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50 Shades of Ochre
A journey through Tuscany
A love affair with color
My dad instilled in me both a curiosity of how things work and a
lifelong love of color when he helped me with my very first science fair
project. Together we created a spinning disk with his old Erector set
and a color wheel that helped me explain how white was really the
presence of all color. I was smitten, my dad was probably hoping to
make science interesting to me, but helped create a designer instead.
I see the world in Technicolor, and through the years have been
disappointed that the pictures I brought home from my travels were
never what I remembered seeing. Photo editing software has changed
all that, now I can turn the pictures I have taken into what my memory
truly holds.
Like so many artists, I am drawn again and again to places in the world
that offer special light, that light is a reality that the camera often
does not convey. In the past painters always had the advantage, I now
have my own paint box in my computer that allows me to express what
keeps drawing me back to places like Tuscany and New Mexico.
First my innate curiosity requires that when I travel, I understand why
both the built and natural environment look like they do. It is natural
that indigenous stone was used as a building material, but only when I
return home do I discover that Monte Amiata, the focal point of many
Tuscan landscapes is the source of what we know as “raw sienna” and
“burnt sienna” pigments that are the basis of the ochre look of
Tuscany along with the travertines, marbles and other stones found in
the region
where art imitates architecture
Tuscany…where art imitates life
Laundry day on the sunny side of the street in Lucca.
Where life is lived behind 1,000 year old walls
In the simplicity of the medieval
And the elegance of the renaissance
Where the formal was born and remains intact
Where texture defines
Where villas dot the countryside – restored, refined, in ruins or in between
And the rolling hills go seemingly into infinity
Where the players are selected from central-casting
The young and the not-so
Some things are all too perfect!
The perfect rows
The perfect landscapes
… a town fortified with a massive, fully intact Renaissance wall is a delight of ochers
from light to dark, from cool to warm, with a range of green trims throughout town.
Cars are not allowed and the bicycle is the chief form of transportation
Lucca
Lucca’s Walls
Where bicycles rule the streets
Even the built-environment seems to disappear into infinity
In Italy hot pink is not a “girly”
color and magenta floral
scarves are acceptable
menswear.
Pienza purple stands unapologetically next to historic ochre stone walls
And ochre reigns day and night
And everyday is laundry day
Where we try illusively to peer in the windows to catch a glimpse of local life
Villages, even Lilliputian ones surround the countryside
Every plateau supports a village
Or a family farmhouse
The Carrera marble pits might lie just above Barga, but
the predominant color in the narrow alleys is ochre.
.
Montepulciano
The gate into Montepulciano
Our own gatekeeper
Our timekeeper
Etruscan motifs
Cinque Terre…more than Ochre
Where everything is a little brighter
…but the fashionable remain
neutral to let nature and
architecture play the lead.
Or ochre
Tuscany offers fresh garden produce
Charming terra cotta rooftops
In the end…
more than anything
The color Ochre
defines Tuscany for
me!

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50 Shades of Ochre...A Journey through Tuscany

  • 1. 50 Shades of Ochre A journey through Tuscany
  • 2. A love affair with color My dad instilled in me both a curiosity of how things work and a lifelong love of color when he helped me with my very first science fair project. Together we created a spinning disk with his old Erector set and a color wheel that helped me explain how white was really the presence of all color. I was smitten, my dad was probably hoping to make science interesting to me, but helped create a designer instead. I see the world in Technicolor, and through the years have been disappointed that the pictures I brought home from my travels were never what I remembered seeing. Photo editing software has changed all that, now I can turn the pictures I have taken into what my memory truly holds. Like so many artists, I am drawn again and again to places in the world that offer special light, that light is a reality that the camera often does not convey. In the past painters always had the advantage, I now have my own paint box in my computer that allows me to express what keeps drawing me back to places like Tuscany and New Mexico. First my innate curiosity requires that when I travel, I understand why both the built and natural environment look like they do. It is natural that indigenous stone was used as a building material, but only when I return home do I discover that Monte Amiata, the focal point of many Tuscan landscapes is the source of what we know as “raw sienna” and “burnt sienna” pigments that are the basis of the ochre look of Tuscany along with the travertines, marbles and other stones found in the region
  • 3. where art imitates architecture Tuscany…where art imitates life
  • 4. Laundry day on the sunny side of the street in Lucca. Where life is lived behind 1,000 year old walls
  • 5. In the simplicity of the medieval
  • 6. And the elegance of the renaissance
  • 7. Where the formal was born and remains intact
  • 9. Where villas dot the countryside – restored, refined, in ruins or in between
  • 10. And the rolling hills go seemingly into infinity
  • 11. Where the players are selected from central-casting
  • 12.
  • 13. The young and the not-so
  • 14. Some things are all too perfect!
  • 17. … a town fortified with a massive, fully intact Renaissance wall is a delight of ochers from light to dark, from cool to warm, with a range of green trims throughout town. Cars are not allowed and the bicycle is the chief form of transportation Lucca
  • 19. Where bicycles rule the streets
  • 20.
  • 21.
  • 22. Even the built-environment seems to disappear into infinity
  • 23. In Italy hot pink is not a “girly” color and magenta floral scarves are acceptable menswear.
  • 24. Pienza purple stands unapologetically next to historic ochre stone walls
  • 25.
  • 26.
  • 27. And ochre reigns day and night
  • 28. And everyday is laundry day
  • 29. Where we try illusively to peer in the windows to catch a glimpse of local life
  • 30. Villages, even Lilliputian ones surround the countryside
  • 32. Or a family farmhouse
  • 33. The Carrera marble pits might lie just above Barga, but the predominant color in the narrow alleys is ochre. .
  • 34.
  • 35.
  • 37. The gate into Montepulciano
  • 41.
  • 42.
  • 43.
  • 45. Where everything is a little brighter
  • 46.
  • 47.
  • 48.
  • 49.
  • 50.
  • 51. …but the fashionable remain neutral to let nature and architecture play the lead.
  • 53. Tuscany offers fresh garden produce
  • 55. In the end… more than anything The color Ochre defines Tuscany for me!

Editor's Notes

  1. Laundry day on the sunny side of the street.
  2. Only a sliver of sunlight gets through the narrow alleys of Barga
  3. The Carrara marble pits might lie just above Barga, but the predominant color in the narrow alleys is ochre.