AEGEE is a student organization that promotes European cooperation and integration. It has over 17,000 members across 237 cities in 43 countries. The document outlines AEGEE's local activities in Barcelona, including cultural events, trips to sites like PortAventura theme park, and an end-of-year farewell dinner and awards ceremony.
Slides 2 - 35: Introduction to Impact Workshop by Dafydd Tudur, Maja Drabczyk, Julia Fallon and Simon Tanner
Slides 36 - 68: Music to my ears: Making rights understandable by Juozas Markauskas and Jurga Gradauskaite
Slides 70 - 92: Achieving inclusivity & diversity in the Europeana Network by Killian Downing, Larissa Borck and Tola Dabiri
Slides 94 - 123: Communicating the value of digital culture to stakeholders by Susan Hazan, Eleanor Kenny and Katherine Heid
Slides 2 - 35: Introduction to Impact Workshop by Dafydd Tudur, Maja Drabczyk, Julia Fallon and Simon Tanner
Slides 36 - 68: Music to my ears: Making rights understandable by Juozas Markauskas and Jurga Gradauskaite
Slides 70 - 92: Achieving inclusivity & diversity in the Europeana Network by Killian Downing, Larissa Borck and Tola Dabiri
Slides 94 - 123: Communicating the value of digital culture to stakeholders by Susan Hazan, Eleanor Kenny and Katherine Heid
In times of the obsession with profit and growth, natural and social
resources are exploited in all corners of the world. Yet, the urge
to radically rethink the system sneaked into various levels. Many
creative and forward-looking professionals are actively searching
for new spaces of opportunity, to shape and test new modes of
economic production and responsible social fabric. Rural areas
have become relevant places for experimentation - smaller in size,
providing more time and space, with less hierarchical governance
structures.
Contemporary performing arts in a rural context are an integral
part of that exercise of imagining a different future. Moreover,
contemporary art in rural areas have been nurturing and shaping
local narratives for ages. However, contemporary artistic practices
have gone almost unnoticed in many funding schemes - both
cultural programmes and rural development funds, which tend to
focus on economic assets of only a few sectors.
In the past few years, IETM has organised a sequence of sessions
and one entire meeting on the subject of art in rural areas. Some of
the brightest art professionals engaging with rurality have created
an AREA (art in rural areas) focus group within our network
and continued their exchange during IETM events and beyond.
Through the dialogue within that group and with other members
experienced and interested in the topic, we have discovered a
fascinating, vibrant and powerful world of contemporary arts in
rural areas.
Today, more than ever, we want to turn the global attention to that
hugely important world.
When creating this publication, we realised it is urgent to find
unconventional approaches to the arts in rural areas. We need
to identify innovative solutions to support the rural arts in their
endeavour of working transversally with other sectors. We have
to seize the momentum and potential of rural arts to help reinvent
the system. Today, when our planet needs it the most.
We hope the present publication sets a strong and fertile ground
for reflecting on those ambitions. Please get in touch with us
(ietm@ietm.org) or write us on our forum (www.ietm.org/forums)
if you wish to further the debate.
We are very grateful to the three authors for their insightful and
sincere contributions. We also heartily thank our members and
other art professionals who shared their practices, stories, views
and experiences with us - through the ongoing exchange during
IETM meetings and via the open call we announced in July - August
2019. Some of the cases collected through the call are presented
in the annexes.
The publication “Arts in Rural Areas” is part of a collaborative
trajectory, which embraces three other European cultural
networks - Culture Action Europe, European Network of Cultural
Centres, and Trans Europe Halles. The policy paper “Beyond the
urban”, which you can read below, is the product of our joint work.
It is still in progress and subject to comments and suggestions
for improvement. We will pre
My lecture for the Institute of Cultural Diplomacy (http://www.culturaldiplomacy.org/academy/index.php?en_conferences_three-piece-puzzle-2011_speakers)
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Our mission was to develop a viable project to take place in the city of Trencin (Slovakia).
So we decided to create the International Week of Trencin aiming to get some international relevance to the city and improving the Erasmus experience as well as the International Mobility department of the Alexander Dubcek University of Trencin.
Findings of the study commissioned by the European Parliament's Cult committee on understanding the role that European Cultural institutes could play in the EU's external relations
Best Practice Guide to Accessible Routes in Historic Cities - 2013 by LHAC Scott Rains
Launched in 2010, the League of Historical and Accessible Cities (LHAC) is a pilot project focusing on improving the accessibility of historical towns while at the same time promoting the development of sustainable tourism and the protection of cultural heritage.
The main goal of the project is not only to allow people with disabilities and their families to take full enjoyment from leisure and cultural activities, but also to stimulate tourism among the 80 million people with disabilities living in Europe.
Dark Cities - dark tourism in European citiesJames Kennell
Presentation by Raymond Powell and James Kennell, Univesrity of Greenwich, given at the 2nd Annual Conference of the International Association of Cultural and Digital Tourism, Athens, May 2015
In times of the obsession with profit and growth, natural and social
resources are exploited in all corners of the world. Yet, the urge
to radically rethink the system sneaked into various levels. Many
creative and forward-looking professionals are actively searching
for new spaces of opportunity, to shape and test new modes of
economic production and responsible social fabric. Rural areas
have become relevant places for experimentation - smaller in size,
providing more time and space, with less hierarchical governance
structures.
Contemporary performing arts in a rural context are an integral
part of that exercise of imagining a different future. Moreover,
contemporary art in rural areas have been nurturing and shaping
local narratives for ages. However, contemporary artistic practices
have gone almost unnoticed in many funding schemes - both
cultural programmes and rural development funds, which tend to
focus on economic assets of only a few sectors.
In the past few years, IETM has organised a sequence of sessions
and one entire meeting on the subject of art in rural areas. Some of
the brightest art professionals engaging with rurality have created
an AREA (art in rural areas) focus group within our network
and continued their exchange during IETM events and beyond.
Through the dialogue within that group and with other members
experienced and interested in the topic, we have discovered a
fascinating, vibrant and powerful world of contemporary arts in
rural areas.
Today, more than ever, we want to turn the global attention to that
hugely important world.
When creating this publication, we realised it is urgent to find
unconventional approaches to the arts in rural areas. We need
to identify innovative solutions to support the rural arts in their
endeavour of working transversally with other sectors. We have
to seize the momentum and potential of rural arts to help reinvent
the system. Today, when our planet needs it the most.
We hope the present publication sets a strong and fertile ground
for reflecting on those ambitions. Please get in touch with us
(ietm@ietm.org) or write us on our forum (www.ietm.org/forums)
if you wish to further the debate.
We are very grateful to the three authors for their insightful and
sincere contributions. We also heartily thank our members and
other art professionals who shared their practices, stories, views
and experiences with us - through the ongoing exchange during
IETM meetings and via the open call we announced in July - August
2019. Some of the cases collected through the call are presented
in the annexes.
The publication “Arts in Rural Areas” is part of a collaborative
trajectory, which embraces three other European cultural
networks - Culture Action Europe, European Network of Cultural
Centres, and Trans Europe Halles. The policy paper “Beyond the
urban”, which you can read below, is the product of our joint work.
It is still in progress and subject to comments and suggestions
for improvement. We will pre
My lecture for the Institute of Cultural Diplomacy (http://www.culturaldiplomacy.org/academy/index.php?en_conferences_three-piece-puzzle-2011_speakers)
International Week of Trencin - Project Management - Alexander Dubcek Univers...Andrés Lucas
Our mission was to develop a viable project to take place in the city of Trencin (Slovakia).
So we decided to create the International Week of Trencin aiming to get some international relevance to the city and improving the Erasmus experience as well as the International Mobility department of the Alexander Dubcek University of Trencin.
Findings of the study commissioned by the European Parliament's Cult committee on understanding the role that European Cultural institutes could play in the EU's external relations
Best Practice Guide to Accessible Routes in Historic Cities - 2013 by LHAC Scott Rains
Launched in 2010, the League of Historical and Accessible Cities (LHAC) is a pilot project focusing on improving the accessibility of historical towns while at the same time promoting the development of sustainable tourism and the protection of cultural heritage.
The main goal of the project is not only to allow people with disabilities and their families to take full enjoyment from leisure and cultural activities, but also to stimulate tourism among the 80 million people with disabilities living in Europe.
Dark Cities - dark tourism in European citiesJames Kennell
Presentation by Raymond Powell and James Kennell, Univesrity of Greenwich, given at the 2nd Annual Conference of the International Association of Cultural and Digital Tourism, Athens, May 2015
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Hello everyone! I am thrilled to present my latest portfolio on LinkedIn, marking the culmination of my architectural journey thus far. Over the span of five years, I've been fortunate to acquire a wealth of knowledge under the guidance of esteemed professors and industry mentors. From rigorous academic pursuits to practical engagements, each experience has contributed to my growth and refinement as an architecture student. This portfolio not only showcases my projects but also underscores my attention to detail and to innovative architecture as a profession.
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Passive House: The Economic and Environmental Solution for Sustainable Real Estate. Lecture by Tim Eian of TE Studio Passive House Design in November 2022 in Minneapolis.
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1. WELCOME TO AEGEE
We make Europe happen!
Robert Brunet Page 1 of 10
2. Who we are ?
President: Vice president: Secretary: Treasurer:
Raul Arlàndez Mercé Colomé Cristina Reverte Francesc Amat
Cultural Event: Night Events: Weekly Events: Erasmus Coordinator:
Marta Gallego Laura Jagg Laia Garcia Robert Brunet
Robert Brunet Page 2 of 10
3. Do you want to be a Star, too?
Robert Brunet Page 3 of 10
4. What is a Europe Star ?
Robert Brunet Page 4 of 10
6. Association des
Etats
Généraux des
Etudiants de l’
Europe
Robert Brunet Page 6 of 10
7. Our story ?
AEGEE was founded in 1985 in Paris
First Antennas were: Paris, Munich, Milano, Leiden,
London and Madrid
Today we are: 17.000 Members,
237 Cities
43 Countries
1 Europe
Robert Brunet Page 7 of 10
8. Who we are ?
We are the biggest interdisciplinary students’
association in Europe
We are a non-profit organization, not linked to any
political party or religion
All our activities are based on the voluntary work of
our members
Robert Brunet Page 8 of 10
9. Our Aims
Promote a borderless Europe without prejudices
Strive for creating an open and tolerant society,
today and tomorrow
Foster democracy, human rights, cross-border co-
operation, student mobility and a European
dimension in education
Robert Brunet Page 9 of 10
10. Fields of action
Peace and Stability
Higher Education
Cultural Exchange
Active citizenship
Robert Brunet Page 10 of 10
16. Summer University
Do you want to learn and practise alnguages with new
friend from more than 40 countries ?
Do you want to travel around Europe with a cheap cost ?
Do you want to have an amazing summer ? …
… then see this video
Robert Brunet Page 16 of 10
20. Where do you want to go ?
Moscow
Riga
Berlin
Praga
Paris
Rome
Let’s take a look in…
www.projects.aegee.org
Robert Brunet Page 20 of 10
21. Our Local activities
Welcome Week
Event I. Barcelona
Event II. Carnival Sitges
Event III. Falles Valencia
Event IV. Cultural
Event V. Beach + Sports
Event VI. Port Aventura
Event VII. Farwell Dinner + Awards
Robert Brunet Page 21 of 10
22. Welcome Week
Friday 03rd February
20:30 Meeting in Plaça de la Font + Highland + Dinner + Party
Monday 06th February
20:30 Meeting in Plaça de la Font + Highland
Wednesday 08th February
21:00 Barça-Valencia Highland + Party in El Cau
Saturday 11th February
11:00 Visit Tarragona + Flat Party + Golfes + Greenback
Thursday 16th February
21:00 Welcome Dinner + Party
Robert Brunet Page 22 of 10
23. Event I. Barcelona
Date: Sat 18/02/2012
Hour: 9:15-20:00
Transport: Train
Price: -
Barcelona is today an important cultural centre and a major
tourist destination in Spain (reciving over 5 million
tourists/year).
Robert Brunet Page 23 of 10
24. Event II. Carnival Sitges
Date: 21/02/2012
Hour: 22:30-06:00
Transport: Bus
Price: 15€ // 18€
- The biggest Carnival in Catalonia.
- With more than 100 years of tradition.
- One of the biggest carnival parades.
Robert Brunet Page 24 of 10
25. Event III. Falles Valencia
Date: Fri 17/03/2012
Hour: 9:15-20:00
Transport: Bus
Price: ???
Valencia is the third largest city in Spain. The city contains a dense monumental
heritage but its landmark is undoubtedly the City of Arts and, an avant-garde and
futuristic museum complex.
Falles Valencia are a Valencian traditional celebration in
praise of Saint. The term Falles refers to both the celebration
and the monuments created during the celebration.
Robert Brunet Page 25 of 10
26. Event IV. Cultural
How to learn a language in 7 days
Date: Wed 07/03/2012 + Wed 14/03/2012
Hour: 18:00-20:30
Price: 5€
L’Auberge espagnole
Date: Wed 21/03/2012
Hour: 19:00-21:00
Price: -
Robert Brunet Page 26 of 10
27. Event V. Beach + Sports
Date: March- October
Volleyball Tournament:
Mixture tournament (Teams 4 (2 guys/2 girls)
Men tournament (Teams 2)
Women tournament (Teams 4)
Tarragona:
Soccer Tournament: · Platja del Miracle
Beach Tour: · Platja Arrabasada
Beach Parties: · Platja Llarga
Robert Brunet Page 27 of 10
28. Event VI. Port Aventura
Date: ???
Hour: 10:00-00:00
Transport: Train
Price:
PortAventura is one of the largest theme resort in Europe and
has a master plan that will make possibly one of the largest
tourist attractions in Europe. The park is followed by hotels,
water parks, golf courses, beach clubs ... to fill the
approximately 825 hectares of land owned by the park.
Robert Brunet Page 28 of 10
29. Event VII. Farwell Dinner + Awards
Mister Erasmus:
Mevi Croquette (2nd Semester 2010/2011)
Lorenzo Bises (1st Semester 2011/2012)
Miss Erasmus:
Natalia Wojciechowska (2nd Semester 2010/2011)
Birte Kranz (1st Semester 2011/2012)
Best couple:
Francesco Farinelli & Meryl His (2nd Semester 2010/2011)
Francesco Caiazzo & Claire Pédeau (1st Semester 2011/2012)
Best student:
Redi Nika (2nd Semester 2010/2011)
Elisa Rollini (1st Semester 2011/2012)
Best dancer:
Francesco Festa (2nd Semester 2010/2011)
Magdalena Radecka (1st Semester 2011/2012)
Drunkest:
Yeke Yuma (2nd Semester 2010/2011)
Kobbey Tko (1st Semester 2011/2012)
Robert Brunet Page 29 of 10