The presentation is punctuated with quotes by noted scholars and philosophers such as Aristotle, Plato, and Boethius.
Material compiled by Dr. Brian Ebie.
Mapping Popular Music in Israel | Music in Israel Week 11 (2013)Francesco Spagnolo
The rise of popular music in Israel through festivals and the participation in the Eurovision contests allows up to try mapping this multi-cultural soundscape in its multiple dimensions. More at http://musicinisrael.wordpress.com
A brief survey of the origin of music education in the "new" world. This presentation briefly examines existing music in societies and among peoples, as well as the European influences upon music education.
Material compiled by Dr. Brian Ebie.
An Overview of Music Education in the Ancient WorldBrian Ebie
A brief survey of the role of music teaching in the ancient world. The inclusion of music in societies and among peoples, as well as the culturally perceived value of music education is highlighted in the presentation.
Ancient Greece, the Roman Empire, and other geographic regions are examined based on the role of music learning and participation among the people. The presentation is punctuated with quotes by noted scholars and philosophers such as Aristotle, Plato, and Boethius.
Material compiled by Dr. Brian Ebie.
Mapping Popular Music in Israel | Music in Israel Week 11 (2013)Francesco Spagnolo
The rise of popular music in Israel through festivals and the participation in the Eurovision contests allows up to try mapping this multi-cultural soundscape in its multiple dimensions. More at http://musicinisrael.wordpress.com
Southeast Asian Music (Grade 8 MAPEH - First Quarter)Ian Bernardino
A simple PowerPoint Presentation of the music in SouthEast Asia :)
Download at http://dapalan.com/BBHr
This is made by Ian A. Bernardino .
Twitter: @ianburst
Facebook: www.facebook.com/ian.bernardino1
A simple powerpoint presentation for MAPEH 8 Quarter 1 about the MUSIC of SOUTHEAST ASIAN regions and how their culture particularly their music has been influenced by their neighbouring states.
1. SoutheastAsianMusic
The music of Indonesia demonstrates its cultural diversity, the local musical creativity,
as well as subsequent foreign musical influences that shaped contemporary music
scenes of Indonesia. Nearly thousands of Indonesian islands having its own cultural and
artistic history and character.
Music of Malaysia is the generic term for music that has been created in various
genres in Malaysia. A great variety of genres in Malaysian music reflect the specific
ethnic groups of multiracial Malaysian society consisting
of Malay, Chinese, Indian, Iban, Dayak, Kadazandusun, Eurasians and other groups.
In general, music of Malaysia may be categorized as classical, folk, syncretic (or
acculturated music), popular and contemporary art music.
Traditional Vietnamese music is highly diverse and syncretistic, combining native and
foreign influences.[1] The ancient Indochinesekingdom of Champa also had a historical
effect upon this music, because the Vietnamese court found it intriguing. However, even
with these foreign influences, Vietnam has a unique musical tradition stemming from its
native roots.
The music of Thailand reflects its geographic position at the intersection of China and
India, and reflects trade routes that have historically included Persia, Africa, Greece and
Rome. Thai musical instruments are varied and reflect ancient influence from far afield -
including the klong thap and khim (Persian origin), the jakhe (Indian origin), the klong
jin(Chinese origin), and the klong kaek (Indonesian origin). Though Thailand was
never colonized by colonial powers, pop music and other forms of
modern Asian, European andAmerican music have become extremely influential. The
two most popular styles of traditional Thai music are luk thung and mor lam; the latter in
particular has close affinities with the Music of Laos.
The music of Cambodia is derived both from traditions dating back to the
ancient Khmer Empire and from the rapid Westernizationof the popular music scene in
modern times.