4 Printscreens Of Short Films
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The summary provides context for the film through three shots: 1) A medium shot allows the audience to see that the figure is a robot. 2) A handheld camera engages the audience as it circles the character until the hole is in front of him, at which point he sprints forward to jump. 3) A long shot shows a whole-body view of a capoeira fight on a painted canvas without interference, as one would see in a documentary.
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The day after (1983)
Well, I can’t say that this is my favourite film. It would be just the wrong word. This is the film, that impressed me. This is the film, that shocked me. This is the film, that covers my body with goosebumps every time when I hear about it. This is the only film that really scares me…
It is about consequences after a Nuclear Attack or, honesty speaking, after a play between two persons in which everyone is a looser. Especially simple people, who suffers mostly.
Critics tended to claim the film was too tame, but still, being directed by Nicholas Meyer, it received twelve Emmy nominations and won two Emmy awards for an Outstanding Film Sound Editing and for an Outstanding Achievement In Special Visual Effects.
But my task was not to write about the whole film ( what I wish I could), but to write about my favourite scene in it ( and again, I would like to replace the word favourite to the most impressive one). Why does my “favourite” scene end on 3.27? Because everything what is happening after is too cruel even for non-sensitive people like me.
First of all, I must point out again that I don’t like it. I am impressed by it. Why? It shows us peoples reaction to a disaster! It shows us the end of their world and how they are trying to survive. But do they have a chance? Most of them definitely not! And the audience see it and wholly understands… how terrifying is that? So, this piece shows the naturalness of emotions.
My second reason is cleanliness of the shots. They are very straight and senseful. The picture explains what it has to, but avoids too much drama. Yes, it is very dramatic scene, but everywhere have to be a measure. People are still hoping and I see it, I understand it, I believe it and I am worry about it.
My third point is talking about a film structure, which includes several things like: great use of the sound, camera, different angles, colours and how genius everything is put together! Each movement, gesture, posture, appearances, spatial behaviour… everything what is happening on the screen puts and keeps you under a pressure.
But I should tell more about my last point, because, obviously, there is what to pay attention for. Firstly, the great sound work that really adds even more tension to this scene.
So what can I say about camera work in this scene? It’s spectacular! I identified a lot of different methods of what I had learned and I want to tell about several of them.
Nine frame structure analysis of film opening By Vicky
The opening sequence establishes a psychological thriller genre through its use of white writing on a dark background. A male character is seen investigating pictures and writing, creating intrigue about the plot. Dull colors, shadows, and contrasts generate a gloomy, thrilling atmosphere from the beginning.
Camera angles
The document provides descriptions of different camera shot types including their purposes and intended effects on viewers. Wide angle shots show full context while low angle shots make subjects appear powerful. High angle shots make subjects seem vulnerable. Point of view and over the shoulder shots involve viewers. Close ups convey emotion while establishing shots set the scene. Tracking and panning shots follow action.
Ways cinematography can translate certain themes and ideas.
The document discusses different types of shots used in filmmaking. It describes focus pulls as shots that draw attention to previously ignored aspects of a scene. It provides the example of using focus pulls when a character wakes up and draws a picture. Smooth transition shots with precise movements are discussed next, with examples from a scene of a character coming downstairs and moving their hand on a bed. Finally, static shots with no movement or diversion focusing on a subject are described, and how they can be used to juxtapose excited scenes with more movement and illustrate a character's emotional state of disappointment through lingering static shots.
Shooting schedule
This document provides a shooting schedule detailing various shot types, locations, actions, and cast for filming. Shots include extreme close-ups of a mobile phone, zooming out to reveal more of a location, panning shots, medium shots of characters in different settings, close-ups showing facial expressions, tracking shots of characters walking, and low angle shots. Jump cuts will be used to show a character having a flashback and going into shock. A graphic match will dissolve from a character's eye to a car wheel.
The day after (1983)
This document discusses and analyzes a scene from the 1983 film "The Day After". The scene depicts the aftermath of a nuclear attack. It impressed the author due to its realistic portrayal of human emotion and survival instincts in a disaster. Specifically, the author praises the clean and straightforward cinematography, the intense sound design that heightens tension, and the masterful use of camera techniques like shot types, angles, and movements to fully immerse the viewer.
Horror Trailer Planning - Camera
The document discusses the planned use of camera techniques in a horror trailer. It will use various camera angles like over the shoulder shots and panning shots to imply that a villain is following or watching the victim. Long shots will be used to establish the setting, mid shots to show interactions, and close-ups to convey emotions in a montage. A variety of shot distances including wide shots, close-ups, and mid shots will be employed to set the scene, imply growing threat, and show the victim's torment.
Cloverfield
The documentary begins with darkness and an explosion that draws the viewer's attention. Filmed from a first-person perspective like the viewer is behind the camera, the scene causes viewers to feel absorbed in the story. As wreckage flies toward the protagonists, the camera shakes, creating a disoriented feeling. When the camera man falls, another actor helps him and the viewer, drawing them deeper into the immersive experience. A smoke cloud rolls down the street as buildings burn in the distance, surrounded by screaming people, cars and a stop sign, conveying a sense of chaos.
Recommended
The day after (1983)
Well, I can’t say that this is my favourite film. It would be just the wrong word. This is the film, that impressed me. This is the film, that shocked me. This is the film, that covers my body with goosebumps every time when I hear about it. This is the only film that really scares me…
It is about consequences after a Nuclear Attack or, honesty speaking, after a play between two persons in which everyone is a looser. Especially simple people, who suffers mostly.
Critics tended to claim the film was too tame, but still, being directed by Nicholas Meyer, it received twelve Emmy nominations and won two Emmy awards for an Outstanding Film Sound Editing and for an Outstanding Achievement In Special Visual Effects.
But my task was not to write about the whole film ( what I wish I could), but to write about my favourite scene in it ( and again, I would like to replace the word favourite to the most impressive one). Why does my “favourite” scene end on 3.27? Because everything what is happening after is too cruel even for non-sensitive people like me.
First of all, I must point out again that I don’t like it. I am impressed by it. Why? It shows us peoples reaction to a disaster! It shows us the end of their world and how they are trying to survive. But do they have a chance? Most of them definitely not! And the audience see it and wholly understands… how terrifying is that? So, this piece shows the naturalness of emotions.
My second reason is cleanliness of the shots. They are very straight and senseful. The picture explains what it has to, but avoids too much drama. Yes, it is very dramatic scene, but everywhere have to be a measure. People are still hoping and I see it, I understand it, I believe it and I am worry about it.
My third point is talking about a film structure, which includes several things like: great use of the sound, camera, different angles, colours and how genius everything is put together! Each movement, gesture, posture, appearances, spatial behaviour… everything what is happening on the screen puts and keeps you under a pressure.
But I should tell more about my last point, because, obviously, there is what to pay attention for. Firstly, the great sound work that really adds even more tension to this scene.
So what can I say about camera work in this scene? It’s spectacular! I identified a lot of different methods of what I had learned and I want to tell about several of them.
Nine frame structure analysis of film opening By Vicky
The opening sequence establishes a psychological thriller genre through its use of white writing on a dark background. A male character is seen investigating pictures and writing, creating intrigue about the plot. Dull colors, shadows, and contrasts generate a gloomy, thrilling atmosphere from the beginning.
Camera angles
The document provides descriptions of different camera shot types including their purposes and intended effects on viewers. Wide angle shots show full context while low angle shots make subjects appear powerful. High angle shots make subjects seem vulnerable. Point of view and over the shoulder shots involve viewers. Close ups convey emotion while establishing shots set the scene. Tracking and panning shots follow action.
Ways cinematography can translate certain themes and ideas.
The document discusses different types of shots used in filmmaking. It describes focus pulls as shots that draw attention to previously ignored aspects of a scene. It provides the example of using focus pulls when a character wakes up and draws a picture. Smooth transition shots with precise movements are discussed next, with examples from a scene of a character coming downstairs and moving their hand on a bed. Finally, static shots with no movement or diversion focusing on a subject are described, and how they can be used to juxtapose excited scenes with more movement and illustrate a character's emotional state of disappointment through lingering static shots.
Shooting schedule
This document provides a shooting schedule detailing various shot types, locations, actions, and cast for filming. Shots include extreme close-ups of a mobile phone, zooming out to reveal more of a location, panning shots, medium shots of characters in different settings, close-ups showing facial expressions, tracking shots of characters walking, and low angle shots. Jump cuts will be used to show a character having a flashback and going into shock. A graphic match will dissolve from a character's eye to a car wheel.
The day after (1983)
This document discusses and analyzes a scene from the 1983 film "The Day After". The scene depicts the aftermath of a nuclear attack. It impressed the author due to its realistic portrayal of human emotion and survival instincts in a disaster. Specifically, the author praises the clean and straightforward cinematography, the intense sound design that heightens tension, and the masterful use of camera techniques like shot types, angles, and movements to fully immerse the viewer.
Horror Trailer Planning - Camera
The document discusses the planned use of camera techniques in a horror trailer. It will use various camera angles like over the shoulder shots and panning shots to imply that a villain is following or watching the victim. Long shots will be used to establish the setting, mid shots to show interactions, and close-ups to convey emotions in a montage. A variety of shot distances including wide shots, close-ups, and mid shots will be employed to set the scene, imply growing threat, and show the victim's torment.
Cloverfield
The documentary begins with darkness and an explosion that draws the viewer's attention. Filmed from a first-person perspective like the viewer is behind the camera, the scene causes viewers to feel absorbed in the story. As wreckage flies toward the protagonists, the camera shakes, creating a disoriented feeling. When the camera man falls, another actor helps him and the viewer, drawing them deeper into the immersive experience. A smoke cloud rolls down the street as buildings burn in the distance, surrounded by screaming people, cars and a stop sign, conveying a sense of chaos.
Assignment 7 helen, marisha, rosie (3)
This summary analyzes the last scene from The Hunger Games. It examines whether the scene represents a whole narrative, section, or enigma. The scene is presented linearly and in real time, with no graphics or flashbacks. It features a single narrative from the hero's perspective as she gets ready to shoot, misses her target, tries to get attention, and succeeds. The scene takes over an hour but is condensed to 2 minutes and 25 seconds through editing.
EDITING 1 - TASK 2B
The document discusses different editing techniques used in filmmaking. It describes how a flashback scene uses changes in color and music to indicate a shift to a past event. It also explains how an establishing shot is used to introduce characters and set the scene. Finally, it discusses how consecutive shots can be cut together rapidly to match the rhythm of background music and convey a mood of upbeat fun between characters.
Filming session 1-2
The document summarizes two filming sessions for a short film called "The Apprentice". In the first session, the filmmakers captured an over-the-shoulder, high angle shot of three actors discussing their mission. They used a tripod-mounted camera to get the shot. They note that the classroom location was not ideal and they will change locations for the next draft. In the second session, they captured an establishing panoramic shot of a new outdoor location and a close-up, high angle shot of fake blood and an actor laying on the ground pretending to be dead. They discuss improvements that could be made in editing to make the blood more visible.
Zombieland
The scene shows a close-up shot of a zombie looking directly into the camera, which would frighten audiences by making it seem like the zombie is about to attack them. This technique is intended to intrigue the target horror film audience and make the film seem interesting.
Soap
Mise en scene, camera work, editing, and sound are all used to establish settings in a narrative. Mise en scene includes props and details that reflect characters' personalities and backgrounds. Camera work uses shots like long pans and close ups to set the scale and feel of the environment. Editing cuts between areas to explore multiple parts of a setting. Sound fleshes out locations with audio cues like traffic to signify a busy area or wind for a beach scene. Together these techniques immerse the audience in the world of the story through its visual and aural settings.
Assignment 5 planning for preliminary
1) The document provides information on techniques for filming conversations, including the 180 degree rule, match on action, and different camera shots.
2) The 180 degree rule states that two characters in a scene should maintain the same left/right relationship to avoid confusing the audience. Match on action matches the speed of an action like catching a ball across two shots to make the movement seem continuous.
3) Different camera shots are defined, including establishing shots, close-ups, extreme close-ups, two shots, and over the shoulder shots. The uses and purposes of each shot type are explained.
Analysing the opening 2 minutes cloverfield
Within the first two minutes of Cloverfield, several conventions of sci-fi horror films are established. Quick cuts, shaky camera work, and dark lighting create a "found footage" style and build tension as the audience cannot see clearly what is happening. Long shots show the surrounding area at night to further the sci-fi horror mood. Diegetic sounds become more prominent as the only clues to the unseen monster. The fragmentary footage leaves the audience with many questions typical of the genre.
Wrong side of the bed
This film shows how a person's day can go in two completely different ways depending on whether they wake up on the right or wrong side of the bed. The camera splits to show parallel universes, with one character having a good day where everything goes right, while the other has bad luck with nothing going their way. Various camera techniques like mid shots and tracking shots are used to follow both characters and their differing experiences throughout their morning routines and commutes to work.
Wrong side of_the_bed[1]
This film shows how a person's day can go in two completely different ways depending on whether they wake up on the right or wrong side of the bed. The camera splits to show parallel universes, with one character having a good day where everything goes right, while the other has bad luck with nothing going their way. Various camera techniques like mid shots and tracking shots are used to follow both characters and their differing experiences throughout their morning routines and commutes to work.
Camera angles, zooms and movements
This document discusses different camera angles, zooms, and movements used in filmmaking and their effects. It provides examples of shot types like two shots, point of view shots, and over the shoulder shots and how they show interactions or emphasize subjects. Zoom levels like mid shots and long shots are explained as well as how they include background detail. Establishing shots set the scene. Camera movements like tilts, pans, tracks, and handheld shots add emphasis, focus on subjects, follow characters, or make scenes seem natural.
Camera angles
The document discusses various camera angles that can be used in filmmaking and their effects, including establishing shots, hand-held shots, low and high angles, point-of-view shots, close-ups, and more. Different camera angles like low angles can make characters seem powerful while high angles make them seem vulnerable. The angles discussed could be used to both establish conventions and subvert expectations in a thriller film.
Dps Plan
This document provides details for a photoshoot with multiple bands. It lists each band to be shot, including Flobots, The King Blues, and Rise Against. For each band, it specifies the shot type, angle, distance, lighting, background, and positioning on a double page spread, as well as any planned editing to the images.
Micro elements in film opening
The document discusses how different camera shots are used in opening sequences to create meaning and tension. An extreme close-up of a zombie's eyes shows blood and desperation. A close-up from a POV perspective shows the scariness and expression of a zombie about to eat someone. A medium shot clearly shows a man running from a zombie, showing his movement and pace. The long shots show the location and zombies attacking, with an extreme long shot establishing the living area setting.
Analysing opening sequence
The opening sequence of Eraserhead establishes the surreal and disturbing tone of the film. It begins with white text on a black background introducing David Lynch as the director. The title sequence cuts to a shot of a man with a translucent appearance moving around the screen in a paranoid manner. His face contorts and a strange creature emerges from his mouth. The creature moves towards a deformed man living in a makeshift house on what appears to be the moon. This man pulls levers that seem to affect the horizontal man, and the creature falls into a crater. The opening ends by cutting to black and then showing a white circle that the camera zooms into, transitioning to a new location.
Evidence of Planning - Locations
The document outlines three filming locations used for different scenes of a film project about an asteroid. The first location was the filmmaker's own living room, which was used to film a scene depicting characters' normal daily lives before panic about the asteroid sets in. It allowed the use of mise-en-scene to show the closeness of relationships between characters. The second location was Chilton Road, used to film a news report scene because it created an atmospheric feel suitable for an news report. The third location was Purdis Heath, a forest used to film a scene of characters evacuating before the asteroid's impact to contrast with the previous scene of domestic normalcy.
Analysis Of Opening Scene (Rock N Rolla)
The opening film techniques of Rock N Rolla establish the gritty criminal tone. Through dirty prison-like titles, shaky camera movements that draw the viewer in, and medium shots that show characters' identities, the film suggests this story will involve petty criminals willing to get their hands dirty. Dark, grey colors, prison-like settings, and characters in muscle shirts cut off from society further position the characters as criminals living a seemingly laid back but potentially violent lifestyle.
Question 6
The editing process for the thriller was more complex than previous projects, requiring specific sound effects found online and color correction to set mood. Scenes were linked through a flash between them, and titles were overlaid and faded in/out over the first scene footage using layering and a proportional grid for alignment. While in-depth editing allowed their vision to be precisely realized, it could reduce creativity by allowing poor shots to be extensively edited.
Floor plan 1
This floor plan shows the layout for a scene shot at The Fish Inn. The black arrow indicates the route the actors Mike and James will take walking toward the camera, which will be placed where the circle is. This positioning allows both characters to walk directly toward the camera to best capture the intended effect.
editing concepts
The document discusses various cinematography and editing techniques used in filmmaking, including establishing shots, the 180-degree rule, shot/reverse shot, matching on action, parallel editing, eye-line match, graphic match, the 30-degree rule, transitions, and pace/tempo. Examples are provided for each technique from movies such as The Amazing Spiderman, Rush Hour 3, Hunger Games, Friends, The Godfather, Rear Window, A Space Odyssey, and Burn Notice.
Knowing too much
The camera work in the video effectively builds tension and engages the audience. Various shots such as long shots, mid shots, and close ups are used to focus on key elements, develop characters, and move the story forward. Fast-paced jump cuts between the protagonist and antagonist escalate tension as their interaction plays out. Camera movements like tracking and handheld shots emphasize fear and urgency from the protagonist's perspective. The isolated location and climax of the encounter are also highlighted through strategic camera placement and shots that tell the story in under 3 minutes.
Cloverfield
The documentary begins with darkness and an explosion that draws the viewer's attention. Filmed from a first-person perspective like the viewer is behind the camera, the scene causes viewers to feel absorbed in the story. As wreckage flies toward the protagonists, the camera shakes, creating a disoriented feeling. When the camera man falls, another actor helps him and the viewer, drawing them deeper into the immersive experience. A smoke cloud rolls down the street as buildings burn in the distance, surrounded by screaming people, cars and a stop sign, conveying a sense of chaos.
Glossary for as media studies
This document provides definitions, examples, and possible effects for various camera shots, angles, and movements used in media studies. It includes entries for shots like establishing shots, close-ups, and mid-shots, as well as angles like high angles and low angles. It also covers camera movements such as pans, tilts, tracks, dolly shots, crane shots, steadicam, handheld shots, zooms, and reverse zooms. The goal is to explain these technical elements and how they can be used to achieve certain effects in filmed content.
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Assignment 7 helen, marisha, rosie (3)
This summary analyzes the last scene from The Hunger Games. It examines whether the scene represents a whole narrative, section, or enigma. The scene is presented linearly and in real time, with no graphics or flashbacks. It features a single narrative from the hero's perspective as she gets ready to shoot, misses her target, tries to get attention, and succeeds. The scene takes over an hour but is condensed to 2 minutes and 25 seconds through editing.
EDITING 1 - TASK 2B
The document discusses different editing techniques used in filmmaking. It describes how a flashback scene uses changes in color and music to indicate a shift to a past event. It also explains how an establishing shot is used to introduce characters and set the scene. Finally, it discusses how consecutive shots can be cut together rapidly to match the rhythm of background music and convey a mood of upbeat fun between characters.
Filming session 1-2
The document summarizes two filming sessions for a short film called "The Apprentice". In the first session, the filmmakers captured an over-the-shoulder, high angle shot of three actors discussing their mission. They used a tripod-mounted camera to get the shot. They note that the classroom location was not ideal and they will change locations for the next draft. In the second session, they captured an establishing panoramic shot of a new outdoor location and a close-up, high angle shot of fake blood and an actor laying on the ground pretending to be dead. They discuss improvements that could be made in editing to make the blood more visible.
Zombieland
The scene shows a close-up shot of a zombie looking directly into the camera, which would frighten audiences by making it seem like the zombie is about to attack them. This technique is intended to intrigue the target horror film audience and make the film seem interesting.
Soap
Mise en scene, camera work, editing, and sound are all used to establish settings in a narrative. Mise en scene includes props and details that reflect characters' personalities and backgrounds. Camera work uses shots like long pans and close ups to set the scale and feel of the environment. Editing cuts between areas to explore multiple parts of a setting. Sound fleshes out locations with audio cues like traffic to signify a busy area or wind for a beach scene. Together these techniques immerse the audience in the world of the story through its visual and aural settings.
Assignment 5 planning for preliminary
1) The document provides information on techniques for filming conversations, including the 180 degree rule, match on action, and different camera shots.
2) The 180 degree rule states that two characters in a scene should maintain the same left/right relationship to avoid confusing the audience. Match on action matches the speed of an action like catching a ball across two shots to make the movement seem continuous.
3) Different camera shots are defined, including establishing shots, close-ups, extreme close-ups, two shots, and over the shoulder shots. The uses and purposes of each shot type are explained.
Analysing the opening 2 minutes cloverfield
Within the first two minutes of Cloverfield, several conventions of sci-fi horror films are established. Quick cuts, shaky camera work, and dark lighting create a "found footage" style and build tension as the audience cannot see clearly what is happening. Long shots show the surrounding area at night to further the sci-fi horror mood. Diegetic sounds become more prominent as the only clues to the unseen monster. The fragmentary footage leaves the audience with many questions typical of the genre.
Wrong side of the bed
This film shows how a person's day can go in two completely different ways depending on whether they wake up on the right or wrong side of the bed. The camera splits to show parallel universes, with one character having a good day where everything goes right, while the other has bad luck with nothing going their way. Various camera techniques like mid shots and tracking shots are used to follow both characters and their differing experiences throughout their morning routines and commutes to work.
Wrong side of_the_bed[1]
This film shows how a person's day can go in two completely different ways depending on whether they wake up on the right or wrong side of the bed. The camera splits to show parallel universes, with one character having a good day where everything goes right, while the other has bad luck with nothing going their way. Various camera techniques like mid shots and tracking shots are used to follow both characters and their differing experiences throughout their morning routines and commutes to work.
Camera angles, zooms and movements
This document discusses different camera angles, zooms, and movements used in filmmaking and their effects. It provides examples of shot types like two shots, point of view shots, and over the shoulder shots and how they show interactions or emphasize subjects. Zoom levels like mid shots and long shots are explained as well as how they include background detail. Establishing shots set the scene. Camera movements like tilts, pans, tracks, and handheld shots add emphasis, focus on subjects, follow characters, or make scenes seem natural.
Camera angles
The document discusses various camera angles that can be used in filmmaking and their effects, including establishing shots, hand-held shots, low and high angles, point-of-view shots, close-ups, and more. Different camera angles like low angles can make characters seem powerful while high angles make them seem vulnerable. The angles discussed could be used to both establish conventions and subvert expectations in a thriller film.
Dps Plan
This document provides details for a photoshoot with multiple bands. It lists each band to be shot, including Flobots, The King Blues, and Rise Against. For each band, it specifies the shot type, angle, distance, lighting, background, and positioning on a double page spread, as well as any planned editing to the images.
Micro elements in film opening
The document discusses how different camera shots are used in opening sequences to create meaning and tension. An extreme close-up of a zombie's eyes shows blood and desperation. A close-up from a POV perspective shows the scariness and expression of a zombie about to eat someone. A medium shot clearly shows a man running from a zombie, showing his movement and pace. The long shots show the location and zombies attacking, with an extreme long shot establishing the living area setting.
Analysing opening sequence
The opening sequence of Eraserhead establishes the surreal and disturbing tone of the film. It begins with white text on a black background introducing David Lynch as the director. The title sequence cuts to a shot of a man with a translucent appearance moving around the screen in a paranoid manner. His face contorts and a strange creature emerges from his mouth. The creature moves towards a deformed man living in a makeshift house on what appears to be the moon. This man pulls levers that seem to affect the horizontal man, and the creature falls into a crater. The opening ends by cutting to black and then showing a white circle that the camera zooms into, transitioning to a new location.
Evidence of Planning - Locations
The document outlines three filming locations used for different scenes of a film project about an asteroid. The first location was the filmmaker's own living room, which was used to film a scene depicting characters' normal daily lives before panic about the asteroid sets in. It allowed the use of mise-en-scene to show the closeness of relationships between characters. The second location was Chilton Road, used to film a news report scene because it created an atmospheric feel suitable for an news report. The third location was Purdis Heath, a forest used to film a scene of characters evacuating before the asteroid's impact to contrast with the previous scene of domestic normalcy.
Analysis Of Opening Scene (Rock N Rolla)
The opening film techniques of Rock N Rolla establish the gritty criminal tone. Through dirty prison-like titles, shaky camera movements that draw the viewer in, and medium shots that show characters' identities, the film suggests this story will involve petty criminals willing to get their hands dirty. Dark, grey colors, prison-like settings, and characters in muscle shirts cut off from society further position the characters as criminals living a seemingly laid back but potentially violent lifestyle.
Question 6
The editing process for the thriller was more complex than previous projects, requiring specific sound effects found online and color correction to set mood. Scenes were linked through a flash between them, and titles were overlaid and faded in/out over the first scene footage using layering and a proportional grid for alignment. While in-depth editing allowed their vision to be precisely realized, it could reduce creativity by allowing poor shots to be extensively edited.
Floor plan 1
This floor plan shows the layout for a scene shot at The Fish Inn. The black arrow indicates the route the actors Mike and James will take walking toward the camera, which will be placed where the circle is. This positioning allows both characters to walk directly toward the camera to best capture the intended effect.
editing concepts
The document discusses various cinematography and editing techniques used in filmmaking, including establishing shots, the 180-degree rule, shot/reverse shot, matching on action, parallel editing, eye-line match, graphic match, the 30-degree rule, transitions, and pace/tempo. Examples are provided for each technique from movies such as The Amazing Spiderman, Rush Hour 3, Hunger Games, Friends, The Godfather, Rear Window, A Space Odyssey, and Burn Notice.
What's hot (19)
Similar to 4 Printscreens Of Short Films
Knowing too much
The camera work in the video effectively builds tension and engages the audience. Various shots such as long shots, mid shots, and close ups are used to focus on key elements, develop characters, and move the story forward. Fast-paced jump cuts between the protagonist and antagonist escalate tension as their interaction plays out. Camera movements like tracking and handheld shots emphasize fear and urgency from the protagonist's perspective. The isolated location and climax of the encounter are also highlighted through strategic camera placement and shots that tell the story in under 3 minutes.
Cloverfield
The documentary begins with darkness and an explosion that draws the viewer's attention. Filmed from a first-person perspective like the viewer is behind the camera, the scene causes viewers to feel absorbed in the story. As wreckage flies toward the protagonists, the camera shakes, creating a disoriented feeling. When the camera man falls, another actor helps him and the viewer, drawing them deeper into the immersive experience. A smoke cloud rolls down the street as buildings burn in the distance, surrounded by screaming people, cars and a stop sign, conveying a sense of chaos.
Glossary for as media studies
This document provides definitions, examples, and possible effects for various camera shots, angles, and movements used in media studies. It includes entries for shots like establishing shots, close-ups, and mid-shots, as well as angles like high angles and low angles. It also covers camera movements such as pans, tilts, tracks, dolly shots, crane shots, steadicam, handheld shots, zooms, and reverse zooms. The goal is to explain these technical elements and how they can be used to achieve certain effects in filmed content.
Media presentation
The document discusses how the opening of a thriller film establishes the genre through the use of props, camera shots, editing techniques, and soundtrack. It begins with a long shot of a parked car in a rural setting to create isolation and mystery. When a man carrying a concealed weapon enters the shot, the audience realizes it is a thriller or horror. Continuity editing and adherence to techniques like the 180-degree rule are discussed. Props like abandoned farming equipment, vehicles, clothing, and weapons are used to immerse the audience in the setting and suggest possible events.
Media presentation
The document discusses how the opening of a student thriller film uses and develops conventions of real thriller films. It begins with a distant shot of a parked car in a barn, inspired by the 2002 film Transporter. Shots zoom in on the car to create isolation and mystery. The opening immediately shows a character holding a concealed weapon to signal the genre. Continuity editing, props, costumes, and intercutting credits were chosen and positioned to further immerse viewers in the thriller genre. The flickering, rough-style credits were inspired by the film Se7en. An animated logo featuring a winking eye with sound was created with no direct inspiration from other logos.
Mission impossible 3
The trailer for Mission Impossible 3 uses lighting, camera work, editing, and sound to persuade viewers to see the film. It establishes the spy genre through an aerial establishing shot of a city and an extreme close-up of the main character being scanned by a laser. High angle shots and suspenseful music and sounds build tension. The editing uses cross-cutting and long fades between scenes to heighten suspense. Changing colors from low-key to high-key also build suspense about what might happen. The trailer shows the characters' lives are at risk to engage viewers in the action and danger of the spy thriller.
Assignment 14 draft 2
The document provides a preliminary task plan and shot list for a film project involving four students: Kaya, Gia, Rahel and Sanel. It includes draft feedback and revisions to the storyboard, script, and shot list. Key details summarized include matching shots on action when characters open a door and have a conversation, considering the 180-degree rule when filming characters, and adding shot numbers and descriptions to the storyboard and shot list.
Assignment 14 draft 2
The preliminary task plan draft 2 from Kaya, Gia, Rahel and Sanel includes shots of a girl looking around and things walking behind her. They discuss matching shots on action when opening a door and establishing location with camera movement. Consideration is given to the 180 degree rule and facial expressions to convey emotion. Draft storyboards and a shot list are included with descriptions and props/costumes needed.
Advance production powerpoint
The document provides information on the movie The Five Year Engagement including the plot synopsis, cast, budget, and box office numbers. It also analyzes several camera angles from the movie showing interactions between the engaged couple Violet and Tom as their wedding plans are continuously delayed due to Violet's career ambitions extending her time away from home. The camera angles help demonstrate the emotions and challenges faced by the couple over the five years of their engagement.
Camera shots
This document defines various camera shots and their purposes. It lists different shot types like establishing shot, master shot, close up, mid-shot, and long-shot. For each shot, it provides a definition and examples of the possible effects the shot can create, such as showing context, emotion, or atmosphere.
Limitless Fight Scene Extract
This document discusses camera techniques, mise-en-scene elements, sound design, and editing choices used in a film scene. Close-ups are used to show emotions on characters' faces. Mid and over-the-shoulder shots portray power dynamics during confrontations. Costumes, lighting, and background settings establish context and tone. Diegetic sounds like grunts convey exertion and pain, while non-diegetic music and narration provide insight into characters' thoughts. Fast jump cuts match the pace of violent action sequences.
Question 7
After completing a preliminary film shoot, the document identifies several flaws in filming and editing. Planning helped with scenes and continuity, but more practice was needed for camera operation and editing skills. Issues with continuity arose from inconsistencies in door positions between shots. Acting flaws included an unplanned leg position change and missing reaction shots. The bite wound reveal was unclear and broke the 180 degree rule. Failing to record the girl's reaction to discovering the bite undermined the scene.
Question 7
After completing a preliminary film shoot, the document identifies several flaws in filming and editing. Planning helped with scenes and continuity, but more practice was needed for camera operation and editing skills. Issues with continuity arose from inconsistencies in door positioning between shots. Acting flaws included an unplanned leg position change and missing reaction shots. The bite wound reveal was unclear and broke the 180 degree rule. Failing to record the girl's reaction to discovering the bite undermined the scene.
Shooting schedule (New)
The shooting schedule outlines various shots needed for two locations - Steetly and Baptist Street. Shots include extreme close-ups, zooming out, panning, over the shoulder shots, tracking shots, and low angle shots. The shots will feature the characters Waqa, Steetly and others and show actions like characters conversing in a tunnel, walking outdoors, and Waqa reacting to something on his mobile phone while in bed.
Story board media music video
The document outlines the scenes and shots planned for a music video. It describes various locations that will be filmed, including a bedroom, brick wall, dock by a river, and train station. It provides details on lighting, camera angles, clothing continuity, and the emotions being conveyed. Key shots include close-ups of the artist's face, two artists against a plain background, and the artist looking at a photograph on a dock by the river. The planned length of scenes ranges from 15 to 27 seconds.
Story board media music video
The document outlines the scenes and shots planned for a music video. It describes various locations that will be filmed, including a bedroom, brick wall, dock by a river, and train station. It provides details on lighting, camera angles, clothing continuity, and the emotions to be conveyed. Key shots include close-ups of the artist's face singing, two artists against a plain background, and an artist sitting on a dock by the river. The train station scene was later replaced with more performance footage of the artist.
Assignment 5 preliminary presentation (draft 1)
The document provides information and examples about various film techniques including the 180 degree rule, match on action editing, and different camera shots and angles. It explains that the 180 degree rule aims to keep visual consistency between two characters. It also describes match on action editing as cutting between two shots that match the same action to give the illusion of continuous time. Finally, it lists different camera shots like establishing shot, close up, and two shot along with what each shot is used for and why.
Micro elements
My description on the micro-elements of film to help me understand how I can use these elements to help me create my film opening.
GCSE Media Studies Revision Pack
This document provides a revision pack for a GCSE Media Studies exam. It includes terminology glossaries for editing, camera, sound and general media studies terms. Section A focuses on analyzing action/adventure films, including conventions of the genre and representing typical characters. Sample questions are provided to analyze camera work, editing and other techniques in action film clips. Section B covers TV comedy genres and audience pleasures. Practice exam papers with sample questions and answers allow students to prepare for the exam.
Micro element
This document discusses and provides examples of various film camera shots and techniques. It includes extreme close-ups showing facial expressions, close-ups of faces, medium close-ups showing emotions, long shots providing full-body views and context, extreme long shots displaying wide setting details. It also covers tracking shots, cut-ins, panning, tilting, zooming, diegetic and non-diegetic sounds, and mise-en-scene arrangements. Examples are primarily from films in The Avengers franchise and showcase different cinematic storytelling tools.
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办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
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校名:学校英文全称
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毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
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留信网认证的作用:
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理旧金山分校毕业证UCSF学位证毕业证offer【微信：95270640 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
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The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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4 Printscreens Of Short Films
- 1. The hole in the wall causes the viewer to focus on the city The Runner: Exploit Yourself skyline beyond. This sets the scene for the film. Medium shot allows the figure to be fully viewed by audience allowing All the lighting them to see it is a robot. comes from outside This will instantly start a lighting the front of reaction for the audience the actor, however to make a judgement on the back is only this. visible giving an ominous cast on it. A handheld camera means it shakes The figures body position is entirely about, dipping and rising. This focused on the outside world, almost engages the audience’s attention. It sizing it up, preparing and reflecting also circles the character till the hole on what will happen. is directly in front of him, at which point he sprints forwards to jump. Capoeria Painting Shot from a bird’s eye view to show two fighters on top of a painted canvas. It shows that hands have painted the canvas and feet The long shot to show suggesting that the fighters’ hand and the whole body and feet are painted. steady camera work shows the fight, as it should be without interference, also the long shots show the whole body and show that nothing is being hiding. This is typical of a documentary. The subtle lighting saturates the skin The next shot is a medium close up of to possibly show equality among the the fighters more specifically of the fighters. lower body to help show the range of movements.