PDF of 2019 London Book Fair Rights Guide

1. NANCI McCLOSKEY, RIGHTS DIRECTOR
NANCI@TINHOUSE.COM

2. UPCOMING FRONTLIST
Feed.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Things We Didn’t Talk About When I Was a Girl.. . . . . . . . . . . . . . . . . 3
A Fortune for Your Disaster. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
The Hotel Neversink.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
SELECT BACKLIST
Possum Living. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Girls Write Now.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
When Rap Spoke Straight to God.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Junk.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
The Glass Eye.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 0
Grow Your Own.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1
Backlist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 2
Contents

3. 2
NOVEMBER 2019
Rights: World • Materials: Galley • 88 pages
POETRY
Feed
a poem by TOMMY PICO
“[Feed] is endlessly inventive and stays
fun while bringing the heat and weight of
a world we’re all helplessly watching burn
down. As his character/AKA Teebs says
of Oakland rapper Two $hort, the same
is true of Tommy Pico in this book and in
general: Vigor is the art he argues for.”
—TOMMY ORANGE,
author of There There
Feed is the fourth book in the Teebs tetralogy. It’s an
epistolary recipe for the main character, a poem
of nourishment, and a jaunty walk through New York’s
High Line park, with the lines, stanzas, paragraphs,
dialogue, and registers approximating the park’s
cultivated gardens of wildness. Among its questions,
Feed asks what’s the difference between being alone
and being lonely? Can you ever really be friends with
an ex? How do you make perfect mac & cheese? Feed is
an ode of reconciliation to the wild inconsistencies of
a northeast spring, a frustrating season of back-and-
forth, of thaw and blizzard, but with a faith that even
amidst the mess, it knows where it’s going.
TOMMY “TEEBS” PICO is
the author of the books IRL,
Nature Poem, and Junk. He’s
been the recipient of awards
and fellowships from the
Whiting Foundation, the
Lambda Literary Foundation,
the Poetry Foundation, the
New York Foundation for the Arts, and the Brooklyn
Public Library. He co-curates the reading series Poets
with Attitude, co-hosts the podcast Food 4 Thot, and is
a contributing editor at Literary Hub. Originally from the
Viejas Indian reservation of the Kumeyaay nation, he
now lives in Los Angeles, CA.
“Tommy Pico’s Feed is the poet’s most
ambitious work yet. Part tour diary, part
tracklist, part play, part by part Pico tops
his epic run of books off with this gut-
wrenching, gut-busting, gutter mouth
offering of a body in lust, in isolation, in
danger, in memory, in future and all the
transits between. Feed is a feast of Pico’s
signature intellect, humor, and linguistic
demolition—all sharper than ever. No
one corrals our day’s chaos like Pico, who
serves it up to us as some of the wildest
verse the world has ever seen.
Bon appétit, bitches.”
—DANEZ SMITH,
Don’t Call Us Dead

4. 3
OCTOBER 2019
Rights: World (UK Rights Sold) • Materials: Galley
360 pages
MEMOIR
Things We Didn’t
Talk About When I
Was a Girl
JEANNIE VANASCO Jeannie Vanasco has had the same nightmare
since she was a teenager. She startles awake,
saying his name. It is always about him: one of her
closest high school friends, a boy named Mark. A
boy who raped her.
When her nightmares worsen, Jeannie decides—
after fourteen years of silence—to reach out to Mark.
He agrees to talk on the record and meet in person.
“It’s the least I can do,” he says.
Jeannie details her friendship with Mark before
and after the assault, asking the brave and urgent
question: Is it possible for a good person to commit
a terrible act? Jeannie interviews Mark, exploring
how rape has impacted his life as well as her own.
She examines the language surrounding sexual
assault and pushes against its confines, contributing
to and deepening the #MeToo discussion.
Exacting and courageous, Things We Didn’t Talk
About When I Was a Girl is part memoir, part true
crime record, and part testament to the strength
of female friendships—a recounting and reckoning
that will inspire us to ask harder questions and
interrogate our biases. Jeannie Vanasco examines
and dismantles long-held myths of victimhood,
discovering grace and power in this genre-bending
investigation into the trauma of sexual violence.
“Jeannie Vanasco has done something
extraordinary. She explodes rape culture
at the level of language, shows us how
we are trapped and how we might make
ourselves free. This is a brilliant book, an
astonishingly fierce inquiry into the
places language won’t go.”
—EMILY GEMINDER, author of Dead Girls
JEANNIE VANASCO is the au-
thor of the memoir The Glass
Eye (Tin House Books, 2017).
Her work has appeared in
The Believer, the New York
Times Modern Love, Tin
House, and elsewhere. She
lives in Baltimore and is an
assistant professor at Towson University. Things We
Didn’t Talk About When I Was a Girl is her second book.
“Jeannie Vanasco has written exactly the
book we need right now. I wish everyone
in this country would read it.”
—MELISSA FEBOS,
author of Whip Smart and Abandon Me

5. 4
POETRY
SEPTEMBER 2019
Rights: UK • Materials: Galley • 112 pages
A Fortune for
Your Disaster
poems by HANIF ABDURRAQIB
HANIF ABDURRAQIB is a
poet, essayist, and cultural
critic from Columbus, Ohio.
His first poetry collection, The
Crown Ain’t Worth Much, was
named a finalist for the Eric
Hoffer Book Award and was
nominated for a Hurston/
Wright Legacy Award. His collection of essays, They
Can’t Kill Us Until They Kill Us, was named a best book
of 2017 by Buzzfeed, Esquire, NPR, Oprah Magazine,
and Pitchfork, among others. His most recent book is Go
Ahead in the Rain: Notes to A Tribe Called Quest.
In his much-anticipated follow-up to The Crown
Ain’t Worth Much, poet, essayist, music critic, and
New York Times bestselling author Hanif Abdurraqib
has written a book of poems about how one rebuilds
oneself after a heartbreak, the kind that renders
them a different version of themselves than the
one they knew. It’s a book about a mother’s death,
and finally admitting that Michael Jordan pushed
off in the ’98 finals. It’s about forgiveness, and
how none of the author’s black friends wanted
to listen to “Don’t Stop Believin’.” It’s about
wrestling with histories, personal and shared, and
how black people can write about flowers at a time
like this. Abdurraqib writes across different tones
and registers, with humor and sadness, and uses
touchstones from the world outside—from Marvin
Gaye to Nikola Tesla to his neighbor’s dogs—to
create a mirror, inside of which every angle presents
a new possibility.
From the New York Times bestselling
author of Go Ahead in the Rain, They
Can’t Kill Us Until They Kill Us, and The
Crown Ain’t Worth Much, A Fortune for
Your Disaster breaks and rebuilds,
dazzles as it cries out.
“Riveting and poetic . . . Abdurraqib’s gift
is his ability to flip from a wide angle to a
zoom with ease. He is a five-tool writer.”
—The Washington Post
“Funny, painful, precise, desperate, and
loving . . . Not a day has sounded
the same since I read him.”
—GREIL MARCUS,
Village Voice

6. 5
FICTION
AUGUST 2019
Rights: World English • Materials: Galley • 288 pages
The Hotel Neversink
a novel by ADAM O’FALLON PRICE
ADAM O’FALLON PRICE is
a writing teacher and staff
writer for the Millions. His
work has been published in
the Paris Review, VICE, the
Iowa Review, Glimmer Train,
EPOCH, the Kenyon Review
Online, and many other
places. His first novel, The Grand Tour, was published in
2016. He lives in Carrboro, North Carolina.
The magnificent Hotel Neversink is the crown
jewel of the Catskills, a sprawling resort
of unparalleled luxury that hosts athletes, actors,
and even presidents. Owned and operated by the
immigrant Sikorsky family, the hotel is a realization
of their wildest American dream. But then a young
boy disappears.
This mysterious vanishing—and the ones that
follow—will brand the lives of three generations.
At the root of it all is Asher Sikorky, the ambitious
and ruthless patriarch whose founding of the hotel
in 1931 sets a dark legacy in motion. His daughter,
Jeanie Sikorsky, sees the Hotel Neversink into its
most lucrative era, but also its darkest. Decades later,
Asher’s descendants grapple with the family’s heritage
in their own ways: grandson Len fights to keep the
failing hotel alive, and great-granddaughter Alice sets
out to finally uncover the identity of a killer who has
haunted the hotel and family for decades.
Told by an unforgettable chorus of Sikorsky
family members—a matriarch, a hotel maid, a
traveling comedian, the hotel detective, and many
others—The Hotel Neversink is the gripping portrait of
a Jewish family in the Catskills over the course of a
century. With an unerring eye and prose both comic
and tragic, Adam O’Fallon Price details one man’s
struggle for greatness no matter the cost, and a long-
held family secret that threatens to undo it all.
When a rash of murders threatens the
legacy of the Sikorsky’s resort hotel in
the Catskills, the family discovers that
the darkest secrets reside close to home.
“Thoroughly absorbing . . . Spanning
almost a century, The Hotel Neversink
is a multi-layered tale of family, fortune,
and fate that grows eerily compelling
with every passing page.”
—LING MA,
author of Severance

7. 6
NONFICTION
JANUARY 2019
Rights: Previous editions sold to Italy, Spain, and
Germany • Materials: Finished Book • 224 pages
Possum Living
New & Updated Edition
BY DOLLY FREED
INTRODUCTION BY NOVELLA CARPENTER
“Dolly Freed is my hero. . . . [If] this
smart, engaging, funny, and frank
manifesto . . . doesn’t make you want to
quit the rat race at least a little bit, then
you must be one big, fat rat.”
—Vice
“A paean to self-sufficiency.”
—Columbia Journalism Review
In the late seventies, at the age of eighteen and with a
seventh-grade education, Dolly Freed wrote Possum
Living about the five years she and her father lived off
the land on a half-acre lot outside of Philadelphia. At
the time of its publication in 1978, Possum Living became
an instant classic, known for its plucky narration and
no-nonsense practical advice on how to quit the rat
race and live frugally. In her delightful, straightforward,
and irreverent style, Freed guides readers on how to
buy and maintain a home, dress well, cope with the law,
stay healthy, save money, and be lazy, proud, miserly,
and honest, all while enjoying leisure and keeping up a
middle-class façade. Forty years later, Freed’s philoso-
phy is world-renowned and Possum Living remains as
fascinating, inspirational, and pertinent as it was upon
its original publication. This updated edition includes
new reflections, insights, and life lessons from an older
and wiser Dolly Freed, whose knowledge of how to
live like a possum has given her financial security and
the confidence to try new ventures.
“Compulsively readable . . . One message
comes out loud and clear. As the 18-year-
old sage Dolly Freed wrote: ‘I refuse
to spend the first 60 years of my life
worrying about the last 20.’”
—New York Times Arts Beat
“This book will not only make you
laugh but might actually inspire you to
embrace a simpler life.”
—O, The Oprah Magazine
“An elegant memoir.”
—Philadelphia City Paper
Following her success as an author, DOLLY FREED grew
up to be a NASA aerospace engineer. She put herself
through college after she aced the SATs with an educa-
tion she received from the public library. She has also
been an environmental educator, business owner, and
college professor. She lives in Texas with her husband
and two children.

8. 7
Girls Write Now
Two Decades of True Stories
from Young Female Voices
ANTHOLOGY
OCTOBER 2018
Rights: North American • Materials: Finished Book
336 pages
“This book is a resounding affirmation of
young female life, in all its multiplicity.”
—TAVI GEVINSON
“Deeply important work—young women,
now more than ever, must claim
their own stories.”
—EMMA CLINE,
author of The Girls
Apoignant collection of true stories written
by young women from the Girls Write Now
organization in New York City over the last twenty
years. With astonishing urgency and candor, these
memoirs tackle issues of race, gender, poverty, sex,
education, politics, family, and friendship, capturing
indelible snapshots of the past and laying bare hopes,
insecurities, and wisdom for the future. Framing each
section is inspiration from famous writers—Roxane
Gay, Francine Prose, Chimamanda Ngozi Adichie,
Zadie Smith, Mia Alvar, Janet Mock, Lena Dunham,
Gloria Steinem, Quiara Alegría Hudes, and Alice
Walker—offering guidance to a reader about where
she’s been and where she might go.
Founded twenty years ago, Girls Write Now is
New York’s first and only writing and mentoring or-
ganization for girls, and one of the nation’s top after-
school programs. The writers—93% high-need and
94% girls of color—have performed at Lincoln Center
and the United Nations, published original work in
Newsweek, the New York Times, Lenny, and BuzzFeed, and
earned hundreds of Scholastic Art & Writing Awards
for their annual anthology. Girls Write Now has been
featured in Forbes, the Wall Street Journal, People, NBC
Nightly News, ABC Good Morning, Glamour, Elle,
Upworthy, and many other media outlets.
“Find in these pages whispered,
shouted, necessary notes on our present
in the voices of girls on their way to
becoming women.”
—NAOMI JACKSON
“Seeing these brilliant and driven young
women take on the world through words
gives me so much hope for the future,
both of television and the world.”
—JENNI KONNER

9. 8
When Rap Spoke
Straight to God
a poem by ERICA DAWSON
POETRY
SEPTEMBER 2018
Rights: World • Materials: Finished Book • 64 pages
“Again, Erica Dawson has expanded the
possibilities of what we think poetry can
do. The lusciously long poems in When
Rap Spoke Straight to God are sensual
and openly political and so well-crafted in
epic blank verse that we begin to see how
the contemporary moment has yet to fully
correct far too many historical moments.”
—JERICHO BROWN,
author of The New Testament
ERICA DAWSON is the author
of two collections of poetry:
The Small Blades Hurt (Mea-
sure Press, 2014), winner of
the 2016 Poets’ Prize, and Big-
Eyed Afraid (Waywiser Press,
2007), winner of the 2006
Anthony Hecht Poetry Prize.
Her work has appeared in three editions of Best American
Poetry, the Pushcart Prize XLI: Best of the Small Presses,
Resistance, Rebellion, Life: 50 Poems Now, Barrow Street,
Bennington Review, Crazyhorse, Harvard Review, Virginia
Quarterly Review, and numerous other journals and an-
thologies. She lives in Tampa, Florida and is an Associate
Professor at University of Tampa, where she also directs
the low-residency MFA program.
When Rap Spoke Straight to God isn’t sacred or
profane, but a chorus joined in a single
soliloquy, demanding to be heard. There’s Wu-Tang
and Mary Magdalene with a foot fetish, Lil’ Kim and
a self-loving Lilith. Slurs, catcalls, verses, erasures—
Dawson asks readers, “Just how far is it to nigger?”
Both grounded and transcendent, the book is reality
and possibility. Dawson’s work has always been raw,
but When Rap Spoke Straight to God is as blunt as the
answer to that earlier question: “Here.” Sometimes
abrasive and often abraded, Dawson doesn’t flinch.
A mix of traditional forms where sonnets mash
up with sestinas morphing to heroic couplets, When
Rap Spoke Straight to God insists that while you may
recognize parts of the poem’s world, you can’t
anticipate how it will evolve.
With a literal exodus of light in the book’s
final moments, When Rap Spoke Straight to God is a
lament for and a celebration of blackness. It’s never
depression; it’s defiance—a persistent resistance. In
this book, like Wu-Tang says, the marginalized “ain’t
nothing to fuck with.”
A book-length poem navigating belief,
black lives, the tragedies of Trump, and
the boundaries of being a woman.

10. 9
TOMMY “TEEBS” PICO is the
author of the books IRL (Birds
LLC, 2016), and Nature Poem
(Tin House Books, 2017). He
was a Queer/Art/Mentors
inaugural Fellow, 2013 Lambda
Literary Fellow in poetry, 2016
Tin House Scholar, a 2017
NYSCA/NYFA Fellow in Poetry from the New York Founda-
tion for the Arts, won the Brooklyn Public Library’s 2017
Literature Prize, and received a Whiting Award in 2018.
Originally from the Viejas Indian reservation of the Kumey-
aay nation, he now lives in Brooklyn where he co-curates
the reading series Poets With Attitude (PWA) with Morgan
Parker, co-hosts the podcast Food 4 Thot, and is a contrib-
uting editor at Literary Hub. His Myers Briggs is IDGAF.
@heyteebs
The third book in Tommy Pico’s Teebs tetralogy,
Junk is a breakup poem in couplets: ice floe and hot
lava, a tribute to Janet Jackson and nacho cheese. In
the static that follows the loss of a job or an apartment
or a boyfriend, what can you grab onto for orienta-
tion? The narrator wonders what happens to the sense
of self when the illusion of security has been stripped
away. And for an indigenous person, how do these
lost markers of identity echo larger cultural losses and
erasures in a changing political landscape? In part tak-
ing its cue from A. R. Ammons’s Garbage, Teebs names
this liminal space “Junk,” in the sense that a junk shop
is full of old things waiting for their next use; differ-
ent items that collectively become indistinct. But can
there be a comfort outside the anxiety of utility? An
appreciation of “being” for the sake of being? And will
there be Chili Cheese Fritos?
“As ever, Pico is a master of inclusion, of
elevating the mundane to the sublime,
of examining absurdity and grave
seriousness with equal measure. This
is an ambitious long poem, and Pico
is uniquely qualified to both drag and
celebrate modern day consumption and
indulgence with graceful humor and grit.”
—MORGAN PARKER, author of
There are More Beautiful Things than Beyoncé
MAY 2018
Rights: World • Materials: Finished Book • 80 pages
Junk
a poem by TOMMY PICO
POETRY
“Reading Tommy Pico’s Junk I kept thinking
of Heather McHugh’s pronouncement that
the main discipline of poetry is ‘to keep
finding life strange.’ Pico is the master of
making the stone stony, of returning the
sheer absurdity of being to everything,
from grief to intimacy to dating apps to
donuts. Junk insists on the urgency of the
quotidian, of, to borrow a phrase from Pico,
‘vibrant inconsequence.’ It’s rare to read a
book that makes living feel so alive.”
—KAVEH AKBAR,
author of Calling a Wolf a Wolf

11. 10
The Glass Eye
JEANNIE VANASCO
* ABA INDIE NEXT PICK*
* AMAZON BEST BOOK OF THE MONTH *
* NYLON BEST BOOK FOR FALL *
* BARNES & NOBLE DISCOVER
GREAT NEW WRITERS PICK *
OCTOBER 2017
Rights: World (UK Rights Sold) • Materials: Finished Book
278 pages
“Brilliant . . . Reminiscent of Maggie
Nelson’s The Argonauts . . . As the pages
fly by, we’re right by Vanasco, breathlessly
experiencing her grief, mania, revelations,
and—ultimately—her relief.”
—Entertainment Weekly
MEMOIR
The Glass Eye is Jeannie’s struggle to honor her fa-
ther, her larger-than-life hero but also the man
who named her after his daughter from a previous
marriage, a daughter who died.
After his funeral, Jeannie spends the next decade
in escalating mania, in and out of hospitals—increas-
ingly obsessed with the other Jeanne. Obsession turns
to investigation as Jeannie plumbs her childhood
awareness of her dead half sibling and hunts for clues
into the mysterious circumstances of her death. It
becomes a puzzle Jeannie feels she must solve to bet-
ter understand herself and her father.
Jeannie Vanasco pulls us into her unraveling
with such intimacy that her insanity becomes
palpable, even logical. A brilliant exploration of the
human psyche, The Glass Eye deepens our definitions
of love, sanity, grief, and recovery.
“Wildly innovative.”
—New York Magazine
“Vanasco’s candor, curiosity, and
commitment to human understanding
are not to be missed.”
—Booklist, Starred Review
“The Glass Eye . . . is a truth so bright
it might be your own broken heart,
handed back to you.”
—MELISSA FEBOS, author of
Whip Smart & Abandon Me
JEANNIE VANASCO is the au-
thor of the memoir The Glass
Eye (Tin House Books, 2017).
Her work has appeared in
The Believer, the New York
Times Modern Love, Tin
House, and elsewhere. She
lives in Baltimore and is an
assistant professor at Towson University.

12. 11
DAVID STEIN, NICHOLE GRAF, and MICAH SHERMAN
are owners of Raven, a recreational cannabis company
in Washington state that prides itself on producing
environmentally and socially responsible organic
cannabis and cannabis-infused products, and
guaranteeing good vibes. LIZ CRAIN is the author of
Toro Bravo: Stories. Recipes. No Bull. and Food Lover’s
Guide to Portland.
The benefits of cannabis are undeniable—medici-
nally, sure, but also for stress, for creativity, and
for relaxation. And as any homebrewer, winemaker,
or backyard gardener can tell you, there’s a particu-
lar joy in doing it yourself.
Whether you’re new to cannabis and need to
walk through the basics, or you’re an experienced
grower looking to hone your techniques, Grow Your
Own provides all the background and instruction you
need to set up a grow space, raise your plants, and
harvest your buds. It will teach you how to choose a
strain based on its flavors and effects, how to manage
insects and molds without the use of pesticides, and
how to mix just the right soil. But Grow Your Own will
also give you a primer on the myriad ways to enjoy
cannabis—from carving an apple pipe to punching
up your favorite brownie recipe. With photography,
visual aids, and illustrations from Allen Crawford
(Whitman Illuminated), Grow Your Own makes cultivating
cannabis as accessible as it is rewarding.
Everything a home-grower
needs to understand, cultivate,
and enjoy cannabis.
11
SEPTEMBER 2017
Rights: World • Materials: PDF • 216 pages
Grow Your Own
NICHOLE GRAF, MICAH SHERMAN,
DAVID STEIN, & LIZ CRAIN
“Cannabis culture goes mainstream in
this lavishly illustrated artisanal guide to
cultivating and consuming marijuana. . . .
The stylish presentation of the book and
its useful information give it broad appeal
among open-minded gardeners and
420-friendly readers.”
—Publishers Weekly
Starred Review, Pick of the Week
NONFICTION

13. 12
PRETEND WE ARE LOVELY
A novel by Noley Reid
Rights Sold: World
Materials: Finished Book
Pages: 312
NATURE POEM
A poem by Tommy Pico
Rights: World
Materials: Finished Book
Pages: 136
GHOSTS OF BERGEN COUNTY
A novel by Dana Cann
Rights: World
Materials: Finished Book · Pages: 416
DRYLAND
A novel by Sara Jaffe
Rights: World
Materials: Finished Book · Pages: 218
THE BOATMAKER
A novel by John Benditt
Rights: World
Materials: Finished Book · Pages: 464
WHITMAN ILLUMINATED
SONG OF MYSELF
Illustrated by Allen Crawford
Rights: North America
Materials: Finished Book · Pages: 258
LOW DOWN:
JUNK, JAZZ, AND OTHER FAIRY
TALES FROM CHILDHOOD
A memoir by A. J. Albany
Rights Sold: Finland (Johnny Kniga),
France (Nouvel Attila) ·
Materials: Finished Book · Pages: 184
THIS IS BETWEEN US
A novel by Kevin Sampsell
Rights Sold: Turkey (Netus Kitap)
Materials: Finished Book
Pages: 240
THE REVOLUTION
OF EVERY DAY
A novel by Cari Luna
Rights: World
Materials: Finished Book
Pages: 400
BACKLIST

14. 13
NO ONE
A novel by Gwenaëlle Aubry
Translated by Trista Selous
Introduction by Rick Moody
Rights: World English
Materials: Finished Book · Pages: 176
GLACIERS
A novel by Alexis M. Smith
Rights Sold: Italy (Sperling), Spain
(Alpha Decay), and UK (Oneworld)
Materials: Finished Book
Pages: 176
PLOTTO
by William Wallace Cook
Rights Sold: World
Materials: Paperback Release
Pages: 480
HOW TO DO NOTHING
WITH NOBODY ALL
ALONE BY YOURSELF
by Robert Paul Smith
Rights: World
Materials: Finished Book
Pages: 122
HOOKED
A novel by John Franc
Rights: World
Materials: Finished Book
Pages: 192
WIRE TO WIRE
A novel by Scott Sparling
Rights: World
Materials: Finished Book
Pages: 400
A HOUSEHOLDER’S GUIDE
TO THE UNIVERSE
by Harriet Fasenfest
Rights: World
Materials: Finished Book
Pages: 408
MENTOR
A memoir by Tom Grimes
Rights: World
Materials: Finished Book
Pages: 256
THE HOUR:
A COCKTAIL MANIFESTO
by Bernardo DeVoto
Introduction by Daniel Handler
Rights: World English
Materials: Finished Book
Pages: 136
BACKLIST

15. 14
BACKLIST
THE STORY
ABOUT THE STORY:
GREAT WRITERS EXPLORE
GREAT LITERATURE
Edited by J. C. Hallman
Rights: World English
Materials: Finished Book
Pages: 424
RIVER HOUSE
A memoir by Sarahlee Lawrence
Rights: World
Materials: Finished Book
Pages: 272
THE LITTLE GENERAL AND
THE GIANT SNOWFLAKE
A story by Matthea Harvey
Illustrations by Elizabeth Zechel
Rights Sold: Korea (Blue Bicycle
Publishing Company)
Materials: Finished Book
Pages: 64
CO-AGENTS
BRAZIL
Laura Riff
Riff Agency
laura@agenciariff.com.br
CZECH REPUBLIC
Kristin Olson Literary Agency
kristin.olson@litag.cz
FRANCE
Anne Maizeret
La Nouvelle Agence
anne@lanouvelleagence.fr
GERMANY
Christian Dittus
Fritz Agency
cdittus@fritzagency.com
ITALY
Clementina Liuzzi
Clementina Liuzzi Literary Agency
clementina@litag.it
KOREA
Seong-ah Bak
Korea Copyright Center Inc.
kcc@kccseoul.com
POLAND
Filip Wojciechowski
GRAAL
filip@graal.com.pl
SPAIN & PORTUGAL
Maria Lynch
Casanovas & Lynch Agencia
maria@casanovaslynch.com
TURKEY
Amy Spangler
AnatoliaLit Agency
amy@anatolialit.com
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