6. A. TRAGEDY
A drama in which a character is
brought to a disastrous end.
the protagonist’s downfall is a
direct result of a fatal flaw
in his/her character.
7. 5 GREATEST TRAGEDIES
AC C O R D I N G TO AD R I A N P O O L E
1. The Oresteia by Aeschylus
2. Antigone by Sophocles
3. Bacchae by Euripedes
4. Hamlet by William Shakespeare
5. King Lear by William Shakespeare
8. B. MELODRAMA
Any literary work that relies
on implausible events and
sensational action for its
effect.
9. B. MELODRAMA
often a virtuous individual must
somehow confront and overcome a wicked
oppressor.
a melodramatic story ends up happily,
with the protagonist defeating the
antagonist at the last possible
moment.
10. B. MELODRAMA
1. The Heiress
2. Corsican Brothers by Dion
Boucicoult
3. Uncle Tom’s Cabin by Harriet
Beecher Stowe
11. C. COMEDY
A work intended to interest,
involve, and amuse the reader
and audience in which no
terrible disaster occurs and
that ends happily for the
main characters.
12. C. COMEDY
Romantic Comedy – involves a
love affair that meets with
various obstacles but
overcomes them to end in a
blissful union.
13. COMEDIES BY SHAKESPEARE
1. As You Like It
2. The Comedy of Errors
3. The Merchant of Venice
4. A Midsummer’s Night Dream
5. The Taming of the Shrew
14. D. FARCE
A play that is characterized
by broad humor, wild antics,
and often slapstick,
pratfalls, or other physical
humor.
15. D. FARCE
1. The Importance of Being
Earnest by Oscar Wilde
2. Noises Off by Michael Frayn
3. Rumors by Neil Simon
4. Is He Dead? by Mark Twain
16. E. FANTASY
A completely fictional
work where characters
virtually display
supernatural skills.
17. E. FANTASY
1. The Wizard of Oz
2. Cats
3. Into the Woods
4. Harry Potter and the
Cursed Child
18. F. MUSICAL DRAMA
The dramatists not only
tell their story through
acting and dialogue,
nevertheless through dance
as well as music.
23. A. PLOT
For Aristotle, plot is
the soul of tragedy, because
action is paramount to the
significance of drama, and
all other elements are
subsidiary.
32. Acting:
Character Analysis – refers to
the process of examining how
elements of drama – literary
technical, and performance are
used.
1. ACTOR’S PERFORMANCE
33. Acting:
Empathy – refers to the
capacity of the actors to
relate to the feelings of
another.
1. ACTOR’S PERFORMANCE
35. Speaking:
Breath Control refers to the
proper use of the lungs and
diaphragm muscle for maximum
capacity and efficiency of
breath for speaking.
1. ACTOR’S PERFORMANCE
39. Speaking:
Diction refers to the
selection and pronunciation of
words; clarity of speech.
1. ACTOR’S PERFORMANCE
40. Non verbal Expressions:
Gestures refers to any movement
of the actor’s head, shoulder,
arm, hand, leg, or foot to
convey meaning and reveal
character.
1. ACTOR’S PERFORMANCE
41. Non verbal Expressions:
Facial Expression refers to
the facial and vocal aspects
used by an actor to convey
mood, feeling, or personality.
1. ACTOR’S PERFORMANCE
42. in drama, as in other
literature, signifies the
way moods and attitudes
are created and presented.
2. TONE
43. F. SPECTACLE (OPSIS)
1. Costumes
2. Make up
3. Props
4. Scenery/Set
5. Stage Direction
6. Lighting
7. Sound Effects
44. refers to the
clothing and
accessories worn
by actors to
portray character
and period.
1. COSTUMES
45. facial and bodily
make-up, wigs,
prosthetics, and body
paint used to transform
an actor into character.
2. MAKE-UP
49. Refers to the theatrical
equipment, such as curtains,
flats, backdrops, or
platforms used in a dramatic
production to communicate
environment.
4. SCENERY