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This document discusses two ink paintings by Gao Jianfu from the late Qing dynasty. The first painting is a copy of a narcissus painting by Ju Chao from the Geshan school, including the original inscription. It shows Gao's early experimental style as a student copying works by his teacher Ju Lian. The second painting depicts a bird on bamboo and includes inscriptions by Gao about using light ink for the bird's wings. Both works reflect Gao's training and practice of copying styles from the Geshan school in the 1890s-1900s.
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88 88 merged
This hanging scroll depicts wisteria and rocks without a signature. It shows a fully composed work with careful arrangement. The wisteria is elegantly rendered with subtle colors among the rocks. The brushwork is skillful, revealing a distinctive personal style, though the artist is not named.
2 5 2,5_merged
These six landscape sketches are early works by Gao Jianfu where he meticulously copied styles of ancient painters, including landscapes, trees, rocks, and figures. He either used loose brushwork or painted in the literati style. Like manuals that compiled samples from various dynastic painters for study, Gao labeled the subjects to document different techniques. The sketches demonstrate his practice of the important painting principle of imitating past masters to learn brush techniques, as described in the Treatise The Six Theories written in the 5th century.
102 102 merged
This hanging scroll depicts "Monkeys at Night" in the Lingnan style of painting. The artist Gao Jifu was inspired by his study of Japanese painting in his early career, particularly works that captured atmosphere and changes in light and shadow over time. In this work, tree trunks are rendered in light ink washes, with a bright moon hanging above the trees. Several monkeys can be seen climbing among the branches, capturing the moment of the monkeys' activities under the moonlight. The painting reflects the influence of Japanese painting on the development of Gao's unique Lingnan style.
86 86 merged
This document summarizes an ink and color on paper painting titled "Orchid" by the artist Gao Jifu. The painting depicts an orchid through skilled calligraphic brushstrokes using mainly ink with occasional color added. Orchids symbolize purity and aloofness in literati painting. The mature brushwork style of the painting suggests it was done later in the artist's career. An inscription indicates it was a gift to his student Lai Ming.
141,142 merged
This document summarizes and provides context for two Chinese artworks from the Hong Kong Museum of Art collection. The first artwork is a pencil sketch titled "Autumn Lamps" from 1941. The second larger piece is a 1939 hanging scroll titled "Moths Attracted to a Flame" which depicts moths flying towards a lamp with the Kuomintang emblem, metaphorically representing the Japanese as moths committing suicide by flying into the flame. The artwork includes a long inscription in cursive script using the form of Cantonese folk songs popularized in the late Qing dynasty.
103 103 merged
This hanging scroll by Gao Jianfu from the 1930s depicts thirteen moon reflections in flowing water beneath pine branches and cones, breaking conventions of space and time. Though a preliminary work, it closely resembles Gao's mature style from his late period featuring bold ink brushwork and calligraphic influences, as seen in a piece exhibited in Berlin in 1935 that was acquired by the German government, demonstrating his international acclaim.
3 merged
In July 1939, the Chinese Faculty of the University of Hong Kong held an exhibition of works by ten artists from the Spring Slumber Art Academy. In June 1939, the Chamber of Commerce of Macao also held an exhibition of works by members of the Spring Slumber Art Academy to raise funds for disaster victims. The exhibitions were reported on in local Chinese newspapers at the time.
82 82 merged
This painting depicts a samurai warrior from Japan. Gao Jianfu painted it after studying art in Japan from 1906 to 1908, where he observed the works of masters like Takeuchi Seiho and Yokoyama Taikan. He used fine, delicate brushstrokes and graceful coloring to depict the samurai's features, clothes, and accessories in proper proportion, with an upright head and lively eyes. This early portrait work of Gao's is considered rare for its near-completed quality.
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88 88 merged
This hanging scroll depicts wisteria and rocks without a signature. It shows a fully composed work with careful arrangement. The wisteria is elegantly rendered with subtle colors among the rocks. The brushwork is skillful, revealing a distinctive personal style, though the artist is not named.
2 5 2,5_merged
These six landscape sketches are early works by Gao Jianfu where he meticulously copied styles of ancient painters, including landscapes, trees, rocks, and figures. He either used loose brushwork or painted in the literati style. Like manuals that compiled samples from various dynastic painters for study, Gao labeled the subjects to document different techniques. The sketches demonstrate his practice of the important painting principle of imitating past masters to learn brush techniques, as described in the Treatise The Six Theories written in the 5th century.
102 102 merged
This hanging scroll depicts "Monkeys at Night" in the Lingnan style of painting. The artist Gao Jifu was inspired by his study of Japanese painting in his early career, particularly works that captured atmosphere and changes in light and shadow over time. In this work, tree trunks are rendered in light ink washes, with a bright moon hanging above the trees. Several monkeys can be seen climbing among the branches, capturing the moment of the monkeys' activities under the moonlight. The painting reflects the influence of Japanese painting on the development of Gao's unique Lingnan style.
86 86 merged
This document summarizes an ink and color on paper painting titled "Orchid" by the artist Gao Jifu. The painting depicts an orchid through skilled calligraphic brushstrokes using mainly ink with occasional color added. Orchids symbolize purity and aloofness in literati painting. The mature brushwork style of the painting suggests it was done later in the artist's career. An inscription indicates it was a gift to his student Lai Ming.
141,142 merged
This document summarizes and provides context for two Chinese artworks from the Hong Kong Museum of Art collection. The first artwork is a pencil sketch titled "Autumn Lamps" from 1941. The second larger piece is a 1939 hanging scroll titled "Moths Attracted to a Flame" which depicts moths flying towards a lamp with the Kuomintang emblem, metaphorically representing the Japanese as moths committing suicide by flying into the flame. The artwork includes a long inscription in cursive script using the form of Cantonese folk songs popularized in the late Qing dynasty.
103 103 merged
This hanging scroll by Gao Jianfu from the 1930s depicts thirteen moon reflections in flowing water beneath pine branches and cones, breaking conventions of space and time. Though a preliminary work, it closely resembles Gao's mature style from his late period featuring bold ink brushwork and calligraphic influences, as seen in a piece exhibited in Berlin in 1935 that was acquired by the German government, demonstrating his international acclaim.
3 merged
In July 1939, the Chinese Faculty of the University of Hong Kong held an exhibition of works by ten artists from the Spring Slumber Art Academy. In June 1939, the Chamber of Commerce of Macao also held an exhibition of works by members of the Spring Slumber Art Academy to raise funds for disaster victims. The exhibitions were reported on in local Chinese newspapers at the time.
82 82 merged
This painting depicts a samurai warrior from Japan. Gao Jianfu painted it after studying art in Japan from 1906 to 1908, where he observed the works of masters like Takeuchi Seiho and Yokoyama Taikan. He used fine, delicate brushstrokes and graceful coloring to depict the samurai's features, clothes, and accessories in proper proportion, with an upright head and lively eyes. This early portrait work of Gao's is considered rare for its near-completed quality.
122拷貝 merged
This document summarizes and compares three artworks by Gao Jianfu depicting butterflies flying over a river. Exhibit 122 combines the subjects of Exhibits 120 and 121 into one completed work, showing several butterflies flying above the water with rocks in the distance. It brings together sketches from Exhibits 120 and 121 and adds ink wash and color to transform them into a finished painting with a tranquil and leisurely mood. The document examines Gao Jianfu's process of developing from sketches to mature artworks.
94 94 merged
This piece depicts flying fish leaping across waves painted with ink and color tones. It is very similar to an earlier sketch of flying fish shown with plain lines. Both works were inspired by the artist's experience traveling to India by boat in the 1930s, where he observed flying fish jumping from the water and occasionally landing on the boat's deck to be cooked and eaten. This more finished piece develops the sketch's composition into a mature painting, showing the close relationship between an artist's sketches and completed works.
99 99 merged
This hanging scroll landscape painting from 1906 depicts distant cloudy mountains. The artist, Gao Jianfu, borrowed techniques from ancient Chinese landscape paintings and applied them in his own style. He skillfully used light and dark ink washes to depict trees and mountains, demonstrating his mastery of modulating ink tones. The composition leaves empty space in the center to create a sense of depth. This painting was one of fourteen works donated by the artist for a 1907 charity exhibition in Yokohama to raise funds for flood victims, making it a historically significant artwork.
140,139 merged
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143拷貝 merged
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56,55,58 merged
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This document describes two related artworks by Gao Qifeng depicting a poet of the south. The first artwork is a draft ink drawing (Exhibit 137) showing a poet holding a book and looking upwards. The second artwork (Exhibit 138) was originated from the first drawing - it adds color, a crescent moon, falling leaves, and Gao's signature. This finished painting demonstrates Gao's rare style of figure painting using reduced brushwork, and shows how drawings can be transformed into completed artworks.
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簡報2
The document is a song titled "Starry Starry Night" that describes the life and work of painter Vincent van Gogh. It discusses how van Gogh used colors in his paintings to portray nature and the human condition. It also references how van Gogh struggled with his mental health and was not appreciated during his life. The song expresses sympathy for how van Gogh suffered but still created beautiful art from a place of true love.
6 (2)
1) The document shows a photograph of Gao Jianfu and his friends and followers taken in Guangzhou.
2) It describes Gao Jianfu collecting illustrations as references for his work, including a painting of a peacock by Japanese artist Hobun Kikuchi.
3) Gao traveled to Japan from 1906 to 1908 to study painting and was influenced by Japanese styles, and the peacock painting may have been a reference for his later works depicting peacocks.
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Gao Jianfu traveled extensively through India and South Asia from 1930-1931, sketching landscapes and customs. This included climbing in the Himalayas and sketching a sunrise lookout in Tiger Hill at 8,500 feet. He also drew a 270-foot rope bridge over a raging river in the Himalayas. In Bombay, he documented the Persian sky burial ground where bodies were left for birds until only bones remained. Gao made detailed notes in his sketchbook to serve as valuable references of his travels.
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122拷貝 merged
This document summarizes and compares three artworks by Gao Jianfu depicting butterflies flying over a river. Exhibit 122 combines the subjects of Exhibits 120 and 121 into one completed work, showing several butterflies flying above the water with rocks in the distance. It brings together sketches from Exhibits 120 and 121 and adds ink wash and color to transform them into a finished painting with a tranquil and leisurely mood. The document examines Gao Jianfu's process of developing from sketches to mature artworks.
94 94 merged
This piece depicts flying fish leaping across waves painted with ink and color tones. It is very similar to an earlier sketch of flying fish shown with plain lines. Both works were inspired by the artist's experience traveling to India by boat in the 1930s, where he observed flying fish jumping from the water and occasionally landing on the boat's deck to be cooked and eaten. This more finished piece develops the sketch's composition into a mature painting, showing the close relationship between an artist's sketches and completed works.
99 99 merged
This hanging scroll landscape painting from 1906 depicts distant cloudy mountains. The artist, Gao Jianfu, borrowed techniques from ancient Chinese landscape paintings and applied them in his own style. He skillfully used light and dark ink washes to depict trees and mountains, demonstrating his mastery of modulating ink tones. The composition leaves empty space in the center to create a sense of depth. This painting was one of fourteen works donated by the artist for a 1907 charity exhibition in Yokohama to raise funds for flood victims, making it a historically significant artwork.
140,139 merged
This document summarizes an artwork titled "Footprints on Snow" from the Chinese University of Hong Kong Art Museum collection. The artwork originated from a unique sketch technique where the artist Gao Jianfu soaked duck's web in ink and pressed it onto paper to create abstract prints. In this work, he took the web prints as images and added other elements like plants to transform it into a semi-abstract landscape painting, which is a rare style. The artwork demonstrates Gao Jianfu's unusual method of using duck web prints as the basis for an ink painting.
143拷貝 merged
This document describes two artworks: 1) A pencil sketch titled "Crosses" depicting crosses and annotated by the artist. It is part of a private collection. 2) A hanging scroll titled "The Destruction of Civilization" painted in 1941 depicting a cross symbolizing civilization falling down amid wind and rain, representing how war destroys humanity. The scroll reflects the artist Gao Jianfu's view that art should educate the public.
56,55,58 merged
This document describes three artworks from the collection of Mr. Lai Ming and Ms. Wong Wing-yin. The first two are sketches of cats and dogs drawn from life in Japan. The third is an ink and color on paper work by Gao Jianfu titled "Elephant", copied from an ancient mural found in a cave in India depicting an elephant bathing. It summarizes that from 1930-1932, Gao Jianfu traveled extensively in South Asia, producing many sketches and absorbing the local scenes, architecture, murals and culture.
92 92 merged
This hanging scroll depicts coconuts painted in 1943 in Macao by Ko Koon-fat. While unsigned, it shows his mature style. Using ink and color on paper in a realistic style, he captures the hard texture of coconut shells with vigorous brushwork. The tree trunk, branches and leaves are painted with strong, spontaneous brushstrokes reflecting Ko's bold and vigorous personal style in his later years.
137,138 merged
This document describes two related artworks by Gao Qifeng depicting a poet of the south. The first artwork is a draft ink drawing (Exhibit 137) showing a poet holding a book and looking upwards. The second artwork (Exhibit 138) was originated from the first drawing - it adds color, a crescent moon, falling leaves, and Gao's signature. This finished painting demonstrates Gao's rare style of figure painting using reduced brushwork, and shows how drawings can be transformed into completed artworks.
119,118 merged
This document summarizes two artworks from Gao Jianfu's instructional painting series on pine trees. Exhibit 119 depicts pine cones, while Exhibit 118 depicts pine seedlings. Both were part of a series of over 20 paintings Gao created while teaching at Nanjing Central University. Exhibit 118 was the original work from the lesson, while Exhibit 119 was a redrawing made later at the request of a collector. The natural depiction of pine branches and cones in subtle ink and color demonstrates Gao's spontaneous style. Comparing the two works provides insight into Gao's teaching methods and early artistic practice of copying original works.
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The document summarizes the story of Cong Langui, a disabled Chinese artist who draws chalk paintings on the street to make a living. Some key details:
- He draws famous paintings like the Mona Lisa on the street using chalk as his medium.
- His favorite painting is "Wu Song Beating the Tiger".
- As an amputee, he taught himself art to prove his worth despite his disability.
- He has traveled around China for over 20 years doing street performances and drawings.
15 15 merged
This ink and color on paper work depicts Zhenhai Tower, a famous landmark in Guangzhou, China. It uses a foreground of trees and rocks leading to hills in the distance with the tower depicted on a hilltop. The composition contrasts solid and empty spaces to depict the scenic view realistically. Zhenhai Tower was a common subject for the artist Gao Jianfu, and this work shows his careful and realistic style. Other works in the exhibition provide comparisons of his artistic development.
Sciulli raycharles1
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The Day You Went Away
The song is about missing a past lover after they left on September 22nd. The singer recalls dreaming of the person and feeling lonely since they went away. The chorus expresses how sad but true it is that their love is only for this person and they have been crying since the day they went away.
国画 Chinese Painting
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簡報2
The document is a song titled "Starry Starry Night" that describes the life and work of painter Vincent van Gogh. It discusses how van Gogh used colors in his paintings to portray nature and the human condition. It also references how van Gogh struggled with his mental health and was not appreciated during his life. The song expresses sympathy for how van Gogh suffered but still created beautiful art from a place of true love.
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6 (2)
1) The document shows a photograph of Gao Jianfu and his friends and followers taken in Guangzhou.
2) It describes Gao Jianfu collecting illustrations as references for his work, including a painting of a peacock by Japanese artist Hobun Kikuchi.
3) Gao traveled to Japan from 1906 to 1908 to study painting and was influenced by Japanese styles, and the peacock painting may have been a reference for his later works depicting peacocks.
4 (2)
Gao Jianfu traveled extensively through India and South Asia from 1930-1931, sketching landscapes and customs. This included climbing in the Himalayas and sketching a sunrise lookout in Tiger Hill at 8,500 feet. He also drew a 270-foot rope bridge over a raging river in the Himalayas. In Bombay, he documented the Persian sky burial ground where bodies were left for birds until only bones remained. Gao made detailed notes in his sketchbook to serve as valuable references of his travels.
4 (1)
This document contains sketches from Gao Jianfu's travels through South Asia from 1930-1932, including:
1) A sketch of a Parsi sky burial ground in Mumbai with annotations about the burial customs and structures.
2) Sketches from the Himalayas including a sunrise lookout in Tiger Hill and a 270 foot long rope bridge over a river.
3) Background that Gao traveled extensively in places like India, Sri Lanka, Burma, Bhutan, and Nepal during this time, sketching landscapes, people, and customs.
6 (1)
This document contains photographs and drawings from the collection of Mr. Lai Ming and Ms. Wong Wing-yin. The first photo shows teacher Ju Lian and his students and friends, including Gao Jianfu, photographed in Guangzhou. The following drawings and sketches include wildlife studies from Gao Jianfu's travels in Japan, as well as sketches of chickens and other subjects, some annotated with notes on color or condition. A reproduction of a painting by Japanese artist Hobun Kikuchi of peacocks is also included, which Gao may have referenced in his own works.
4 merged
1) The document contains sketches from Gao Jianfu's travels through South Asia from 1930-1932, including landscapes and cultural sites in India, Nepal, and the Himalayas.
2) Two sketches depict a Parsi sky burial ground in Mumbai, with annotations about the burial customs and structures.
3) Gao traveled extensively during this period, meeting Tagore in Darjeeling and holding exhibitions in Sri Lanka and Mumbai to share his sketches and observations from the region.
6
The document describes a photograph of Gao Jianfu and his friends and followers taken in Guangzhou. It then discusses two of Gao's artworks - a painting of a peacock by a Japanese artist that inspired Gao, and a sketch of a peacock's tail that Gao did after studying painting in Japan from 1906 to 1908 and being influenced by Japanese styles. The document provides details on Gao's travels and studies in Japan, and notes that the sketch is part of a series and demonstrates Gao's close study of animals. It comments that peacocks became a popular theme for painters of the Lingnan School like Gao's student Yang Shanshen.
1 (1) merged
This document discusses several works related to the Chinese artist Gao Jianfu including:
1) A collection of his poems and records of his tours compiled by his students
2) A brochure from an exhibition of his works in Macao with price listings
3) A collection of his poems titled "A Collection of Poems of Frog's Sound"
2 merged
Gao Jianfu's sketch of a chicken was broken and torn but was carefully collected and conserved by Liming Laoshi and his wife Huang Yingxian over many years to preserve it for exhibition. In 1912, Gao Jianfu established the 'Aesthetics Press' with his brothers where they published The True Record: Illustrated Magazine, which featured a cooperative painting of an owl by Gao Jianfu and his brother Gao Jianseng. Gao Jianfu often casually sketched objects he saw, such as the sketch of ants on a torn piece of paper.
4 merged
1) The document contains sketches from Gao Jianfu's travels through South Asia from 1930-1932, including landscapes, structures, and customs he observed.
2) One sketch depicts a Parsi sky burial ground in Mumbai, where corpses are left for birds to consume, leaving only bones.
3) Gao took detailed notes of what he sketched to serve as valuable references for his work.
5 merged
Gao Jianfu often brought sketchbooks on his travels to depict scenes and objects he saw for future reference in his painting. In late 1930, he traveled to India to attend an education conference in January 1931. This document contains press reports from India in 1931 describing Gao Jianfu's travel to India and South Asia where he purchased sketchbooks. The sketchbooks contained drawings and annotations of landscapes and wildlife.
1 merged
1) The document shows a photograph of Gao Jianfu and his friends and followers taken in Guangzhou.
2) It describes Gao Jianfu collecting illustrations as references for his work, including a painting of a peacock by Japanese artist Hobun Kikuchi.
3) Gao traveled to Japan from 1906 to 1908 to study painting and was influenced by Japanese styles, and the peacock painting may have been a reference for his later works depicting peacocks.
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一比一原版迪肯大学毕业证(DU毕业证书)学历如何办理
多少钱办理【微信号:176555708】【多少钱办理(DU毕业证书)】【微信号:176555708】《成绩单、外壳、offer、真实留信官方学历认证（永久存档/真实可查）》采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路）我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信号:176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信号:176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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Mr. Brainwash Beautiful Girl / Mixed Media / signed / Unique
Year: 2023
Format: 96,5 x 127 cm / 37.8 x 50 inch
Material: Fine Art Paper with hand-torn edges.
Method: Mixed Media, Stencil, Spray Paint.
Edition: Unique
Other: handsigned by Mr. Brainwash front and verso.
Beautiful Girl by Mr. Brainwash is a mixed media artwork on paper done in 2023. It is unique and of course signed by Mr. Brainwash. The picture is a tribute to his own most successful work of art, the Balloon Girl. In this new creation, however, the theme of the little girl is slightly modified.
In Mr. Brainwash’s mixed media artwork titled “Beautiful Girl,” we are presented with a captivating depiction of a little girl adorned in a summer dress, with two playful pigtails framing her face. The artwork exudes a sense of innocence and whimsy, as the girl is shown in a dreamy state, lifting one end of her skirt and looking down as if she were about to dance. Through the use of mixed media, Mr. Brainwash skillfully combines different artistic elements to create a visually striking composition. The vibrant colors and bold brushstrokes bring the artwork to life, evoking a sense of joy and happiness. The attention to detail in the girl’s expression and body language adds depth and character to the piece, allowing viewers to connect with the young protagonist on a personal and emotional level. “Beautiful Girl” is a testament to Mr. Brainwash’s unique artistic style, blending elements of street art, pop art, and contemporary art to create a visually captivating and emotionally resonant artwork.
The use of mixed media in “Beautiful Girl” adds an additional layer of complexity to the artwork. By combining different artistic techniques and materials, such as stencils, spray paint, and collage, Mr. Brainwash creates a dynamic and textured composition that grabs the viewer’s attention. The juxtaposition of different textures and patterns adds depth and visual interest to the piece, while also emphasizing the artist’s eclectic and experimental approach to art-making. The inclusion of collage elements, such as newspaper clippings and torn posters, further enhances the artwork’s urban and contemporary feel. Overall, “Beautiful Girl” is a visually captivating and thought-provoking artwork that showcases Mr. Brainwash’s talent for blending different artistic elements to create a truly unique and engaging piece.
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Femmely-ACP-how to use social media to drive engagement
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20拷貝 19拷貝 20,19_merged
- 3. 20 水仙 Narcissus 水墨紙本 Ink on paper 高：26 厘米闊：45 厘米 H： 26 cm W：45 cm 臨居巢題識：「含笑凌倒景，香氣為誰發；自從建安來，不著鴉頭襪。 集太白句，東洲先生粲正，居巢。」 With artist’s inscription copying the original inscription by Ju Chao 黎明．黃詠賢伉儷藏品 Collection of Mr Lai Ming and Ms Wong Wing-yin 高劍父於1893年隨廣東隔山畫派畫家居廉（1828-1904）習畫，勾臨花鳥 草蟲畫作，也臨摹居廉堂兄居巢（1811-1865）的作品。此幀即摹寫居巢 的水仙畫作，包括居巢原蹟的題識。水仙以白描手法勾勒，線條流暢，但 有猶疑不足之處，並未設色，反映其早期在學習時期臨摹習作的嘗試。 Gao Jianfu started learning from Ju Lian (1828-1904), the master of Geshan School of Guangdong in 1893. He also had the chance to copy the motifs of flowers, birds, grasses and insects in the paintings of Ju Lian’s sibling Ju Chao (1811-1865). This sketch of narcissuses is painted in the style of Ju Chao’s work and even the poem inscriptions were copied. The narcissuses are drawn in outline in a subtle style. The brush lines, though fluent, show mild hesitation. Colour is not applied, so it is a piece of Gao’s experimental copy work, in his early period. 19 竹鳥 Bird on Bamboo 無年款Undated 約ca.1892-1903 水墨紙本 Ink on paper 高：26 厘米闊：44.5 厘米 H： 26 cm W：44.5 cm 題識： 「此稿寫煙。」「其翼無墨，吾用淡墨。」 With artist’s inscriptions 黎明．黃詠賢伉儷藏品 Collection of Mr Lai Ming and Ms Wong Wing-yin 無年款Undated 約ca.1892-1903