This document provides scene descriptions for a film involving the interrogation of Rob and Mary by an investigating officer named Stevie at an airport in London. The summary is:
Stevie interrogates Rob and Mary separately about their arrival at Heathrow airport. Rob appears nervous during questioning while Mary remains confident. Flashbacks show Rob, Mary, and their friend Connor using drugs in Miami in 1989. The document sets up tension and uncertainty around Rob and Mary's situation and why they are being interrogated by Stevie.
This document is a script that describes scenes from an interrogation. It introduces Rob and Mary, who are pulled off a plane arriving in London and questioned by an investigator named Stevie about their backgrounds and relationship. The summary flashes back to Rob and Mary's childhood, where they grew up together in Lewisham. It also shows a flashback scene in Miami in 1989 where Rob and Mary are doing cocaine with a dealer named Connor at his run-down apartment while discussing music.
This document is a script that follows Rob and Mary after they are pulled off of their flight by an investigator named Stevie. Stevie interrogates both Rob and Mary separately about their history and relationship, and why they were traveling together. Flashbacks reveal that Rob and Mary have known each other since childhood and used to use drugs like cocaine with another man named Connor in Miami in 1989.
A young boy named Jon is struggling with mental health issues and hearing voices from a girl telling him to harm others. He has nightmares of the girl tormenting him. After an intense nightmare, Jon leaves his house with a shoe box and walks to his school in a robotic manner. At school, Jon opens the box, implying he brings something dangerous inside. The documentary explores Jon's declining mental state and the tragedy that follows at his school.
The Crying Demon, In a Cold Sweat (second draft)maximgummer
Jon, a troubled teen, is experiencing disturbing dreams about a pale girl who tells him to commit violent acts. At a therapy session, Jon reveals he burned a table at the girl's urging in a dream. The dreams escalate, with the girl demanding Jon sacrifice his classmates. Jon reluctantly brings a weapon to school but resists harming others. It's revealed the girl did not truly control Jon. In the end, Jon stares down the girl, saying she never had power over him.
This document is a shooting script that follows Faye, a young dancer, as she applies to dance colleges and auditions. The script shows Faye filling out applications while dealing with doubts from her family. It then shows her intense practice routines and her nervousness at her audition. The script ends with Faye receiving a letter in the post from the dance academy but leaving the outcome ambiguous.
The document is a shooting script that follows Faye as she applies for dance school. It shows her filling out applications at home amid doubts from her mother and father. Faye practices intensely at her studio. She auditions nervously and later learns from the physio that she has a spine curve, worrying her. When acceptance letters arrive, Faye opens hers with an uncertain expression, leaving the outcome unknown.
Drew steals £1 million in drug money from a bag at a club owned by a notorious drug lord named Frank. Drew takes the money back to his home with a girl he met. The next day, Drew realizes Frank has a tracking device on the bag and is coming for him. Frank and his guard search Drew's home but only find an empty bag. Drew has fled with the money in his car to escape Frank, who vows to find and kill Drew for stealing from him.
Sarah Paulson is an American actress known for her ability to transform into a wide variety of characters. She has consistently played diverse roles in films, television shows, and theater productions. Paulson's talent for inhabiting different characters has made her a perfect fit for the anthology series American Horror Story, where the cast takes on new roles each season. Her critically acclaimed performance as Lana Winters in season 2 helped demonstrate her skill at becoming wholly distinct people on screen. Paulson enjoys the challenge of embodying new characters each year on AHS and feels it has strengthened her ability to immerse herself in diverse roles.
This document is a script that describes scenes from an interrogation. It introduces Rob and Mary, who are pulled off a plane arriving in London and questioned by an investigator named Stevie about their backgrounds and relationship. The summary flashes back to Rob and Mary's childhood, where they grew up together in Lewisham. It also shows a flashback scene in Miami in 1989 where Rob and Mary are doing cocaine with a dealer named Connor at his run-down apartment while discussing music.
This document is a script that follows Rob and Mary after they are pulled off of their flight by an investigator named Stevie. Stevie interrogates both Rob and Mary separately about their history and relationship, and why they were traveling together. Flashbacks reveal that Rob and Mary have known each other since childhood and used to use drugs like cocaine with another man named Connor in Miami in 1989.
A young boy named Jon is struggling with mental health issues and hearing voices from a girl telling him to harm others. He has nightmares of the girl tormenting him. After an intense nightmare, Jon leaves his house with a shoe box and walks to his school in a robotic manner. At school, Jon opens the box, implying he brings something dangerous inside. The documentary explores Jon's declining mental state and the tragedy that follows at his school.
The Crying Demon, In a Cold Sweat (second draft)maximgummer
Jon, a troubled teen, is experiencing disturbing dreams about a pale girl who tells him to commit violent acts. At a therapy session, Jon reveals he burned a table at the girl's urging in a dream. The dreams escalate, with the girl demanding Jon sacrifice his classmates. Jon reluctantly brings a weapon to school but resists harming others. It's revealed the girl did not truly control Jon. In the end, Jon stares down the girl, saying she never had power over him.
This document is a shooting script that follows Faye, a young dancer, as she applies to dance colleges and auditions. The script shows Faye filling out applications while dealing with doubts from her family. It then shows her intense practice routines and her nervousness at her audition. The script ends with Faye receiving a letter in the post from the dance academy but leaving the outcome ambiguous.
The document is a shooting script that follows Faye as she applies for dance school. It shows her filling out applications at home amid doubts from her mother and father. Faye practices intensely at her studio. She auditions nervously and later learns from the physio that she has a spine curve, worrying her. When acceptance letters arrive, Faye opens hers with an uncertain expression, leaving the outcome unknown.
Drew steals £1 million in drug money from a bag at a club owned by a notorious drug lord named Frank. Drew takes the money back to his home with a girl he met. The next day, Drew realizes Frank has a tracking device on the bag and is coming for him. Frank and his guard search Drew's home but only find an empty bag. Drew has fled with the money in his car to escape Frank, who vows to find and kill Drew for stealing from him.
Sarah Paulson is an American actress known for her ability to transform into a wide variety of characters. She has consistently played diverse roles in films, television shows, and theater productions. Paulson's talent for inhabiting different characters has made her a perfect fit for the anthology series American Horror Story, where the cast takes on new roles each season. Her critically acclaimed performance as Lana Winters in season 2 helped demonstrate her skill at becoming wholly distinct people on screen. Paulson enjoys the challenge of embodying new characters each year on AHS and feels it has strengthened her ability to immerse herself in diverse roles.
The document discusses a case study of international news coverage of the 2014 Winter Olympics in Sochi, Russia. It analyzes the online coverage from several major media outlets, including BBC, RTVE, The New York Times, The Washington Post, The Wall Street Journal, Sports Illustrated, and L'Equipe. The study examines how these outlets innovated visually and in storytelling, and how they fulfilled an educational role by explaining lesser known winter sports. It aims to determine if coverage was innovative and informed the public about the diversity of sports at the Olympics.
Un león y un oso encontraron un ciervo y decidieron pelear para determinar quién se lo quedaría. Mientras luchaban intensamente, una zorra astuta aprovechó la oportunidad y se llevó el ciervo, ya que el león y el oso estaban demasiado cansados para perseguirla. Ambos se lamentaron haber perdido la presa debido a su egoísmo al no querer compartirla.
Competence in the major hazard industriesAlan Bassett
This document discusses competence in major hazard industries. It defines competence as the ability to perform job responsibilities to the expected standard. Major accidents can occur if workers lack competence. Regulations require demonstrating competence. Key aspects of a competence management system include identifying safety-critical tasks, establishing standards, training workers, assessing competence, and continuous improvement. Methods to document competence include skills matrices describing tasks, responsibilities, training, and experience required. Benefits include workforce planning and knowledge management. Competence systems should establish baseline competencies, assess safety-critical tasks, develop standards and procedures, monitor personnel, and continually improve.
This document provides details about the opening scenes of the film Seven. It summarizes:
1) The character of Detective Somerset is established through shots of his morning routine which reflect his precision and order.
2) Somerset lives in a small, urban apartment that conveys his low salary and lack of privacy.
3) The film then cuts to a crime scene where Somerset asks about the impact on a child witness, showing his caring nature that sets him apart from his colleagues who want him gone.
4) Detective Mills is then introduced through his unkempt appearance and temper, contrasting him with the orderly Somerset.
Two brothers, Dave and Donny, have a rivalry over rap music. During a school lunch rap battle, Donny interrupts Dave and steals the spotlight. Later, Dave discovers Donny posted one of his songs online as his own. Their fighting escalates and their mother suffers a stroke while trying to break them up. She passes away in the hospital, leaving the brothers devastated and realizing they must support each other.
The opening scene of Kill Bill: Vol 1 introduces the Bride lying beaten and bloody on the floor while a man in black, possibly her husband Bill, stands over her and wipes blood from her face. Though he speaks to her affectionately, cocking his gun implies a threat. As the Bride speaks, the man suddenly shoots, causing her eyes to shut as blood spurts out, though it's unclear whose. The scene leaves the audience with many questions about the Bride and Bill's relationship and what led to this violent confrontation through clever use of visuals and sound without dialogue.
The opening scene of Kill Bill: Vol 1 introduces the Bride, who is bloody and beaten while lying on the floor. A man, whose face is never shown, looms over her and wipes blood from her face while cocking his gun. He asks her a threatening question right before abruptly shooting her, though it's unclear who is shot. The scene leaves the audience with many questions about the Bride and man's relationship and what led to this violent confrontation through clever use of visuals and sound without dialogue.
Zane awakens wired to a machine in a white room. A cloaked figure named Bob explains he is Zane's system guide. Bob transports Zane's consciousness to observe two men around a campfire who seem familiar to Zane, but they cannot see or hear him. Bob then takes Zane to a rooftop overlooking a wasteland, leaving Zane in horror.
Will Edgington arrives in Louisville, Ohio to meet with Dano Lawler on behalf of his company. When he goes to Dano's house, Jess Cutefield answers and is suspicious of Will. However, Will convinces her he knows Dano by revealing details about his and Dano's past. Dano then comes out and is initially aggressive, but recognizes Will when Will says he is the son of Paige Edgington, someone Dano seems to know from the past.
This document is the script for the film "Her" by Spike Jonze. It summarizes Theodore's daily routine of writing personalized letters for clients at his job. It then shows him returning home alone where he struggles to connect with others and finds temporary companionship through technology, including chatting online under a fake identity.
This document is a script that tells the story of Summer, who is in an abusive relationship with her partner Nate. Over the course of the script, we see Summer experience physical abuse at Nate's hands, as well as her spiraling mental state as she isolates herself and loses sense of time. Her father leaves a voicemail expressing concern for her and offering for her to come home, which causes Summer to break down crying. The script explores how abuse can deteriorate one's mental health and sense of self.
The document is a screenplay that follows Revy, a teenage girl dealing with intrusive negative thoughts ("Shadow People"). She has a conversation with her girlfriend Rosa over messages where they agree to go to sleep for school the next day. Revy then has a nightmare where the Shadow People surround and insult her until kind thoughts in the form of animals and people help calm her down. Revy wakes up and reassures Rosa she is okay via text before going to sleep, with a good thought bird keeping her company.
The document provides analysis of the opening scene of Kill Bill: Vol 1. It summarizes that the scene features a bloody and beaten bride lying on the floor while a man in black, possibly her groom, wipes blood from her face and cocks his gun. When the bride speaks to the man, he abruptly shoots, though it is unclear who is shot due to a quick cut. The scene sets up mysteries around the bride's relationship with the man and what led to her current state through stylized visuals and sound design.
The document provides analysis of the opening scene of Kill Bill: Vol 1. It summarizes that the scene introduces The Bride, a bloody and beaten woman lying on the floor while a man in black, possibly her husband Bill, wipes blood from her face. As she speaks, he suddenly shoots her, though it's unclear if she survives. The scene leaves the audience with many questions to intrigue them and set up revenge as a theme through references in the dialogue and titles.
This document is a script that follows Revy, a young woman dealing with intrusive thoughts and anxiety. The story begins with Revy messaging her girlfriend Rosa late at night. Revy then has an anxiety dream where threatening shadow figures surround and attack her, until good thoughts in the form of animals and people come to her aid with kind words. Revy wakes up distressed but feels better after messaging with Rosa, who offers comfort and support.
The document discusses a case study of international news coverage of the 2014 Winter Olympics in Sochi, Russia. It analyzes the online coverage from several major media outlets, including BBC, RTVE, The New York Times, The Washington Post, The Wall Street Journal, Sports Illustrated, and L'Equipe. The study examines how these outlets innovated visually and in storytelling, and how they fulfilled an educational role by explaining lesser known winter sports. It aims to determine if coverage was innovative and informed the public about the diversity of sports at the Olympics.
Un león y un oso encontraron un ciervo y decidieron pelear para determinar quién se lo quedaría. Mientras luchaban intensamente, una zorra astuta aprovechó la oportunidad y se llevó el ciervo, ya que el león y el oso estaban demasiado cansados para perseguirla. Ambos se lamentaron haber perdido la presa debido a su egoísmo al no querer compartirla.
Competence in the major hazard industriesAlan Bassett
This document discusses competence in major hazard industries. It defines competence as the ability to perform job responsibilities to the expected standard. Major accidents can occur if workers lack competence. Regulations require demonstrating competence. Key aspects of a competence management system include identifying safety-critical tasks, establishing standards, training workers, assessing competence, and continuous improvement. Methods to document competence include skills matrices describing tasks, responsibilities, training, and experience required. Benefits include workforce planning and knowledge management. Competence systems should establish baseline competencies, assess safety-critical tasks, develop standards and procedures, monitor personnel, and continually improve.
This document provides details about the opening scenes of the film Seven. It summarizes:
1) The character of Detective Somerset is established through shots of his morning routine which reflect his precision and order.
2) Somerset lives in a small, urban apartment that conveys his low salary and lack of privacy.
3) The film then cuts to a crime scene where Somerset asks about the impact on a child witness, showing his caring nature that sets him apart from his colleagues who want him gone.
4) Detective Mills is then introduced through his unkempt appearance and temper, contrasting him with the orderly Somerset.
Two brothers, Dave and Donny, have a rivalry over rap music. During a school lunch rap battle, Donny interrupts Dave and steals the spotlight. Later, Dave discovers Donny posted one of his songs online as his own. Their fighting escalates and their mother suffers a stroke while trying to break them up. She passes away in the hospital, leaving the brothers devastated and realizing they must support each other.
The opening scene of Kill Bill: Vol 1 introduces the Bride lying beaten and bloody on the floor while a man in black, possibly her husband Bill, stands over her and wipes blood from her face. Though he speaks to her affectionately, cocking his gun implies a threat. As the Bride speaks, the man suddenly shoots, causing her eyes to shut as blood spurts out, though it's unclear whose. The scene leaves the audience with many questions about the Bride and Bill's relationship and what led to this violent confrontation through clever use of visuals and sound without dialogue.
The opening scene of Kill Bill: Vol 1 introduces the Bride, who is bloody and beaten while lying on the floor. A man, whose face is never shown, looms over her and wipes blood from her face while cocking his gun. He asks her a threatening question right before abruptly shooting her, though it's unclear who is shot. The scene leaves the audience with many questions about the Bride and man's relationship and what led to this violent confrontation through clever use of visuals and sound without dialogue.
Zane awakens wired to a machine in a white room. A cloaked figure named Bob explains he is Zane's system guide. Bob transports Zane's consciousness to observe two men around a campfire who seem familiar to Zane, but they cannot see or hear him. Bob then takes Zane to a rooftop overlooking a wasteland, leaving Zane in horror.
Will Edgington arrives in Louisville, Ohio to meet with Dano Lawler on behalf of his company. When he goes to Dano's house, Jess Cutefield answers and is suspicious of Will. However, Will convinces her he knows Dano by revealing details about his and Dano's past. Dano then comes out and is initially aggressive, but recognizes Will when Will says he is the son of Paige Edgington, someone Dano seems to know from the past.
This document is the script for the film "Her" by Spike Jonze. It summarizes Theodore's daily routine of writing personalized letters for clients at his job. It then shows him returning home alone where he struggles to connect with others and finds temporary companionship through technology, including chatting online under a fake identity.
This document is a script that tells the story of Summer, who is in an abusive relationship with her partner Nate. Over the course of the script, we see Summer experience physical abuse at Nate's hands, as well as her spiraling mental state as she isolates herself and loses sense of time. Her father leaves a voicemail expressing concern for her and offering for her to come home, which causes Summer to break down crying. The script explores how abuse can deteriorate one's mental health and sense of self.
The document is a screenplay that follows Revy, a teenage girl dealing with intrusive negative thoughts ("Shadow People"). She has a conversation with her girlfriend Rosa over messages where they agree to go to sleep for school the next day. Revy then has a nightmare where the Shadow People surround and insult her until kind thoughts in the form of animals and people help calm her down. Revy wakes up and reassures Rosa she is okay via text before going to sleep, with a good thought bird keeping her company.
The document provides analysis of the opening scene of Kill Bill: Vol 1. It summarizes that the scene features a bloody and beaten bride lying on the floor while a man in black, possibly her groom, wipes blood from her face and cocks his gun. When the bride speaks to the man, he abruptly shoots, though it is unclear who is shot due to a quick cut. The scene sets up mysteries around the bride's relationship with the man and what led to her current state through stylized visuals and sound design.
The document provides analysis of the opening scene of Kill Bill: Vol 1. It summarizes that the scene introduces The Bride, a bloody and beaten woman lying on the floor while a man in black, possibly her husband Bill, wipes blood from her face. As she speaks, he suddenly shoots her, though it's unclear if she survives. The scene leaves the audience with many questions to intrigue them and set up revenge as a theme through references in the dialogue and titles.
This document is a script that follows Revy, a young woman dealing with intrusive thoughts and anxiety. The story begins with Revy messaging her girlfriend Rosa late at night. Revy then has an anxiety dream where threatening shadow figures surround and attack her, until good thoughts in the form of animals and people come to her aid with kind words. Revy wakes up distressed but feels better after messaging with Rosa, who offers comfort and support.
Steve wakes up in an unknown, dark location with no memory of how he got there. He hears strange whispers and screams, and discovers he is being recorded by a hidden camera. He encounters another man, James, who grows angry and aggressive. James breaks the camera and is killed by an unseen figure. Steve remembers seeing a similar figure years ago while working, and realizes he may be in danger. He too is killed by the figure. The story then repeats with a new character, Dave, waking up in the same mysterious location.
1) Ryan has a crush on Noel but she is dating the school bully. During gym class, Ryan daydreams about Noel while the bully pushes him over.
2) At a concert, Ryan's band performs the song "Teenage Dirtbag." Ryan cleans himself up to try to impress Noel at the prom.
3) At the prom, Noel approaches Ryan and asks him to an Iron Maiden concert, revealing that she shares his interests. They kiss.
Revy struggles with intrusive thoughts and anxiety but finds comfort in her girlfriend Rosa. She has a nightmare where shadowy figures taunt her but is comforted by good thoughts. When she wakes, Rosa checks on her and Revy feels better. She goes to sleep with the support of a good thought in the form of a bird.
Rosalyn is on her first night patrolling alone to investigate a suspicious venue. Her boss Francis warns her to be careful but doubts she will find anything. Rosalyn comes across a group called the Ravens who are planning to bomb the Houses of Parliament. When Rosalyn confronts them and asks them to surrender, their leader Liam refuses, leaving Rosalyn without any choice but to engage with them.
The document is a screenplay that follows Revy, a young woman dealing with intrusive negative thoughts. In her bedroom at night, Revy receives a message from her girlfriend Rosa saying they should sleep. Revy has a nightmare where shadowy figures taunt her until kind thoughts in the form of animals and people comfort her. Revy wakes up and messages with Rosa, who checks on her wellbeing. Revy thanks Rosa and affirms she will be okay with the support of her good thoughts.
This document discusses the issues of authorship and circulation of photographs in the digital era. It explores how authorship of a photo has become complicated with internet editing and sharing on social media. The document presents several case studies of artists who have dealt with these issues, such as Michael Wolf documenting copy artists in China, and Richard Hamilton being considered one of the earliest pop artists.
Misha Conrad is pitching a photography project representing youth and their sense of belonging through fashion and objects. Photographs will contrast subjects' identities by taking portraits in studios or surroundings different from their own, using expressions, shadows and reflections to contrast how subjects portray themselves and feel. Sample photos are provided from photographers Chloe Sheppard, Benjamin Vnuk, Brighton Galvin, Lukasz Wierzbowsk and Sina Lesnik.
Ben Burtt is an American sound designer known for his work on films like Star Wars and Indiana Jones. He pioneered the use of natural and "found" sounds for sci-fi effects. Burtt created iconic sounds like lightsabers, blasters, and R2-D2's voice. Walter Murch is an acclaimed film editor and sound designer with three Oscars. He emphasized using silence and the emotional context of sounds. Murch's techniques, like the "audio black hole" he used in Attack of the Clones, accentuate explosions. Both Burtt and Murch sought realistic sounds rather than electronic tones for their influential sci-fi and fantasy film work.
Jack Foley was a pioneer in film sound effects who developed the unique technique of performing sound effects live during a film's post-production to match the on-screen action. Working in Hollywood from the 1920s-1960s, Foley helped enhance films through realistic sounds that audiences often did not realize were added later. His method of creating footsteps, clothing movements, and other sounds through props and expertise is still used today to immerse viewers in a film's narrative world.
Misha Conrad is planning a look book video for Jemporium Vintage, a vintage clothing store in Cambridge. The 2-3 minute video will feature 3 models each wearing 4-5 outfits from the store. Digital compositing, green screen, and animated drawings will be used as visual effects. Interviews with the store owner may be included if additional content is needed to reach the target length. Misha has permission to film at the store and borrow equipment from college, so the production can be completed with no budget. The goal is to promote the store's clothing on its website and Instagram.
The document outlines a proposed television series that would follow the investigation into the disappearance of Lisa Jones and suspicious death of Paul Jones' ex-wife Jenny. The series would consist of 10 episodes featuring flashbacks interwoven with the current investigation to build suspicion around Paul. Key characters include Paul, his wives Lisa and Jenny, and detectives. The genre is described as a crime mystery drama with dark romantic elements. Each 55-minute episode would advance the mystery with the goal of entertaining and educating mature audiences.
The document outlines a proposed 10-episode TV crime drama series called "M.I.A." It would follow the investigation into the disappearance of Lisa Jones and the suspicious death of Paul Jones' ex-wife Jenny. The series would use flashbacks to reveal contradictions in Paul's accounts and depict his relationships with his two wives. Key characters include Paul, Lisa, Jenny, and detectives. It would be set in London and blend crime mystery and dark romance genres. Each 55-minute episode would advance the investigation while exploring the characters and their backgrounds.
This proposed TV show involves crime, mystery, and dark romance. It would be a serial narrative consisting of 10 episodes, each 55 minutes long, released on Amazon Prime. The show explores unsuitable issues for under-15s and would appeal to mature audiences who have time to binge multiple episodes. It features both male and female characters to attract a mixed gender audience.
Sense 8 is a Netflix original sci-fi drama series that follows 8 strangers who are mentally and telepathically connected. The series explores issues of gender, sexuality, politics and religion through the interconnected stories of the strangers set in major cities around the world. Each episode is fast paced, jumping between the characters and their locations which are stylized to represent the different cultures and countries.
The document summarizes a proposed crime drama television series called "KING". The main character is Detective DCI Kennedy, who works in London in a slightly corrupt manner but always solves his cases. His personal life intertwines with his work, including relationship struggles with his wife. Each episode features a new murder case linked somehow to Kennedy's life. The genre is a crime drama filmed on location in London. It aims to target a mature 15+ audience and fill an opening for crime/drama programming in the Sunday night timeslot on Amazon Prime in 30-60 minute episodes.
DCI Kennedy solves a murder case in each episode of the crime drama TV series titled "King". The series is set in Peckham, London and features DCI Kennedy, nicknamed "King", his wife, work partner, and fellow police colleagues. Each episode will have a crime case as well as an unexpected additional event. The theme explores crime and drama with some romantic and action elements. London grime music will be incorporated to give the series a fresh, youthful vibe.
The Evolution of SEO: Insights from a Leading Digital Marketing AgencyDigital Marketing Lab
Explore the latest trends in Search Engine Optimization (SEO) and discover how modern practices are transforming business visibility. This document delves into the shift from keyword optimization to user intent, highlighting key trends such as voice search optimization, artificial intelligence, mobile-first indexing, and the importance of E-A-T principles. Enhance your online presence with expert insights from Digital Marketing Lab, your partner in maximizing SEO performance.
This tutorial presentation provides a step-by-step guide on how to use Facebook, the popular social media platform. In simple and easy-to-understand language, this presentation explains how to create a Facebook account, connect with friends and family, post updates, share photos and videos, join groups, and manage privacy settings. Whether you're new to Facebook or just need a refresher, this presentation will help you navigate the features and make the most of your Facebook experience.
Your LinkedIn Success Starts Here.......SocioCosmos
In order to make a lasting impression on your sector, SocioCosmos provides customized solutions to improve your LinkedIn profile.
https://www.sociocosmos.com/product-category/linkedin/
Surat Digital Marketing School is created to offer a complete course that is specifically designed as per the current industry trends. Years of experience has helped us identify and understand the graduate-employee skills gap in the industry. At our school, we keep up with the pace of the industry and impart a holistic education that encompasses all the latest concepts of the Digital world so that our graduates can effortlessly integrate into the assigned roles.
This is the place where you become a Digital Marketing Expert.
EASY TUTORIAL OF HOW TO USE G-TEAMS BY: FEBLESS HERNANEFebless Hernane
Using Google Teams (G-Teams) is simple. Start by opening the Google Teams app on your phone or visiting the G-Teams website on your computer. Sign in with your Google account. To join a meeting, click on the link shared by the organizer or enter the meeting code in the "Join a Meeting" section. To start a meeting, click on "New Meeting" and share the link with others. You can use the chat feature to send messages and the video button to turn your camera on or off. G-Teams makes it easy to connect and collaborate with others!
Telegram is a messaging platform that ushers in a new era of communication. Available for Android, Windows, Mac, and Linux, Telegram offers simplicity, privacy, synchronization across devices, speed, and powerful features. It allows users to create their own stickers with a user-friendly editor. With robust encryption, Telegram ensures message security and even offers self-destructing messages. The platform is open, with an API and source code accessible to everyone, making it a secure and social environment where groups can accommodate up to 200,000 members. Customize your messenger experience with Telegram's expressive features.
Lifecycle of a GME Trader: From Newbie to Diamond Handsmediavestfzllc
Your phone buzzes with a Reddit notification. It's the WallStreetBets forum, a cacophony of memes, rocketship emojis, and fervent discussions about Gamestop (GME) stock. A spark ignites within you - a mix of internet bravado, a rebellious urge to topple the hedge funds (remember Mr. Mayo?), and maybe that one late-night YouTube rabbit hole about tendies. You decide to YOLO (you only live once, right?).
Ramen noodles become your new best friend. Every spare penny gets tossed into the GME piggy bank. You're practically living on fumes, but the dream of a moonshot keeps you going. Your phone becomes an extension of your hand, perpetually glued to the GME ticker. It's a roller-coaster ride - every dip a stomach punch, every rise a shot of adrenaline.
Then, it happens. Roaring Kitty, the forum's resident legend, fires off a cryptic tweet. The apes, as the GME investors call themselves, erupt in a frenzy. Could this be it? Is the rocket finally fueled for another epic launch? You grip your phone tighter, heart pounding in your chest. It's a wild ride, but you're in it for the long haul.
Project Serenity is an innovative initiative aimed at transforming urban environments into sustainable, self-sufficient communities. By integrating green architecture, renewable energy, smart technology, sustainable transportation, and urban farming, Project Serenity seeks to minimize the ecological footprint of cities while enhancing residents' quality of life. Key components include energy-efficient buildings, IoT-enabled resource management, electric and autonomous transportation options, green spaces, and robust waste management systems. Emphasizing community engagement and social equity, Project Serenity aspires to serve as a global model for creating eco-friendly, livable urban spaces that harmonize modern conveniences with environmental stewardship.
EASY TUTORIAL OF HOW TO USE REMINI BY: FEBLESS HERNANEFebless Hernane
Using Remini is easy and quick for enhancing your photos. Start by downloading the Remini app on your phone. Open the app and sign in or create an account. To improve a photo, tap the "Enhance" button and select the photo you want to edit from your gallery. Remini will automatically enhance the photo, making it clearer and sharper. You can compare the before and after versions by swiping the screen. Once you're happy with the result, tap "Save" to store the enhanced photo in your gallery. Remini makes your photos look amazing with just a few taps!
This tutorial presentation offers a beginner-friendly guide to using THREADS, Instagram's messaging app. It covers the basics of account setup, privacy settings, and explores the core features such as close friends lists, photo and video sharing, creative tools, and status updates. With practical tips and instructions, this tutorial will empower you to use THREADS effectively and stay connected with your close friends on Instagram in a private and engaging way.
HOW TO USE THREADS an Instagram App_ by Clarissa Credito
Abroad draft 3(camera shots)
1. Abroad Draft 3
Written By
Diara Vassallo
Ted Newman
Misha Conrad
Sol Birch
Maddie Tod
Charlie O'rourke
Francesco Ruvulo
Eden Hopwood
Lauryn Fuller
2. 1. Long shot
Range
of long
shots
and low
angle
shots
(settin
g the
scene)
1. MS
Mid
shot of
Rob and
Mary on
plane.
2. MS/Closeup
Mid
shots/c
loseups
of
other
passeng
ers.
Closeup
s of
Robs
emotion
s.
EXT. RUNWAY. DAY
A PLANE IS LANDING INTO HEATHROW
TERMINAL 5.
INT. PLANE. DAY
ROB AND MARY ARE SEATED ON THE PLANE.
ROB HAS A SHAGGY LOOK TO HIM, HE IS IN
HIS LATE 20'S, HE HAS BROWN HAIR WHICH
IS MESSY. HE IS WEARING A LOSE SHIRT
WITH A WHITE T-SHIRT UNDERNEATH, BROWN
SHORTS AND FLIP FLOPS. HE IS WEARING A
GOLD CHAIN AND A GOLD WATCH.
MARY IS A WOMAN OF HER EARLY 30'S, SHE
HAS BLONDE HAIR. SHE IS WEARING A BLACK
SHIRT (3 BUTTONS UNDONE), SHE IS
WEARING UP TO THE KNEE DENIM CULOTTES,
A PAIR OF FLAT SANDALS AND A PAIR OF
GLASSES.
ROB LOOKS ANXIOUS AND MARY IS VERY
CALM. IN THE BACKGROUND THERE IS
EXCITED CHATTER AND TALKING.
3. 3. Closeup
Seatbel
ts
being
unbuckl
ed.
4. Point of view
Mid
shots/
closeup
s on
Rob and
Mary
and
other
passeng
ers.
ALL OF A SUDDEN THE PILOT MAKES AN
ANNOUNCEMENT.
PILOT:
Welcome to London, Heathrow where the
local time is 9:34am. We'll be taxiing
to the gate for the next few minutes,
so please remain seated with your
seatbelts fastened until the captain
has turned off the seatbelt sign. On
behalf of the flight crew and Virgin
Atlantic Airlines, thank you for
choosing to fly with us today and we
hope to see you again on a future
flight. Enjoy your stay here, or at the
city of your final destination.
ROB LOOKS AT MARY FOR REASSURANCE.
THE SEAT BELT SIGN GOES OFF AS THEY
TAXI INTO THE TERMINAL. THE PASSENGERS
GET UP AND START TAKING THERE BAGS OUT
OF THE OVERHEAD LOCKERS.
PILOT:
Ladies and Gentlemen, this is your
captain speaking. We are sorry for the
short delay, we have currently been
held up but will be arriving in the
terminal shortly.
THE OTHER PASSENGERS LOOK AT EACHOTHER
WITH FRUSTRATION.
ROB AND MARY LOOK AT EACHOTHER WITH
NERVE.
4. 5. Tracking shot
Behind
stevie
followi
ng him
down
the
aisle.
So that
we dont
see his
face.
Instead
we see
his
abck
and the
reactio
ns of
the
people
he
speaks
to.
(over
the
shoulde
r)
MARY:
What are you looking at? It's gonna be
fine.
ROB SHRUGS AND LOOKS OUT OF THE WINDOW.
A MAN BOARDS THE PLANE AND LOOKS
AROUND. HE IS ASSERTIVE WITH HIS LOOKS.
STEVIE IS A MAN IN HIS 40'S, HE IS
WEARING A SUIT, HIS
HE WALKS UP TO AN AIR HOSTESS AND
SPEAKS TO HER DISCREETLY.
SHE LEADS HIM DOWN THE AISLE TO ROB AND
MARY.
MARY LOOKS UP SHARPLY AT STEVIE.
STEVIE:
Miss Adams? Mr Jones?
MARY:
Yes?
STEVIE:
Would you mind stepping off the plane
with me?
ROB GRABS MARY'S ARM IN A FRANTIC STATE
AND HIS FOREHEAD STARTS TO BECOME
SWEATY.
5. 6. Close up
On
suitcas
e
1. MS / LS
range
of
shots
on
stevie
2. Closeup
Smoke
fogging
up the
camera
lense
MARY:
What's this about? And who are you?
STEVIE:
This is not the time for questions,
follow me.
MARY DOES NOT HESITATE. STEVIE GESTURES
TO BOTH OF THEM TO LEAD THE WAY.
2 MEN WITH DARK SHADES ON, BOTH WEARING
SUITS GREET MARY AND ROB AT THE END OF
THE PLANE.
MAN 1 :
Does this look like the suitcase that
belongs to you?
EXT. CAR PARK. MORNING
STEVIE HAS HIS BACK TO A RED BRICK
WALL, HIS CHEAP GREY SUIT BRUSHES UP
AGAINST THE HARD BRICKS. HIS SUIT IS
LOOSE AGAINST HIS TALL AND LANKY BODY.
THIS IS THE FIRST TIME WE SEE HIS FACE.
HE GOES INTO HIS POCKET FOR A PACK OF
CIGARETTES AND A LIGHTER. HE LIGHTS UP
AND BREATHES IN THE SMOKE, AS HE
EXHALES HE LOOKS UP AT THE GREY SKY
(ALMOST AS IF HE IS LOOKING FOR SOME
HOPE).
6. 1. LS
Long
shots
with
the
camera
kept
compete
ly
still
2. Closeup
Point
of view
shot as
paper
is put
down,
cut
from
stevies
view up
to robs
reactio
n
HE GETS OUT HIS PHONE FOR A WHILE AND
THEN WALKS BACK INTO THE BLOCK OF
OFFICES. HE RUNS HIS HANDS THROUGH HIS
CURLY DARK HAIR.
INT. INTERROGATION ROOM. MORNINNG
STEVIE ENTERS A GREY ROOM, THE
APPEARANCE AND FEEL OF IT ALL IS
MENTALLY DRAINING. THE MAIN SOURCE OF
LIGHT COMES FROM A HARSH RECTANGLE LED
PANEL ON THE CEILING.
HE SCUFFS HIS FEET AS HE WALKS. HE IS
HOLDING A BIRO PEN IN ONE HAND AND A
SHEET OF A4 IN THE OTHER.
ROB IS SITTING AT THE BACK OF THE ROOM.
HE IS FIDDLING WITH HIS GOLD ROLEX
WATCH OUT OF NERVE. ROB QUICKLY LOOKS
UP AS STEVIE WALKS IN. STEVIE WALKS IN
AND LOOKS AT ROB'S WATCH.
HE SITS UP AND WATCHES STEVIE AS HE
WALKS CLOSER. STEVIE PLACES THE PIECE
OF PAPER DOWN ON THE TABLE AND ROB
LOOKS DOWN AT IT. AT THE TOP OF THE
SHEET IS CLEARLY SAYS IN BLACK BOLD
WRITING: HUMAN RIGHTS WITHIN
INTERROGATION.
STEVIE:
Morning.. I hope you've had a pleasant
morning (raises his eyebrow). I am the
Investigating Officer on this case so
let's just say you'll be seeing a lot
of me (doesn't make eye contact).
7. 3. Low angle
Making
stevie
seem
more
powerfu
l
4. High angle
Rob
seem
vulnera
ble and
less
power
ROB:
Yes.. urm morning. What's this?
STEVIE:
Your rights. Read them, love them, sign
them please.
ROB LOOKS DOWN AT THE PAPER AGAIN AND
SCRATCHES THE BACK OF HIS NECK, HIS
LEFT LEG IS SHAKING GENTLY UP AND DOWN
GENTLY (THIS CONNOTES NERVE AND
ANXIETY).
STEVIE TAKES OFF HIS BLAZER AND UNDOES
HIS TOP BUTTON AS THE ROOM IS STUFFY.
HE PULLS OVER A DEAD BEAT CHAIR TO THE
TABLE WHERE ROB IS SITTING AT AND JOINS
HIM.
HE PUTS ONE LEG OVER THE OTHER AND
LEANS BACK IN A RELAXED MANNER.
HE LOOKS AT ROB'S FACE FOR A FEW
AWKWARD SECONDS AND THEN BEGINS TO
SPEAK.
STEVIE:
Alright
ROB:
Yeah well nah no really.
STEVIE:
So where have you just come from?
8. STEVIE:
Listen mate, we don't get this kind of
case a lot.. so we are both under a lot
of pressure...
ROB:
I think the pressure is higher for
others.
STEVIE:
Agreed, I pick my battles, shall we
just get straight into it then?
ROB PUT HIS FACE INTO HIS HANDS AND
BEGINS TO GET TEARY. HE THEN LOOKS UP
AT STEVIE AS IF HE'LL GIVE IN AND LET
HIM GO.
STEVIE LOOKS AT ROB WITH DESPAIR, LIKE
A NEW PARENT.
ROB:
C.. Can..Can I call my sister?
STEVIE:
You get one call after this hour of
questioning, I'm sure you can wait..
ROB:
I told Debbie I'd call as soon as I
landed and it's been 2 hours, she'll be
going mad (he says this in a panicked
state).
STEVIE LOOKS AT HIS WATCH AND THEN BACK
9. AT ROB. HE UNCROSSES HIS LEGS AND LEANS
IN TOWARDS ROB AND STARES AT HIS FACE
WITH CURIOUS INTENT.
STEVIE:
Listen Rob, I'll let you in on a little
secret... The ones that don't speak end
up regretting it by the time they spend
behind bars. Just let that sink in. No
freedom, no family, no comfort and no
life to be quite frank.
ROB:
I know I know. None of this was meant
to happen.
STEVIE:
How are you affiliated with mary?
ROB:
Friends
STEVIE:
And?
ROB:
I just said... Friends.
STEVIE STANDS UP AND PLACES HIS 2 FISTS
ON THE TABLE. HE BREATHS OUT SLOWLY AND
HIS COFFEE BREATH MAKES ROB LOOK DOWN
AND MAKE A DISGUSTED FACE. HE WALKS TO
THE BACK OF THE ROOM SO HIS BEHIND ROB.
THIS MAKES ROB FEEL UNCOMFORTABLE. HE
LOOKS TO HIS SIDE TO CATCH A GLIMPSE OF
10. STEVIE. STEVIE CLEARS HIS THROAT.
STEVIE:
Right, so I'm going to guess and your
going to fill in the blanks or correct
me... It seems to me like you enjoy
playing games. You shouldn't play these
kind of games if your not willing to
loose.
ROB'S LEG CONTINUES TO SHAKE OUT OF
NERVOUSNESS. HE SCRATCHED THE BACK OF
HIS NECK AND SIGHS.
ROB:
Try me. But there is no good guy in
this room. You wanna rat me out and I
wanna protect the people I love.
STEVIE:
That's all well and good son, but this
is reality... Welcome (long pause)So
Mary? An ex? A lover? A friend?
ROB:
I've known her since primary school
when we lived in Lewisham.
STEVIE:
Go on..
ROB:
Where is Mary?
11. 5. Tracking shot
Trackin
g shot
followi
ng
stevie
1. Mid shot
Cut
straigh
t from
stevie
to Mary
STEVIE WALKS BACK AROUND THE ROOM SO
HE IS NOW FACING STEVIE. STEVIE LOOKS
AT ROB AS IF TO SAY 'I DON'T HAVE TIME
FOR THIS.' HE LEANS AGAINST THE WALL
WITH HIS FOOT RESTING AGAINST THE WALL
AND HIS ARMS FOLDED.
ROB:
If your not talking I'm not talking.
STEVIE:
You need to think about YOURSELF and
YOUR future (emphasis on capitalised
words).
ROB:
It's not like I have my freedom anymore
after this massive fuck up.
STEVIE SITS DOWN AND GET'S INTO HIS
USUAL SITTING POSITION. HE CROSSES ONE
LEG OVER THE OTHER AND GET OUT A SMALL
BLACK A6 NOTE PAD. HE STARTS TO TAP HIS
PEN ON THE LEG OF THE TABLE, ROB FINDS
THIS NOISE IRRITATING AND HIS LEG
BEGINS TO SHAKE EVEN MORE.
STEVIE NOW MUTTERS TO HIMSELF, AS HE
WRITES DOWN A FEW THINGS IN HIS
NOTEPAD.
STEVIE:
(mutters) ok.. ok.. so primary
school... Lewisham.. Mary.
INT. INTERROGATION ROOM. CONT'D
12. 2. Eye line view
Eye
line
view
shots
between
Stevi
and
Mary as
Mary
feels
equally
as
powerfu
l.
MARY:
Is this the interrogation you see in
all of those silly cop shows? (laughs
to herself).
STEVIE:
What was Lewisham like as a kid?
MARY:
My god, I underestimated you lot.
You've clearly done your research.
STEVIE:
I mean it must have been quite rough..
gang crimes, petty theft or even drug
use.
MARY:
What would you know?
STEVIE:
What's a pretty woman like you doing in
this situation?
MARY:
Don't talk to me like that... Calling
me pretty, it's pathetic and sleazy
(she purses her lips and raises an
eyebrow).
MARY CROSSES HER LEGS AND TAKES A SIP
OF HER TEA. YOU CAN SEE THE HOT STEAM
CONTRASTED AGAINST HER BLACK SHIRT. SHE
TUCKS HER WHITE BLONDE HAIR BEHIND HER
EAR WHERE A GOLD HOOP HANGS.
13. 1. Closeup
camera
placed
under
glass
table
2. Panning shot
Panning
mid
shots
going
across
each
charact
er
STEVIE:
I'm going to contract you and Rob a
pair of solicitors. Not that it should
really help (mutters).
MARY:
Don't take me for a muck. Just because
I'm not the man in the suit doesn't
mean I'm incapable (she says this is a
savvy and aggressive tone, as if this
is a warning for Stevie).
INT. MIAMI. NIGHT
A HAZY FEELING TO THIS SCENE AS WE GO
BACK TO 1989.
LINE OF COCAINE ON GLASS TABLE.
MUSIC PLAYS IN THE BACKGROUND AND WE
SEE ROB SNORT UP THE LINE WITH A NOTE.
THE ROOM IS DIMLY LIT, RUN DOWN AND
MESSY. BEER CANS ARE SCATTERED ALL OVER
THE ROOM.
ON THE GLASS TABLE NEXT TO A FEW LINES
OF COCAINE THERE IS AN ASH TRAY
OVERFLOWING WITH THE ENDS OF
CIGARETTES.
MARY, ROB AND CONNOR ARE SLOUCHED ON
THE COUCH IN A HAZED STATE.
CONNOR IS SCRAWNY AND THIN. HE HAS
STRAGGLY/ GREASY HAIR AND A STRIKING
14. SCAR ACROSS THE RIGHT SIDE OF HIS FACE.
HIS STANCE IS HUNCHED AND CARELESS. HE
WEAR A PLAIN TOP, A PAIR OF MOM JEANS
AND DOC MARTINS. HE ALWAYS HAS A
CIGARETTE IN HIS MOUTH. HE IS ONE OF
THE MAIN DRUG DEALERS IN MIAMI AND IS
THE PERSON WHO FIRST INTRODUCED ROB AND
MARY TO COCAINE.
ROB GESTURES TOWARDS MARY WITH THE NOTE
IN HIS HAND.
ROB:
You know what, I've got to disagree. I
think the velvet underground were much
better once they ditched John Cale and
his fucking Viola and were a straight
rock and roll band. Not to say Nico
isnt a good album but...
CONNOR (INTERRUPTING ROB):
Rob, shut the fuck up and do another
line.