9,11,10

4. 11 江上歸舟
Returning Boats
無年款Undated
水墨設色紙本
Ink and colour on paper
高：24 厘米闊：29 厘米
H： 24 cm W：29 cm
黎明．黃詠賢伉儷藏品
Collection of Mr Lai Ming and Ms Wong Wing-yin
高劍父經常往來粵、港、澳三地，珠江河岸風光也成為他筆下常見題材。
此圖大致是他描繪珠江河生景色。他東渡日本時，也接觸到西畫技巧，在
素描寫生上予以運用。此圖留空象徵河上水平如鏡，江上兩只帆船歸舟，
由近入遠，泛棹返歸以水墨淺設色染畫的遠山樹林和堤岸上的村舍，一片
空靈恬靜情韻充溢紙上，用筆簡簡而充份表現其寫生技巧，也具有西方水
彩畫意味，反映其折衷中西的畫風。
Gao Jianfu frequently travelled around in Guangdong, Hong Kong and
Macao. The scenery of the Pearl River is a popular subject in his works,
as in this piece. He came across western painting techniques during his
visit to Japan and applied the techniques to his sketches. The vast open
space in this work is intentional to symbolize the mirror-like surface of a
calm river, with two boats sailing home. The distant forest and houses
along the shore are depicted with light ink and colour tones to exude a
sense of tranquility and emptiness. The piece demonstrates the
integration of the Eastern and Western styles through the employment of
simple strokes of sketching and shows that he had blended the styles of
both Chinese ink and Western watercolour painting.
9 小港雲桂鄉 10 南􃢏泰山廟
Village near the Yungui Bridge Taishan Temple in Nancun
1925 1925年8月2日2 August 1925
水墨設色紙本 水墨設色紙本
Ink and colour on paper Ink and colour on paper
高：16.5 厘米闊：23 厘米 高：23.5 厘米闊：31 厘米
H： 16.5 cm W：23 cm H： 23.5 cm W：31 cm
題識： 「小港雲桂鄉。十四、八、二。」 題識： 「南􃢏泰山廟側。十四年八月二日。」
鈐印： 「高崙」（朱文長方印） 鈐印： 「劍父寫生」（朱白文方印）
「劍父寫生」（朱白文方印）
With artist’s inscription and one artist seal
With artist’s inscription and two artist seals
黎明．黃詠賢伉儷藏品
黎明．黃詠賢伉儷藏品 Collection of Mr Lai Ming and Ms Wong Wing-yin
Collection of Mr Lai Ming and Ms Wong Wing-yin