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Investigating Effectual Instruction to
Visual Intelligence
on Student Comprehension of
Measurement and Spatial Relationships
Susan R. McCoy
Temple Independent School District
October22, 2011
Research Content
TheProblem
Context
Literature Review
Objective
Methods
Results
Implications and Conclusion
References
Problem
Students Learn Differently
Notallstudentslearnandretain specificbodies of knowledge inthesameway.
Individualdifferences andintelligences are not accommodatedifdifferent from traditional
teachingstyles for linguistic – verbal orlogical–mathematicalintelligences.
Creativity andaesthetic experience are being disregarded ineducationas processes for
problem solving.
Art is Elementary
Hector P.GarciaElementary is oneof eight elementary schoolsinTempleISD.Serving acampus
populationof 559studentscomprised of 70%Hispanic,18%African-American,and10%White
and2% Asian.
GarciaElementary is aTitle1 campuswith 92%of thetotal student populationeconomically
disadvantaged,74%atrisk and 37%categorized asLimited EnglishProficient.
H.P.Garciaprovides a comprehensive arts educationintwo ofthefour arts disciplines: music
andvisualarts. Arts educationis provided for studentsKindergarten through5thgrade.
Where
Literature Review
Coachman,F. (2010).The relationships between finearts course enrollment andmiddleschool
andhighschoolacademicratings, Campusrating improvement andgraduationrates inTexas
public schools.Retrieved from:
http://www.tmea.org/assets/pdf/Fine_Arts_Enrollment_Data_Summary_2011.pdf
Hetland, L.,Winner,E.,Veenema, S.,& Sheridan,K. M.(2007). Studiothinking:Therealbenefits
ofvisualartseducation.New York, NY:TeachersCollege Press
Authorssurmise it is nottalent or a particularArts discipline that affectsdeveloping intelligence
but the“habits ofmind” thatare instilled bystudyingvisualart thatcouldpositively impact
student learning across thecurriculum.
Literature Review
Clark,S.(2006).Therelationship between finearts participationandtheemotionalintelligence
offifth-gradeelementary students. Doctoraldissertation, Brigham YoungUniversity. Retrieved
from: http://www.cedfa.org/strengthening-programs/program-support/all-fine-arts/
Accordingto this dissertation, “Althoughattemptshavebeenmadeto justify finearts education
inelementary schoolsonthe basisofvarious educationalandsocialbenefits”, thegreatest
benefit maylie inarts participation’s impacton thechild’s emotionalintelligence.
Objective
Art Improves Math Skills
Themaster codeof multipleintelligences presented byHowardGardnerin1984is simple; for
whatever youwishto teach,linkyourinstructional objectivesto words,numbers or logic,
visualart,music,the body,socialinteraction,and/orpersonal experience.
Instructionutilizing visualintelligence will be used to improve mathematicalskills and
understanding of third gradeTAKSmathobjective 3.111.15.3.11.Auselinearmeasurement
toolsto estimateandmeasurelengthsusing standard units
Methodology
GarciaElementary rated unacceptable2007-2008schoolyearby TexasEducationAgency.
2008-2009 schoolyearadministrationandstaffacceleratedprofessional development,
scheduledInstructionalcoaches,invested in specialprograms tobring studentsto proficient and
acceptablestatus.
Visual arts teacher consultedwith 3rd grade teachersto improve tested mathweaknesses.
Mathskills thatcouldbestrengthened using skills invisualarts were discussed andconcepts
anduses ofmeasurement would takeprecedence.
OverFebruary/March timeframeandmeeting oncea week3rd grade Art classes gained
knowledge andapplied measurement skills inOp Art Project.
Methodology
Math is in the Eyes of the Beholder
Five 3rd gradeself containedclasses withanaveragepopulationof 18students per class.
2 classroompopulationsare Englishspeaking
2 classroompopulationsare Bilingual/ESL
1 classroompopulationis Limited EnglishProficient
Third Grade Population
African American
Hispanic
White
69.9%
10.5% 18.7%
Methodology
Line is an Element of Art and Math
Op Art andartist Bridget Riley are introduced.
Movement in squares - Bridget Riley 1961
Tempera on board 122x122
Objective: Improvethird gradeTAKSobjective 4,skill 3.11.The Studentwill demonstrate an
understanding of theconceptsanduses ofmeasurement.
Teacher willgivedirect instructionofart process.
Students will review and teacherwill re-teachcore classroominstruction of measurement
andhow tofind it using a ruler: 1/8”,1/4”,1/2",and1” (also applicabletometric scale).
Students will review how toplot a straight line.
Students andteacher will discuss patternscreating positive andnegative space.
Results
In 2008-2009
3rd Grade Op Art Project
strengthened measurement skills
Math is a Beautiful Thing
Assessment Summary Results
http://www.pearsonaccess.com/cs/satellite?c=
Page&childpagename=Texas%2FtxPALPPALayout&cid=1175826712647&p
agename=txPALPWarpper
0 100
2009-2010
2008-2009
2007-2008
Limited English
Proficient
Non Limited
English
75%
58%
71%
82%
67%
85%
Implications and Conclusion
 Research Instruction using visual format as well as other multiple
intelligence formats to assist understanding for the LEP
student.
 Continue research on the association of visual arts in conjunction
with core classroom instruction to improve student understanding of
concepts and uses in other math skills.
 Practical application and repetition of a math skill will ensure
indelible knowledge.
The Op Art project in conjunction with the classroom teacher’s
instruction appears to have strengthened TAKS math objective 4 skill
3.11. The benefit of focusing on visual intelligence can be justified in
TAKS comparisons for the year prior to the Op Art project and the
year after when the Op Art project was not continued.
Reference
Berry, N.,Brockman,D.,Herbrich, C.,Hilborn, A.,Lewis, A.E.,Reese, E.B.(1998). Experience
art:Ahandbookforteachingandlearningwithworksofart.Aspen,CO:CrystalProductions
Boyes,L. C.& Reid,I.(2005). Whatare the benefits for pupils participatinginarts activities?
Theview fromtheresearch literature. Research in Education,73,1-14.
Deasy,R.& Stevenson,L. (2005).Third space:Whenlearning matters.Washington,DC:Arts
EducationPartnership. Retrieved from:http://www.cedfa.org/strengthening-
programs/program-support/all-fine-arts/
Eisner, E.W.(2002).Theartsandthecreationofmind.New Haven, CT:YaleUniversity Press
Gardner,H. (1990).Arteducationandhumandevelopment.Los Angeles,CA:TheJ.Paul
GettyTrust.
Goodwin,M.(2001).Visualartseducation:Settinganagendaforimprovingstudentlearning.
Reston,VA:nationalArt EducationAssociation
Reference
Hetland, L.,Winner,E.,Veenema, S.,Sheridan, K.(2007). Studiothinking:Therealbenefitsof
visualartseducation.New York,NY:Teachers CollegePress
Lazear,D.(1991).Sevenwaysofknowing:Teachingformultipleintelligences. Arlington
Heights, IL: skylight
ProfessionalDevelopment
Louv,R.(2006).Whychildren need an arts educationrenaissance. Retrieved from:
http://www.scribbleskidsart.com/generic.html?pid=162
Murfee, E.(1998).Eloquentevidence:Artsatthecoreoflearning. Washington,D.C.:National
Endowmentfor theArts
Murray, C.(2008).Real education.New York,NY:Three Rivers Press
Reardon,C.(2005Winter). Deep inthe arts of Texas. Ford Foundation.Retrieved from:
http://www.fordfound.org/publications
Reference
Stephens,P. &Walkup,N.(2001).Bridgingthecurriculumthroughart:Interdisciplinary
connections.Glenview, IL:Crystal Productions
Torrance, H. (2002).Connectingart to mathematics:Activities fortheright brain.Hal
Torrance/AmazonDigitalServices
alos-Tuley,B.(2003).Anexamination ofthe relationship between finearts experiences
andcreative thinking, academicself-concept,andacademicachievementof Hispanic students
ingrades 3, 4, and5 inselected southTexas schools.(Doctoraldissertation, Texas A& M
University). Dissertation AbstractsInternational,65 (01),008A. Retrieved from:
http://www.cedfa.org/strengthening-programs/program-support/all-fine-arts/

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Action Research 2011

  • 1. Investigating Effectual Instruction to Visual Intelligence on Student Comprehension of Measurement and Spatial Relationships Susan R. McCoy Temple Independent School District October22, 2011
  • 3. Problem Students Learn Differently Notallstudentslearnandretain specificbodies of knowledge inthesameway. Individualdifferences andintelligences are not accommodatedifdifferent from traditional teachingstyles for linguistic – verbal orlogical–mathematicalintelligences. Creativity andaesthetic experience are being disregarded ineducationas processes for problem solving.
  • 4. Art is Elementary Hector P.GarciaElementary is oneof eight elementary schoolsinTempleISD.Serving acampus populationof 559studentscomprised of 70%Hispanic,18%African-American,and10%White and2% Asian. GarciaElementary is aTitle1 campuswith 92%of thetotal student populationeconomically disadvantaged,74%atrisk and 37%categorized asLimited EnglishProficient. H.P.Garciaprovides a comprehensive arts educationintwo ofthefour arts disciplines: music andvisualarts. Arts educationis provided for studentsKindergarten through5thgrade. Where
  • 5. Literature Review Coachman,F. (2010).The relationships between finearts course enrollment andmiddleschool andhighschoolacademicratings, Campusrating improvement andgraduationrates inTexas public schools.Retrieved from: http://www.tmea.org/assets/pdf/Fine_Arts_Enrollment_Data_Summary_2011.pdf Hetland, L.,Winner,E.,Veenema, S.,& Sheridan,K. M.(2007). Studiothinking:Therealbenefits ofvisualartseducation.New York, NY:TeachersCollege Press Authorssurmise it is nottalent or a particularArts discipline that affectsdeveloping intelligence but the“habits ofmind” thatare instilled bystudyingvisualart thatcouldpositively impact student learning across thecurriculum.
  • 6. Literature Review Clark,S.(2006).Therelationship between finearts participationandtheemotionalintelligence offifth-gradeelementary students. Doctoraldissertation, Brigham YoungUniversity. Retrieved from: http://www.cedfa.org/strengthening-programs/program-support/all-fine-arts/ Accordingto this dissertation, “Althoughattemptshavebeenmadeto justify finearts education inelementary schoolsonthe basisofvarious educationalandsocialbenefits”, thegreatest benefit maylie inarts participation’s impacton thechild’s emotionalintelligence.
  • 7. Objective Art Improves Math Skills Themaster codeof multipleintelligences presented byHowardGardnerin1984is simple; for whatever youwishto teach,linkyourinstructional objectivesto words,numbers or logic, visualart,music,the body,socialinteraction,and/orpersonal experience. Instructionutilizing visualintelligence will be used to improve mathematicalskills and understanding of third gradeTAKSmathobjective 3.111.15.3.11.Auselinearmeasurement toolsto estimateandmeasurelengthsusing standard units
  • 8. Methodology GarciaElementary rated unacceptable2007-2008schoolyearby TexasEducationAgency. 2008-2009 schoolyearadministrationandstaffacceleratedprofessional development, scheduledInstructionalcoaches,invested in specialprograms tobring studentsto proficient and acceptablestatus. Visual arts teacher consultedwith 3rd grade teachersto improve tested mathweaknesses. Mathskills thatcouldbestrengthened using skills invisualarts were discussed andconcepts anduses ofmeasurement would takeprecedence. OverFebruary/March timeframeandmeeting oncea week3rd grade Art classes gained knowledge andapplied measurement skills inOp Art Project.
  • 9. Methodology Math is in the Eyes of the Beholder Five 3rd gradeself containedclasses withanaveragepopulationof 18students per class. 2 classroompopulationsare Englishspeaking 2 classroompopulationsare Bilingual/ESL 1 classroompopulationis Limited EnglishProficient Third Grade Population African American Hispanic White 69.9% 10.5% 18.7%
  • 10. Methodology Line is an Element of Art and Math Op Art andartist Bridget Riley are introduced. Movement in squares - Bridget Riley 1961 Tempera on board 122x122 Objective: Improvethird gradeTAKSobjective 4,skill 3.11.The Studentwill demonstrate an understanding of theconceptsanduses ofmeasurement. Teacher willgivedirect instructionofart process. Students will review and teacherwill re-teachcore classroominstruction of measurement andhow tofind it using a ruler: 1/8”,1/4”,1/2",and1” (also applicabletometric scale). Students will review how toplot a straight line. Students andteacher will discuss patternscreating positive andnegative space.
  • 11. Results In 2008-2009 3rd Grade Op Art Project strengthened measurement skills Math is a Beautiful Thing Assessment Summary Results http://www.pearsonaccess.com/cs/satellite?c= Page&childpagename=Texas%2FtxPALPPALayout&cid=1175826712647&p agename=txPALPWarpper 0 100 2009-2010 2008-2009 2007-2008 Limited English Proficient Non Limited English 75% 58% 71% 82% 67% 85%
  • 12. Implications and Conclusion  Research Instruction using visual format as well as other multiple intelligence formats to assist understanding for the LEP student.  Continue research on the association of visual arts in conjunction with core classroom instruction to improve student understanding of concepts and uses in other math skills.  Practical application and repetition of a math skill will ensure indelible knowledge. The Op Art project in conjunction with the classroom teacher’s instruction appears to have strengthened TAKS math objective 4 skill 3.11. The benefit of focusing on visual intelligence can be justified in TAKS comparisons for the year prior to the Op Art project and the year after when the Op Art project was not continued.
  • 13. Reference Berry, N.,Brockman,D.,Herbrich, C.,Hilborn, A.,Lewis, A.E.,Reese, E.B.(1998). Experience art:Ahandbookforteachingandlearningwithworksofart.Aspen,CO:CrystalProductions Boyes,L. C.& Reid,I.(2005). Whatare the benefits for pupils participatinginarts activities? Theview fromtheresearch literature. Research in Education,73,1-14. Deasy,R.& Stevenson,L. (2005).Third space:Whenlearning matters.Washington,DC:Arts EducationPartnership. Retrieved from:http://www.cedfa.org/strengthening- programs/program-support/all-fine-arts/ Eisner, E.W.(2002).Theartsandthecreationofmind.New Haven, CT:YaleUniversity Press Gardner,H. (1990).Arteducationandhumandevelopment.Los Angeles,CA:TheJ.Paul GettyTrust. Goodwin,M.(2001).Visualartseducation:Settinganagendaforimprovingstudentlearning. Reston,VA:nationalArt EducationAssociation
  • 14. Reference Hetland, L.,Winner,E.,Veenema, S.,Sheridan, K.(2007). Studiothinking:Therealbenefitsof visualartseducation.New York,NY:Teachers CollegePress Lazear,D.(1991).Sevenwaysofknowing:Teachingformultipleintelligences. Arlington Heights, IL: skylight ProfessionalDevelopment Louv,R.(2006).Whychildren need an arts educationrenaissance. Retrieved from: http://www.scribbleskidsart.com/generic.html?pid=162 Murfee, E.(1998).Eloquentevidence:Artsatthecoreoflearning. Washington,D.C.:National Endowmentfor theArts Murray, C.(2008).Real education.New York,NY:Three Rivers Press Reardon,C.(2005Winter). Deep inthe arts of Texas. Ford Foundation.Retrieved from: http://www.fordfound.org/publications
  • 15. Reference Stephens,P. &Walkup,N.(2001).Bridgingthecurriculumthroughart:Interdisciplinary connections.Glenview, IL:Crystal Productions Torrance, H. (2002).Connectingart to mathematics:Activities fortheright brain.Hal Torrance/AmazonDigitalServices alos-Tuley,B.(2003).Anexamination ofthe relationship between finearts experiences andcreative thinking, academicself-concept,andacademicachievementof Hispanic students ingrades 3, 4, and5 inselected southTexas schools.(Doctoraldissertation, Texas A& M University). Dissertation AbstractsInternational,65 (01),008A. Retrieved from: http://www.cedfa.org/strengthening-programs/program-support/all-fine-arts/