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Geophotography as
Pedagogy: Students
Creating and Using
Geologic Images
David Mogk, Montana State University
On the Cutting Edge Geophotography Webinar
April 2, 2013
Part I:
Using Photos in Your
Classroom Instruction
What we’ve learned from
the cognitive sciences
Part II:
Class Activities Where
Students are the
Photographers
Photo Credit: Travis Corthouts, Dept. Earth Sciences, Montana State Univ
Photography is
TransformativeI. Nature into Culture—Inscriptions (Latour, 1987)
Permanent, portable, and public records
Landscapes, outcrops, close-ups
Aesthetic intent
Awe and Wonder
Documentary
categorizing
explaining
Capture Earth’s
dynamics
http://serc.carleton.edu/earthandmind/posts/Through_a_lens
Photo Credit: Travis Corthouts, Dept. Earth Sciences, Montana State University
Photography is
Transformative
II. Students Into Scientists
Students had to make
fundamental decisions
Scale, proportion
Knowing what to include or exclude
Knowing what to emphasize
(with lighting, post-production…)
Externalizing stored knowledge
Conveying meaning purposefully
Gaining technical expertise (geologic, photographic)
Joy of discovery, self-directed inquiry, decision-making
Photo Credit: Travis Corthouts, Dept. Earth
Sciences, Montana State University
Photography is
TransformativeIII. The Viewing Public, the
“Spectator”—connecting to the place
or event (Barthes, 1981)
Changing the viewer
through the relationship
with the photograph
The “Studium”—the
general interest of the
photo
The “Punctum”—the
piercing point; revealed
through Photo Credit: Travis Corthouts, Dept. Earth
Sciences, Montana State University
What do we know from
cognitive psychology?
Teaching Geoscience With Visualizations
http://serc.carleton.edu/NAGTWorkshops/visualization/index.html
Every picture tells a story (Rod Stewart, 1971)…
but how can we be sure the right message is being received?
Cognitive Load Theory
Informs How we can Best use Photos in Education
Long-term memory
Sub-conscious and permanent storage of information; essentially infinite
capacity
Working Memory
Information from the environment, or long-term memory becomes focus of
active attention and processing
Can only hold a finite number of items for limited time; new information is
integrated with existing knowledge; defines limits to learning
Cognitive Load
Intrinsic cognitive load—mental effort related to the difficulty of content to
be learned; complexity increases C.L.
Extraneous cognitive load: effort required to understand material not
directly related to learning process; detracts from learning
Germane Cognitive load: effort devoted to construction of new
knowledge, meaningful engagement, new understanding
From Maxwell et al., 2013
What Makes an Effective Photo for
Instruction?
Selecting the right photo
What are you trying to demonstrate?
What do the students already know?
Feedback: does the photo convey the intended
information, enable the desired learning?
Students don’t necessarily see what the
instructor sees
Students’ learning follows what they already know
What do students focus on in the image?
Does the photo generate new questions?
Can the students understand and interpret processes
represented? (What assessment will you use?)
What Makes an Effective Photo for
Instruction?
Simple is usually better
Focus on the essentials
Context is important
Allows students to draw from earlier learning
experiences
Guidance helps
Visual or textual clues, focus on what is important, what can be
ignored (“disembedding”)
Annotations
Textual, provide context
Stratigraphic units, ….
Lines
Discriminate A from B
Connecting A and B
Pathways from A to B
Arrows
Directionality
Pointing, labeling
Temporal sequence
Outlines
Enclosure, area of interest
Distilled from Barbara
Tversky
Reynolds et al.: Tell the
story in pictures and
graphics
Reynolds et al. II
Marshak: Through the
Eyes of a Geologist
Perry Samson: What’s Wrong With
This Picture?
http://serc.carleton.edu/NAGTWorkshops/online/activities/46664.html
Teaching
Strategies:
Interactive
Lectures
Peer
Instruction
Guided
Discovery
Teaching With Geopads
http://serc.carleton.edu/research_education/geopad/mapping_projects.html
Field photos downloaded into field-based computers in
real time. Ability to superpose layers (maps, etc.)
Image Mark-Ups
Using One-Note
Software:
annotated field
photographs and other
imported images;
Looking at the landscape
may be confusing to
students.
Use “White board”
sketches directly on
photo.
Or, have students take
photo, annotate, to
demonstrate
understanding.
Image Mark-Up II
Students can mark-up other image materials such as maps, overview
sketches, or competing interpretations. They can further examine their
annotated images by using on-off toggle functionality that will separates their
interpretative notes from the image.
Audrey Rule: Photographs of Snow
Bank Structures
http://serc.carleton.edu/NAGTWorkshops/structure/activities/10594.html
Students can review stratigraphic concepts such as original horizontality and superpositio
Photo Credits: Audrey Rule
Paul Bierman: Landscape Change
Program
http://www.uvm.edu/landscape/menu.php
Use of Photo Atlases in
Class Activities
http://serc.carleton.edu/NAGTWorkshops/sedimentary/visualizations/rocktype.html
http://www.marlimillerphoto.com/Sed.html
Given access to
these
comprehensive
image
archives, how
would you
effectively use
these in class or
in an
assignment?
Photo Image Archives
AGI’s Earth Science World Image Bank
http://www.earthscienceworld.org/images/
NASA/USRA’s Earth Science Picture of the Day
http://epod.usra.edu/
GEODIL
http://www.geodil.com
On the Cutting Edge
http://serc.carleton.edu/NAGTWorkshops/visualization/collections.html
February 19, 2013 Eruption of Mount Etna
Photo Credit: Marco Restivo; EPOD
Steve Harper: Geologic Photo Field Trips to
View Rocks, Geologic Structures, and
Landforms in Introductory Physical Geology
http://serc.carleton.edu/NAGTWorkshops/field_experiences/posters/37444.html
Trail Guide Project
David Mogk, Montana State University
Encourage citizens
to get out into the
field
Capture the
aesthetics
Details of
access, trail
conditions
Step by step guide
to key features
Hikes will be more
enjoyable if you
know what to look
for
Interpretations
based on
A service-learning project by
students
A Geophotography Class: A View on
Earth David Mogk, Dept. Earth
Sciences, Montana State Univ.
Multi-disciplinary course co-taught with photography
professor (co-listed Science and Art)
Introduction
Earth Science processes for Art students
Technical photography skills, composition for E. Sci. students
Two weeks of field trips to explore landscapes
Agriculture, mining, forestry, recreation…
Students developed an art portfolio to represent
dynamic processes or human impacts;
Art show in Student Union
New Activities
Charlie Lindgren
Science of Sand:
http://www.scienceofsand.info/sand/geophoto.htm
http://serc.carleton.edu/NAGTWorkshops/geophoto/workshop2013/workspace_2013/
lindgren.html
Bob Filson
http://serc.carleton.edu/dev/NAGTWorkshops/geophoto/activities/71
114.html
Mike Rygel
Atlas of Sedimentary Structures
http://serc.carleton.edu/NAGTWorkshops/geophoto/workshop2013/
workspace_2013/rygel.html
Martin
Schmidt http://serc.carleton.edu/NAGTWorkshops/geophoto/works
hop2013/workspace_2013/schmidt.html
Discussion?
New ideas about how to use photos in class
activities?
New ideas about how to engage students in
photography as a class activity?

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Mogk Geophotography Presentation

  • 1. Geophotography as Pedagogy: Students Creating and Using Geologic Images David Mogk, Montana State University On the Cutting Edge Geophotography Webinar April 2, 2013
  • 2. Part I: Using Photos in Your Classroom Instruction What we’ve learned from the cognitive sciences Part II: Class Activities Where Students are the Photographers Photo Credit: Travis Corthouts, Dept. Earth Sciences, Montana State Univ
  • 3. Photography is TransformativeI. Nature into Culture—Inscriptions (Latour, 1987) Permanent, portable, and public records Landscapes, outcrops, close-ups Aesthetic intent Awe and Wonder Documentary categorizing explaining Capture Earth’s dynamics http://serc.carleton.edu/earthandmind/posts/Through_a_lens Photo Credit: Travis Corthouts, Dept. Earth Sciences, Montana State University
  • 4. Photography is Transformative II. Students Into Scientists Students had to make fundamental decisions Scale, proportion Knowing what to include or exclude Knowing what to emphasize (with lighting, post-production…) Externalizing stored knowledge Conveying meaning purposefully Gaining technical expertise (geologic, photographic) Joy of discovery, self-directed inquiry, decision-making Photo Credit: Travis Corthouts, Dept. Earth Sciences, Montana State University
  • 5. Photography is TransformativeIII. The Viewing Public, the “Spectator”—connecting to the place or event (Barthes, 1981) Changing the viewer through the relationship with the photograph The “Studium”—the general interest of the photo The “Punctum”—the piercing point; revealed through Photo Credit: Travis Corthouts, Dept. Earth Sciences, Montana State University
  • 6. What do we know from cognitive psychology? Teaching Geoscience With Visualizations http://serc.carleton.edu/NAGTWorkshops/visualization/index.html Every picture tells a story (Rod Stewart, 1971)… but how can we be sure the right message is being received?
  • 7. Cognitive Load Theory Informs How we can Best use Photos in Education Long-term memory Sub-conscious and permanent storage of information; essentially infinite capacity Working Memory Information from the environment, or long-term memory becomes focus of active attention and processing Can only hold a finite number of items for limited time; new information is integrated with existing knowledge; defines limits to learning Cognitive Load Intrinsic cognitive load—mental effort related to the difficulty of content to be learned; complexity increases C.L. Extraneous cognitive load: effort required to understand material not directly related to learning process; detracts from learning Germane Cognitive load: effort devoted to construction of new knowledge, meaningful engagement, new understanding From Maxwell et al., 2013
  • 8. What Makes an Effective Photo for Instruction? Selecting the right photo What are you trying to demonstrate? What do the students already know? Feedback: does the photo convey the intended information, enable the desired learning? Students don’t necessarily see what the instructor sees Students’ learning follows what they already know What do students focus on in the image? Does the photo generate new questions? Can the students understand and interpret processes represented? (What assessment will you use?)
  • 9. What Makes an Effective Photo for Instruction? Simple is usually better Focus on the essentials Context is important Allows students to draw from earlier learning experiences Guidance helps Visual or textual clues, focus on what is important, what can be ignored (“disembedding”)
  • 10. Annotations Textual, provide context Stratigraphic units, …. Lines Discriminate A from B Connecting A and B Pathways from A to B Arrows Directionality Pointing, labeling Temporal sequence Outlines Enclosure, area of interest Distilled from Barbara Tversky
  • 11. Reynolds et al.: Tell the story in pictures and graphics
  • 13. Marshak: Through the Eyes of a Geologist
  • 14. Perry Samson: What’s Wrong With This Picture? http://serc.carleton.edu/NAGTWorkshops/online/activities/46664.html Teaching Strategies: Interactive Lectures Peer Instruction Guided Discovery
  • 15. Teaching With Geopads http://serc.carleton.edu/research_education/geopad/mapping_projects.html Field photos downloaded into field-based computers in real time. Ability to superpose layers (maps, etc.)
  • 16. Image Mark-Ups Using One-Note Software: annotated field photographs and other imported images; Looking at the landscape may be confusing to students. Use “White board” sketches directly on photo. Or, have students take photo, annotate, to demonstrate understanding.
  • 17. Image Mark-Up II Students can mark-up other image materials such as maps, overview sketches, or competing interpretations. They can further examine their annotated images by using on-off toggle functionality that will separates their interpretative notes from the image.
  • 18. Audrey Rule: Photographs of Snow Bank Structures http://serc.carleton.edu/NAGTWorkshops/structure/activities/10594.html Students can review stratigraphic concepts such as original horizontality and superpositio
  • 20. Paul Bierman: Landscape Change Program http://www.uvm.edu/landscape/menu.php
  • 21.
  • 22. Use of Photo Atlases in Class Activities http://serc.carleton.edu/NAGTWorkshops/sedimentary/visualizations/rocktype.html
  • 23. http://www.marlimillerphoto.com/Sed.html Given access to these comprehensive image archives, how would you effectively use these in class or in an assignment?
  • 24. Photo Image Archives AGI’s Earth Science World Image Bank http://www.earthscienceworld.org/images/ NASA/USRA’s Earth Science Picture of the Day http://epod.usra.edu/ GEODIL http://www.geodil.com On the Cutting Edge http://serc.carleton.edu/NAGTWorkshops/visualization/collections.html February 19, 2013 Eruption of Mount Etna Photo Credit: Marco Restivo; EPOD
  • 25. Steve Harper: Geologic Photo Field Trips to View Rocks, Geologic Structures, and Landforms in Introductory Physical Geology http://serc.carleton.edu/NAGTWorkshops/field_experiences/posters/37444.html
  • 26. Trail Guide Project David Mogk, Montana State University Encourage citizens to get out into the field Capture the aesthetics Details of access, trail conditions Step by step guide to key features Hikes will be more enjoyable if you know what to look for Interpretations based on A service-learning project by students
  • 27.
  • 28. A Geophotography Class: A View on Earth David Mogk, Dept. Earth Sciences, Montana State Univ. Multi-disciplinary course co-taught with photography professor (co-listed Science and Art) Introduction Earth Science processes for Art students Technical photography skills, composition for E. Sci. students Two weeks of field trips to explore landscapes Agriculture, mining, forestry, recreation… Students developed an art portfolio to represent dynamic processes or human impacts; Art show in Student Union
  • 29. New Activities Charlie Lindgren Science of Sand: http://www.scienceofsand.info/sand/geophoto.htm http://serc.carleton.edu/NAGTWorkshops/geophoto/workshop2013/workspace_2013/ lindgren.html Bob Filson http://serc.carleton.edu/dev/NAGTWorkshops/geophoto/activities/71 114.html Mike Rygel Atlas of Sedimentary Structures http://serc.carleton.edu/NAGTWorkshops/geophoto/workshop2013/ workspace_2013/rygel.html Martin Schmidt http://serc.carleton.edu/NAGTWorkshops/geophoto/works hop2013/workspace_2013/schmidt.html
  • 30. Discussion? New ideas about how to use photos in class activities? New ideas about how to engage students in photography as a class activity?