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Modes of Documentary
Representations
Genre Research
Bill Nichols: Modes
 It can be difficult to distinguish between
different modes due to overlaps.
 Some documentaries have more than one
mode.
 There are two groups in which the modes
can be placed in:
Group A: Expository, Observational
Group B: Participatory, Reflexive,
Performative
Modes
 Our documentary appears to fit into Group A as we plan
for it to reveal the ‘world of happiness’ and make direct
reference to the real world.
 Furthermore, the filmmaker’s presence is hidden.
 The ‘Voice of God’ commentary style is the one associated
with Group A modes, and this is a type of commentary we
are considering for our production.
 Group B focuses more on the foregrounding the film
maker and shifts the emphasis to the audience’s
interpretation.
 In a sense this is similar to a news broadcast with
interviews.
 Although we aim to allow the audience to have free
The use of modes
 One way to use the modes of representation
is to discuss the ways in which they develop
out of the documentary-maker’s need to
participate fully in the film making process.
 It has many implications for the idea of
documentary as objective or truthful.

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Genre research

  • 2. Bill Nichols: Modes  It can be difficult to distinguish between different modes due to overlaps.  Some documentaries have more than one mode.  There are two groups in which the modes can be placed in: Group A: Expository, Observational Group B: Participatory, Reflexive, Performative
  • 3. Modes  Our documentary appears to fit into Group A as we plan for it to reveal the ‘world of happiness’ and make direct reference to the real world.  Furthermore, the filmmaker’s presence is hidden.  The ‘Voice of God’ commentary style is the one associated with Group A modes, and this is a type of commentary we are considering for our production.  Group B focuses more on the foregrounding the film maker and shifts the emphasis to the audience’s interpretation.  In a sense this is similar to a news broadcast with interviews.  Although we aim to allow the audience to have free
  • 4. The use of modes  One way to use the modes of representation is to discuss the ways in which they develop out of the documentary-maker’s need to participate fully in the film making process.  It has many implications for the idea of documentary as objective or truthful.