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Mirror
- By Sylvia Plath
Stanza I
I am silver and exact. I have no preconceptions.
What ever you see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful---
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Addressed by an inanimate object (Mirror is Personified)
Sets out to define itself and its function
Has no preconceptions because it is without memory or
ability to reason.
It is omnivorous – swallows everything it confronts
without making judgments that might blur, mist, or
distort.
It is god-like in its objectivity and incapable of
emotional response.
Most of the time it meditates on the opposite wall,
faithfully reproducing its colors and design until
darkness intervenes.
Analysis
Stanza II
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old
woman
Rises toward her day after day, like a terrible fish.
Analysis
The mirror becomes a perfectly reflecting lake, unruffled by any
disturbance
No matter how deeply she searches, she sees only her actuality or
surface truth.
The candles and moon to which the woman turns are liars capable
of lending untruthful shadows and romantic highlights – unlike the
lake surface/mirror, which shows only faithful images.
Unhappy by what she sees, she weeps and wrings her hands.
The youth and beauty once reflected during her morning visits are
drowned in the metaphorical depths of the lake.
What slowly emerges from those depths is the terrifying fact that
she is aging.
Writing Style
Written in free verse – no rhyming scheme
Written in first person
Use of simple sentences
Very few adjectives due to use of
metaphors
Use of Personification
Personification &
Metaphor
The speaker is not a person, but a personified mirror throughout the
poem.
Candles and the moon are personified, giving them human qualities,
like the ability to lie.
The words ‘swallow’, ‘see’ & ‘look’ are used as metaphor for
reflecting and personifies the mirror.
 "Unmisted" is used as a metaphor for "unchanged.“
This drowning and rising up is used as metaphor. With the young
girl drowning, and the old woman rising, it seems most likely that the
water is a metaphor for time, or aging.
The old woman rises up "like" a terrible fish, which is a simile.

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Mirror by Sylvia Plath

  • 2. Stanza I I am silver and exact. I have no preconceptions. What ever you see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful--- The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over.
  • 3. Addressed by an inanimate object (Mirror is Personified) Sets out to define itself and its function Has no preconceptions because it is without memory or ability to reason. It is omnivorous – swallows everything it confronts without making judgments that might blur, mist, or distort. It is god-like in its objectivity and incapable of emotional response. Most of the time it meditates on the opposite wall, faithfully reproducing its colors and design until darkness intervenes. Analysis
  • 4. Stanza II Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish.
  • 5. Analysis The mirror becomes a perfectly reflecting lake, unruffled by any disturbance No matter how deeply she searches, she sees only her actuality or surface truth. The candles and moon to which the woman turns are liars capable of lending untruthful shadows and romantic highlights – unlike the lake surface/mirror, which shows only faithful images. Unhappy by what she sees, she weeps and wrings her hands. The youth and beauty once reflected during her morning visits are drowned in the metaphorical depths of the lake. What slowly emerges from those depths is the terrifying fact that she is aging.
  • 6. Writing Style Written in free verse – no rhyming scheme Written in first person Use of simple sentences Very few adjectives due to use of metaphors Use of Personification
  • 7. Personification & Metaphor The speaker is not a person, but a personified mirror throughout the poem. Candles and the moon are personified, giving them human qualities, like the ability to lie. The words ‘swallow’, ‘see’ & ‘look’ are used as metaphor for reflecting and personifies the mirror.  "Unmisted" is used as a metaphor for "unchanged.“ This drowning and rising up is used as metaphor. With the young girl drowning, and the old woman rising, it seems most likely that the water is a metaphor for time, or aging. The old woman rises up "like" a terrible fish, which is a simile.