Composition IX   Composition X
On White II
Black Circle (1924)
Odessa Port (1938)
Squares With Concentric Rings (1913)
Kasimir Malevich
•Malevich in particular was
heavily influenced by Cubism
•Wanted to make the canvas
empty of all symbolic content
and form
•To him, this represented a
new form of art which made
thought the most important
element
•Malevich wished to evoke a
sort of transcendental
experience for the viewer       Suprematism: Self Portrait in Two
                                Dimensions
                                    Kasimir Malevich
Suprematism
•Malevich founded the Suprematist
movement
•Emphasized the importance of
geometry and color
    •Purity of the shape (especially
    squares and circles)
    •Color created a sensation of
    movement within the canvas
•He wanted to find the edge of what
could be considered art
    •Moving towards totally abstract art
    •Focus entirely on the idea rather     Suprematist Painting, Aeroplane Flying
    than on form                               Kasimir Malevich
Suprematist Painting: Eight Red Rectangles
    Kasimir Malevich
Black Circle
     Kasimir Malevich
Suprematism
    Kasimir Malevich
Suprematism
    Kasimir Malevich
Suprematist Composition: White on White
    Kasimir Malevich
Supremus 58
    Kasimir Malevich
Suprematist Composition
    Kasimir Malevich
Piet Mondrian

                • Born March 7, 1872




                • Emphasized balance and
                  harmony
• Clutter

• Revealing clearest

• Spiritual pursuits

• Irregular movement of verticals and horizontals
• “ I construct lines and color combinations on a
  flat surface, in order to express general beauty
  with the utmost awareness. Nature inspires
  me, puts me in an emotional state so that an
  urge comes about to make something.”
Broadway Boogie Woogie
Composition II in Red, Blue, and Yellow
Composition Number 10
Horizontal Tree
Summary
• What is abstractionism?

• The three main artists

• How much of an impact it made
ABSTRACTIONISM


Principles or practice of creating abstract art

The perception of the artist

Abstractionism pt. 2