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THE SUNDAY REPUBLICAN OCTOBER 7, 2007
                                                                                                                                                        COUNT ’EM
                                                                                                                                                        “Three Mo’
                                                                                                                                                                                     SECTION
                                                                                                                                                      Tenors,” starring




                                                                                                                                                                                  H
                                                                                                                                                         (from left)
                                                                                                                                                       Aaron Epstein.
                                                                                                                                                      James N. Berger
                                                                                                                                                          Jr., Victor
                                                                                                                                                       Robertson and
                                                                                                                                                          Duane A.
                                                                                                                                                        Moody, gets




                                rts& ntertainment                                                                                                        5 stars. 2H




                                                                                                                                                              ‘Peculiar
   Jimi never left                                                                                                                                            institution’
                                                                                                                                                              in Jamaica
   the building
                                                                                                                                                              British slavery
                                                                                                                                                              depicted at Yale


   Hendrix’s music and legacy
   s h owc a s e d a t t h e P a l a ce




                                                                                                                                                                           YALE CENTER FOR BRITISH ART
                                                                                                                                                              Isaac Mendes Belisario, ‘Koo,
                                                                                                                                                              Koo, or Actor Boy,’ from
                                 PERFORMER IMAGES COURTESY OF AUTHENTIC HENDRIX, LLC
                                                                                                                                                              ‘Sketches of Character, In
     Coming to the Palace Theater in Waterbury for the 2007 Experience
                                                                                                                                                              Illustration of the Habits,
     Hendrix Tour is original Jimi Hendrix Experience drummer Mitch
                                                                                                                                                              Occupation, and Costume of the
     Mitchell.
                                                                                                                                                              Negro Population in the Island of
                                                                                                                                                              Jamaica.’
                  BY ALAN BISBORT
                                                                                                                                                                    BY TRACEY O’SHAUGHNESSY
                  REPUBLICAN-AMERICAN
                                                                                                                                                                          REPUBLICAN-AMERICAN

                  as it really been 37 years                                                                                                                     In 1837, on the cusp of a seismic



   H                                                                                                                                                          change in British Jamaica, a
                  since Jimi Hendrix died?
                                                                                                                                                              Sephardic Jew named Issac
                  Wow, time flies when                                                                                                                        Mendes Belisario published a
                                                                                                                                                              bizarre — and riveting — collec-
                  you’re a baby boomer! But,
                                                                                                                                                              tion of lithographs of Jamaican
   then again, time also stands still on occa-                                                                                                                slaves.
                                                                                                                                                                 Why he did it, or what the Ja-
   sion. And, it will do that on Saturday, Oct.
                                                                                                                                                              maican native thought about
   20, at the Palace Theater in Waterbury,                                                                                                                    Britain’s peculiar institution, is not
                                                                                                                                                              clear. But the freakishly subver-
   when Hendrix’s band-mates, drummer
                                                                                                                                                              sive “Sketches of Character” is one
   Mitch Mitchell and bassist Billy Cox, join                                                                                                                 of the most mesmerizing — and
                                                                                                                                                              provocative — series of works on
   forces with several stellar guitarists to
                                                                                                                                                              paper the Yale Center for British
                                                                                                       Band Of Gypsys’ and The Jimi Hendrix
   re-create the Hendrix “Experience” in a                                                                                                                    Art has exhibited.
                                                                                                       Experience’s bassist, Billy Cox
   tribute to the guitarist that has been
   packing houses and drawing rave reviews
                                                                                                                                                                See the exhibit
   since it began in February.                                                                                                                                  What: “Art and Emancipation
                                                                                                                                                                in Jamaica: Isaac Mendes Belis-
     And why not? The lineup of performers
                                                                                                                                                                ario and His Worlds”
   slated to appear at the Palace could com-
                                                                                                                                                                Where: Yale Center for British
   prise a separate wing at the Rock and                                                                                                                        Art, 1080 Chapel St., New
                                                                                                                                                                Haven
   Roll Hall of Fame: Buddy Guy, the great
                                                                                                                                                                When: Through Dec. 30
   blues guitarist who mentored Hendrix;
                                                                                                                                                                Details: Call 203-432-2800 or
   Robby Krieger, the guitarist who seam-                                                                                                                       visit www.yale.edu/ycba
   lessly backed Jim Morrison in the Doors;
   Mick Taylor, who left John Mayall’s                                                                                                                           It forms the centerpiece of a
                                                                                                                                                              hypnotic exhibit at the museum,
   Bluesbreakers in 1969 to join the Rolling
                                                                                                                                                              “Art & Emancipation in Jamaica:
   Stones, with whom he played for five                                                                                                                       Issac Mendes Belisario and His
                                                                                                                                                              Worlds.” Focusing on the visual
   years; Hubert Sumlin, who
                                                                                                                                                              culture of slavery and emancipa-
   played behind the legendary                                                                                                                                tion, “Art & Emancipation” is an
                                                                                                                                                              often creepy examination of cant
   Howlin’ Wolf and whose
                                                                                                                                                              and culture, of mind-boggling
   blues style influenced a le-                                                                                                                               depredations and the ugly suspen-
                                                                                                                                                              sion of curiosity that accompanies
   gion of young British gui-
                                                                                                                                                              gargantuan wealth.
   tarists with names like                                                                                                                                       It commemorates the abolition
                                                                                                                                                              of the British slave trade in 1807
   Clapton, Page and Beck;
                                                                                                                                                              and emancipation of slaves 30
   Robert Randolph, who has single-                                                                                                                           years later. But abolition, like
                                                                                                                                                              emancipation, is a slippery word,
   handedly revived the pedal steel guitar
                                                                                                                                                              freighted with all sorts of decep-
   and toured with Eric Clapton; Kenny                                                                                                                        tion and duplicity. In many ways
                                                                                                                                                              “Art & Emancipation” is a familiar
   Wayne Shepherd, America’s premier
                                                                                                                                                              story to an American audience,
   young blues guitarist; and, of course,                                                                                                                     whose own lamentable legacy of
                                                                                                                                                              slavery continues to emit its own
   Mitchell and Cox, the cornerstones the
                                                                                                                                                              corrosive stench 150 years later.
   Jimi Hendrix Experience (Cox, Hen-
                                                                                                                                                                 But the British presence in Ja-
                                                                 Legendary blues guitarist Buddy Guy
   drix’s old buddy from his military days,                                                                                                                   maica, which began when it
                                                                                                                                                              grabbed the island from Spain in
   replaced original member Noel Redding
                                                                                                                                                              1655, turned the island into
   in the latter days of the trio).                                                                                                                           Britain’s sugar bowl and created a
                                                                                                                                                              hybrid Afro-Caribbean culture
                     See EXPERIENCE, Page 7H                                                                                                                  that continues to this day.
                                                                                                                                    STOCKEXPERT.COM
                                                                                                                                                                           See JAMAICA, Page 6H

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Hendrix Page

  • 1. ae THE SUNDAY REPUBLICAN OCTOBER 7, 2007 COUNT ’EM “Three Mo’ SECTION Tenors,” starring H (from left) Aaron Epstein. James N. Berger Jr., Victor Robertson and Duane A. Moody, gets rts& ntertainment 5 stars. 2H ‘Peculiar Jimi never left institution’ in Jamaica the building British slavery depicted at Yale Hendrix’s music and legacy s h owc a s e d a t t h e P a l a ce YALE CENTER FOR BRITISH ART Isaac Mendes Belisario, ‘Koo, Koo, or Actor Boy,’ from PERFORMER IMAGES COURTESY OF AUTHENTIC HENDRIX, LLC ‘Sketches of Character, In Coming to the Palace Theater in Waterbury for the 2007 Experience Illustration of the Habits, Hendrix Tour is original Jimi Hendrix Experience drummer Mitch Occupation, and Costume of the Mitchell. Negro Population in the Island of Jamaica.’ BY ALAN BISBORT BY TRACEY O’SHAUGHNESSY REPUBLICAN-AMERICAN REPUBLICAN-AMERICAN as it really been 37 years In 1837, on the cusp of a seismic H change in British Jamaica, a since Jimi Hendrix died? Sephardic Jew named Issac Wow, time flies when Mendes Belisario published a bizarre — and riveting — collec- you’re a baby boomer! But, tion of lithographs of Jamaican then again, time also stands still on occa- slaves. Why he did it, or what the Ja- sion. And, it will do that on Saturday, Oct. maican native thought about 20, at the Palace Theater in Waterbury, Britain’s peculiar institution, is not clear. But the freakishly subver- when Hendrix’s band-mates, drummer sive “Sketches of Character” is one Mitch Mitchell and bassist Billy Cox, join of the most mesmerizing — and provocative — series of works on forces with several stellar guitarists to paper the Yale Center for British Band Of Gypsys’ and The Jimi Hendrix re-create the Hendrix “Experience” in a Art has exhibited. Experience’s bassist, Billy Cox tribute to the guitarist that has been packing houses and drawing rave reviews See the exhibit since it began in February. What: “Art and Emancipation in Jamaica: Isaac Mendes Belis- And why not? The lineup of performers ario and His Worlds” slated to appear at the Palace could com- Where: Yale Center for British prise a separate wing at the Rock and Art, 1080 Chapel St., New Haven Roll Hall of Fame: Buddy Guy, the great When: Through Dec. 30 blues guitarist who mentored Hendrix; Details: Call 203-432-2800 or Robby Krieger, the guitarist who seam- visit www.yale.edu/ycba lessly backed Jim Morrison in the Doors; Mick Taylor, who left John Mayall’s It forms the centerpiece of a hypnotic exhibit at the museum, Bluesbreakers in 1969 to join the Rolling “Art & Emancipation in Jamaica: Stones, with whom he played for five Issac Mendes Belisario and His Worlds.” Focusing on the visual years; Hubert Sumlin, who culture of slavery and emancipa- played behind the legendary tion, “Art & Emancipation” is an often creepy examination of cant Howlin’ Wolf and whose and culture, of mind-boggling blues style influenced a le- depredations and the ugly suspen- sion of curiosity that accompanies gion of young British gui- gargantuan wealth. tarists with names like It commemorates the abolition of the British slave trade in 1807 Clapton, Page and Beck; and emancipation of slaves 30 Robert Randolph, who has single- years later. But abolition, like emancipation, is a slippery word, handedly revived the pedal steel guitar freighted with all sorts of decep- and toured with Eric Clapton; Kenny tion and duplicity. In many ways “Art & Emancipation” is a familiar Wayne Shepherd, America’s premier story to an American audience, young blues guitarist; and, of course, whose own lamentable legacy of slavery continues to emit its own Mitchell and Cox, the cornerstones the corrosive stench 150 years later. Jimi Hendrix Experience (Cox, Hen- But the British presence in Ja- Legendary blues guitarist Buddy Guy drix’s old buddy from his military days, maica, which began when it grabbed the island from Spain in replaced original member Noel Redding 1655, turned the island into in the latter days of the trio). Britain’s sugar bowl and created a hybrid Afro-Caribbean culture See EXPERIENCE, Page 7H that continues to this day. STOCKEXPERT.COM See JAMAICA, Page 6H