Presentation Report

11. D B) For my audience to fully comprehend the seriousness of this situation, they
must have a sensitivity towards children and their wellbeing. They must be
passionate about the up-bringing of children and how they feel, emotionally
grow and develop as a child, inside and outside their home. The audience must
realise these situations vary from emotional abuse, to severe physical and sexual
abuse and how it is morally incorrect for a vulnerable minor to be taken
advantage of and victimised without full ability to defend or protect themselves.

14. In the first scene the parent and child
are sat calmly at the table eating
breakfast until the child spills a drink
she’d placed on her lap.
Child quickly makes an attempt
to clean up spilt milk before
mother returns.
Mother walks in, sees the child's
mess, quickly becomes angry and
screams at her in rage.
Mother charges at child and takes out
anger on her, despite her attempt to
amend the problem.
Child instantly feels inadequate due to the
fact that she tried to better the situation
but mother always sees her as a
disappointment. She doesn’t mean to
make mistakes .
The child feels unloved, like a burden and
useless. It is not acceptable for any child of any
age to suffer for their mothers incapability to
control their anger and actions. This is wrong
and should be put to an end now. Many children
silently suffer and if you have been affected by
this, it Is up to us, now to put an end to this
frightful and cruel world this children are stuck
1 2 3
4 5 6
Child abuse storyboard

26. What's most exciting for
writers about fractured
tandem is that you can
use its odd non-linear
structure to tell or to fix
up film stories that need
a long set up - as in 21
Grams, for example,
where the normality of
each of the three
protagonists is vitally
important to the film’s
poignancy, but is
profoundly boring
except with hindsight –
you have to flash-
forward in order that
the audience can have
that hindsight).