There are many dierent approaches, and what will work well for one lyricist will not necessarily work for another, but here are some tips, tricks, dos and don'ts...

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24 tips for writing lyrics
By Chris Wickett 25 days ago
There are many di erent approaches, and what will work well for one lyricist will not necessarily work for another,
but here are some tips, tricks, dos and don'ts...
The process of writing lyrics, perhaps more than any other discipline in music, is very personal to the writer. Everyone has a di erent
approach, and what will work well for one lyricist will not necessarily work for another. Some people can write a whole song in ve
minutes, for some people it can take months.
However you write, though, and whatever your style, we've put together some pointers that we hope will prove useful. Some of them are
rules of thumb; others are ideas to help you get out of any creative rut.
The main thing to remember is that as with any other art form, there is no right or wrong way to do it. Experiment with the tips, tricks, dos
and don'ts below, but remember that in this case, the rules can sometimes be broken.
Like any other creative process such as playing guitar or programming synth sounds, lyric-writing is a skill that can be learnt and
improved upon
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2. 1. Practice
Like any other creative process such as playing guitar or programming synth sounds, lyric-writing is a skill that can be learnt and improved
upon.
2. Don't be disheartened
Don't be disheartened if your lyrics aren't perfect on the rst draft. Many professional writers will rewrite a song's lyrics dozens of times
before they make it onto record.
3. Persevere
More often than not, songs aren't born, they're created and sculpted. Don't expect a song to arrive fully formed; they sometimes take time
and you'll need to work at it.
4. Move on
If you can't quite gure out how to say what you want within a particular line, jot down the gist of it and move on to another part of the
song - you can come back to it later. That way, you won't spend hours wrestling with one small line that might turn out to be insigni cant
in the wider context of the song.
5. Elevator pitch
Try to have a clear idea of what the song is about. You should be able to sum up the essence of the song in one sentence.
6. Analyse other songs
Try to pick out the di erences in lyrics between your favourite songs and your own, and apply any lyrical techniques you learn to your own
work.
7. Structural works
Make sure the song has a clear structure and progression. This is particularly important in narrative songs (songs that tell a story). A quick
test is to read the nished song through from start to nish, asking yourself "does this make sense?"
8. Use context
Adding a back-story to explain the situation (for example) can add interest, and can change the entire meaning of any lyrics following it.
9. Use perspective
For example, a classic songwriting trick is to describe an event in the rst verse, and add perspective by describing how it a ected you or
made you feel in the second verse. Another viewpoint can put an interesting spin on an otherwise straightforward point.
10. Choruses are from Venus, verses are from Mars
Choruses require a di erent approach to verses, especially if you're writing pop. They often need to be more 'plain' and easy to remember.
A common trick is to write the 'setup' during the verse, and the emotional 'payo ' in the chorus.
11. Experiment
Experiment with rhythm within a line. A line can have its own rhythmic bounce or air and still t in within the overall rhyming scheme.
12. Use light and shade
Contrasting the happy and positive with the sad and downbeat within a song can be very powerful. Context is everything: a joyous chorus
after a more solemn verse can make the chorus even more uplifting.
13. Concision
Don't use an excess of adjectives, or describing words. While they are clearly essential to a songwriter, adding too many can make a lyric
less concise.
14. Don't be scared of imagery
Don't feel that using imagery will make your lyrics too arty or owery. Used well, it can evoke emotions or moods that can't be created by
using blunt description alone.
15. Careful with the abstract
Be careful when using the emotional abstract, for example, saying things like "I want to feel free". Complex emotions are often di cult to
describe; it's sometimes more e ective to use imagery (see tip 14) or context (see tip 8) to convey an emotion rather than simply stating it.
16. Experiment with tense
It can be interesting to write about the past, present and future, sometimes all within the same song.
17. Be clear
Remember that the listeners might miss a word, or a line, or three. Don't rely on just one small line to put the whole song in context.

3. 18. Experiment with attitude
Songs can be humble, arrogant, hopeful, sombre, aggressive and more. Creative droughts can often be tackled by radically changing the
outlook of your lyrics. This isn't to say that you shouldn't be yourself, but a bit of experimentation won't hurt.
19. Experiment with pronouns
Songs don't always have to be written using 'you' or 'I'. Lyrics with plural pronouns such as 'we' and 'they', for example, can give a very
di erent feel to a song. Avoid using too many di erent pronouns in the same song though as this may be confusing.
20. Don't use too many words
Cramming a line full of words where they clearly won't t may cause each word to lose its impact; it's normally wiser to re-write the line
completely rather than trying to play literary Tetris.
21. Be aware of the 'sounds' of words
Words have an inherent sound to them which becomes even more pronounced when sung rather than spoken. Some words sound spikey,
some stodgy, some open, some blunt, some roll o the tongue. Take the sound as well the meaning of the word into account when
writing.
22. Be cautious when using 'clever' or overly elaborate language
These words often look ne on paper, but normally don't translate well into song. You also run the risk of alienating listeners that don't
know what a word means.
23. Consider the rhyming scheme, if there is one
It's important to remember that how 'catchy' your song is in not just a product of the music and melody; it also comes from the lyrics,
especially the rhythm and rhyming scheme.
24. Avoid ller!
If possible, avoid writing ller lines in order to make rhymes work. It's ne to use ller when mapping out the structure of the song, but
you should use any subsequent re-writes to try and make each line count in is own right.
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