A presentation on the Research Guide to Jamaican Art I created for Prof. Soehner's Introduction to Art Librarianship class.
This is the first resource guide on this topic.
Introductory remarks for the D.C. Art Science Evening Rendezvous (DASER) on May 21, 2015, on the topic of "Museums in the Digital Age."
D.C. Art Science Evening Rendezvous (DASER) is a monthly discussion forum on art science projects providing a snapshot of the cultural environment of the region and fostering interdisciplinary networking.
DASER is co-sponsored by Cultural Programs of the National Academy of Sciences (CPNAS) and Leonardo, the International Society for the Arts, Sciences, and Technology.
http://www.cpnas.org/events/daser-052115.html
A presentation on the Research Guide to Jamaican Art I created for Prof. Soehner's Introduction to Art Librarianship class.
This is the first resource guide on this topic.
Introductory remarks for the D.C. Art Science Evening Rendezvous (DASER) on May 21, 2015, on the topic of "Museums in the Digital Age."
D.C. Art Science Evening Rendezvous (DASER) is a monthly discussion forum on art science projects providing a snapshot of the cultural environment of the region and fostering interdisciplinary networking.
DASER is co-sponsored by Cultural Programs of the National Academy of Sciences (CPNAS) and Leonardo, the International Society for the Arts, Sciences, and Technology.
http://www.cpnas.org/events/daser-052115.html
Annotated Bibliography on Prof. Edward J. Sullivan's English WorksKai Alexis Smith
Slides from a presentation on New York University Professor Edward J. Sullivan's English language works for Theories and Methodologies in Art History class at Pratt Institute in fall 2012.
.
Leonard J. Currie, FAIA, Slide Collection. VRA 2021.Steve Tatum
Presentation by Steve Tatum for VRA 2021, virtual Chicago conference. About creating a biography of Leonard J. Currie the in WordPress from his slide collection. The slide collection was donated to Virginia Tech University Library's by Leonard Currie's family.
Partition Museum - Amritsar. Museum in Indiasumit_vats
The Partition Museum comprehensively charts the Partition with a narrative arc that moves from the time before partition, proceeds to the independence movement, the early demands for separate countries, and ultimately the Partition and its consequences.
Established as a People’s Museum, the Partition Museum endeavors to depict the Partition as it was experienced by the People. One key aspect of the collections comprises the artefacts generously donated by Partition Survivors and their families. As people were displaced, they carried with them whatever little they could, and these objects are now not only important milestones of the events, but symbols of losses suffered and trials endured. The uncertainty and confusion caused by the sudden division of the country often gave people no time to be able to gather their belongings before walking out of their homes forever. The artefacts received by the Partition Museum include things that were of practical use brought across by people along with those that held sentimental value for them. From utensils, trunks and clothes, to a wedding sari, a jewellery box and a tin box, the Museum houses artefacts of the Partition belonging to people from diverse and different backgrounds.
A multi-media experience, the Museum also documents—through audio-visual stations set across the 14 galleries—those whose voices have been silenced in the pages of history. There are more than 100 interviews currently playing in the Museum. We also have a constantly expanding archive that will be made available to researchers, scholars and those interested in the history of the Partition.
The Partition Museum aims to become a repository of information and stories of the Partition. This is a never-ending effort to collect more oral histories, documents, and footage and to tap all sources that may help us achieve our aims.
LeGrand Lockwood, born in Norwalk, Connecticut in 1820, went on to make a fortune in the railroad business. He was an enthusiastic adopter of the new technologies of his day. This talk, delivered at the Lockwood-Mathews Mansion Museum, considers how Lockwood and his contemporaries thought about the future of technology.
Hear the presentation at http://youtu.be/9A-KCQJ-GPI
Libraries, archives and museums generally share a commitment to provide access to collections information, yet we often struggle for time and resources to fully catalog, digitize, and publish our data. By working in partnership with community experts and other institutions, we have a better shot at reaching a broader public and improving the metadata and digital assets associated with our collections. Collaborative approaches to collections care and access—such as crowdsourcing metadata, volunteer-led digitization, and participation in aggregated sites like the Digital Public Library of America—can open up opportunities, but may require us to rethink our standard modes of operation and to shift perspective—from that of an isolated and distinct facility to one experiencing membership in a global community of institutions, community experts, and end users.
This talk will consider various strategies for “opening” collections processing, as well as access, using case examples from the Harold O’Neal film collection at the GLBT Historical Society, and Andrew J. Russell’s glass plate negatives documenting the construction of the transcontinental railroad, at the Oakland Museum of California.
Annotated Bibliography on Prof. Edward J. Sullivan's English WorksKai Alexis Smith
Slides from a presentation on New York University Professor Edward J. Sullivan's English language works for Theories and Methodologies in Art History class at Pratt Institute in fall 2012.
.
Leonard J. Currie, FAIA, Slide Collection. VRA 2021.Steve Tatum
Presentation by Steve Tatum for VRA 2021, virtual Chicago conference. About creating a biography of Leonard J. Currie the in WordPress from his slide collection. The slide collection was donated to Virginia Tech University Library's by Leonard Currie's family.
Partition Museum - Amritsar. Museum in Indiasumit_vats
The Partition Museum comprehensively charts the Partition with a narrative arc that moves from the time before partition, proceeds to the independence movement, the early demands for separate countries, and ultimately the Partition and its consequences.
Established as a People’s Museum, the Partition Museum endeavors to depict the Partition as it was experienced by the People. One key aspect of the collections comprises the artefacts generously donated by Partition Survivors and their families. As people were displaced, they carried with them whatever little they could, and these objects are now not only important milestones of the events, but symbols of losses suffered and trials endured. The uncertainty and confusion caused by the sudden division of the country often gave people no time to be able to gather their belongings before walking out of their homes forever. The artefacts received by the Partition Museum include things that were of practical use brought across by people along with those that held sentimental value for them. From utensils, trunks and clothes, to a wedding sari, a jewellery box and a tin box, the Museum houses artefacts of the Partition belonging to people from diverse and different backgrounds.
A multi-media experience, the Museum also documents—through audio-visual stations set across the 14 galleries—those whose voices have been silenced in the pages of history. There are more than 100 interviews currently playing in the Museum. We also have a constantly expanding archive that will be made available to researchers, scholars and those interested in the history of the Partition.
The Partition Museum aims to become a repository of information and stories of the Partition. This is a never-ending effort to collect more oral histories, documents, and footage and to tap all sources that may help us achieve our aims.
LeGrand Lockwood, born in Norwalk, Connecticut in 1820, went on to make a fortune in the railroad business. He was an enthusiastic adopter of the new technologies of his day. This talk, delivered at the Lockwood-Mathews Mansion Museum, considers how Lockwood and his contemporaries thought about the future of technology.
Hear the presentation at http://youtu.be/9A-KCQJ-GPI
Libraries, archives and museums generally share a commitment to provide access to collections information, yet we often struggle for time and resources to fully catalog, digitize, and publish our data. By working in partnership with community experts and other institutions, we have a better shot at reaching a broader public and improving the metadata and digital assets associated with our collections. Collaborative approaches to collections care and access—such as crowdsourcing metadata, volunteer-led digitization, and participation in aggregated sites like the Digital Public Library of America—can open up opportunities, but may require us to rethink our standard modes of operation and to shift perspective—from that of an isolated and distinct facility to one experiencing membership in a global community of institutions, community experts, and end users.
This talk will consider various strategies for “opening” collections processing, as well as access, using case examples from the Harold O’Neal film collection at the GLBT Historical Society, and Andrew J. Russell’s glass plate negatives documenting the construction of the transcontinental railroad, at the Oakland Museum of California.
Digital Programs & Initiatives @ Smithsonian Libraries: Scholarly Communicati...Martin Kalfatovic
Digital Programs & Initiatives @ Smithsonian Libraries: Scholarly Communications | Digital Library | Biodiversity Heritage Library. Martin R. Kalfatovic. Presentation for the National Library of Medicine Staff. Smithsonian Libraries. Washington, DC. 9 June 2017
Davis Art Images was thrilled to attend the Visual Resources Association's second annual Vendor Slam at the VRA conference (March 18, 2010). View our presentation from the Slam to learn more about our images and new offerings.
AHTR Art and Cultural Heritage Looting and DestructionAHTR
A slideshow connected to a lecture on Art and Cultural Heritage Looting and Destruction available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Rhonda Reymond.
Works citedDreher, Tom. Phoenix Museums Arts & Culture in Phoe.docxambersalomon88660
Works cited
Dreher, Tom. Phoenix Museums | Arts & Culture in Phoenix. n.d. Web. 27 October 2016.
Haler , Edward. Phoenix News and Events | Phoenix New Times. n.d. Web. 27 October 2016.
MacNair, David. Internships Education. n.d. Web. 27 October 2016.
Miller, Alfred. Free Children's Museum of Phoenix Coupons. n.d. Web. 27 October 2016.
Miller, James. History of the Phoenix Art Museum . n.d. Web. 27 October 2016.
Phoenix Art Museum. Special Events at Phoenix Art Museum. n.d. Web. 27 October 2016.
Phoenix Museums: 10Best. Phoenix Museums: 10 Best Museum Reviews. n.d. Web. 27 October 2016.
Phoenix Police Museum. Phoenix Police Museum. n.d. Web. 27 October 2016.
Shannon , Mercy. Phoenix Art Museum - Experience Great Latin American, Modern, Contemporary, Asian, Fashion Design, Western And American Art & Culture In Downtown 2nd edition Phoenix, AZ. n.d. Web. 27 October 2016.
Shannon, Mercy. Experience Great Latin American, Modern, Contemporary, Asian, Fashion Design, Western and American Art & Culture In Downtown Phoenix, AZ. n.d. Web. 27 October 2016.
Student's Name;
Professor's Name;
Course;
Date
QUOTE
According to “Phoenix Art Museum". "The Phoenix Museum is one of the largest art museums in the world. Located in Phoenix Arizona the museum receives guests from all over the world annually".
Michael states that "The Phoenix Art Museum is one of the leading cultural institutions of the Southwest of the USA"
PARAPHRASES
Original Material:
"The Phoenix art Museum boasts American and Western American, European, modern and contemporary, Latin American and fashion design collections, as well as an Asian art collection "Phoenix Art Museum".
My Paraphrase:
According to "Phoenix Art Museum" The phoenix museum contains a variety of contemporary art pieces that range from American, Western American, and Latin America. The museum boosts a diverse range of art pieces that transcend continents and cultures.
Original Material:
The Phoenix arts community is at a tipping point in many ways. We are fortunate to have a diverse, bilingual, socially-aware and arts-focused community surrounding us that is active and increasingly involved and influential with what we do at Phoenix Art Museum. We have more than 50 arts and culture organizations in the City of Phoenix alone that include galleries, artist's coalitions, art-oriented centers, museums, studios and more.
My Paraphrase:
The museum's diversity has provided the community with a wide range cultural wealth that originates from different countries. The surrounding community of the museum has provided a wealth of resources such as bilingual speaking and has influenced the success of the museum.
SUMMARY
The article "Phoenix Art Museum" has provided a historical chronology of the museum from its inception to its current state as one of America's biggest museums. The writer of the article has elaborated the place of the museum in the art scene of the United States.
"16 B.
1. ARTstor and Shared Shelf update
Georgia State
James Shulman, Colleen Hunter, Chris
Spedaliere, Maria Watts
El Greco, View and Map of Toledo, c. 1610
2. ARTstor Digital Library Now
• 1.4+ million images; 1 million in
production
• 200+ collections
• Arts, architecture, humanities, and
sciences
• Museums, photo archives, libraries,
artists, artists’ estates, scholars,
photographers
• Interdisciplinary content and global
coverage from pre-history to present
Louise Bourgeois, Eyes, 1982, The Metropolitan Museum of Art
5. Larry Qualls: New York Gallery Exhibition Archives
Museum of Modern Art: Exhibition Installations Archives
6. African and African-American studies
Christopher Roy and Herbert Cole: African field photography
Winiama mask performance (masks greet guests in the village), 2006. Ouri, Burkina Faso.Photographed by Christopher Roy. Senufo, Pelerova Masker, 1979. Tiasso, Côte d'Ivoire. Photographed by Herbert Cole.
7. Magnum Photos – 80,000 photos of world events, people, places
(LEFT) Paolo Pellegrin: Muammar Qaddafi in his residential compound,
Tripoli, Libya, 2002. (ABOVE) Philippe Halsman: Audrey HEPBURN
posing for a LIFE Magazine cover, 1955.
City, August 1, 2006 | Title | Repository: The Metropolitan Museum of Art Repository: New York, New York, USA Creator: Louise Bourgeois, North American; American, American, born France, 1911 Title: Eyes Work Type: Sculpture Date: 1982 Material: Marble
Henri Matisse, 1869-1954 Title Reclining Nude with Blue Eyes (Nu couché aux yeux bleus) Date January 1936 Material Oil on canvas Measurements 13 x 18 1/8 in. (33 x 46 cm) Repository Barnes Foundation Accession Number BF955
Soon we will launch a collection of new media art from Rhizome, a fantastic organization affiliated with the New Museum in New York. Kenneth Hung 3308 60X1.COM 9/1/2001
Another forthcoming collection is the Renaissance Society at the University of Chicago, one of the premiere, and longest running, contemporary art centers in the U.S. Atoms Inside Balloons Chicago Illinois United States The Renaissance Society at The University of Chicago
The Yale University Art Gallery is also adding significantly to their existing holdings, including Images for Academic publishing.
The Mott-Warsh Collection is a Flint, Michigan based collection of modern and contemporary African-American art. This collections will include works by Whitfield Lovell, Howardena Pindell, Faith Ringgold, and many other important African-American artists. Mott-Warsh is committed to arts education in Flint and also lends works for travelling exhibitions, so by contributing their collection to ARTstor they are also ensuring these important works will be used for education in the classroom as well the museum.
The Colby College of Art has is a great collection with a large selection of work by Alex Katz. Creator: Alex Katz, (1927 - ) Title: Dog At Duck Trap Work Type: Graphics Date: 1975-1976 Material: Litho 10 colors on Arches Cover White Paper Printer: Styria Studio, Ny Published Measurements: 29 in. x 43 in. Repository: Colby College Museum of Art Repository: Gift of the artist Accession Number: 1995.350 Collection: Colby College Museum of Art
ARTstor expanded the Mark Rothko collection in the Digital Library last year and we continue to work with many artists ’ estates and studios to make works by a variety of artists available for teaching and research. These relationships are critical because estates and studios enable us to share images otherwise unavailable to the public. For example, we recently launched a collection of over 300 works by the American painter Jon Schueler, who came out of the American school of abstraction in the mid-20 th century. Many of these works are owned by the estate and otherwise unavailable.
We recently launched nearly 4,000 of a total contribution that will eventually total over 55,000 images from the Museum of the City of New York. The first batch includes amazing photography by Jacob Riis, including images from his legendary book How the Other Half Lives. The launch also includes work by pioneering American documentary photographer Berenice Abbott, whose Changing New York series from the 1930s includes some of most famous photos of New York City. Creator: Berenice Abbott (1898-1991) Title: Automat Date: February 10, 1936 Description: 977 Eighth Avenue between West 57th and 58th Streets. Repository: Museum of the City of New York Accession Number: 40.140.4 Subject: Automats / Desserts Subject: Eighth Avenue (New York, N.Y.) / Midtown Manhattan (New York, N.Y.) Collection: Museum of the City of New York
Over 50,000 images documenting the history of Southern architecture in the United States Title: 701 Bourbon St., corner St. Peters St. Date: Photograph: [between 1926 and 1944] Location: New Orleans Location: Orleans County Location: Louisiana Description: Photographer: Johnston, Frances Benjamin, 1864-1952 Repository: Library of Congress: Prints and Photographs Division Repository: http://hdl.loc.gov/loc.pnp/pp.print Collection: Carnegie Survey of Architecture of the South (Library of Congress)
We continue to commission fantastic original photography from ARTonFILE. Recent campaigns document Shanghai and World Expo and the United Arab Emirates.
Masterworks from French state museums are now available thanks to our agreement with the Reunion des Musees Nationaux. Creator: Jacques-Louis David Title: The Oath of the Horatii Work Type: painting Date: 1784 Material: oil on canvas Measurements: 330 x 425 cm Description: Photographer: Christian Jean Repository: Musée du Louvre Accession Number: INV. 3692 Collection: Réunion des Musées Nationaux (RMN)
Title: Easter Island Title: Exterior Date: ca. mid 13th c - 14th c. Date: Image: April 1995 Location: Orongo, Chile Description: Three moai statues and ahu Description: Photographer: World Monuments Fund Collection: World Monuments Fund