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ALICE IN JAPAN
By Zoe Burgess
ENGLISH LITERATURE
 After 1868, breaking its 200 years of isolation, Japan absorbed
western cultures and modernized at a tremendous speed.
 During the Meiji era a cultural exchange between Japan and Britain
was beginning with both countries appealing as the “exotic other” to
the other.
 Literature being translated at the time such as Girls’ stories The
Little Lord Fauntleroy (Shokoshi, 1892), Little Women (Shofujin,
1906), and A Little Princess (Shokojo, 1910) were loved by the
Japanese audience. (Dollase, 2003).
 Japan has had a bit of a love affair with
Victorian Britain and there has been a lot
produced that has reflected this interest.
 The Victorian age was one of great
advances in many fields but also an era of
rigid social classes, repressed desires and
demanded respect between the ages and the
sexes.
 Japan’s representation of Victorian
Britain does not always run true as it is a
society used to explore fantasy rather than
realism.
VICTORIAN JAPAN
 ‘Good wives, Wise mothers’
 Good mothers meant that you would have good
children who would be raised in a way to strengthen
and support Japanese society.
 A woman expected to be ‘‘guardian of the
interior’’ and ‘‘queen of the home’’ (homu no joo)’’;
‘‘Her mission in life was to make a nurturing shelter
for her children and a blissful refuge for her
husband, a sanctuary where he might come to
escape the violent challenges of the outside world’’.
(Dollase, 2003).
RYOSAI KENBO
RYOSAI KENBO
 The primary goal of translation of
western works was a way to educate young
girls in Japan.
 Young girls were finding that they were
being inadvertently being taught Victorian
ideals on womanhood
 This was the beginning of
Hanamonogatari (Girls stories or Shoujo
stories).
 Themes such as innocence, pure love and
breaking social stereotypes came to fruition.
GIRLS EDUCATION
 Japan has produced manga and anime
based on Alice such as “Fushigi no Kuni
no Alice”, a 52 episode series based on
the book aired on Japanese network NHK
in 1983.
 “Alice’s’ Adventures in Wonderland”
was first translated into Japanese in 1909
and since then has had many unique and
different reimagining’s and retellings in
Japanese media.
ALICE
 With the increase pressure
from parents and schools to work
harder, get better results and be
ready to become part of the
backbone of Japans workforce
there is a lot of pressure to grow
up and youth feel that they need
the escape.
YOUTH AND ALICE
FA S H I O N B R A N D S S U C H A S ‘A L I C E A N D T H E
P I R A T E S ’
H A S A L I C E I N W O N D E R L A N D T H E M E D C A F É S
A N D R E S T AU R A N T S S U C H A S ‘A L I C E I N
L A B Y R I N T H ’
THE ALICE LOOK
VOCALOIDS
ALICE IN ANIME/MANGA
 Rozen Maiden
 Miyuki-chan in wonderland
 Deadman wonderland
 Pandora Hearts
 Alice in the Country of
Hearts
ALICE IN MANGA
MY DETAILS
 Twitter - @lonedreameryaoi
 Tumblr – let Zoe Spoil You
 Website - http://www.lzsy.co.uk/
 Geeked Magazine -
http://wegeekedthis.com/?s=Zoe+burgess

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Alice in Japan

  • 1. ALICE IN JAPAN By Zoe Burgess
  • 2. ENGLISH LITERATURE  After 1868, breaking its 200 years of isolation, Japan absorbed western cultures and modernized at a tremendous speed.  During the Meiji era a cultural exchange between Japan and Britain was beginning with both countries appealing as the “exotic other” to the other.  Literature being translated at the time such as Girls’ stories The Little Lord Fauntleroy (Shokoshi, 1892), Little Women (Shofujin, 1906), and A Little Princess (Shokojo, 1910) were loved by the Japanese audience. (Dollase, 2003).
  • 3.  Japan has had a bit of a love affair with Victorian Britain and there has been a lot produced that has reflected this interest.  The Victorian age was one of great advances in many fields but also an era of rigid social classes, repressed desires and demanded respect between the ages and the sexes.  Japan’s representation of Victorian Britain does not always run true as it is a society used to explore fantasy rather than realism. VICTORIAN JAPAN
  • 4.  ‘Good wives, Wise mothers’  Good mothers meant that you would have good children who would be raised in a way to strengthen and support Japanese society.  A woman expected to be ‘‘guardian of the interior’’ and ‘‘queen of the home’’ (homu no joo)’’; ‘‘Her mission in life was to make a nurturing shelter for her children and a blissful refuge for her husband, a sanctuary where he might come to escape the violent challenges of the outside world’’. (Dollase, 2003). RYOSAI KENBO
  • 6.  The primary goal of translation of western works was a way to educate young girls in Japan.  Young girls were finding that they were being inadvertently being taught Victorian ideals on womanhood  This was the beginning of Hanamonogatari (Girls stories or Shoujo stories).  Themes such as innocence, pure love and breaking social stereotypes came to fruition. GIRLS EDUCATION
  • 7.  Japan has produced manga and anime based on Alice such as “Fushigi no Kuni no Alice”, a 52 episode series based on the book aired on Japanese network NHK in 1983.  “Alice’s’ Adventures in Wonderland” was first translated into Japanese in 1909 and since then has had many unique and different reimagining’s and retellings in Japanese media. ALICE
  • 8.  With the increase pressure from parents and schools to work harder, get better results and be ready to become part of the backbone of Japans workforce there is a lot of pressure to grow up and youth feel that they need the escape. YOUTH AND ALICE
  • 9. FA S H I O N B R A N D S S U C H A S ‘A L I C E A N D T H E P I R A T E S ’
  • 10. H A S A L I C E I N W O N D E R L A N D T H E M E D C A F É S A N D R E S T AU R A N T S S U C H A S ‘A L I C E I N L A B Y R I N T H ’
  • 14.  Rozen Maiden  Miyuki-chan in wonderland  Deadman wonderland  Pandora Hearts  Alice in the Country of Hearts ALICE IN MANGA
  • 15. MY DETAILS  Twitter - @lonedreameryaoi  Tumblr – let Zoe Spoil You  Website - http://www.lzsy.co.uk/  Geeked Magazine - http://wegeekedthis.com/?s=Zoe+burgess