1. highcliffe

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Mark Ollis

A comparison of the manged and unmanaged cliffs either side of Chewton Bunny

Education

Highcliff
e
Does Terminal
Groyne
Syndrome
exist

Are the profiles
significantly
different?
EAST
WEST

Dynamic
Equilibrium?
Evidence of
movement …

El Barroco fue un período de la historia en la cultura occidental originado por una nueva forma de concebir las artes visuales (el «estilo barroco») y que, partiendo desde diferentes contextos histórico-culturales, produjo obras en numerosos campos artísticos: literatura, arquitectura, escultura, pintura, música, ópera, danza, teatro, etc. Se manifestó principalmente en la Europa occidental, aunque debido al colonialismo también se dio en numerosas colonias de las potencias europeas, principalmente en Latinoamérica. Cronológicamente, abarcó todo el siglo XVII y principios del XVIII, con mayor o menor prolongación en el tiempo dependiendo de cada país. Se suele situar entre el Manierismo y el Rococó, en una época caracterizada por fuertes disputas religiosas entre países católicos y protestantes, así como marcadas diferencias políticas entre los Estados absolutistas y los parlamentarios, donde una incipiente burguesía empezaba a poner los cimientos del capitalismo.1 Como estilo artístico, el Barroco surgió a principios del siglo XVII (según otros autores a finales del XVI) en Italia —período también conocido en este país como Seicento—, desde donde se extendió hacia la mayor parte de Europa. Durante mucho tiempo (siglos XVIII y XIX) el término «barroco» tuvo un sentido peyorativo, con el significado de recargado, engañoso, caprichoso, hasta que fue posteriormente revalorizado a finales del siglo XIX por Jacob Burckhardt y, en el XX, por Benedetto Croce y Eugeni d'Ors. Algunos historiadores dividen el Barroco en tres períodos: «primitivo» (1580-1630), «maduro» o «pleno» (1630-1680) y «tardío» (1680-1750).2 Aunque se suele entender como un período artístico específico, estéticamente el término «barroco» también indica cualquier estilo artístico contrapuesto al clasicismo, concepto introducido por Heinrich Wölfflin en 1915. Así pues, el término «barroco» se puede emplear tanto como sustantivo como adjetivo. Según este planteamiento, cualquier estilo artístico atraviesa por tres fases: arcaica, clásica y barroca. Ejemplos de fases barrocas serían el arte helenístico, el arte gótico, el romanticismo o el modernismo.2 El arte se volvió más refinado y ornamentado, con pervivencia de un cierto racionalismo clasicista pero adoptando formas más dinámicas y efectistas y un gusto por lo sorprendente y anecdótico, por las ilusiones ópticas y los golpes de efecto. Se observa una preponderancia de la representación realista: en una época de penuria económica, el hombre se enfrenta de forma más cruda a la realidad. Por otro lado, a menudo esta cruda realidad se somete a la mentalidad de una época turbada y desengañada, lo que se manifiesta en una cierta distorsión de las formas, en efectos forzados y violentos, fuertes contrastes de luces y sombras y cierta tendencia al desequilibrio y la exageración.3

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1. highcliffe

1. Highcliff e Does Terminal Groyne Syndrome exist

2. Are the profiles significantly different? EAST WEST

3. WEST EAST

4. EAST Head - form

5. Toe - form

6. Dynamic Equilibrium? Evidence of movement …

7. Contributing factors? Role; geology

8. Terminal Groyne 12

9. WEST Profile

10. Profile

11. Slope control engineering?

12. H11 - Hard engineering, describe

13. Evidence - groynes effective?

14. Additional protection

15. Toe Protection

16.

17. Management

18. Role of vegetation

19. Head Material

20. Head Protectio n

21. Planning strategy

22. Value

23.

24. IMAGE S Mark Ollis

Editor's Notes

From aerial imagery the erosion east of Cliffhanger and Chewton Bunny is accelerated
Curved slumped profile compared to modified linear sloes
OS 1:25 Screen grab to indicate offset, also visible on Google Earth
Concave, sands and gravels
Lobate toe of clay material – colour change
Parallel cracking
Weight, lubrication, shear plane – evidence of non porous substrate – clay
Twelve rock armour groynes sit perpendicular
Rectilinear
Rectilinear – indicates profiling
Point out head form, drainage channels
Rock armour groynes
Variety of graded beach material
Some rock armour – parallel to shore
Light armour to reduce storm overspill
Overview to indicate scale of project
Main division between bathers and watersport users
Binds soil together, intercepts vegetation, traps downwashed sediments,[provides habitat]
Sand and gravel, prior attempt at drainage
Selective shuttering
Do nothing buffer
Verandas indicate importance of view
Reiterates perpendicular form in plan
All images taken 13 Feb. 2017

1. highcliffe

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Editor's Notes