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O divino Sainete.
Manuel Curros Enríquez.
1
Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal.
Quen é este home?
-Rexurdimento.
-Infancia.
-Vida laboral.
-Exilio.
Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal.
2
Contexto social, económico e político.
-Obras subxectivas.
-Ideoloxía progresista.
A que xeración pertence Curros?
-Raíces no Romanticismo.
Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal.
3
O porque da obra e as súas influencias.
-Influencia de autores.
-Influencia de outras obras:
-”Divina Comedia” de Dante
-”Mi Romería”Emilia Pardo Bazán.
Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal.
4
Peculiaridades da obra.
-Características de impresión.
-Características externas.
Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal.
5
A importancia dos vagóns e o que estos
representas na obra.
Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal.
6
O comezo da obra.
Os cantos e os seus temas principais.
-Formado por 8 cantos.
-Contan o seu viaxe a Roma.
-Expresan os temas da obra, mediante os vagóns.
Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal.
7
Análise lingüística.
-Galego popular. Seseo.
-Galego dialectal.“on”.
-Hipergaleguismo. Horizonte-Hourizonte.
-Castelanismo.“Xuez” “Hastra”.
-Cultismos e préstamos. “Hixiénico” .
Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal.
8
Principais recursos estilísticos.
-“Baixo seus pés sempre morta, pero tamén sempre viva.”
-“Dis que son remordementos, dos meus pecados a miles.”
-“Non, non é o mal tan profundo.”
-“Quen folga de vir comigo de León XIII ao xubíleo.”
Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal. Non comercial.
9
Bibliografía.
-Baixeras R. Xavier. O Divino Sainete.Xerais. 1999. VG.178-1999. 218 Páxs.
-De Frutos Martínez, María Consuelo. O divino sainete, de Curros Enríquez, e Mi romería, de Pardo
Bazán. 2010. Traballo universitario. 172 Páxs.
-Vicente Fernández, Francisco. En el centenario de O Divino Sainete de Manuel Curros Enríquez.
Traballo universitario. 1457 Páxs (20 empregadas no traballo)
-http://www.currosenriquez.es/es/los-poetas/curros-enriquez.html
Imaxes.
Imaxe 1º: Wikipedia. Manuel Curros Enríquez.
https://gl.wikipedia.org/wiki/Manuel_Curros_Enr%C3%ADquez
Imaxe2º: Wikipedia. O Divino Sainete.
https://gl.wikipedia.org/wiki/O_divino_sainete
Imaxe 3º: Flick. O vagón de tren de Isabel II.
https://www.flickr.com/photos/recuerdosdepandora/8092013856
10

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O divino sainete.

  • 1. O divino Sainete. Manuel Curros Enríquez. 1 Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal.
  • 2. Quen é este home? -Rexurdimento. -Infancia. -Vida laboral. -Exilio. Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal. 2
  • 3. Contexto social, económico e político. -Obras subxectivas. -Ideoloxía progresista. A que xeración pertence Curros? -Raíces no Romanticismo. Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal. 3
  • 4. O porque da obra e as súas influencias. -Influencia de autores. -Influencia de outras obras: -”Divina Comedia” de Dante -”Mi Romería”Emilia Pardo Bazán. Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal. 4
  • 5. Peculiaridades da obra. -Características de impresión. -Características externas. Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal. 5
  • 6. A importancia dos vagóns e o que estos representas na obra. Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal. 6
  • 7. O comezo da obra. Os cantos e os seus temas principais. -Formado por 8 cantos. -Contan o seu viaxe a Roma. -Expresan os temas da obra, mediante os vagóns. Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal. 7
  • 8. Análise lingüística. -Galego popular. Seseo. -Galego dialectal.“on”. -Hipergaleguismo. Horizonte-Hourizonte. -Castelanismo.“Xuez” “Hastra”. -Cultismos e préstamos. “Hixiénico” . Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal. 8
  • 9. Principais recursos estilísticos. -“Baixo seus pés sempre morta, pero tamén sempre viva.” -“Dis que son remordementos, dos meus pecados a miles.” -“Non, non é o mal tan profundo.” -“Quen folga de vir comigo de León XIII ao xubíleo.” Santos Domínguez, Miguel. “O divino sainete”. 2016. IES da Pobra do Caramiñal. Non comercial. 9
  • 10. Bibliografía. -Baixeras R. Xavier. O Divino Sainete.Xerais. 1999. VG.178-1999. 218 Páxs. -De Frutos Martínez, María Consuelo. O divino sainete, de Curros Enríquez, e Mi romería, de Pardo Bazán. 2010. Traballo universitario. 172 Páxs. -Vicente Fernández, Francisco. En el centenario de O Divino Sainete de Manuel Curros Enríquez. Traballo universitario. 1457 Páxs (20 empregadas no traballo) -http://www.currosenriquez.es/es/los-poetas/curros-enriquez.html Imaxes. Imaxe 1º: Wikipedia. Manuel Curros Enríquez. https://gl.wikipedia.org/wiki/Manuel_Curros_Enr%C3%ADquez Imaxe2º: Wikipedia. O Divino Sainete. https://gl.wikipedia.org/wiki/O_divino_sainete Imaxe 3º: Flick. O vagón de tren de Isabel II. https://www.flickr.com/photos/recuerdosdepandora/8092013856 10