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Metamaterials
Presentation
An Exploration of Metamaterials and
Acoustic Materials
Introduction to
Metamaterials
 Metamaterials are artificial structures designed with
specific properties not found in nature.
 These structures are strategically distributed, either
periodically or randomly.
 Each artificial structure in metamaterials operates
similarly to an atom or molecule in conventional
materials.
 However, the unique properties of these structures
emerge when exposed to controlled interactions with
electromagnetic radiation.
 Metamaterials, as predominantly recognized, are
artificially engineered materials designed to surpass the
limitations of natural materials.
 Dimensions and gaps in metamaterials are intentionally
made significantly smaller than the wavelengths of
incoming electromagnetic radiation.
 This design choice prevents the detailed features of
individual structures from being resolved by the
propagating wave
Metamaterial
Unit Cells
 Metamaterial unit cells, strategically
designed on a microscopic scale, dictate
the unique behavior.
 The deliberate optimization of size, shape,
and material properties in metamaterial
unit cells is crucial.
 Metamaterial unit cells serve as the
building blocks for artificial structures,
mimicking the role of atoms or molecules in
conventional materials.
 By adjusting the dimensions and
composition of metamaterial unit cells,
researchers can manipulate the effective
material properties on a macroscopic scale.
 The intricacies of metamaterial unit cell
design involve a careful consideration of
specific requirements.
Acoustic
Metamaterials
 Acoustic metamaterials represent recurring
arrangements of elements with unique properties in
wave interaction. They differ from conventional
materials and play a pivotal role in reshaping acoustics.
 Acoustic metamaterials are characterized by a
repeating arrangement of elements.
 The bulk modulus (denoted as β) is a crucial parameter
in acoustic metamaterials, representing a substance's
resistance to uniform compression.
 Acoustic metamaterials exhibit intriguing phenomena,
such as the possibility of a negative refractive index in
specific frequency range.
 Chirality, or handedness, is a key aspect determining
the wave propagation polarity (wave vector) in acoustic
metamaterials.
 Can exhibit an anomalous response.
Double-Negative
Acoustic
Metamaterial
 Double-Negative Acoustic Metamaterials
exhibit negativity in both effective mass
density (ρ) and bulk modulus (β) within specific
frequency ranges.
 Double-Negative Acoustic Metamaterials
interact with sound waves in the presence of
controlled polarisation during wave
propagation.
 Chirality (or handedness) is a key factor
dictating the polarity of wave propagation
(wave vector) in the metamaterial.
 Unlike natural materials, neither negative mass
density (ρ) nor negative bulk modulus (β)
naturally exist in acoustic materials.
 These negative values are derived from the
resonant frequencies of artificially fabricated
transmission media, representing an anomalous
response.
Sonic Crystals
 Sonic crystals are periodic arrangements of materials
designed to control the transmission of sound waves.
 Similar to other metamaterials, the dimensions of sonic
crystals are intentionally designed to be significantly
smaller than the wavelengths of the sound they interact
with.
 The properties of sonic crystals, including their
frequency response, can be tuned by adjusting the size
and geometry of the constituent elements.
 Sonic crystals demonstrate effective sound absorption
properties at specific frequencies, contributing to their
potential in noise control and acoustic engineering.
 Sonic crystals played a pioneering role in the
development of acoustic metamaterials, showcasing the
possibility of manipulating sound waves through
engineered structures.
Phononic
Crystals
 Phononic crystals are artificially engineered
materials designed to control and manipulate
acoustic (sound) waves.
 A defining feature of phononic crystals is the
ability to exhibit a phononic band gap.
 The frequency range of the phononic band gap
can be tuned and controlled by adjusting the
structural parameters of the crystal.
 Phononic crystals can be fabricated from
various materials, including polymers, metals,
or composite structures.
 Fabrication techniques involve creating
periodic arrangements of materials with
contrasting acoustic properties.
 The design and arrangement of these
structures determine the characteristics of the
resulting phononic crystal.
Thanks,
Questions?

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A journey into Metamaterials Presentation

  • 1. Metamaterials Presentation An Exploration of Metamaterials and Acoustic Materials
  • 2. Introduction to Metamaterials  Metamaterials are artificial structures designed with specific properties not found in nature.  These structures are strategically distributed, either periodically or randomly.  Each artificial structure in metamaterials operates similarly to an atom or molecule in conventional materials.  However, the unique properties of these structures emerge when exposed to controlled interactions with electromagnetic radiation.  Metamaterials, as predominantly recognized, are artificially engineered materials designed to surpass the limitations of natural materials.  Dimensions and gaps in metamaterials are intentionally made significantly smaller than the wavelengths of incoming electromagnetic radiation.  This design choice prevents the detailed features of individual structures from being resolved by the propagating wave
  • 3. Metamaterial Unit Cells  Metamaterial unit cells, strategically designed on a microscopic scale, dictate the unique behavior.  The deliberate optimization of size, shape, and material properties in metamaterial unit cells is crucial.  Metamaterial unit cells serve as the building blocks for artificial structures, mimicking the role of atoms or molecules in conventional materials.  By adjusting the dimensions and composition of metamaterial unit cells, researchers can manipulate the effective material properties on a macroscopic scale.  The intricacies of metamaterial unit cell design involve a careful consideration of specific requirements.
  • 4. Acoustic Metamaterials  Acoustic metamaterials represent recurring arrangements of elements with unique properties in wave interaction. They differ from conventional materials and play a pivotal role in reshaping acoustics.  Acoustic metamaterials are characterized by a repeating arrangement of elements.  The bulk modulus (denoted as β) is a crucial parameter in acoustic metamaterials, representing a substance's resistance to uniform compression.  Acoustic metamaterials exhibit intriguing phenomena, such as the possibility of a negative refractive index in specific frequency range.  Chirality, or handedness, is a key aspect determining the wave propagation polarity (wave vector) in acoustic metamaterials.  Can exhibit an anomalous response.
  • 5. Double-Negative Acoustic Metamaterial  Double-Negative Acoustic Metamaterials exhibit negativity in both effective mass density (ρ) and bulk modulus (β) within specific frequency ranges.  Double-Negative Acoustic Metamaterials interact with sound waves in the presence of controlled polarisation during wave propagation.  Chirality (or handedness) is a key factor dictating the polarity of wave propagation (wave vector) in the metamaterial.  Unlike natural materials, neither negative mass density (ρ) nor negative bulk modulus (β) naturally exist in acoustic materials.  These negative values are derived from the resonant frequencies of artificially fabricated transmission media, representing an anomalous response.
  • 6. Sonic Crystals  Sonic crystals are periodic arrangements of materials designed to control the transmission of sound waves.  Similar to other metamaterials, the dimensions of sonic crystals are intentionally designed to be significantly smaller than the wavelengths of the sound they interact with.  The properties of sonic crystals, including their frequency response, can be tuned by adjusting the size and geometry of the constituent elements.  Sonic crystals demonstrate effective sound absorption properties at specific frequencies, contributing to their potential in noise control and acoustic engineering.  Sonic crystals played a pioneering role in the development of acoustic metamaterials, showcasing the possibility of manipulating sound waves through engineered structures.
  • 7. Phononic Crystals  Phononic crystals are artificially engineered materials designed to control and manipulate acoustic (sound) waves.  A defining feature of phononic crystals is the ability to exhibit a phononic band gap.  The frequency range of the phononic band gap can be tuned and controlled by adjusting the structural parameters of the crystal.  Phononic crystals can be fabricated from various materials, including polymers, metals, or composite structures.  Fabrication techniques involve creating periodic arrangements of materials with contrasting acoustic properties.  The design and arrangement of these structures determine the characteristics of the resulting phononic crystal.