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COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
UNIT 1: 
VISUAL PERCEPTION AND VISUAL 
COMMUNICATION. 
TEACHER: Sara Estarque Moreno 
SUBJECT: Educación Plástica e Visual 
LEVEL: 1º ESO 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
OBXECTIVOS DA UNIDADE 
• Comprender o concepto de linguaxe visual e os seus elementos básicos 
• Comprender e recoñecer os tipos de linguaxes visuais que hai 
• Comprender e recoñecer as diferentes funcións da linguaxe visual. 
• Comprender e recoñecer os principios perceptivos 
• Comprender e recoñecer as diferentes finalidades das imaxes 
• Elaborar unha composición tendo en conta os axentes da comunicación, a finalidade da 
imaxe, as emocións e sentimentos que se queren amosar, os fins da mensaxe e o seu 
obxectivo último, sabendo aplicar nas súas composicións os principios perceptivos e máis 
os efectos visuais 
COMPETENCIAS DA UNIDADE 
• COMPETENCIA CULTURAL E ARTÍSTICA. 
◦ Identificar e coñecer o emprego dos conceptos sobre a comunicación visual en 
composicións artísticas, así como saber empregalos en producións propias. 
◦ Comprender os valores estéticos das manifestacións artísticas doutras épocas e 
culturas. 
• AUTONOMÍA E INICIATIVA PERSOAL. 
◦ Tomar decisións de xeito autónomo e avaliar os resultados antes e despois da toma 
de decisións tanto durante o proceso creativo tanto persoal en grupo. 
◦ Establecer estratexias de planificación, previsión de recursos, de anticipación e de 
avaliación do resultados 
• COMPETENCIA SOCIAL E CIDADÁ. 
◦ Traballar en equipo con actitudes de respecto, tolerancia e cooperación, valéndose 
das habilidades sociais. 
◦ Respectar os turnos de palabra, valorar a opinión do outro, escoitar activamente aos 
compañeiros. 
• COMPETENCIA EN APRENDER A APRENDER. 
◦ reflexionar sobre os propios procesos de creación. 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
• TRATAMENTO DA INFORMACIÓN DIXITAL. 
◦ Facer uso dos recursos tecnolóxicos para a procura de información sabendo 
discriminar, organizar e sintetizar a información relevante. 
◦ Empregar as tecnoloxías como medio de comunicación que facilite e proceso de 
ensinanza-aprendizaxe. 
• COMPETENCIA MATEMÁTICA. 
◦ Desenvolver o gusto pola certeza e a súa busca a través do razoamento mediante a 
utilización de elementos e soportes matemáticos: resolución de problemas. 
• COMPETENCIA NO COÑECEMENTO E INTERACCIÓN CO MEDIO FÍSICO. 
◦ Observar, experimentar e descubrir o emprego dos conceptos relacionados coa 
comunicación visual na arte e nas creacións propias. 
◦ Facer un bo uso dos materiais de traballo, reciclando sempre que sexa posible e 
mantendo o entorno limpo e ordenado. 
• COMPETENCIA NA COMUNICACIÓN LINGÜÍSTICA. 
◦ Expresarse correctamente incorporando o vocabulario específico sobre a 
comunicación visual, explicando as investigacións e traballos feitos aos compañeiros. 
◦ Comunicar sentimentos, ideas ou emocións empregando a comunicación visual. 
SECUENCIACIÓN DO TRABALLO NA UNIDADE 
• Do 24 de setembro ao 9 de outubro: Conceptos e trazados relacionados con cada 
concepto. 
• O 9 de outubro: exame. 
• O 22 de outubro: recuperación se fose preciso. 
• Do 15 de outubro ao 30 de outubro: proxecto en grupo cooperativo. 
CRITERIOS DE AVALIACIÓN DA UNIDADE 
• Recoñecer a función do emisor, a mensaxe, o receptor e o medio. 
• Identificar os principios perceptivos en diferentes imaxes 
• Enunciar as funcións e finalidades da imaxe. 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
• Realizar creacións plásticas en que se demostre o coñecemento de efectos visuais e 
principios perceptivos. 
• Lograr transmitir en imaxes: ideas, sensacións ou emocións a través de imaxes e 
expresións audiovisuais. 
• Elaboración dunha creación plástica persoal e outra en grupo axustándose aos requisitos 
plantexados nas rúbricas. 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
Different cultures create different kinds of visual messages: 
Pre-Columbian scripture from de 
Mayan culture. 
Combination of phonetic 
symbols and logograms. 
Logographic system form with 
thousands of glyphs. 
Page from the Paris Codex, 200-300 B.C. 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
VISUAL COMMUNICATION 
Visual communication is the process of 
transmiting information or expressing something 
through images. There are many diferent types of 
visual communication and resources, depending 
on the visual language used and the message the 
sender wants to communicate to the receiver. 
Visual communication elements 
"Campaña para a conservación dos elefantes", WWF, 2000. 
The communication elements are the diferent agents that take part in the process: 
1. Sender: is the person or the company 
that create the message 
2. Receiver: is the person or the people for 
whom the message have been created for. 
3. Types: is the way the sender uses to send 
the message, could be photo, pictures, 
maps, drawings, poster board, videos, 
projections. 
"World without Engineers" 
4. Message: is what the sender wants to say to the receiver. The message is form by to 
elements itself, the purpose and the visual contents: 
a) Purpose: is the main intention that the message has, what the sender wants from 
the receiver. 
b) Visual content: is how the image was created: colours, shapes, dimensions, 
textures. 
Visual Language 
Visual languages are communication systems 
that use visual elements to express their messages. 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com 
Cómic 1.
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
They use cultural standards and follow a set of rules that make their meaning clear. A visual 
language can be objective or subjective depending on whether it signs the information in a 
way that can have only one or more than one interpretation. Advertising shows images that can 
immediately be understood by viewers in order to convince them to buy something. This is an 
example of objective visual language. However, in art, visual language is mostly subjective 
because it is strongly influences by the artist's view point. Artists wants to make the viewers 
stop and think and take time to appreciate and evaluate aesthetic images. 
Visual Metaphors 
A visual metaphor is an image used in the place of or in conjunction with another to 
suggest an analogy between the images or make a statement with them. Modern advertising, as 
modern art, relies heavily on visual metaphors. 
VISUAL PERCEPTION 
Visual perception is the ability to interpret the surrounding environment by processing 
information that is contained in visible light. The resulting perception is also known as eyesight, 
sight, or vision. Our vision is always filter by our personal experiences and knowledge 
background. 
The Gestalt Laws of Organization explained how people perceive visual components as 
organized paterns or wholes, instead of many diferent parts. According to this theory, some of 
the main factors that determine how the visual system automatically groups elements into 
paterns: Shape and background, Proximity, Similarity, Closure, Symmetry, Common Fate (i.e. 
common motion), and Continuity, which are known also as visual efects. 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com 
Chema Madoz.
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
Visual effects 
1. Shape and background 
2. Proximity. 
3. Similarity. 
4. Continuity 
5. Symmetry 
6. Common Fate. 
7. Closure 
8. Pregnanz 
Continuity: Fray Angelico, 1430. Common fate 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com 
Similarity 
Proximity 
Symmetry 
Closure, "Bond of Union", M. C. Escher, 
1956. 
Prenanz. 
Shape and background.
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
The communicative purpose of images. 
Images usually have a communicative aim. Although most images usually have more 
than one purpose, there is normally a main communicative aim. 
1. Informative images: 
a) Identifying images symbolise the philosophy of a 
company or individual. Their aim is to be 
recognised and stand out from 
others. 
b) Indicative images use signs or symbols to show or point out 
something. They cross language barriers. 
c) Descriptive images explain 
things such as places, events 
or objects in a simplified but objective way. 
d) News images usually 
accompany informative 
text. 
2. Persuasive images: are created to 
convince the receiver to do what the message advertises. 
3. Recreational images: aim to entertain. 
4. Aesthetic images: aim to arouse 
admiration, express feelings and represent a 
particular idea of beauty, 
Persuasive image: "Dirty water", 
Serviplan Advertising Agency, 
2007 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com 
Finalidade 3 
Identifying image 
Indicative image. 
Descriptive image. 
News image. 
Aesthetic image.
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
CRÉDITOS DAS IMAXES 
• “Page from the Paris Codex” 
htp://en.wikipedia.org/wiki/Maya_civilization 
• "Campaña para a conservación dos elefantes", WWF, 2000, 
htp://theinspirationroom.com/daily/2009/wwf-species-conservation-in-india/ 
• "World without Engineers", 
htp://www.eloscense.com/?p=200 
• Cómic 1, 
htp://gtartisticoliterario.blogspot.com.es/2012/02/metafora-visual-en-el-comic.html 
• Chema Madoz, 
htp://www.chemamadoz.com/c.html 
• Shape and background, 
htp://www.artesianadvertising.com/ArtesianA&D_website/article_archive_2011.html 
• Proximity, 
htp://myfrenzyheart.blogspot.com.es/2010/09/week-5-gestalt-efects-and-schema.html 
• Similarity, 
htp://www.taringa.net/posts/imagenes/7675074/Efectos-visuales-opticos-muy-buenos.html 
• Continuity, Fray Angelico, 1430, 
htp://cultura.elpais.com/cultura/2006/11/15/actualidad/1163545201_850215.html 
• Symmetry, 
htp://myfrenzyheart.blogspot.com.es/2010/09/week-5-gestalt-efects-and-schema.html 
• "Bond of Union", M. C. Escher, 1956 
htp://www.comicscube.com/2013/05/escher-in-comics-x-forcex-statix.html 
• Common fate, 
htp://myfrenzyheart.blogspot.com.es/2010/09/week-5-gestalt-efects-and-schema.html 
• Identifying image, 
htp://www.choosa.net/es/community/article/Logos_de_Superheroes 
• Persuasive image: "Dirty water", Serviplan Advertising Agency, 2007, 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com
COLEXIO “SAN JOSÉ DE LA GUÍA” 
r/ Dr. Corbal, 25.- 36207 VIGO 
Tlfno. 986 376 153 – FAX 986 264 959 
htp://www.actividades-mcp.es/gestionresiduos/2011/01/los-10-mejores-anuncios-en-defensa-del- 
medio-ambiente/ 
• Recreational image 
htp://eligetupropiaaventurasentimental.wordpress.com/2012/11/21/darth-vader-o-christian-grey/ 
email: csjoseguia@planalfa.es 
www.sanjosedelaguia.com

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Unit 1 visual_communication

  • 1. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 UNIT 1: VISUAL PERCEPTION AND VISUAL COMMUNICATION. TEACHER: Sara Estarque Moreno SUBJECT: Educación Plástica e Visual LEVEL: 1º ESO email: csjoseguia@planalfa.es www.sanjosedelaguia.com
  • 2. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 OBXECTIVOS DA UNIDADE • Comprender o concepto de linguaxe visual e os seus elementos básicos • Comprender e recoñecer os tipos de linguaxes visuais que hai • Comprender e recoñecer as diferentes funcións da linguaxe visual. • Comprender e recoñecer os principios perceptivos • Comprender e recoñecer as diferentes finalidades das imaxes • Elaborar unha composición tendo en conta os axentes da comunicación, a finalidade da imaxe, as emocións e sentimentos que se queren amosar, os fins da mensaxe e o seu obxectivo último, sabendo aplicar nas súas composicións os principios perceptivos e máis os efectos visuais COMPETENCIAS DA UNIDADE • COMPETENCIA CULTURAL E ARTÍSTICA. ◦ Identificar e coñecer o emprego dos conceptos sobre a comunicación visual en composicións artísticas, así como saber empregalos en producións propias. ◦ Comprender os valores estéticos das manifestacións artísticas doutras épocas e culturas. • AUTONOMÍA E INICIATIVA PERSOAL. ◦ Tomar decisións de xeito autónomo e avaliar os resultados antes e despois da toma de decisións tanto durante o proceso creativo tanto persoal en grupo. ◦ Establecer estratexias de planificación, previsión de recursos, de anticipación e de avaliación do resultados • COMPETENCIA SOCIAL E CIDADÁ. ◦ Traballar en equipo con actitudes de respecto, tolerancia e cooperación, valéndose das habilidades sociais. ◦ Respectar os turnos de palabra, valorar a opinión do outro, escoitar activamente aos compañeiros. • COMPETENCIA EN APRENDER A APRENDER. ◦ reflexionar sobre os propios procesos de creación. email: csjoseguia@planalfa.es www.sanjosedelaguia.com
  • 3. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 • TRATAMENTO DA INFORMACIÓN DIXITAL. ◦ Facer uso dos recursos tecnolóxicos para a procura de información sabendo discriminar, organizar e sintetizar a información relevante. ◦ Empregar as tecnoloxías como medio de comunicación que facilite e proceso de ensinanza-aprendizaxe. • COMPETENCIA MATEMÁTICA. ◦ Desenvolver o gusto pola certeza e a súa busca a través do razoamento mediante a utilización de elementos e soportes matemáticos: resolución de problemas. • COMPETENCIA NO COÑECEMENTO E INTERACCIÓN CO MEDIO FÍSICO. ◦ Observar, experimentar e descubrir o emprego dos conceptos relacionados coa comunicación visual na arte e nas creacións propias. ◦ Facer un bo uso dos materiais de traballo, reciclando sempre que sexa posible e mantendo o entorno limpo e ordenado. • COMPETENCIA NA COMUNICACIÓN LINGÜÍSTICA. ◦ Expresarse correctamente incorporando o vocabulario específico sobre a comunicación visual, explicando as investigacións e traballos feitos aos compañeiros. ◦ Comunicar sentimentos, ideas ou emocións empregando a comunicación visual. SECUENCIACIÓN DO TRABALLO NA UNIDADE • Do 24 de setembro ao 9 de outubro: Conceptos e trazados relacionados con cada concepto. • O 9 de outubro: exame. • O 22 de outubro: recuperación se fose preciso. • Do 15 de outubro ao 30 de outubro: proxecto en grupo cooperativo. CRITERIOS DE AVALIACIÓN DA UNIDADE • Recoñecer a función do emisor, a mensaxe, o receptor e o medio. • Identificar os principios perceptivos en diferentes imaxes • Enunciar as funcións e finalidades da imaxe. email: csjoseguia@planalfa.es www.sanjosedelaguia.com
  • 4. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 • Realizar creacións plásticas en que se demostre o coñecemento de efectos visuais e principios perceptivos. • Lograr transmitir en imaxes: ideas, sensacións ou emocións a través de imaxes e expresións audiovisuais. • Elaboración dunha creación plástica persoal e outra en grupo axustándose aos requisitos plantexados nas rúbricas. email: csjoseguia@planalfa.es www.sanjosedelaguia.com
  • 5. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 Different cultures create different kinds of visual messages: Pre-Columbian scripture from de Mayan culture. Combination of phonetic symbols and logograms. Logographic system form with thousands of glyphs. Page from the Paris Codex, 200-300 B.C. email: csjoseguia@planalfa.es www.sanjosedelaguia.com
  • 6. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 VISUAL COMMUNICATION Visual communication is the process of transmiting information or expressing something through images. There are many diferent types of visual communication and resources, depending on the visual language used and the message the sender wants to communicate to the receiver. Visual communication elements "Campaña para a conservación dos elefantes", WWF, 2000. The communication elements are the diferent agents that take part in the process: 1. Sender: is the person or the company that create the message 2. Receiver: is the person or the people for whom the message have been created for. 3. Types: is the way the sender uses to send the message, could be photo, pictures, maps, drawings, poster board, videos, projections. "World without Engineers" 4. Message: is what the sender wants to say to the receiver. The message is form by to elements itself, the purpose and the visual contents: a) Purpose: is the main intention that the message has, what the sender wants from the receiver. b) Visual content: is how the image was created: colours, shapes, dimensions, textures. Visual Language Visual languages are communication systems that use visual elements to express their messages. email: csjoseguia@planalfa.es www.sanjosedelaguia.com Cómic 1.
  • 7. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 They use cultural standards and follow a set of rules that make their meaning clear. A visual language can be objective or subjective depending on whether it signs the information in a way that can have only one or more than one interpretation. Advertising shows images that can immediately be understood by viewers in order to convince them to buy something. This is an example of objective visual language. However, in art, visual language is mostly subjective because it is strongly influences by the artist's view point. Artists wants to make the viewers stop and think and take time to appreciate and evaluate aesthetic images. Visual Metaphors A visual metaphor is an image used in the place of or in conjunction with another to suggest an analogy between the images or make a statement with them. Modern advertising, as modern art, relies heavily on visual metaphors. VISUAL PERCEPTION Visual perception is the ability to interpret the surrounding environment by processing information that is contained in visible light. The resulting perception is also known as eyesight, sight, or vision. Our vision is always filter by our personal experiences and knowledge background. The Gestalt Laws of Organization explained how people perceive visual components as organized paterns or wholes, instead of many diferent parts. According to this theory, some of the main factors that determine how the visual system automatically groups elements into paterns: Shape and background, Proximity, Similarity, Closure, Symmetry, Common Fate (i.e. common motion), and Continuity, which are known also as visual efects. email: csjoseguia@planalfa.es www.sanjosedelaguia.com Chema Madoz.
  • 8. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 Visual effects 1. Shape and background 2. Proximity. 3. Similarity. 4. Continuity 5. Symmetry 6. Common Fate. 7. Closure 8. Pregnanz Continuity: Fray Angelico, 1430. Common fate email: csjoseguia@planalfa.es www.sanjosedelaguia.com Similarity Proximity Symmetry Closure, "Bond of Union", M. C. Escher, 1956. Prenanz. Shape and background.
  • 9. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 The communicative purpose of images. Images usually have a communicative aim. Although most images usually have more than one purpose, there is normally a main communicative aim. 1. Informative images: a) Identifying images symbolise the philosophy of a company or individual. Their aim is to be recognised and stand out from others. b) Indicative images use signs or symbols to show or point out something. They cross language barriers. c) Descriptive images explain things such as places, events or objects in a simplified but objective way. d) News images usually accompany informative text. 2. Persuasive images: are created to convince the receiver to do what the message advertises. 3. Recreational images: aim to entertain. 4. Aesthetic images: aim to arouse admiration, express feelings and represent a particular idea of beauty, Persuasive image: "Dirty water", Serviplan Advertising Agency, 2007 email: csjoseguia@planalfa.es www.sanjosedelaguia.com Finalidade 3 Identifying image Indicative image. Descriptive image. News image. Aesthetic image.
  • 10. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 CRÉDITOS DAS IMAXES • “Page from the Paris Codex” htp://en.wikipedia.org/wiki/Maya_civilization • "Campaña para a conservación dos elefantes", WWF, 2000, htp://theinspirationroom.com/daily/2009/wwf-species-conservation-in-india/ • "World without Engineers", htp://www.eloscense.com/?p=200 • Cómic 1, htp://gtartisticoliterario.blogspot.com.es/2012/02/metafora-visual-en-el-comic.html • Chema Madoz, htp://www.chemamadoz.com/c.html • Shape and background, htp://www.artesianadvertising.com/ArtesianA&D_website/article_archive_2011.html • Proximity, htp://myfrenzyheart.blogspot.com.es/2010/09/week-5-gestalt-efects-and-schema.html • Similarity, htp://www.taringa.net/posts/imagenes/7675074/Efectos-visuales-opticos-muy-buenos.html • Continuity, Fray Angelico, 1430, htp://cultura.elpais.com/cultura/2006/11/15/actualidad/1163545201_850215.html • Symmetry, htp://myfrenzyheart.blogspot.com.es/2010/09/week-5-gestalt-efects-and-schema.html • "Bond of Union", M. C. Escher, 1956 htp://www.comicscube.com/2013/05/escher-in-comics-x-forcex-statix.html • Common fate, htp://myfrenzyheart.blogspot.com.es/2010/09/week-5-gestalt-efects-and-schema.html • Identifying image, htp://www.choosa.net/es/community/article/Logos_de_Superheroes • Persuasive image: "Dirty water", Serviplan Advertising Agency, 2007, email: csjoseguia@planalfa.es www.sanjosedelaguia.com
  • 11. COLEXIO “SAN JOSÉ DE LA GUÍA” r/ Dr. Corbal, 25.- 36207 VIGO Tlfno. 986 376 153 – FAX 986 264 959 htp://www.actividades-mcp.es/gestionresiduos/2011/01/los-10-mejores-anuncios-en-defensa-del- medio-ambiente/ • Recreational image htp://eligetupropiaaventurasentimental.wordpress.com/2012/11/21/darth-vader-o-christian-grey/ email: csjoseguia@planalfa.es www.sanjosedelaguia.com