Andrew Goodwin
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Music videos demonstrate genre characteristics through elements like stage performances, dance routines, and aspirations. They also show relationships between the lyrics and visuals, as well as the music and visuals, which can be illustrative, amplifying, or contradictory. Additional common features include close ups, references to looking through screens and mirrors, and intertextuality with other media. Audiences use music videos for identification, surveillance or information gathering, and entertainment or diversion.
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Andrew goodwin’s theory
Andrew Goodwin's theory proposes 7 key ideas for analyzing music videos: 1) Videos demonstrate genre characteristics through performances or dances. 2) Lyrics can be illustrated, amplified, or contradicted by visuals. 3) Music and visuals also have an illustrative, amplifying, or contradictory relationship. 4) Record labels demand close-ups of artists and motifs recurring in their work. 5) Videos frequently reference looking and treat the female body voyeuristically. 6) Videos often make intertextual references to other media. 7) Videos are categorized as performance, narrative or concept-based and how elements of each are used.
Andrew goodwin
Music videos demonstrate genre characteristics through techniques like band performances or dance routines. There is a relationship between the song lyrics and the accompanying visuals, with the visuals sometimes illustrating, amplifying, or contradicting the lyrics. Record companies typically demand close-ups of artists to develop an emotional connection with audiences. Voyeurism is often present through cameras and screens, and music videos commonly reference other videos or films to further engage fans.
music video worksheet
This document outlines the key elements that are analyzed in Goodwin's Music Video Theory: genre conventions and expectations for a film soundtrack song music video; relationships between the visuals, lyrics, and music; treatment of females and voyeurism; focus on the artist; and intertextual references. The theory provides a framework for analyzing music videos based on these conventions and their relationship to the song, film, and other media texts.
Music
The document analyzes Celine Dion's music video for "Ashes" using several criteria for genre conventions in music videos accompanying feature films. It finds that while the song lyrics are sad, they could relate to something going wrong in the action film's plot. There are also clips from the film included in the video to link the visuals and lyrics. The action in the video synchronizes with the rhythm of the song. Additionally, the females are portrayed as objects of male desire, the artist Celine Dion is featured prominently, and there are references to other media like the accompanying film.
Andrew Goodwins Thoery
Andrews' theory argues that music videos are essentially advertisements that ignore narrative structure. While music itself is ambiguous, music videos can explicitly define the intended meaning of a song for commercial purposes. Music videos typically demonstrate genre characteristics through visuals, establish relationships between lyrics and visuals, and reflect the tone of the music through imagery. Record labels exert control over music videos to feature artists and promote their music and image through techniques like voyeurism and sexual objectification.
Andrew goodwin theory
Music videos are essentially advertisements that aim to anchor meaning for songs in viewers' minds. According to Andrew Goodwin, music videos demonstrate genre characteristics through elements like dance routines, ignore common narrative structures, and draw on intertextual references. Goodwin identifies six key features of music videos: they represent lyrics and tone of music visually, cater to record label demands like close-ups of artists, reference looking through devices, and feature recurring visual motifs for artists.
Andrew Goodwin's Theory
Andrews' theory is that music videos are essentially advertisements meant to create specific meanings for songs, rather than illuminate inherent meanings. Music videos can depict genre characteristics through imagery like dance routines or aspirations. They also often relate the visuals directly to song lyrics, or amplify meanings beyond the lyrics. Record labels influence music videos to feature artists prominently and appeal sexually to promote sales.
Goodwins theory
The document outlines Goodwin's theory for analyzing music videos, which identifies 6 key elements: genre characteristics, visuals and lyrics, visuals and music, demands of the record label, notions of looking, and intertextuality. It then applies the theory to analyze 3 music videos: Girls Aloud's "Sound of the Underground," focusing on genre characteristics, lyrics/visuals, and music/visuals; Bon Jovi's "Livin' on a Prayer," focusing on lyrics/visuals and music/visuals; and Dr. Dre's "Still D.R.E.," focusing on notions of looking and music/visuals. The conclusion is that while the videos differ in artist/genre,
Recommended
Andrew goodwin’s theory
Andrew Goodwin's theory proposes 7 key ideas for analyzing music videos: 1) Videos demonstrate genre characteristics through performances or dances. 2) Lyrics can be illustrated, amplified, or contradicted by visuals. 3) Music and visuals also have an illustrative, amplifying, or contradictory relationship. 4) Record labels demand close-ups of artists and motifs recurring in their work. 5) Videos frequently reference looking and treat the female body voyeuristically. 6) Videos often make intertextual references to other media. 7) Videos are categorized as performance, narrative or concept-based and how elements of each are used.
Andrew goodwin
Music videos demonstrate genre characteristics through techniques like band performances or dance routines. There is a relationship between the song lyrics and the accompanying visuals, with the visuals sometimes illustrating, amplifying, or contradicting the lyrics. Record companies typically demand close-ups of artists to develop an emotional connection with audiences. Voyeurism is often present through cameras and screens, and music videos commonly reference other videos or films to further engage fans.
music video worksheet
This document outlines the key elements that are analyzed in Goodwin's Music Video Theory: genre conventions and expectations for a film soundtrack song music video; relationships between the visuals, lyrics, and music; treatment of females and voyeurism; focus on the artist; and intertextual references. The theory provides a framework for analyzing music videos based on these conventions and their relationship to the song, film, and other media texts.
Music
The document analyzes Celine Dion's music video for "Ashes" using several criteria for genre conventions in music videos accompanying feature films. It finds that while the song lyrics are sad, they could relate to something going wrong in the action film's plot. There are also clips from the film included in the video to link the visuals and lyrics. The action in the video synchronizes with the rhythm of the song. Additionally, the females are portrayed as objects of male desire, the artist Celine Dion is featured prominently, and there are references to other media like the accompanying film.
Andrew Goodwins Thoery
Andrews' theory argues that music videos are essentially advertisements that ignore narrative structure. While music itself is ambiguous, music videos can explicitly define the intended meaning of a song for commercial purposes. Music videos typically demonstrate genre characteristics through visuals, establish relationships between lyrics and visuals, and reflect the tone of the music through imagery. Record labels exert control over music videos to feature artists and promote their music and image through techniques like voyeurism and sexual objectification.
Andrew goodwin theory
Music videos are essentially advertisements that aim to anchor meaning for songs in viewers' minds. According to Andrew Goodwin, music videos demonstrate genre characteristics through elements like dance routines, ignore common narrative structures, and draw on intertextual references. Goodwin identifies six key features of music videos: they represent lyrics and tone of music visually, cater to record label demands like close-ups of artists, reference looking through devices, and feature recurring visual motifs for artists.
Andrew Goodwin's Theory
Andrews' theory is that music videos are essentially advertisements meant to create specific meanings for songs, rather than illuminate inherent meanings. Music videos can depict genre characteristics through imagery like dance routines or aspirations. They also often relate the visuals directly to song lyrics, or amplify meanings beyond the lyrics. Record labels influence music videos to feature artists prominently and appeal sexually to promote sales.
Goodwins theory
The document outlines Goodwin's theory for analyzing music videos, which identifies 6 key elements: genre characteristics, visuals and lyrics, visuals and music, demands of the record label, notions of looking, and intertextuality. It then applies the theory to analyze 3 music videos: Girls Aloud's "Sound of the Underground," focusing on genre characteristics, lyrics/visuals, and music/visuals; Bon Jovi's "Livin' on a Prayer," focusing on lyrics/visuals and music/visuals; and Dr. Dre's "Still D.R.E.," focusing on notions of looking and music/visuals. The conclusion is that while the videos differ in artist/genre,
Goodwin
Andrew Goodwin analyzes characteristics of music videos in his writing. He discusses how music videos demonstrate musical genres through visuals like dance routines and stage performances. Music videos also have relationships between lyrics, music, and visuals that can illustrate, amplify, or contradict each other. Record labels influence music videos to include close-ups of artists and recurring visual motifs. Many music videos reference looking through screens and treat the female body in a voyeuristic manner. Intertextual references to films and other media are also common.
Goodwin's 6 music feaures
Music videos demonstrate the genre of the artist through characteristics like dance routines for pop bands or stage performances for metal bands. There is usually a relationship between the lyrics, music, and visuals of the video that can be illustrative, amplifying, or contradictory. Record labels want close ups of the artist and artists often develop motifs that recur in their videos, demonstrating their visual style. Videos also reference looking through devices and screens and frequently feature voyeuristic treatment of the female body and intertextual references to other media.
Media 7 Goodwin analysis
This document discusses several elements that are commonly found in music videos, including intertextual references to other media, synchronization between the music and visuals through editing and dancing, relationships between lyrics and accompanying images, promotions of the artist, demonstrations of music genres, voyeurism through intimate settings, and framing with doors or windows.
Question 1
The document discusses the conventions of music videos according to Andrew Goodwin. It summarizes that music videos typically demonstrate genre characteristics, have a relationship between music and visuals in terms of tone and atmosphere, include close-ups of the artist, reference notions of looking, and can include intertextual references. The response then analyzes how the student's own music video conforms to several of these conventions, including having visuals that reflect the tone of the music, including close-ups of the actor's face, and illustrating the overall story or narrative of the song.
Andrew goodwin’s theory of analysis
Andrew Goodwin proposes a theory of analysis for music videos. He identifies 5 key principles: 1) Links between lyrics and visuals, which can compliment or contradict each other, 2) Links between music and visuals, which also can compliment or contradict tempo/cuts, 3) Voyeurism of gazing at artists or their lives, 4) Demands of record labels to brand/represent artists, 5) Whether the video is performance, narrative, or concept based. Goodwin argues music videos give meaning to songs beyond just being advertisements for record companies.
13. music video worksheet
This document analyzes Celine Dion's music video for "Ashes" using genre conventions. It notes that while the slow, sad song does not typically fit with an action film soundtrack, the emotional drama of the clips matches the lyrics. It also finds that the visuals synchronize with the music, with dramatic dancing corresponding to dramatic parts of the song. Additionally, the video subverts expectations of the male gaze by showing a male character dancing dramatically instead of focusing on female objects of desire.
Andrew Goodwin
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Oog
The music video for Celine Dion's song "Ashes" meets expectations for a song written for a film by featuring fire imagery that relates to the song's lyrics and title. Celine Dion is featured prominently as the artist, and the video also contains references to other media like Titanic through Deadpool dancing to the song and mentioning the film at the end.
Andrew Goodwin’s Theory
Andrew Goodwin's theory proposes six conventions for music videos: 1) The relationship between lyrics and visuals, which can illustrate, amplify, or contradict the lyrics. 2) The relationship between music and visuals. 3) Genre-related styles and iconography. 4) Multiple close-ups of the artist. 5) Voyeurism, especially of female artists. 6) Intertextual references to other media. Goodwin suggests the visuals should reinforce the lyrics, music, and genre in various ways, such as illustrating, amplifying, or contradicting them. Examples are given of videos that apply these conventions.
Jason Mraz I'm Yours - Detailed Analysis
The document provides guidance on analyzing music videos using 7 key ideas identified by Andrew Goodwin. It includes a table to structure notes on analyzing the music video for the song "I'm Yours" by Jason Mraz. The summary is:
1) The music video for "I'm Yours" by Jason Mraz is categorized as pop rock and features genre characteristics like catchy rhythms and beats mixed with a rock instrumental style to appeal to a general audience.
2) The visuals in the video amplify the lyrics by showing Jason making a heart shape with his hands during the lyrics about being loved.
3) The lighting and video cuts increase with the rhythm and beat, such as using darker
Goodwin's theory
Goodwin's book provides an analysis of MTV and how it influenced television and popular music. Some of the key points include:
- Music videos demonstrate characteristics of different genres through elements like dance routines, stage performances, and aspirational themes.
- The visuals in music videos typically relate to the song's lyrics, either illustrating, amplifying or contradicting the words.
- The tone and atmosphere of the visuals also usually reflect the mood and style of the music.
- Record labels influence videos to prominently feature the artist through close-ups and developing visual motifs for branding. Many videos also reference looking through screens and mirrors or treat the female body in a voyeuristic way. They may also
Goodwin’S Theory
Andrew Goodwin identified key features of music videos including relationships between lyrics/visuals/music where visuals illustrate, amplify or contradict the elements. He also noted that music videos are often constructed around the link between visuals and song plus the artist. Relationships are built between these elements in videos to represent and publicize the artist through techniques like voyeurism and intertextuality.
Music video theories
Goodwin's theory proposes 6 main elements of music videos: 1) Links between visuals and music/lyrics, 2) Genre characteristics, 3) Notions of looking, 4) Voyeurism, 5) Intertextual reference. Mulvey's theory suggests that many films and music videos feature the "male gaze" where scenes focus on women's bodies from a straight male perspective, objectifying women and denying their identity.
Andrew Goodwin Music Video Theory
Music videos demonstrate the genre of the song through visual elements like dance routines. There is a relationship between the lyrics, music, and visuals with the visuals amplifying and illustrating the song. Record labels demand close ups of the artist, iconography, and visual motifs to promote the artist. Music videos also make frequent reference to voyeurism and looking at the female body.
Goodwin theory 2
This document analyzes the music video for "Bittersweet Symphony" by The Verve. It summarizes that the video represents the indie genre through its costumes, location, and body language. While the lyrics discuss a lack of change, the steady shots in the video do not relate to the rhythm of the music. The video aims to sell the artist as ignorant and rude to potentially appeal to female and male audiences looking for a "bad boy" figure to relate to. Close-ups and long shots are both used effectively to represent the artist's image and body language.
Goodwin's theory
The document discusses several key elements of analyzing music videos:
1. Music videos demonstrate genre characteristics through elements like dance routines, stage performances, and themes.
2. There is typically a relationship between the lyrics and visuals, whether the visuals illustrate, amplify, or contradict the words.
3. The tone and atmosphere of the visuals usually reflect the music through illustration, amplification, or contradiction.
Andrew goodwin
The key conventions of music videos according to Andrew Goodwin are:
1) The relationship between the visuals and lyrics, which can amplify, illustrate, or contradict the song.
2) The relationship between the music and visuals, where sounds can be seen being played.
3) Different music genres have distinguishing styles and symbols used in their music videos.
4) There is often voyeurism, especially in the portrayal of women, and close ups of the artist to satisfy record company demands.
5) Music videos may reference other videos, films, or texts through intertextuality.
Goodwins music video analysis
Goodwin's analysis says the Tenacious D - Tribute music video displays typical rock genre characteristics through the two men playing guitars. It includes many close-ups of the artists, as record labels prefer, and frequently references the notion of looking through shots focused on the characters' faces. There is a clear relationship between both the lyrics and music, and their accompanying visuals in the video.
Andrew goodwin
The document discusses the work and views of an associate professor who received their PhD in cultural studies. It outlines their perspective on what makes a good music video, including the relationship between visuals and lyrics/music, different styles for different genres, and focus on the main artist. Key aspects are the relationship between visuals and sound, narrative and performance aspects, technical elements, and establishing the star image.
Andrew Goodwin
Andrew Goodwin proposed a theory of music video analysis focusing on 6 key relationships: 1) Between lyrics and visuals, 2) Between music and visuals, 3) Genre-related style and iconography, 4) Close-ups of artists to promote their image, 5) Close-ups of lead artists with others in the background, and 6) Intertextual references to other media. Goodwin argued that music videos serve as advertisements to anchor meaning for songs and promote artists, rather than following common narrative structures.
Evaluation question 4
The student used various new media technologies at different stages of the project, including SurveyMonkey to conduct surveys, Prezi and Slideshare to create presentations, Scribd to upload documents, YouTube to analyze music videos, Wordle to display song lyrics, a camera and tripod for filming, Adobe Premiere Elements for video editing, Photoshop for image editing, BeFunky for photo effects, and DaFont for downloading fonts. Overall, these technologies helped with research, planning, and evaluation, and were essential to achieving the goals of the project and developing new skills.
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Goodwin
Andrew Goodwin analyzes characteristics of music videos in his writing. He discusses how music videos demonstrate musical genres through visuals like dance routines and stage performances. Music videos also have relationships between lyrics, music, and visuals that can illustrate, amplify, or contradict each other. Record labels influence music videos to include close-ups of artists and recurring visual motifs. Many music videos reference looking through screens and treat the female body in a voyeuristic manner. Intertextual references to films and other media are also common.
Goodwin's 6 music feaures
Music videos demonstrate the genre of the artist through characteristics like dance routines for pop bands or stage performances for metal bands. There is usually a relationship between the lyrics, music, and visuals of the video that can be illustrative, amplifying, or contradictory. Record labels want close ups of the artist and artists often develop motifs that recur in their videos, demonstrating their visual style. Videos also reference looking through devices and screens and frequently feature voyeuristic treatment of the female body and intertextual references to other media.
Media 7 Goodwin analysis
This document discusses several elements that are commonly found in music videos, including intertextual references to other media, synchronization between the music and visuals through editing and dancing, relationships between lyrics and accompanying images, promotions of the artist, demonstrations of music genres, voyeurism through intimate settings, and framing with doors or windows.
Question 1
The document discusses the conventions of music videos according to Andrew Goodwin. It summarizes that music videos typically demonstrate genre characteristics, have a relationship between music and visuals in terms of tone and atmosphere, include close-ups of the artist, reference notions of looking, and can include intertextual references. The response then analyzes how the student's own music video conforms to several of these conventions, including having visuals that reflect the tone of the music, including close-ups of the actor's face, and illustrating the overall story or narrative of the song.
Andrew goodwin’s theory of analysis
Andrew Goodwin proposes a theory of analysis for music videos. He identifies 5 key principles: 1) Links between lyrics and visuals, which can compliment or contradict each other, 2) Links between music and visuals, which also can compliment or contradict tempo/cuts, 3) Voyeurism of gazing at artists or their lives, 4) Demands of record labels to brand/represent artists, 5) Whether the video is performance, narrative, or concept based. Goodwin argues music videos give meaning to songs beyond just being advertisements for record companies.
13. music video worksheet
This document analyzes Celine Dion's music video for "Ashes" using genre conventions. It notes that while the slow, sad song does not typically fit with an action film soundtrack, the emotional drama of the clips matches the lyrics. It also finds that the visuals synchronize with the music, with dramatic dancing corresponding to dramatic parts of the song. Additionally, the video subverts expectations of the male gaze by showing a male character dancing dramatically instead of focusing on female objects of desire.
Andrew Goodwin
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Oog
The music video for Celine Dion's song "Ashes" meets expectations for a song written for a film by featuring fire imagery that relates to the song's lyrics and title. Celine Dion is featured prominently as the artist, and the video also contains references to other media like Titanic through Deadpool dancing to the song and mentioning the film at the end.
Andrew Goodwin’s Theory
Andrew Goodwin's theory proposes six conventions for music videos: 1) The relationship between lyrics and visuals, which can illustrate, amplify, or contradict the lyrics. 2) The relationship between music and visuals. 3) Genre-related styles and iconography. 4) Multiple close-ups of the artist. 5) Voyeurism, especially of female artists. 6) Intertextual references to other media. Goodwin suggests the visuals should reinforce the lyrics, music, and genre in various ways, such as illustrating, amplifying, or contradicting them. Examples are given of videos that apply these conventions.
Jason Mraz I'm Yours - Detailed Analysis
The document provides guidance on analyzing music videos using 7 key ideas identified by Andrew Goodwin. It includes a table to structure notes on analyzing the music video for the song "I'm Yours" by Jason Mraz. The summary is:
1) The music video for "I'm Yours" by Jason Mraz is categorized as pop rock and features genre characteristics like catchy rhythms and beats mixed with a rock instrumental style to appeal to a general audience.
2) The visuals in the video amplify the lyrics by showing Jason making a heart shape with his hands during the lyrics about being loved.
3) The lighting and video cuts increase with the rhythm and beat, such as using darker
Goodwin's theory
Goodwin's book provides an analysis of MTV and how it influenced television and popular music. Some of the key points include:
- Music videos demonstrate characteristics of different genres through elements like dance routines, stage performances, and aspirational themes.
- The visuals in music videos typically relate to the song's lyrics, either illustrating, amplifying or contradicting the words.
- The tone and atmosphere of the visuals also usually reflect the mood and style of the music.
- Record labels influence videos to prominently feature the artist through close-ups and developing visual motifs for branding. Many videos also reference looking through screens and mirrors or treat the female body in a voyeuristic way. They may also
Goodwin’S Theory
Andrew Goodwin identified key features of music videos including relationships between lyrics/visuals/music where visuals illustrate, amplify or contradict the elements. He also noted that music videos are often constructed around the link between visuals and song plus the artist. Relationships are built between these elements in videos to represent and publicize the artist through techniques like voyeurism and intertextuality.
Music video theories
Goodwin's theory proposes 6 main elements of music videos: 1) Links between visuals and music/lyrics, 2) Genre characteristics, 3) Notions of looking, 4) Voyeurism, 5) Intertextual reference. Mulvey's theory suggests that many films and music videos feature the "male gaze" where scenes focus on women's bodies from a straight male perspective, objectifying women and denying their identity.
Andrew Goodwin Music Video Theory
Music videos demonstrate the genre of the song through visual elements like dance routines. There is a relationship between the lyrics, music, and visuals with the visuals amplifying and illustrating the song. Record labels demand close ups of the artist, iconography, and visual motifs to promote the artist. Music videos also make frequent reference to voyeurism and looking at the female body.
Goodwin theory 2
This document analyzes the music video for "Bittersweet Symphony" by The Verve. It summarizes that the video represents the indie genre through its costumes, location, and body language. While the lyrics discuss a lack of change, the steady shots in the video do not relate to the rhythm of the music. The video aims to sell the artist as ignorant and rude to potentially appeal to female and male audiences looking for a "bad boy" figure to relate to. Close-ups and long shots are both used effectively to represent the artist's image and body language.
Goodwin's theory
The document discusses several key elements of analyzing music videos:
1. Music videos demonstrate genre characteristics through elements like dance routines, stage performances, and themes.
2. There is typically a relationship between the lyrics and visuals, whether the visuals illustrate, amplify, or contradict the words.
3. The tone and atmosphere of the visuals usually reflect the music through illustration, amplification, or contradiction.
Andrew goodwin
The key conventions of music videos according to Andrew Goodwin are:
1) The relationship between the visuals and lyrics, which can amplify, illustrate, or contradict the song.
2) The relationship between the music and visuals, where sounds can be seen being played.
3) Different music genres have distinguishing styles and symbols used in their music videos.
4) There is often voyeurism, especially in the portrayal of women, and close ups of the artist to satisfy record company demands.
5) Music videos may reference other videos, films, or texts through intertextuality.
Goodwins music video analysis
Goodwin's analysis says the Tenacious D - Tribute music video displays typical rock genre characteristics through the two men playing guitars. It includes many close-ups of the artists, as record labels prefer, and frequently references the notion of looking through shots focused on the characters' faces. There is a clear relationship between both the lyrics and music, and their accompanying visuals in the video.
Andrew goodwin
The document discusses the work and views of an associate professor who received their PhD in cultural studies. It outlines their perspective on what makes a good music video, including the relationship between visuals and lyrics/music, different styles for different genres, and focus on the main artist. Key aspects are the relationship between visuals and sound, narrative and performance aspects, technical elements, and establishing the star image.
Andrew Goodwin
Andrew Goodwin proposed a theory of music video analysis focusing on 6 key relationships: 1) Between lyrics and visuals, 2) Between music and visuals, 3) Genre-related style and iconography, 4) Close-ups of artists to promote their image, 5) Close-ups of lead artists with others in the background, and 6) Intertextual references to other media. Goodwin argued that music videos serve as advertisements to anchor meaning for songs and promote artists, rather than following common narrative structures.
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Evaluation question 4
The student used various new media technologies at different stages of the project, including SurveyMonkey to conduct surveys, Prezi and Slideshare to create presentations, Scribd to upload documents, YouTube to analyze music videos, Wordle to display song lyrics, a camera and tripod for filming, Adobe Premiere Elements for video editing, Photoshop for image editing, BeFunky for photo effects, and DaFont for downloading fonts. Overall, these technologies helped with research, planning, and evaluation, and were essential to achieving the goals of the project and developing new skills.
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Evaluation question 1
Our film uses and challenges conventions of real horror films like The Shining in several ways:
1) The title "The Presence" fits the horror genre convention of ominous titles starting with "The" like The Shining.
2) The isolated countryside setting develops the horror convention of remote, deserted locations for maximum fear.
3) The costumes, camerawork, editing, fonts and storyline of The Presence similarly develop conventions of realism and suspense used in The Shining and other horror films.
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Andrew goodwin
Andrew Goodwin identified 6 key features that are commonly found in music videos. These include demonstrating genre characteristics through performances, having a relationship between the lyrics and visuals, reflecting the tone of the music through visuals, including close-ups of the artist as demanded by record labels, references to looking through screens and mirrors, and intertextual references to other media. The document discusses using these 6 features as a guide for creating a music video.
Characteristics of a music video (evaluation)
According to Andrew Goodwin's theory, there are 6 key characteristics of music videos:
1) They demonstrate genre characteristics through elements like dance routines or stage performances.
2) The visuals have a relationship with the song lyrics, either illustrating, amplifying or contradicting them.
3) The visuals also have a relationship with the music in the same ways.
4) Record labels want close-ups of the artist. Artists may develop recurring visual motifs.
5) Videos often reference looking or voyeurism, especially of women.
6) They frequently allude to other media through intertextual references.
Andrew goodwin
Music videos demonstrate genre characteristics through performances and dance routines. There are relationships between the lyrics, music, and visuals, where they can illustrate, amplify, or contradict each other. Record labels demand close-up shots of artists and artists develop motifs and visual styles that recur across their work. Music videos also reference looking at screens and bodies, and allude to other films, TV, and music videos through intertextuality.
Music Videos
This document provides guidance for writing a draft essay on the representation of females in contemporary music videos. It should be no more than 850 words and use technical terms to explain how selected music videos reinforce or subvert gender stereotypes. The document outlines requirements and topics to discuss, such as stereotypes, music video conventions, and theories on music videos. It also describes different types of music videos and discusses theorists like Andrew Goodwin, Richard Dyer, and Laura Mulvey who have explored representation and the male gaze in media.
Detailed analysis of music videos
This document provides a table to help structure notes when analyzing music videos. It lists 7 key ideas to identify, including demonstrating genre characteristics, relationships between lyrics/music and visuals, close-ups of artists developing motifs, references to looking and voyeurism, intertextual references, and whether the video is performance, narrative, or concept-based. The table is to be used to record observations, examples, and features relating to each of the 7 ideas.
Definition of music video
A music video is a short film that accompanies and promotes a piece of music. Music videos come in a variety of styles from live performances to animation and conceptual approaches. Researchers have identified common elements of music videos including a relationship between the lyrics/music and visuals, reference to genres through style and iconography, close-ups of artists, and intertextual references. Key genres identified are performance-based, documentary-style, effects-driven, dance-focused, and blended performance/visual approaches. Basic video structures include performance, narrative, and conceptual styles.
Goodwin Music Video Theory
This document outlines Andrew Goodwin's music video theory, which identifies six common techniques used in music videos. These include demonstrating genre characteristics, having a relationship between lyrics/music and visuals, addressing record label demands, references to voyeurism, intertextual references, and developing a star persona. Examples are provided for each technique. Students are assigned to identify a music video for each technique and explain how it benefits the song. They are also given homework to analyze a music video of their choice using described elements of mise-en-scene, cinematography, sound, editing, representation theories, and audience segmentation.
Applying Key Concepts to Music Video
The document provides an introduction to key concepts for analyzing music videos, including six features identified by Andrew Goodwin and discussing genre, audience, narrative, and representation. Students are instructed to choose a music video, analyze it using these concepts in a blog post, and may include images and embed their slideshare analysis. The concepts are genre characteristics and their relationship to music and visuals, the demands of record labels, references to looking, and intertextuality. Students should discuss the music video's genre, intended audience, narrative elements like time and any enigmas, and how any stereotypes or the star image are represented.
Mv conventions ts bm
Music videos often follow certain conventions including illustrating or amplifying the song lyrics through visuals, having the visuals relate to the music, and featuring close-ups of the main artist as demanded by record companies. Genres also tend to have their own styles and references. Additionally, music videos commonly reference voyeurism through techniques like screen within a screen or cameras, draw from other media like fashion and films through intertextuality, and help develop artists' public images.
Andrew Goodwin theorist
1. Goodwin identifies 6 key features of music videos: the relationship between the music and visuals, the relationship between lyrics and visuals, genre characteristics, record label demands, intertextual references, and references to looking.
2. Goodwin also discusses 5 things to analyze in a music video: the structure and voice of the song, the artist's mode of address, the narrative and performance, the star image, and the relationship between visuals and song.
3. Technical aspects like camerawork, editing, and synchronization with the beat are also important elements that hold a music video together.
Andrew goodwin theory
Andrew Goodwin established a theory in his 1992 book "Dancing in the Distraction Factory" identifying six main elements that audiences observe in music videos. These elements are: 1) the relationship between lyrics and visuals, 2) the relationship between music and visuals, 3) genre-related style and iconography, 4) multiple close-ups of the artist, 5) voyeurism and focusing on the female body, and 6) intertextual references to other media. Goodwin's theory provides a framework for understanding how music videos engage audiences through illustrating, amplifying, or contradicting the music, lyrics, and artist's persona.
Goodwin’s theory applied to three music videos
Still DRE - Dr. Dre
Bon Jovi - Livin' On A Prayer
Girls Aloud - Sound Of The Underground
By Saeed Moulai, for Year 13 A2 Media
Andrew Godwin Theory
Andrew Goodwin identified six elements that are commonly featured in music videos. These include demonstrating genre characteristics, showing relationships between lyrics and visuals as well as music and visuals, including close-ups of artists as demanded by record labels, referencing looking through screens and mirrors, and treating the female body in a voyeuristic way. Goodwin addressed these six steps in his book to bring them to the audience's attention and assist music video directors in creating music videos.
Evaluation Question 1
The document discusses the genre conventions used in a student's music video project on the band Rise Against. It summarizes the key features of music videos identified by Andrew Goodwin, and analyzes how the student's video incorporates four of these features: 1) There is a clear relationship between the lyrics and visuals through shots that match the song lyrics. 2) On-beat editing synchronizes the music and visuals. 3) Close-up shots of the artist are included as demanded by record labels. 4) Shots through the windscreen reference the notion of looking or voyeurism. The video was not able to include intertextual references.
Music video worksheet
The music video for Celine Dion's song "Ashes" from the Deadpool 2 soundtrack subverts expectations by being slow and sad rather than upbeat to match an action movie theme. It features footage from Deadpool 2 of the titular character dealing with the destruction of his relationship, and the visuals are linked to both the song's lyrics about rebuilding from "ashes" and its rhythm. While featuring Celine Dion prominently throughout, it provides a female gaze by showing the male lead dancing in high heels rather than objectifying women. The video also includes multiple references to other films like Titanic, Spider-Man, and NSYNC to connect it intertextually to broader popular culture.
Band of Horses//Goodwins Theory
Andrew Goodwin identified several common characteristics found in music videos, including a relationship between lyrics and visuals, music and visuals, and demonstrations of genre through visuals. Goodwin also notes that record labels often demand close-ups of artists and promotional elements. The music video for "Knock Knock" by Band of Horses uses disjuncture by depicting an unrelated wildlife documentary narrative despite lyrics about a relationship breakup. It includes performance shots cut to the song's tempo and employs notions of looking to connect audiences to the band.
Goodwins theory
There is a relationship between the lyrics and visuals in music videos, with the visuals either illustrating, amplifying, or contradicting the lyrics. Music videos use techniques like voyeurism, intertextual references, and close-ups of the artist to gratify viewers. The lyrics in one song contradict the music video by saying "nobody's watching" when the video shows the artist in a close-up, being watched.
Detailed analysis 1
This document provides a table to help structure analysis of music videos. It lists 7 key ideas to identify: 1) demonstration of genre characteristics, 2) relationship between lyrics and visuals, 3) relationship between music and visuals, 4) inclusion of close-ups and recurring artist motifs, 5) references to looking/voyeurism, 6) intertextual references, and 7) whether the video is performance, narrative or concept-based. The document then analyzes the music video for Justin Timberlake's "What Goes Around...Comes Around" based on these 7 ideas.
Goodwins Analyis
Andrew Goodwin analyzed characteristics of music videos in his 1992 writing. He observed that music videos typically demonstrate the genre's characteristics through elements like stage performances or dance routines. Additionally, he noted there is usually a relationship between the visuals and either the song's lyrics or music, whether illustrative, amplifying, or contradictory. Record labels often demand close ups of artists and artists may develop recurring visual motifs in their work.
Andrew goodwin’s music video theory
Andrew Goodwin's music video theory outlines 5 key aspects of an effective music video: 1) Thought through beat, which analyzes the music structure and lyrics; 2) Relationship between the visuals and song, using images to illustrate, contradict, or amplify the lyrics; 3) Narrative and performance, with the artist playing a central role; 4) Technical aspects of filming and editing; 5) Star image, with frequent camera shots focusing on the protagonist to promote their public image.
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Andrew Goodwin
- 2. Goodwin’s 6 Features ofGoodwin’s 6 Features of Music VideosMusic Videos • Music videos demonstrate genre characteristics (stage performance in metal videos, dance routines for boy/girl bands, aspiration in hiphop) • There is a relationship between lyrics and visuals. The lyrics are represented with images-either illustrative (what’s on the screen is an illustration of lyrics), amplifying (exaggerated illustration) or contradicting (no link to lyrics or may be opposite meaning) • There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the music (illustrative, amplifying or contradicting) • Lots of close ups • Reference to notion of looking (screen within screen, mirrors etc.)-voyeurism • Intertextuality (films, tv programmes etc.) •
- 3. Audience uses andAudience uses and gratificationsgratifications • Identification (need to belong) • Surveillance (information) • Entertainment (diversion)