description of a book

1. This book reminded me of To Kill a Mocking Bird. The narrator in both the books is
a girl child. Both have Black people and their rights as one of the main themes. And
I loved both the books.
This book is about Lily Owens, a fourteen year old, who lives with the guilt of killing
her mother, although accidentally. A fight between her parents turns ugly and Lily
accidentally fires the gun and finds her mother dead. Lily cannot forgive herself
for doing this and thinks the entire world judges her by this. Her father is not
much of a help. Lily finds her repulsive, scary and disappointing.
Rosaleen, a Black woman, is Lily’s housekeeper. She gets in trouble with a bunch of
white boys and is imprisoned. Lily musters courage and helps Rosaleen escape from
prison and both of them run away from home. They end up in a beekeeper’s house.
August, the lady of the house, June, her cynical sister and May, the child at heart
find themselves liking Lily and Rosaleen.
Kidd’s writing is poignant and humorous at the same time. The story is told from the
kid’s perspective and she questions certain ways of life just like a kid would. The
adult in us laughs at the kid’s innocence and is forced to think about the underlying
meaning. Kidd creates a world where human lives are so comparable to the life of
bees and still not as superior.
Kidd creates memorable characters. August with her head above her shoulders
comes out as the perfect housekeeper who knows her stuff. May with her condition
of “not being able to differentiate between her own grief and that of the world”
evokes sympathy and love. The idea of “the wailing wall” and the little notes she
keeps in the crevices tugs at your heart. I almost wished I had such a wall where I
could lose myself.
Lily is just what a kid should be – full of questions, curiosities, presumptions and
expectations. Her questions are startling and thought provoking. Certain incidents
are disturbing. It is interesting that a kid can describe an incident in such a plain
manner and it still disturbs you.
An excerpt:
Knowing can be a curse on a person’s life. I’d traded in a pack of lies for a pack of
truth, and I don’t know which one was heavier. Which one took the most strength to
carry around? It was a ridiculous question, though, because once you know the truth
you can’t ever go back and pick up your suitcase of lies. Heavier or not, the truth is
yours now.

2. A quote about bees precedes every chapter of the book. This quote acts like a
summary of the chapter. Kidd’s comparison of the queen bee with August, worker
bee with May, and in general comparing the bees’ life with ours is simply beautiful.
This book is not so much about the life of bees as about ours.
At the end of the book, I had a warm feeling and yet my heart felt heavy. I loved
every word of this book and felt bad it got over so soon. I really want to give it a
re-read. This is one of those books which remains with you for a long time.
• Scholastic News Online: Where did the idea for The Secret Life of Bees originate?
Sue Monk Kidd: I think it originated out of a combination of imagination and a little bit of
my childhood memories. I actually grew up in a house in which bees lived in one of the
walls, and they lived there 18 years, in fact, so it wasn't a fleeting thing. I mean, they
really were a part of my experience growing up in the south, and it's a very eccentric
situation—probably a hive of around 50,000 bees or so living in a wall of your house, but
that was the case. It was an older country house, and the honey actually used to seep out
the cracks in the wall in that room and run down in a puddle on the floor, in little puddles.
And I can remember my mother going in and cleaning all that up before a guest would
come. She was quite smart—she turned that room into a guest bedroom. But, you know, it
was that kind of thing that lives in a writer. I suppose it surfaces at some point, and it was
really all sparked by that memory. And it brought to mind a girl around fourteen or so who
would lie in bed at night, and bees would come out of the wall and fly around the room.
And it sort of really started in that house where I grew up.
SNO: What part of the south did you grow up in?
Sue: I grew up in Georgia in a small town in the southwest corner of Georgia, actually,
called Sylvester. And you'll recognize a little part of that town's name in the book, where
Lily grows up. She grows up in Sylvan, so I just sort of shortened that. And it was a little
nod, I suppose, to my hometown, where my parents still live. They're in their 80s, and they
are there, and a lot of my family's still there. And I think I mimed that town enormously
for this book.
SNO: Does your family still have the bee house?
Sue: No, they left that bee house long after I left home and went to college and actually
was married. So, you know, we lived there a very long time, but it's not longer… and I
don't know if the bees are still there or not. But the house still is.
SNO: Did that ever spark an interest in bees?
Sue: Well, it's certainly full of nostalgia for me, but it never really went as far as to make
me even dream of becoming a beekeeper. All I knew about bees when I started to write
The Secret Life of Bees was that they can live in a wall of your house, and that they make
this incredible thing that I loved. I just can't imagine anyone not loving honey. And when I
was writing the novel, I used to just gorge on honey. I would crave honey when I was
writing it because, I suppose, of the stories. But yeah, I think it did have a little bit of a
nostalgic feeling for me, the bees. And they are incredibly enthralling creatures. I mean,
they're amazing, and I became somewhat caught in the spell of bees and honey-making.
And there's brilliant imagery and symbolism in all of that—that, you know, a writer's lucky

3. they can catch some of.
SNO: In terms of creating characters, in particular these characters, do you write a profile
of each character before you start developing a plot? What is your process?
Sue: The Secret Life of Bees was my first novel, so I had no process. I was flying by the
seat of my pants, as they say, trying to understand how I as a novelist would work with
story. So I learned a great deal as I went through all of that, and it took me almost three
years to write this book. So I had a good long time to try and figure some of this out. But I
began, really, with an image of that girl lying in bed, and that image would not go away.
And I have found that most of my work seems to start with a very vivid image that my
imagination wants to play with. And, so, I tend to ask questions about that image first and
to let it sprout stories, so to speak. And I would say, who is this girl? In other words, who is
my character? And what does she want? And that for me, as a novelist, is the seminal
question—what does my character want? And the minute I got that this girl was Lily Melissa
Owens and that what she wanted more than anything was her mother who had died. She
was a motherless girl. I felt like then the story had really begun. And I do write character
sketches for a while. I've waited for these characters to begin to appear in my head. And
the next one was Rosaleen, Lily's caretaker, and then came her father T. Ray. And then I
began to try to sit down and capture some of their character on paper. But they just
wouldn't stay with it, you know, they had minds of their own. So after, I start revising it.
SNO: Young aspiring writers—do you have any kind of advice for them?
Sue: Well, I never know how to give advice to a writer because there's so much you could
say, and it's hard to translate your own experience. But of course, I always try. The main
thing that I usually end up saying is to read a lot. To read a great deal and to learn from
that. And the other thing is to really trust your own experience, your own vision, what
comes from inside of you as you work. So it's something that requires a great deal of belief
in yourself and a willingness to just stay with it and not expect being published right away.
SNO: Are there any specific books that you would recommend an aspiring writer to read?
Sue: There's a number of good books for writers, of course. One thinks of Annie Lamott's
Bird By Bird. There're several really wonderful books of course. There's an old book that I
read, and reread, called Becoming a Writer. I hope it's still in print. I think it can still be
found—by Dorothea Brande. Because it deals with that part of writing that no one ever
writes about, that part that has to do with the soul and that passion to do it and to follow
that path I was mentioning about, going inside one's self, finding one's own [voice]. But,
you know, when I was first starting, mostly what I read was fiction. And when I was young,
there were two books that probably were very formative for me. I mean, I would say they
were turning points in my life, but also I can look back and say they affected me deeply as
a writer. One was The Awakening by Kate Chopin, and I know a lot of students read that in
some recommended list in high school. And the other one was Thoreau's Walden. And it's
obviously not fiction, but it is someone writing from the soul out of the depth of their
experiences. It is very narrative memoir to me. But those two things affected me a lot. I
think a young writer has to find those works that particularly speak to them.
SNO: Do you have any suggestion of a writing activity or prompt that you think would be
good for students, to inspire their creativity?
Sue: Actually, I do, and it surprises me that I do because that's a hard question. I wrote
The Secret Life of Bees this way. At first, I hesitated to tell people this because it sounds
like an incredibly simple process, almost like arts and crafts or something, but I do believe
in the power of images to impact story and to guide us if they're coming from within. So
one thing I did—and I think students could find this really evocative—is to create a collage.

4. And I started once I had the image of the girl, and those characters started to just begin to
appear. Even before I wrote the character sketches and started to think of the plot, I
created this big collage. And I spent weeks, just a ridiculous amount of time on it in which
I would comb through old magazines and catalogs and postcards and photographs, just
stuff I had collected, and I picked out or cut out anything that I gravitated to. I didn't have
to understand what it meant or how it might fit in the story, but if it sparked something in
me, I cut it out. And then I sort of weeded those down, and I created this collage. That
collage, believe it or not, became like a little seed out of which so much of the story
grew. That is how I came up with the characters of August, May, and June, this trio of
sisters. That's where the pink house came from. It's where May's wailing wall came from.
Just a lot of things that I had not conjured up rationally came out of that collage as I sort
of looked at it and imagined what it could be. So, you know, I think if you come up with a
journal of a story and then create a collage and then begin to work with it as you write...
Now, everything in the collage didn't end up in the novel, but significant things did.
The Secret Life Of Bees
Living on a peach farm in South Carolina with her harsh, unyielding
father, Lily Owens has shaped her entire life around one devastating,
blurred memory--the afternoon her mother was killed, when Lily was
four. Since then, her only real companion has been the fierce-
hearted, and sometimes just fierce, black woman Rosaleen, who
acts as her "stand-in mother."
When Rosaleen insults three of the deepest racists in town, Lily
knows it's time to spring them both free. They take off in the only
direction Lily can think of, toward a town called Tiburon, South
Carolina--a name she found on the back of a picture amid the few
possessions left by her mother.
There they are taken in by an eccentric trio of black beekeeping
sisters named May, June, and August. Lily thinks of them as the
calendar sisters and enters their mesmerizing secret world of bees
and honey, and of the Black Madonna who presides over this
household of strong, wise women. Maternal loss and betrayal, guilt
and forgiveness entwine in a story that leads Lily to the single thing
her heart longs for most.
The Secret Life of Bees has a rare wisdom about life--about mothers
and daughters and the women in our lives who become our true
mothers. A remarkable story about the divine power of women and
the transforming power of love, this is a stunning debut whose rich,
assured, irresistible voice gathers us up and doesn't let go, not for a
moment. It is the kind of novel that women share with each other
and that mothers will hand down to their daughters for years to
come.

5. •