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6212
- 3. ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ
א א א
. אא
א
)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ א אא
ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ
א ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (
א א .
. א א
- 4. إهﺪاء
ﺇﻟﻲ ﻫﻨﺎﺀ
ﺍﻟﺤﺎل ﻭ ﺍﻟﺤﺎﻟﺔ
ﺍﻟﺤﻀﻭﺭ ﻭ ﺍﻟﺤﻀﺭﺓ
ﺍﻟﻨﺠﻭﻯ ﻭ ﺍﻟﻨﺠﺎﺓ
ﻜﻭﻤﻴﺩﻴﺎ ﺍﻟﺤﻴﺎﺓ ﻭﺘﺭﺍﺠﻴﺩﻴﺘﻬﺎ ....
ﺇﻟﻴﻙ ﻭ ﻜﻔﻰ
ِ
ﻁﻠﻊ ﺍﻟﻤﺤﺒﺔ
ﺤﺘﻰ ..
ﻁﻠﻭﻉ ﺍﻟ ﻭﺡ
ﺭ
ﻭ ﺒﻌﺩ .
هﺸﺎم ﻣﺤﻤﻮد
٣
- 5. اﻟﻔﻬﺮس
ُﻔﺘﺘﺢ................................................................................................................................ ٥
ﻣ ََ ٌ
ﻣ َﺎﺷ َﺔ.............................................................................................................................. ٦
ُﻜ َﻔ
أ َﺎ .................................................................................................................................... ٧
ﻧ
رﻗ َﺎت ﻋ َﻰ إﻳ َﺎع اﻟ ﱠﻤﺖ ) ﻗﺼﺎﺋﺪ ﻗﺼﻴﺮة ( ............................................................................... ٩
َ َﺼ َﻠ ﻘ ﺼ
أو َاد اﻟ ﱡوح ...................................................................................................................... ١١
ْر ُ ﺮ
ﻟ َﺎ َا ..؟ ........................................................................................................................... ١٢
ﻤذ
أ َﺎﺷﻴﺪ ﻃَﺎﺋﺮ ﻣَﺎت ِﺸ َﺎ ) ﻗﺼﺎﺋﺪ ﻗﺼﻴﺮة ( ................................................................................ ٤٢
ـ َﻋ ﻘ ـ ﻧ
ﺳﺪرة اﻟﻠﻮْن ...................................................................................................................... ٨٢
ِ ْ َُ ﱠ
هﻜ َا َﺒ َأ اﻟﺤﻠﻢ ................................................................................................................... ٤٣
َ َﺬ ﻳ ﺪ
ﻗ َﺎﺋﺪ ﺡﺐ )ﻗﺼﺎﺋﺪ ﻗﺼﻴﺮة( ................................................................................................... ٨٣
َﺼ
إﻟﻰ اﻣ َأة ......................................................................................................................... ١٤
ْﺮ
ُﻮ َة ﺷﻤﺴ َﺔ ﻟﻠﻘﻤَﺮ .......................................................................................................... ٣٤
ـ ﺹ ر َ ْ ِﻴ
ر َﺎ ِﻞ إﻟﻴ َﺎ ...................................................................................................................... ٦٤
َﺳ ﺋ ْﻬ
َﺎ ِﻴﺲ ............................................................................................................................ ٨٤
هﻣ
اﻟ ﱠﻗﺎ ِﻳﻖ .......................................................................................................................... ١٥
ﺰ ز
ﻻ ﺟﺮح إﻻ اﻟﻮ َﻦ ............................................................................................................... ٥٥
َﻃ َ
٤
- 6. ُﻔﺘﺘﺢ
ﻣ ََ ٌ
ﻤﺜــل ﺭﻭﺡ ﹶــﻀﺔ ﺍﻟ ﻌﻨــﻰ ــﺂﺘﻴﻙ ﻭﻗﻠﺒــﻲ ﹶـــﺒﺱ .
ﻗ ِ ﺴ ِﻤ ٍﻏ َ
ﻤﺜل ﻀﻭﺀ ﻴﺸـﺭﺏ ﺍﻟـﻔﺘﻨﺔ ﺃﻤـﻀﻰ ﻭ ﺩﻟﻴﻠـﻲ ـﺎﺭﺽ ﻤﻠﺘـﺒﺱ .
ﻋ ﹶ ٍ َ
ﺃﻨﺎ ﻨـﺎﺀ ﻤﻨﺘﻬـﻰ ﻨـﺄﻴﻲ ﺤـﻀﻭﺭ ﻭﺤـﻀﻭﺭﻱ ﺸـﻔﻕ ﻤﺨﹾـﺘﻠﺱ .
ﹲ ﹶﹶ
ﻭﺒ ـ ﺍﻕ ﺠﻠ ـﻭﺓ ﺍﻟﻤ ـﺸﻬﺩ ﻓ ـﻲ ﻴﻨﻴ ـﻪ ﺤﺘ ـﻑ ﻭﺍﻟ ﻨﺎﻴ ـﺎ ﺤ ـﺭﺱ .
ﺭ ﹲ ـ ﹸ ﹾ ِ ـ ﻋ ـ ﹾ ﹲ ﻤ ـ
ﺃﻟﺞ ﺍﻟﺤﻀ ﺓ ﺸﻬﻭﺩﺍ ﻭﻓـﻰ ﺒﻌـﺽ ﺸـﻬﻭﺩﻱ ـﻀﺭﺓ ﺘﻠﹾـﺘﻤﺱ .
ﺤ ﹲ ﹸ ﹶ ِ ﹰ ﺭ ﹶ ﻤ
***
٥
- 7. ﻣ َﺎﺷ َﺔ
ُﻜ َﻔ
ﻤﺭﻨ ـﻲ ﺃﻜﻨ ـﻙ ، ﻭﺃﻨ ـﺕ ﻜﻨ ـﻲ
ﹾـ ﹶ ﹸ ﱢـ ِ ـ َ ﹸ ﹾـ
ﻭ ﺍﻜﺸﻑ ﺤ ـﺎﺏ ﺍﻟﻐﻴـﺏ ﻋ ﱢـﻲ
ﹶ ِ ﻨ ﹾ ِ ﹾ ِﺠ
ﻗ ــﻠﺒﻲ ﺒ ـﻼﺩ ....... ﺃﻁﻠﻘﺘﻬ ـﺎ
َ ﹾﹶ ﹶ ﹾ ـ ﹶـ ﹾ ِ ِـ
ــﺭﻴﺢ ﻓ ـﻲ ﺃﺠ ـ ﺍﺀ ﻜ ـﻭﻨﻲ
ـ ﻭ ِ ﹶـ ِ ﺍﻟـ ِ ـ
ﻭ ﺩﻤ ـﻲ ﻨﺯ ـﻑ ﻏ ـﺎﻤﺽ
ِ ــ ﹶ ِﻴــ ﹲ ﹶــ ِ
ﻴﺭ ﺘ ـ ـ ﺩ ﻤ ـ ﻥ ﺩ ﻥ ﻟ ـ ـ ﺩ ﻥ
ﹶــ ِ ــ ِ ــ
ﺃ ﹶــﺎ ﹶــﺎﻫﺩ ﺤﺯ ِــﻲ ﻋﹶــﻲ
ﻠ ِ ﻨ ﺸ ﻨ
ﻜﺘﻔﻲ ، ﻭ ﻤـﻭﺘﻲ ــﻌﺽ ﺤﺯ ِـﻲ
ﻨ ِ ﺒ ﹶِ ِ
ﻴﺤﺘ ـﺎل ﻟ ـﻲ ﺤﻠﻤ ـﻲ
ﹾ ِـــ ﹶـــ ُ ِـــ
ﻭ ﺘـﻐﺯﻭﻨﻲ ﺘـ ﺍﺭﻴـﺦ ﺍﻟﺘـﻤـﻨﻲ
ﹶ ﹾ ِ ﹶ ﻭ ِ ﹸ ﱠ ﱢ
ﻭ ﻼﺌ ـﻙ ﺸ ــﺭﺏ ﺍﻟﻤ ــ ﻯ
ﻤ ِـ ﹶــ ِ ـ ﺩ
ﻤﻥ ﻜﻔ ـــﺎ ﺃﻗـــﺩﺍﺡ ــﺯﻨﻲ
ِ ﻤ ﹾ ِ ﹶ ﱢﻬ
ﻭ ﻤﻭﺍﺌ ـﺩ ﻓ ـﻲ ﺍﻷﻓ ـﻕ .........
ُ ﹾـ ِ ِ ـ ِ ـ
ﻀ ــﻤﺕ ﻜ ـل ﺇﻨ ـﺴﻲ ﻭ ﺠ ــﻨﻲ
ـ ﹾ ﹸـ ﱠ ﹾـ ِ ِ ـ ﱢ
ﻋﻨ ـﻭﺍﻥ ﻗ ـﺎﻓﻴﺘﻲ ﺩﻤ ــﻲ
ﹾــ ﹶــ ِ ِ ِ ــ
ﻭ ﻗ ـﺼﻴـﺩﺘﻲ ﻭﺤ ــﻲ ﻟﺩﻨ ــﻲ
ﹶـ ِ ِ ـ ﹶ ﱢــ
***
) ﻣﺎﻳﻮ ٣٩٩١م (
٦
- 8. أﻧﺎ
َ
ﺴﻜﺭﺓ ﺎ ـﺕ ِـﻼل ﺍﻟـﺯﻤﻥ
ِ َ ﹾ ﹲ ﺠ ﺴ ﹾ ﺨ
ـﺎ ـﺸﺠﻥ
ﻭ ﺘﻬ ـﺎ ﺕ ـﻲ ﺤﻨﺎﻴـ ﺍﻟـ ِ
ـ ﺩ ﻓـ
ﺘﻐﻤﺭ ﺍﻷﻓﻕ ﺠﻤﺎﻻ ﻭ ﻨ ﻱ
ﹾ ﹶ ﹰ ﹶﺩ
ﻭ ﺸﻤﻭﺱ ﺃﺒﺤﺭﺕ ﻓﻲ ﺃﺩﻤﻌﻲ
ﹾ ِ ِ
ـﺩﻤﺎ ـﺎﺩ ـﺩﺠﻲ ﻴ ـﺴﺒﻘﻨﻲ
ﻜـ ﺍﻟـ ـ ِ ﹸ ِ ﺒﻌـ
ﺍﻟﻬﺎ ﻴﺩ ﺃ ﻋﻥ ﻨﻔﹾـﺴﻲ ﺍﻟ ـ ﻱ
ﻭ ِ ﹰ ﺭ ﹶ ِ ﻬ ﻭ
ﺴﻨﺩ ـ َﺎﻥ ﻏ ـﺎﺭﻕ ﻓ ـﻲ ـﻭﻫﻥ
ِ ﹾ ِﻴـ ـ ﹶـ ِ ﹲ ِـ ﺍﻟـ ِ
ﺃﻨﺘﻤﻲ ﻟﻠـﺸﻤﺱ ﻭﺍﻟ ﱢـل ﻤ ـﺎ
ﱠ ِ ﻅ ﱢ ﻌ ﹰ ﹾﹶ ِ
ﻭ ﻟ ــﺤﺏ ... ﻁﺎﻟﻤ ـﺎ ﺃﺭﻗ ــﻨﻲ
ﹶ ﹶ ـ ﹶـ ِ ِـ
ﺃﻨﺘﻤﻲ ﻟﻠﻨﺎﺭ ﻭ ﺍﻟـﻨﻭﺭ ﻭ ــﺎ
ﱡ ِ ﻤ ﱠ ِ ﹾﹶ ِ
ﻴﺤﺘﻭﻴﻨﻲ ﻏﻴـﺭ ـﻤﺕ ﺍﻟ ﹶـﻨ ِ
ﹶ ﺼ ِ ﻔ ﹶﻥ ﹶ ِ ِ
ﺃﻨﺘﻤﻲ ﻟﻠﻁـﻴﺭ ﻭ ﺍﻷﻓﹾـﻕ ﻭ ﺇﻥ
ِ ﱠ ِ ﹾﹶ ِ
ـﻨﻴﻊ ﺍﻟﺯ ــﻥ
ِ ﻏﻴﺭ ﺍﻟﻁﻴـﺭ ﺼ ِ ﻤ
ﱠ ﹶ
ﻜﻠ ﺎ ﹸــﻠﺕ: ﺘــﻌﻠﻘﺘﻙ ـﺎ..
َ ﱠ ﹾ ﹸ ِ ﻴ ﹸﱠﻤ ﻗ ﹾ ﹸ
ﺴـﻭﺭﺓ ﺍﻟﻔﻥ ﺘ ﺎﻜـــﺕ ــﻔﻨﻲ
ﹾ ﺴ ﹸِ ﹶ ﹶ ﹶﺒ ﹶ
ﻭﺘﻭﺤﺩﺕ... ﻓﺈﺫ ِـﻲ ﻤﻬــﺭﻕ
ﹲ ﺒ ﹶ ﹸ
ﻓﻲ ﺍﻟـﺩﻴﺎﺠﻲ ﻤﻐﹾـﺭﻕ ِـﻲ ﺍﻷ ـﻥ
ﺴ ِ ِ ِ ﹲ ﻓ ِ
ﻭﺘﻼﺸﻴﺕ ... ﻓﺈﺫ ﺒﻲ ﺸﺎ ِــﺭ
ِ ﹶﻋ ﹶ ﹶ ﹸ
ﻴﺘﻐ ﱠــﻲ ِــﺴﻜﻭﻥ ﺍﻟــﺩ ــﻥ
ﻤ ِ ﺒ ﹸ ِ ﹶ ﹶﻨ
ﻤﺎ ﻟﻘﻠﺒﻲ ﻓﻲ ﺍﻟﻬ ﻱ ِـﻥ ـﺒﺏ
ﻭ ﻤ ﺴ ٍ ِ ﹶﹾِ ِ
ﻭ ﺍﺸ ـﺘﻴﺎﻗﻲ ﻤ ـﺎ ﻟ ـﻪ ﻤ ـﻥ ﺜﻤ ـﻥ
ﹾـ ِ ِ ـ ﹶـ ِ ـ ﹶ ـ ِ
٧
- 9. ﺘﻠﻙ ﺃﺤﻼﻤﻲ ـ ﺍﺏ ﺎِــﻕ
ﹲ ِﹾ ِ ﺴ ﺭ ﻋ ﻟ
ﻓﻴـﻙ ﹶــﻡ ﺘﺅ ﹶــﻤﻥ
ِ ِ ﻟ ﹸ ْﺘ ِ ﺒﻌﻴـﻭﻥ
ِ ٍ
ﺃﻨﺎ ﻨﺯﻑ ﺍﻟﻘﻴﺩ ، ـﻭﺡ ﺍﻟـﻭﺭﺩ،
ِ ﹶ ﹶ ﹸ ﹶ ِ ﺒ
ﻋ ـﺯﻑ ﺍﻟﻤ ـﺩ ، ﺭﺠ ـﻊ ـﺸﺠﻥ
ـ ﹸ ـ ـ ﺍﻟـ ﱠ ِ
ﻋﺒﺴﺕ ﺭﻭﺤﻲ ﻭ ﻭﻟﺕ ﻭﺠﻬ ـﺎ
ﱠ ﹾ ﻬ ﹾ ِ
ﺸـﻁﺭ ﺃﻤـﺱ ــﺜﻘل ِـﺎﻟﻔﺘﻥ
ٍ ﻤ ﹾ ﹶ ٍ ﺒ ِﹶ ِ ﹶ ﹾ
ﺴﺩﺭﺓ ﺍﻟﺸﻙ ﺃﻅﻠﺕ ﻓﻲ ﺩ ِـﻲ
ِ ﹸ ﱠ ﹶﱠ ﹾ ِ ﻤ
ﺍﻟـ ﻁ ِ
ﻭ ﹶﻥ ﻭﻁﻥ ﺍﻟ ـﺯﻥ ﻭ ـﺯﻥ
ﹶ ﺤ ِﺤ
***
) ﻳﻨﺎﻳﺮ ٣٩٩١م (
٨
- 10. رﻗ َﺎت ﻋﻠﻰ إﻳ َﺎع اﻟﺼﻤﺖ
ﱠ َ َﺼ َ َ ﻘ
) ﻗﺼﺎﺋﺪ ﻗﺼﻴﺮة (
)١(
ﺘﻠﻙ ﺍﻟﻘ ﺎﺌﺩ ..
ﹶﺼ ِ
ﻤﻨﻙ ؟
ِﹾ
ﻻ
ﺒل ﺃﻨﺕ ﻤﻨﻬﺎ !
ْ ﹾ ﹶ ِﹾ
)٢(
ﻴﺭﻫﻘﻨﻲ ..
ِ ﹸِ
ﺃﻥ ﺃﻜﺘﺏ !
ﹾﹸ
ﻴﺭﻫﻘﻨﻲ ..
ِ ﹸِ
ﺃﻥ ﺃﻤﺴﻙ ﺒﺎﻟﻘﻠﻡ ..
ِ
ﻭ ﻻ ﺃﻜﺘﺏ !
ﹾﹸ
ﻴﺭﻫﻘﻨﻲ ..
ِ ﹸِ
ﺃﻻ ﺃﻜﺘﺏ !
ﹾﹸ
)٣(
ﻗﺩ ﺃﻜﺘﺏ ﻴﻭﻤﺎ ..
ﹾ ﹸ ﹰ
ﺸﻌﺭﺍ ﻤﻌﻘﻭﻻ
ِ ﹰ ﹸ ﹰ
ﺘﺼﺩﻕ ﻓﻴﻪ ..
ﹶ ﹸ ِ ِ
ﻗﻭﺍﻨﻴﻥ ﺍﻟﻤﻨﻁﻕ ،
ﹶ ﹾ ِ ِ
ﻭ ﺍﻟ ﱠﺎ ِﻴﺦ ,
ﺘﺭ ِ
ﻭ ﻋﻠﻡ ﺍﻟﻨﻔﺱ .
ِﹾ ِ ﱠ ﹾ
ﻟﻜﻥ ﻤﻥ ﺫﺍ
ﹶ
- ﻟﻭ ﺃﻜﺘﺏ ..
ﹶ ﹾﹸ
ﻫﺫﺍ ﺍﻟﺸﻌﺭ ﺍﻟﻤﻌﻘﻭل -
ﱢ ﹸ َ
ﺴﻴﻜﺘﺒﻨﻲ ..؟
ﹾﹸِ
٩
- 11. )٤(
ﻤﻥ ﻟﻰ ﺒﺤﺩﻴﺙ ..
ٍ ِ ِ ِ
ﺃﺘﻠﻭﻩ ..
ﹾﹸ
ﻋﻠﻰ ﺭﺃﺱ ﺍﻟﺜﻴﺏ ؛
ﹶ ِ ﱠ ِ
ﺘﺼﺒﺢ ..
ﹸ ِ
ﺒﻜﺭﺍ ..؟
ِ ﹾ ﹰ
)٥(
ﺃﺤﻠﻡ
ﹸ
ﺃﻥ ﺘﺒﺩﺃ ﺒﺎﺴﻤﻲ ...
ِ
ﻟﻐﺔ ﺒﻜﺭ
ﹸ ﹶﹲ ِ ﹾ
ﻟﻡ ﻴﻘﺭﺒﻬﺎ ﺇﻨﺱ
ﹾ ﹾ
- ﻤ ﻥ ﻗ ﺒل -
ِ ﹶُ
ﻭ ﻻ ﺎﻥ ..!
ﺠ
)٦(
ﻤﻥ ﻴﻤﻠﻙ ﻤﻥ ؟
ِ
ﺍﹶﺒﺤﺭ ﺃﻡ ﺍﻷﺸﺭﻋﺔ ؟
ﻟ ﹾ ِ ﹸ
ﺍﻷﻤ ﺍﺝ ﺃﻡ ﺍﻟﺭﻴﺢ ؟
ﻭ
ﺍﻟﻔﻨﺎﻥ ﺃﻡ ﺍﻟﻔﻥ ؟
ﹶﱠ ﹶ
ﻤﻥ ﻴﻤﻠﻙ ﻤﻥ ..؟
ِ
)٧(
ﺍﻟﻨﻬﺭ ﺍﻟﺭﺍﺒﺽ ..
ﱠ ِ
ﻓﻲ ﺤﻀﻥ ﺍﻟﻠﻭﺤﺔ
ِ ِ ِ ﱠ ِ
ﻟﻴﺱ ﻴﻔﻴﺽ .
ِ
ﺁﻩ ....
ٍ
ﺎ ﺃﻅﻤﺄ ﻓﺭ ﹶﺎﺘﻲ!
ﻤ ﹾ ﹸ ﺸ ِ
) أآﺘﻮﺏﺮ ٣٩٩١م (
٠١
- 12. أو َاد اﻟ ﱡوح
ْر ُ ﺮ
ﺤﻴﻥ ﻭﺠﻬﺕ ﻭﺠﻬﻲ ﺇﻟﻴﻪ ٠٠
ِ ﹸ ِ ﹶِ
ﺘﻭﺠﻬﻥ ﻟﻲ ،
ﹶِ
ﻤﺸﻬ ﺍﺕ ﻤ ﺍﻗﻌﻬﻥ ،
ﹾ ِ ﺭ ٍ ﻭ ِ
ﻭ ﻗﻠﻥ : ﺘﻬﻴﺄ .
ﹸﹾ ﹶ
ﺘﻬﻴﺄﺕ ،
ﹶ ﹸ
ﻓﺎﺤﺘﻤل ﺍﻟﺴﻴل ﺒﻲ . .
ﹶ ِ ُ َ
ﺯﺒﺩﺍ ﺍﺒﻴﺎ .
ﹰ ﺭ ِ ﹰ
ﻗﻠﺕ :
ﹸﹾ ﹸ
ﻴﺎ ﻓﺘﻨﺘﻲ ،
ِ ﹾﹶِ
ﻭﺠﻬﻲ ﺍﻟﻤﺴﺘﻌﺎﺭ ،
ﹶ ِ
ﻤﻼﺌﻜﺘﻲ ﺍﻟﻁﻴﺒﻴﻥ. .
ﱠ ِ ِ ﹶِ
ﺍﺤﺘﻤﻠﺕ ﺍﻟﻜﺜﻴﺭ ،
ﹶ ﹾ ﹸ ﹶِ
ﻭ ﺎ ﺯﻟﺕ ﻤﺤﺘﺸﺩﺍ ﺒﺎﻟﻬﺯﺍﺌﻡ ،
ﻤ ِ ﹾ ﹸ ﹶ ِ ﹰ ِ ِ ِ
ﻜﻴﻑ ﺃﺴﻭل ﻟﻲ ﺩﻫﺸﺔ . .
ﹶ ﹶ ِ ُ ﹶ ﹰ
ﻤﻥ ﺘﺤﻭل ﺃﺸﻴﺎﺌﻲ ﺍﻟﻤﻬ ﻠﺔ :
ﻤ ﹶ ِ ﹶ ِ ﹾِ
ﺼﻭﺭﻱ . .
ِ
ﻭ ﺃﻨﺎ ﻟﻡ ﺃﺯل ﺒﻌﺩ ﻁﻔﻼ ،
ﹶ ﹶ ِ ْ ﹾ ﹰ
ﻭ ﺸﻌﺭﻱ ﺍﻟﻘﺩﻴﻡ ،
ِ ِ ﹶِ ِ
ﻭ ﺃﺴﺌﻠﺘﻲ ﺍﻟﻤﻘﻔﻠﺔ .
ﹾ ﹶﹶ ِ ﹶ ِ
ﺇﻨﻬﺎ ﺴﺒﻠﻲ ،
ﱠ ِ
ﻭ ﺃﻨﺎ ﺃﺘﺄﻤﻠﻬﺎ ﻤﻥ ﻤ ﹶﺎﻥ ﺒﻌﻴﺩ .
ﹶ ﹶ ﹸ ِ ﻜ ٍ ٍ ِ
ﻭ ﺃﺼﻬل . .
ُ
ﻜﻴﻤﺎ ﺃﺭﺩ ﻓﺭﺍﻍ ﺍﻟﻤ ﺍﻗﻴﺕ ،
ﹶ ﹶ ﹶ ﻭ ِ ِ
ﻤﻨﺘﺸﻴﺎ ﻟﺩﻤﻲ . . . .
ﹾ ﹶ ِ ﹰ ِ ِ
١١
- 13. ﻭ ﺩﻤﻲ ﺯﻟﺯﻟﺔ .
ِ ﹾ ﹶ
ﻭﺠﻬﻬﺎ ﺫﺍﻙ . . ؟
ﹶ
ﺃﻡ ﺴﺒل ﻟﻠﻐ ﺍﻴﺔ . .
ِ ٌ ﻭ ِ
ﻤﺩﺕ ﺃ ﺎﻤﻙ . . ؟
ﹾ ﻤ
ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻤﺤﺘﻔﻲ ﺒﺎﻟﻬﺯﺍﺌﻡ
ﹶ ِ ِ ِ
ﻜﻴﻑ ﺘﺴﻭﺭﺕ ﻭﺠ ـﻙ ،
ﹶ ﹶ ﹶ ﹶ ﻬ
ﺜﻡ ﺍﻨﻔﺭﺩﺕ ﺒﻪ . .
ﹸ ﹾﹶ ﹶ ِ ِ
ﻓﻲ ﺸ ﺎﺏ ﺍﻟﺤﻘﻴﻘﺔ . . ؟
ِ ِﻌ ِ ِ ﹶ ِ
ﻤﺸﺘﻌﻼ ﺃﻨﺕ ﻟﻤﺎ ﺘﺯل ،
ﹾﹶ ِ ﹰ ﹾ ﹶ ﹶ ﹶ ْ
َ
ﻭ ﻫﻭ ﻟﻤﺎ ﻴﺯل ﻅﺎﻫﺭﺍ . .
ﹶ ْ ﹶ ِ ﹰ
ﻓﻭﻕ ﺤﺯﻥ ﻨﺒﻴل ،
ﹶ ﹶ ٍ ﹶِ ٍ
ﻴﺭﻓﺭﻑ . .
ﹾ ِ ﹸ
ﻓﻲ ﻭﺭﺩﺘﻴﻙ ﺍﻟﻠﺘﻴﻥ . .
ِ ﹶ ﹶ ِ
ﺘﻁﻼﻥ ﻤﻨﻙ . .
ﹸ ِ ِ ِﹾ
ﻋﻠﻲ ﺎﻟﻡ . .
ﹶ ﻋ ﹶ ٍ
ﻗﻴﺩ ﺍﻟﻭﻗﺕ ﺃﺒﻌﺎﺩﻩ
ﹶ ﹾ ﹸ
ﻓﺎﺤﺘﻭﺍﻩ ﺍﻟﺒﺩﺩ .
ﹶ
ﻋﻨﺩ ﺎ ﺎﺩﺕ ﺍﻷﺭﺽ . .
ِ ﹾ ﻤ ﻤ ﹾ
ﻤﻥ ﺘﺤﺘﻬﺎ ،
ِ ﹶ ِ
ﺃﺸﻌﻠﺕ ﻨﺎ ﻫ َﺎ ،
ﹾ ﹶ ﹾ ﹶ ﺭ ـ
ﻓﺎﻨﻁﻔﺄ .
ﹾ ﹶﹶ
......،
ﺎﺭﺏ ﻤﻥ ﺃ ﺎﻨﻴﻪ ،
ﻫ ِ ِ ﻤِ ِ
ﻴﻠﺘﺤﻑ ﺍﻟﺒﺭﻕ ،
ﹾﹶ ِ ﹸ ﹶ
ﻴﺭﻨﻭ ﻟﻪ ﻤﺎ ﺘﻴﺴﺭ ﻤﻥ ﺤﺯﻨﻪ ،
ﹸ ﹶ ﹶِ ِ ِ
ﺜﻡ ﺘﺘﺒﻌﻪ ﺍﻟﻼﻓﺘﺎﺕ .
ﹸ ﹶ ﹾِ ﹶ ﹾ
٢١
- 14. ﺃﻴﻨﻤﺎ ﻜﺎﻥ ﻴﻤﻀﻲ . .
ﹶ ﹶ ِ
ﺒﻼ ﻭﺠﻬﺔ ،
ِ ِ ٍ
ﻓﻠﻪ ﺘﺘﺴﻨﻰ ﺍﻟﺠ ﺎﺕ ،
ِﻬ ﹸ ﹶﹶ ﹶ ﹶ ﱠ
ﻭ ﻗﺩ ﺘﺘﺴﻨﻰ ﻤ ﺍﺠﺩﻩ ،
ﹶ ﹶ ﹶ ﱠ ﻭ ِ
ﻭ ﻴﺒﻭﺡ ﻷﺸﻴﺎﺌﻪ :
ﹾِ ِ
ﺇﻨﻬﺎ ﺍﻟﻌﺎﺼﻔﺔ .
ﱠ ِ ﹶ ﹾ
ﻟﺤﻅﺔ . . .
ﹶ ﹶﹰ
ﻴﺘﻬﺎ ﺍﻟﻤﺴﺘﻠﺫﺓ ﺒﺎﻟﻜﺒﺭﻴﺎﺀ ،
ﹸ ﹶِ ﱠ ﹸ ِ ِ ِ ِ
ﻭ ﻴﻨﻔﻠﺕ ﺍﻟﻭﻗﺕ ﻤﻥ ﻨﻔﺴﻪ
ﹾ ﹶِ ﹸ ﹾ ﹸ ِ ﹶ ﹾ ِ ِ
ﻭ ﻴﻜﺄﻨﻲ ﺘﻌـﻠﻘﺕ . .
ﹶ ﱢ ﹶ ﱠﹾ ﹸ
ﻓﻲ ﺍﻟﻨﻘﻁﺔ ﺍﻟ ﺎﺭﺒﺔ .
ِ ﱡ ﹾ ﹶ ِ ﻬ ِ ﹾ
ﻫﻜﺫﺍ ﺘﺘﺄﻤل ﻭﺠﻬﻲ ﻤﺭﺁﺘﻪ ،
ﹶ ﹶ ﹶﹶ ِ ِ ُ ﹸ
ﻭ ﻴـﺒﻌﺜﺭﻨﻲ ﺍﻟﺭﻋﺩ . .
ِ ِ
ﻓﻲ ﺼﺤﺭﺍﺀ ،
ٍ ِ
ﺃ ﺎﺭﺕ ﺩﻤﻲ ﻟﻭﻨﻪ ،
ﻋ ﹾ ِ ﹶ ﹶ
ﻭ ﺘﺭﺍﻨﻲ ﺍﻟﻤ ﺎﻟﻙ ﻤﺘﺌﺩﺍ ﻜﺎﻟﺠﻠﻴﺩ . .
ﻤ ِ ﱠ ِ ﹰ ﹶ ِ ِ ﹶِ
ﻋﻠﻲ ﺼﺨﺭﺓ .
ﹾ ٍ ﹶ
ﻫﻜﺫﺍ . . .
ﹶﹶ
ﺃﺘﺄﺒﻁ ﻅﻠﻲ ،
ﹶ ﹸ ِﱢ
ﻭ ﻨﻤﻀﻲ ﺨﻔﻴﻔﻴﻥ ،
ﹶ ِ ﹶِ ﹶ ِ
ﻤﺴﺘﻐﺭﻗﻴﻥ . .
ﹶ ﹾ ِ ﹶ ِ
ﺒﻭﺤﺸﺘﻨﺎ ﺍﻟﻘﺎﺘﻠﺔ .
ِ ﹶ ِ ﹶ ﹶ ِﹶ ﹾ
ﻫﻜﺫﺍ ﺘﺤﺘﻭﻴﻨﺎ ﺍﻟﺘﻔﺎﺼﻴل . .
ﹶ ﹶ ﹶ ِ ﹶ ﱠ ﹶ ِ ُ
ﻓﻲ ﺜﻭﺒﻬﺎ ﺍﻟﻤﺴﺘ ﺎﺭ ،
ِ ﹶ ِ ﹶﻌ ِ
ﻭ ﻗﺩ ﻨﺴﺄﻡ ﺍﻟﺴﺄﻡ ﺍﻟﻤﻭﺴﻤﻲ ﺍﻟﻤﺩﺭﺏ ،
ﹶ ﹶ ِ ِ
ﻭ ﺍﻟﺒﺸﺭ ﺍﻟﻤﺨﻠﺼﻴﻥ ،
ﹶ ﹾﹶ ِ
٣١
- 15. ﻭ ﺃﻋﺩﺍﺀ ﻨﺎ ﻁﻴﺒﻲ ﺍﻟﻘﻠﺏ .
ﹶ ﹶ ِﹶﹾ ِ
ﻗﺩ ﻨﺴﺄﻡ ﺍﻟﺤﺯﻥ ،
ﹶ ﹶ
ﻭﺍﻟﺭﻜﺽ ﺨﻠﻑ ﺤﺭﻭﻑ ﺍﻟﻠﻐﺔ .
ﹾ ﹶﹾ ﹶ ِ ﱡ ﹶ ﹾ
ﺼﺭﺕ ﺎﺭﻗﺔ ،
ِ ﹶ ﺒ ِﹶ ﹰ
ﻭ ﺍﺴﺘﺭﺤﺕ ﻤﻥ ﺍﻟﻤﻭﺕ .
ﹶ ﹶ ِ ِ
ﻴﺎ . . . .
ﺭﺒﻤﺎ ﺘﺴﺘﺤﻴل ﺍﻟﻁ ﺍﻭﻴﺱ ﻋﻁﺭﺍ . .
ﹶ ﹶ ِ ُ ﱠﻭ ِ ِ ﹾ ﹰ
ﻴﻭﺸﻲ ﺘﻀﺎﺭﻴﺱ ﻭﺠﻬﻙ ،
ﱢ ﹶ ِ ِ
ﻴﻨﺄﻱ . . . . . ﻭ ﻴﻨﺄﻱ
ﹾ ﹾ
ﺇﻟﻲ ﻤﻨﺘ ﻰ ﺍﻟﻨﺄﻱ ،
ﹾ ﹶﻬ ﱠ
ﻴ ﺩﻨ ﻭ . . . . . ﻭ ﻴ ﺩﻨ ﻭ
ﹸ ﹸ
ﺇﻟﻲ ﺃﻥ ﺘﺤﺭﻗـﻪ ﺍﻷﺴﺌﻠﺔ .
ﹶ َ ﹸ ِ َ ﹶ ﹾ
ﺎﻟﻎ ﺃﻤﺭ ﺩﻫﺸﺘﻙ ﺍﻷﻨﺜﻭﻴﺔ ،
ﺒ ِ ﹲ ﹶِ ﹾ ﹶ ِِ
ﺘﺭﻓﻭ ﺘﻔﺎﺼﻴل ﻋﺸﻘﻙ .
ﹶ ﹸ ﹶﹶ ِ َ ِ ﹾِ
ﻟﻶﻥ ﻟﻡ ﺘﺒﺭﺡ ﺍﻷﺭﺽ . . ؟
ﹶ ﹶ
ﻓﻠﺘﺠﻠﺱ ﺍﻟﻘﺭﻓ ﺎﺀ ،
ﹶ ﹾ ﹶ ِ ﹸ ﹸﺼ
ﺤﻭﺍﻟﻴﻙ ﻁﻴﺭ ﺃﺒﺎﺒﻴل . .
ﹶ ﹶُ ِ
ﺘﺭﻤﻲ ﺠﻬﻨﻤ ﺎ ،
ﹶ ِ ﱠ ﻬ
ﻭ ﺘﻼﺌﻡ ﻤﻭﺘﺎ ﺠﻤﻴﻼ .
ﹸ ِ ﹶﹰ ِ ﹰ
ﻭ ﻓﻲ ﺃﺫﻨﻴﻙ ﺘﺤﺭﺵ ﺭﻋﺩ . .
ِ ُ ﹸﹶ ﹶ ﹸ ٍ
ﻴﺠﺭﺏ ﻁﺎﻗﺘﻪ .
ﹶ ﹶﹶ
ﻫل ﺘﻨﻭﺀ ﺒﺘﻠﻙ ﺍﻟﻠﻐﺔ . . ؟!
ْ ﹶﹸ ِِ ﹾ ﱡ ﹶ ﹾ
ﺼﺭﺕ ﺒﺎﺭﻗﺔ ﻤﻥ ﺩ ﹶﺎﻥ ﻭ ﻋﺸﺏ ،
ِ ﹶ ِ ﹶ ﹰ ِ ﺨ ٍ ﹾ ٍ
ﺘﺨﻀﺨﻀﻪ ﺸﻬﻭﺓ
ﹸ ﹶ ِ ﹶ ﹲ
ﻓﻴﺅﺯ ﺍﻟﻤ ﹶﺎﻭﺯ ﺃﺯﺍ ،
ﹶ ُ ﻔ ِ ﹰ
ﻭ ﻴﻔﺘﺘﺢ ﺍﻟﻨﻬﻭﻨﺩ ﺘﻌﻼﺘﻪ . .
ﹾﹶِ ﱠ ﹾ ﹶ ِ ِ ِ
٤١
- 16. ﺃﻟﻘﺎ ﻻ ﻴﻘﺎﻭﻡ .
ﹶﹰ ﹶ
ﻫل ﺘﺨﻤﺵ ﺍﻷﺭﺽ ﻗﺒﻌﺔ ﻟﻠﻔﺘﻲ ؟
ْ ﹶ ﹾ ِ ﹸ ﹸ ﹰ ﹶ ﹶ
ﺤﻴﻥ ﻴﻌﺒﺭ ﺫﺍﻜﺭﺓ ﺍﻟﻤﺩﻥ ﺍﻟﻤﺴﺘﺤﻴﻠﺔ ،
ِ ﹶ ِ ﹶ ِ ﹶ ِ ﹶ ِ
ﻭﺠﻬﺎ ﻴﻔﺽ ﺍﻟﻠﻐﺎﺕ ،
ﹰ ﹸ ﱡ ﹶ ِ
ﻭ ﻴﺴﺭﺝ ﺨﻴل ﺃ ﺎﻨﻴﻪ . .
ِ ﹶ َ ﻤ ِ ِ
ﻓﻲ ﻟﺠﺔ ﺍﻟﻀﻭﺀ ،
ِ ﹸ ِ ِ
ﺘﺸﺭﻕ ﺸﻤﺱ ﺍﻟﻭﺼﻭل ؛
ﹸ ﹾِ ﹸ ﹶِ
ﻓﻴﺘﺼل ﺍﻟﺭﻤﺯ ﺒﺎﻟﺭﻤﺯ ،
ﹶﱠ ِ ُ ِ ِ
ﻭ ﺍﻟﻘﻴﻅ ﺒﺎﻟﻘﻴﻅ ،
ﹶ ﹸ ﹶِ
ﻭ ﺍﻟ ﺎﺀ ﺒﺎﻟ ﺎﺀ .
ﻤ ِﻤ ِ
ﺘﻔ ﹶﻲ ﺍﺘ ﺎﻻ ﻭ ﻭﺼﻼ
ﹶ ﹾﻨ ﱢﺼ ﹰ ﹰ
ﻭ ﻴﻨﺒﺕ . .
ﹾ ﹸ
ﺒﻴﻥ ﺃﺼﺎﺒﻌﻙ ﺍﻟﺴﻨﺩﻴﺎﻥ .
ِ ِ ﹾ ِ
ﻫل ﺘﺭﺩﻴﻥ ﻭﺠﻬﻲ ﻟﻭﺠﻬﻲ ؟
ْ ﹶ ِ ِ ِ
ﻭ ﻅﻠﻲ ﻟﺸﻤﺴﻰ ؟
ِﱢ ِ ﹶ ِ
ﻭ ﺫﺍﻜﺭﺘﻲ ﻟﻠﻤﻭﺍﻗﻴﺕ . . ؟
ِ ِ ﹶ ِ ِ
ﺘﺤﺘﻔﻠﻴﻥ ﺒﻌﻴﻨﻴﻙ . .
ﹶ ﹶ ِِ ِ ﹶ ِ
ﺤﻴﻥ ﺘﻜﻭﻨﺎﻥ ﻋﺸﺒﺎ ﻭ ﻓﺭﺤﺎ ،
ِ ﹶ ﹸ ﹶ ِ ﹾ ﹰ ﹶ ﹰ
ﻭ ﺠﻨﺔ ﻋـﺩﻥ ﻟﺼﺏ ﺃﺒﺎﺡ ﺍﻟﻠﻐﺔ .
ﱠ ﹶ ِ ٍ ﱡ ﹶ ﹾ
ﺃﻨﺎ ﺍﻟﻭﺭﺩ ،
ﹶ ِ
ﻭ ﺍﻟﻭﺭﺩ ،
ﻭ ﺍﻟﻤﺩ ،
ﻭ ﺍﻻﻤﺘ ﺍﺩ ،
ِ ﺩ
٥١
- 17. ﺃﻨﺎ ﺍﻟﺭﻭﺡ ،
ﹶ
ﻭ ﺍﻟﺭﻭﺡ . .
ﺭﻴ ﺎﻨﺘﻲ ﺒﻌﺽ ﻏﺭﺱ ﺭ ﺎﺤﻲ . .
ﺤ ﹶ ِ ﹶ ِ ِ ﻴ ِ
ﺒﻘﻴﻌﺔ ﻫﺫﺍ ﺍﻟﻤﺩﻱ ،
ِِ ِ ﹶ
ﺃﻨﺎ ﺍﻟﻤﻨﺘﻬﻲ ،
ﹶ ﹾﹶ
ﻭ ﺃﻨﺎ ﺍﻟﻤﺒﺘﺩﺍ .
ﹶ ﹶ
ﺃﻨﺎ ﺸﻬﻭﺓ ﺍﻷﺭﺽ ﻟﻠ ﺎﺀ ،
ﹶ ﹶ ﹸ ِ ﻤ ِ
ﻤﺎﺀ ﺍﻟﺯﺒﺭﺠﺩ . .
ِ
ﺤﻴﻥ ﻴﺴﺎﻭﻡ ﻅﻼ ﻋﻠﻲ ﺼﺨﺭﺓ ،
ﹾ ٍ ِ ِ ِ ﹰ ﹶ
ﻭ ﺍﻟﺯﺒﺭﺠﺩ ،
ﻭ ﺍﻟﺠﻬﺔ ﺍﻟﺴﺎﺒﻌﺔ .
ِﹸ ِ ﹾ
ﺃﻨﺎ ﺸﺒﻕ ﺍﻟﻀﻭﺀ ﻟﻠﺩﻑﺀ ،
ﹶ ﹶ ﹸ ِ ﹾ ِ
ﻟﺤﻥ ﺍﻟﺴﻭﺍﻗﻲ . .
ﹶ ِ
ﺘﻭﻗﻌﻪ ﺘﻭﺘﺔ ﻏﻀﺔ ﺍﻟﺤﺯﻥ ،
ﹸ ﱢ ﹸ ﹶ ﹲ ﹶ ﹸ ِ
ﻏﻴﻡ ﻏﺭﻴﺏ ﺘﻨﺎﺯﻟﻪ ﺍﻟﺭﻴﺢ . .
ﹶ ﹶ ِ ﹸ ﹶ ِﹸ
ﻜل ﻤ ﺎﺀ .
ﹸ ﱠ ﺴ ٍ
ﺴﺘﻌﺭﻓﻨﻲ ﻭﺭﺩﺓ ﺍﻟﺭﻭﺡ . .
ﹶ ِ ﹸِ ﹸ ِ
ﻭﺠﻬﺎ ،
ﹰ
ﻭ ﻋ ﻴﻨ ﻴ ﻥ ،
ﹶ ِ
ﻏﻴﻤﺎ . .
ﹶ ﹰ
ﻴﻼﺌﻡ ﻫﺫﺍ ﺍﻟﻔﺭﺍﻍ ﺍﻟﺫﻱ ..
ِ ﹶ ﹶ ﹶ ِ
ﻻ ﻴﻨﻲ ﻓﻲ ﺘﻭﺤﺸﻪ .
ِ ِﹶ ِ ِ
ﺴﺘﻌﺭﻓﻨﻲ ﻭﺭﺩﺓ ﺍﻟﺭﻭﺡ ﺤﺯﻨﺎ ،
ﹶ ِ ﹸ ِ ﹸ ِ ﹶﹰ
ﻭ ﺼﻤﺘﺎ ،
ﹰ
ﻭ ﺃﻨﺜﻲ ﺘﺭﻴﻕ ﻤ ﹶﺎﺘﻨﻬﺎ . .
ﹾ ﹶ ﹸ ِ ﹸ ﻔ ِ ﹶ
٦١
- 18. ﻓﻲ ﺩﻤﻲ ،
ِ ِ
ﺜﻡ ﻻ ﺃﺴﺘﻁﻴﻊ ﻓ ﹶﺎﻜﹰ .
ﹶ ِ ِ ﻜ ﹶﺎ ﹸ
ﻫﻭ ﺍﻟﻀﻭﺀ ﻴﺸﺭﺏ ﺫﺍﻜﺭﺘﻲ ،
ﹾ ﹶ ِ ِ
ﻭ ﺍﻜﺘﻤﺎل ﺒﻬﻴﺞ ﻴﺯﻡ ﺘﻔﺎﺼﻴﻠﻪ . .
ﹾِ ِ ٌ ﹶ ﹶ ِ ﹶ
ﺒﻴﻥ ﻅﻠﻲ . .
ِ ﱢ
ﻭ ﺒﻴﻨﻲ .
ِ
ﺍﻟﻁ ﺍ ﻴﺱ ﺃﻭل ﺤﺯﻨﻲ ﻭ ﺁﺨﺭﻩ ،
ِ ﱠﻭ ﻭ ِ ُ
ﻭ ﺃﻨﺎ ﺍﻟﻤﺒﺘﻠﻲ ﺒﺎﻟﻤﺤﺒﺔ ،
ﹶ ﹶﹶ ِ ِ
ﺃﻤﻀﻲ . .
ِ
ﺃﻗـﻠﺏ ﻭﺠﻬﻲ . .
ﹶ ﱢ ِ
ﻟﻌـﻠﻲ . . . . ،
ﹶ ﱢ
ﺴﻴﻌﺭﻓﻨﻲ ﺎﻤﺵ ﺍﻟﻠﻭﺤﺔ ﺍﻟﻤﻁ ﹶﺄﺓ .
ِ ﹸ ِ ﻫ ِ ﹸ ﱠ ِ ﹾﻔ
ﺘﻤﻭﺕ ﻫﻨﺎ ؟
ﹶ ﹸ ﹶ
ﺃﻭ ﻫﻨﺎﻙ ؟
ﹶ
ﻓﻼ ﻓﺭﻕ ،
ﹶ ﹶﹶ
ﻻ ﺤﺯﻥ ﻴﻜﻔﻲ . .
ﹾِ
ﻟﻴﻤﻸ ﻫﺫﺍ ﺍﻟﻔ ﺍﻍ .
ِ ﹶﺭ ﹶ
ﺘﺄﺘﻲ ﺍﻟﻘﻨﺎﺩﻴل ﺜﺎﻨﻴﺔ ؛
ﺴﹶ ِْ ﹶﹶ ِ ُ ﹶ ِ ﹰ
ﻟﺘﻀﺊ ﻤ ﺎﺌﻲ .
ِ ﹸ ِ َ ﺴ ِ
ﺴﻴﺠﺫﺒﻨﻲ ﺍﻟ ﹶﺎﻟﺱ . .
ِِ ﻔ ﹾ
ﺤﺘﻰ ﻨﻬﺎﻴﺔ ﻤﺎ ﺃﺴﺘﻁﻴﻊ ،
ﱠ ِ ِ ﹶ ِ
ﻭ ﻤﺎ ﻻ . . . . ،
ﺴﻴﺭﻗﺹ ﻟﻴﻠﺌﺫ ﻗﻤﺭ ﺍﻷﺒﺠﺩﻴﺔ ،
ﹸ ﹶ ﹶ ِ ٍ ﹶ ِ ِ
٧١
- 19. ﻤﺤﺘﺸﺩﺍ ﺒﺎﻟﺘﻔﺎﺼﻴل ،
ﹶ ِ ﹰ ِ ﱠ ﹶ ِ ِ
ﻫﺫﺍ – ﻭ ﻻﺸﻲﺀ ﻏﻴﺭ . . . . –
ﹶ ﹶ
ﺩﻤﻲ ﺍﻟﻁﺎﺯﺝ ﺍﻟﻤﺴﺘﻔﺯ ،
ﱠ ﹶ ﹶ ِ
ﻴﺤﻤﻠﻨﻲ ﺇﺼﺭ ﺤﺯﻨﻲ ،
ِ ﹸ ِ
ﻫﻨﺎﻟﻙ ﺃﺩﻋﻭ ﻭ ﻻ ﻤﻥ ﻤﺠﻴﺏ .
ٍِ ِ ﹶ ِ
ﺴﺘﺸﻬﺩﻨﻲ ﺍﻟ ﺎﻓﻼﺕ . .
ﹶ ﹾ ِ ﺤ ِ ﹸ
ﻤﻀﻴﺌﺎ ﻜﻌﻴﻥ ﺯ ﺎﺠﻴﺔ . .
َ ِ ﹰ ﹶ ٍ ﺠ ِ ٍ
ﻷﻤﻴﺭ ﻴﺠﺭﺏ ﻁﻠﻌﺘﻪ . .
ِ ٍ ﹶﹾ ﹶ
ﻓﻲ ﻋﻴﻭﻥ ﺠ ﺍﺭﻴﻪ . .
ِ ِ ﻭ ِ ِ
ﺩﻭﻥ ﻗﻨﺎﻉ .
ِ ﹶ ٍ
ﺴﻴﻨﻔﺽ ﻋﻨﻲ ﺍﻟﺭﻋﺎﻴﺎ ،
ﹾ ﹶ ﱢ
ﻭ ﺘﻨﻜﺭﻨﻲ ﻜل ﻫﺫﻱ ﺍﻟﻤ ﺍﻴﺎ .
ﺭ ﹸ ﹾ ِ ِﹸ ﱡ ِ
ﺴﻴﺘﺒﻌﻨﻲ ﺸﺠﺭ ﺍﻟﻤﻠﺢ
ﹾ ِ ﹶ ِ ﹾ ِ
ﺃﻨﻲ ﺴﺄﻤﻀﻲ .
ﱠ ِ
ﺴﺄﻤﻀﻲ ﺨﻔﻴﻔﺎ . . ﺨﻔﻴﻔﺎ
ﹶ ِ ﹶﹰ ِ ﹶ ِ ﹶﹰ
ﻜﺄﻨﻲ ﺍﻟﻬﻭﺍﺀ .
ﹶﱢ
ﻭ ﻓﻲ ﺜﻘﺔ
ِ ِﹶ ٍ
ﺴﻭﻑ ﻴﺜﻘﺏ ﻫﺫﺍ ﺍﻟﻤﺩﻯ ﻨﻅﺭﻱ .
ﹶ ﹾﹸ ﹶ ﹶ ﹶ ِ
) ﻨﻅﺭﻱ ﺒﺩﺀ ﺃﺴﺌﻠﺘﻲ ،
ﹶ ﹶ ِ ِ ﹶ ِ
ﻭ ﺍﻓﺘ ﺍﻉ ﺍﻟﺭﺅﻱ .
ﹾ ِﺭ َ
ﻭ ﺴﻜﻭﻥ ﺍﻟﻔﻭﺍﺼل
ﹸ ﹶِ ِ
ﻭﺤﻲ ﺠﺩﻴﺩ (
ِ
ﺘﺄﺘﻲ ﺍﻟﻘﻨﺎﺩﻴل ﻤﺤﻔﻭﻓﺔ ﺒﺎﻟﺴ ﹶﺎﺀ ،
ﺴ ﹶ ِ ﹶ ﹶ ِ ُ ﹸ ﹶ ﹰ ِ ﻨ ِ
ﺴﺘﺠﺫﺒﻨﻲ ﺩﻫﺸﺔ ﺍﻟﻭﺭﺩ . .
ﹶ ِِ ﹶ ﹸ ِ
ﺤﺘﻰ ﻨﻬﺎﻴﺔ ﻭﺭﺩﻱ .
ﱠ ِ ِ ِ ِ
٨١
- 20. ﻫﻨﺎﻟﻙ ﺘﻨﺩﺒﻨﻲ ﺩﻭﺩﺓ ﺍﻟﻘﺯ ،
ﹶ ِ ﹶ ﹾ ِﹸ ﹶ
ﺘﻌﺯﺏ ﻋﻨﻲ ﺭﺅﺍﻱ
ﹶ ﱢ
ﻫل ﺍﻷﺭﺽ ﻀﻴﻘﺔ . . ؟
ْ ﹶ ﹲ
ﺃﻡ ﺘﻀﻴﻕ . . ؟
ﹶ ِ ﹸ
ﻭ ﻫﺫﻯ ﺍﻟﺴﻤﺎﺀ ﺩﻡ ﻁﺎﺯﺝ . . ؟
ﹶ ِ
ﺃﻡ ﺩ ﹶﺎﻥ ﻤﺒﻴﻥ . . ؟
ﺨ ِ
ﺴﻴﻨﻔﺽ ﻋﻨﻲ ﺍﻟﺭ ﺎﻴﺎ ،
ﻋ ﹾ ﹶ ﱢ
ﻭ ﺃﻨﻬﻲ ﺍﻟﻘﺼﻴﺩﺓ . .
ﹾ ِ ﹶ ِ ﹶ
ﻤﺤﺘﻜﻤﺎ ﻟﻠﻬﻭﺍﺀ .
ﹶ ِ ﹰ ِ
ﺴﺘﺘﺒﻌﻨﻲ ﻜﺎﺌﻨﺎﺘﻲ ،
ﹶ ﹾ ِ ﹶ ِﹶ ِ
ﻭ ﻴﺒﺘﻬل ﺍﻟﻌﺎﺭﻓﻭﻥ ،
ﹶ ِ ُ ِ ﹸ
ﻭ ﻴﺴﻌﻲ ﺇﻟﻲ ﺍﻟﻤﺭﻴﺩﻭﻥ
ِ ِ
ﺼﺒﺤﺎ . .
ﹰ
ﻴﻼﺌﻡ ﻜل ﺍﻟﺭﺅﻯ ،
ِ ﹸ ﱠ
ﻴﺘﻬﺠﺩ ﻨﺎﻓﻠﺔ ﻟﻠﻜﻼﻡ ،
ﹶ ﹶ ِﹶ ﹰ ﹶ ِ
ﻭ ﻴﺤﺩﺙ ﺃﻤﺭﺍ .
ِ ﹸ ﹰ
ﺘﺭﻱ . . . .
ﹸ
ﻟﻭ ﺘﻤﺩ ﻟﻜﻔﻰ ﻤﻭﺍﻗﻌ ﺎ ﺍﻤﺭﺃﺓ . .
ﹶ ِ ﹶ ﱢ ِ ﻬ ﹲ
ﻓﻲ ﺍﺘﺴﺎﻉ ﺍﻟﻔ ﺍﻍ
ِ ﱢ ِ ﹶﺭ ِ
ﺃﺃﺒﻘﻲ ﺍﻟﻭﺤﻴﺩ ﺍﻟﺫﻱ . .
ِ ِ ﹾ
ﻻ ﺘﻁﺎﻭل ﺃﺤﺯﺍﻨﻪ . . ؟
ﹸ ﹶ ُ ﹸ
ﺃﻡ ﺄﻏﻠﻕ ﻋﻴﻨﻲ ﻠﻲ ﺩﻫﺸﺔ ،
ﺴ ﹾِ ﹸ ِ ﻋ ﹶ ٍ
ﻭ ﺩﻤﻲ ﻴﺘﻴﻤﻡ ﺒﺎﻟﻀﻭﺀ ،
ِ ﹶِ ِ
ﻭ ﺍﻟﻌﺎﺒﺭﻭﻥ ﺍﺤﺘﻔﺎل .؟
ِ ِ ﹶ ْ
.......،
٩١
- 21. ﺴﺘﻌﺭﻓﻨﻲ ﻭﺭﺩﺓ ﺍﻟﺭﻭﺡ ﻭﺠﻬﺎ ،
ﹶ ِ ﹸ ِ ﹸ ِ ﹰ
ﻭ ﻋ ﻴﻨ ﻴ ﻥ ،
ﹶ ِ
ﺃﻏﻨﻴﺔ ﻏﻀﺔ ﺍﻟﻠﺤﻥ ،
ﹾِ ﹰ ﹶ ﹶ ﱠ ِ
ﻤﺘﻜﺄ ﻟﻠﺴﺅﺍل .
ﱠ ﹶً ْ
***
) ﻓﺒﺮاﻳﺮ ٥٩٩١م (
٠٢
- 22. ﻟ َﺎ َا ..؟
ﻤذ
ﺸﻌﺭﻱ ﺭﺌﺔ ﺜﺎﻟﺜﺔ ﻟﻲ ،
ﹲ ﹲِ ِ
ﻭ ﺃﻨﺎ ﺭﺌﺔ ﺜﺎﻟﺜﺔ ﻟﻠﺒﺤﺭ ،
ِ ﹲ ﹲ
ﻭ ﻗﻠﺒﻲ ﻤﺘﻜﺄ ..
ﱠ ﹶٌ
ﻟﻁﻭﺍﻭﻴﺱ ﺘﻭﺸﻲ ﺍﻷﻓﻕ ﺒﺄﺨﻁﺎﺌﻲ .
ﹾﹶ ﹾﹶ ﹸ ﱢ
ﻓﻠﻤﺎﺫﺍ ..
- ﺇﺫ ﺃﺒﻌﺙ ﺭﺴﻠﻲ ﻓﻴﻬﻡ ،
ﹸ ِ
ﻭ ﺃﻭﺯﻉ ﻨﻔﺴﻲ -
ﺃﺼﺎﻋﺩ ﻤﺤﻔﻭﻓﺎ ﺒﺎﻟﻨﺭﺠﺱ ..
ِ ﹰ
ﻭﺤﺩﻱ ..؟
ﻭ ﻟﻤﺎﺫﺍ ..
- ﺤﻴﻥ ﺃﺭﺸﻕ ﻓﻲ ﻋﻴﻨﻴﻙ ..
ِ ﱢﹸ
ﻨﺠﻭﻡ ﺍﻟﺩﻫﺸﺔ -
ِ
ﺃﺴﻘﻁ ﻤﺸﺘﻌﻼ ..؟!
ﹰ ﹸ
ﻫﺫﻱ ﻤﺩﻨﻲ ،
ﻭ ﺃﻨﺎ ﻭﺤﺩﻱ ..
ﺃﺘﻔﻴﺄ ﻅﻠﻲ ﺒﻴﻥ ﺸﻭﺍﺭﻋﻬﺎ ،
ِ ِ ﹶ ﹶ ِ ُﱢ
ﻤﻨﺩﻫﺸﺎ ) ﻜﺎﻟﻌﺎﺩﺓ (
ِ ﹰ
ﻤﺎ ﺒﺎل ﻨﻭﺍﻓﺫ ﺘﻠﻙ ﺍﻟﻤﺩﻥ ..
ِ ِ ُ
ﺍﺨﺘﻠﻁﺕ ﺒﻌﻴﻭﻥ ﺍﻟﺭﻗ ﺎﺀ ،
ِ ﹶﺒ ِ ﹾ ﹶﹶ ﹶ ﹾ
ﻭ ﺸﻘﺕ ﻓﻰ ﻋﻴﻨﻰ ﻁﺭﻗﺎ ،
ﹰ ِ ﹶﱠ ﹾ
ﻭ ﻤﻴﺎﺩﻴﻥ ،
ﻭ ﺃﺤﺯﺍﻨﺎ ﻗﺎﺒﻠﺔ ﻟﻠﺘﺄﻭﻴل ..؟
ِ ﹰ ﹰ
ﻟ ﺎﺫﺍ ..؟
ﻤ
ﻭ ﻟ ﺎﺫﺍ ..؟
ﻤ
١٢
- 23. ﻭ ﻟ ﺎﺫﺍ ..؟
ﻤ
ﺃﺘﺄﺒﻁ ﻅﻠﻲ ،
ﹶ ﹸ ِﱢ
ﻤﺤﺘﻔﻴﺎ ﺒﻬﺯﺍﺌﻡ ﻻ ﺘﺸﺒﻬﻨﻲ ،
ﹸ ﹾِ ِ ﹶ ِ ﹰ
ﻭ ﺃﺒﻌﺜﺭ ﻤﻭﺴﻴﻘﻲ ..
ِ
ﻓﻲ ﺍﻟﻁﺭﻗﺎﺕ ،
ِ
ﺃﺭﺍﻭﺩ ﺫﺍﻜﺭﺘﻲ ..
ُ
ﻋﻥ ﺫﺍﻜﺭﺓ ﺍﻟﻭﻗﺕ ﺍﻟﻤﻭﺴﻭﻡ ..
ِ ِ ِ
ﻋﻠﻲ ﺼﺩﺭﻯ ..
ﻅﻼ ﻻﻤ ﺃﺓ ،
ِ ﹰ ﺭ ٍ
ﺃﻭ ﺸﻤﺴﺎ ،
ﹶ ﹰ
ﻭ ﻀ ﺎ ﺎ .
ﺤ ﻫ
ﻭ ﻟﻤﺎﺫﺍ ..
- ﺤﻴﻥ ﺃﻨﺎﻡ ﻋﻠﻲ ﺼﺩﺭﻙ -
ِِ
ﺘﺼﺤﻭ ﺃﺨﻁﺎﺌﻲ ..؟
ﻴﺎ ...
ﻴﺎ ...
ﻓﺎﺘﻨﺔ ﺍﻟﻤﺎﺀ .
ﹶ ِ
ﻜﻴﻑ ﺘﺴﻭﺭﺕ ﻤ ﺎﺭﻴﺏ ﺍﻟﺩﻫﺸﺔ ..
ﹶ ﹶ ِ ﺤ ﹶ ِ
ﻭﺭﺩﺍ ﺒﻠﺩﻴﺎ ،
ﹰ ﹰ
ﻭ ﻜﻨﺎﺭﻴﺎ ﻴﻨﺜﺭ ﻓﺘﻨﺘﻪ ..
ﹶ ﹶ ﹰ ِ ﹾ ﹶ ﹶ
ﻓﻲ ﻋﻴﻨﻴﻙ ؛
ِ
ﻟﺘﺨﻀﺭ ﻨﻬﺎﺭﺍﺕ ،
ﹲ ﹶ ﹾ
ﻭ ﻤﺩﻱ ﻤﺄﻫﻭل ﺒﺎﻟﻁﻴﺭ ،
ِ ٌ
ﻭ ﺒﺎﻷﺸﺠﺎﺭ ..؟!
ﺘﻠﻙ ﺴﺒﻴﻠﻲ ،
ﻭ ﺃﻨﺎ ﺃﺩﻋﻭ
٢٢
- 24. ﻟﺘﻬﺏ ﻤﻥ ﺍﻟﻔﺘﻨﺔ ﺃﺭﺽ ،
ِ
ﻭ ﻨﻭﺍﻓﻴﺭ ،
ﻭ ﺃﺠﺭﺍﺱ ،
ﻭ ﺼﻐﺎﺭ ﻤﻨﺘﺼﺭﻭﻥ ..!
ﻫﺫﺍ ﺸﻌﺭﻱ
ِ
ﺃﺩﻋﻭﻩ ؛
ﻓﻴﺄﺘﻴﻨﻲ ﺴﻌﻴﺎ ،
ﹰ
ﻭ ﺒﻴﻤﻨﺎﻱ ﻋ ﺎﻱ ،
ﺼ
ﻭ ﻭﺠﻬﻲ ﺃﻋﺭﻓﻪ ،
ِ ﹸ
ﺃﻋﺭﻓﻪ ..
ﹸ
ﻓﻲ ﻜل ﺍﻷﺸﻴﺎﺀ .
ﹸﱢ
***
) ﻣﺎﻳﻮ ٥٩٩١م (
٣٢
- 25. أ َﺎﺷﻴﺪ ﻃَﺎﺋﺮ ﻣَﺎت ﻋﺸ َﺎ
ـ َ ِ ﻘ ـ ﻧ
) ﻗﺼﺎﺋﺪ ﻗﺼﻴﺮة (
)١(
ﺘﻜﺸﻑ ﻟﻲ . .
ﹶﹾ ِ ﹸ ِ
ﻋﻥ ﺴﺎﻗﻴﻬﺎ . .
ﹶ
ﺍﻟﺸﻤﺱ / ﺍﻷﻨﺜﻰ ؛
ﹾ
ﻓﺄ ﺍﻭﺩﻫﺎ
ﺭ
ﻋﻥ ﻨﻔﺱ ﺍﻟﻅل . . !
ِ ﱢ
)٢(
ﻅﻠﻲ . .
ِﱢ
ﺃﻜﺒﺭ ﻤﻥ ﺃﻥ ﺘﺒﺼﺭﻩ ﻋﻴﻨﺎﻱ !
ِ ﹸ ِ ﹶ
ﻓﻌﻠﻲ . . ؟
ِ ِ
ﺃﻡ ﻓﻌل ﺍﻟﺸﻤﺱ . . ؟
ِ ُﱠ
)٣(
ﻻ ﺃﻋﺭﻑ . .
ﹸ
ﻤﻥ ﺼﻠﺏ ﺍﻟﻘﻤﺭ ﺍﻟﻔﻀﻲ . .
ِ ﹶ
ﻋﻠﻲ ﺫﺍﻜﺭﺓ ﺍﻟﻠﻴل . . ؟
ِ ِ
ﻭ ﺁﺜﺭ
ﺃﻥ ﻴﻨﺩﺍﺡ ﺒﻌﻴﻨﻴﻪ
ِ
ﻀﻴﺎﺀ ﻤﺤﺯﻭﻥ . . ؟!
ِ
)٤(
ﺘﺭ ﻱ . .
ﹲ
ﻫل ﺒﻭﺴﻌﻲ ﺃﻥ ﺃﺘﻅﺎﻫﺭ ﺒﺎﻟﺼﻤﺕ ،
ِ ﹶ ﹶ
ﻭ ﺍﻟﻔﺭﺡ ﺍﻟﻤﺴﺘﻌﺎﺭ . . ؟
ﹶ ِ ﹶ ِ
ﺇﻟﻲ ﺃﻥ ﻴﻤﺭ ﻤﻊ ﺍﻟﻠﻴل . .
ِ
٤٢
- 26. ﺭﻜﺏ ﺍﻟﺨﻠﻴﻔﺔ . . ؟
ﹾ ﹶِ
)٥(
ﺨﻭﻓﻲ . .
ﹶ ِ
ﻤﻥ ﺃﻥ ﻴﻅﻬﺭ ﻀﻌﻔﻲ . .
ِ ِ
ﻴﺠﻌﻠﻨﻲ . .
ﹸِ
ﺃﻗﻭﻱ ﺍﻟﻨﺎﺱ . . !
ﱠ
)٦(
ﺨﻔﺕ ،
ﹾ ﹸ
ﻭ ﻻ ﺃﺩﺭﻱ . .
ﻫل ﺨﺎﻓﺕ ﺃﻗﺩﺍﺭﻱ . .
ﹾ
ﺃﻥ ﺘﺄﺨﺫﻨﻲ . .
ﹸ ﹶِ
ﻓﻲ ﺤﺩ ﺍﻟﺨﻭﻑ . . ؟ !
ﹶ
)٧(
ﺒﺤﺴﺏ ﻤﻼﻤﺤﻲ ﹶﺄﺱ ﺍﻟﺴﺩﻴﻡ
ﻜ ِ ِ ِ
ﻭ ﺭﺅﻴﺎ . . ﻜﻡ ﺘﻠﻅﺕ ﻓﻲ ﺠﺤﻴﻤﻲ !
ِ ِ ﹶ ﹶﹶ ﱠ ﹾ
ﺴﺄﻗﺘﻠﻨﻲ ، ﻭﺃﺸﺭﺏ ﻤﻥ ﺩﻤﺎﺌﻲ
ﹾ ِ ِ ِ ﹾ ﹸﹸ ِ
ﻷﻨﻰ ﻟﺴـﺕ ﺃﻋﺭﻑ ﻤﻥ ﻏﺭﻴﻤﻰ !
ﱢ ﹶ ﹸ ِﹸ ﹶِ ِ
)٨(
ﻭ ﺃﺤﻠﻡ
ﺃﻥ ﺘﺼﺒﺢ ﺍﻟﺸﻤﺱ ﻅﻠﻲ . .
ﹸ ِ ﱠ ِ ﱢ
ﻋﻠﻲ ﺼﻔﺤﺔ ﺍﻷﻓﻕ ،
ﹾ ِ ﹾ ِ
ﻭ ﺍﻷﻓﻕ ﻅﻠﻲ ﺍﻟﺫﻱ ﺘﺭﺘﺩﻴﻪ ﺍﻟﺭﻴﺎﺡ .
ِ ﹾ ﹸ ِﱢ
ﻭ ﺃﺤﻠﻡ . .
ﻟﻜﻨﻪ ﺍﻟﻠﻴل ﻴﻤﻀﻲ ،
ﻭ ﻤﺎ ﻤﻥ ﺼﺒﺎﺡ . . !
ِ
٥٢
- 27. )٩(
ﻭﻁﻨﻲ :
ِ
ﻁﺭﻕ ﺸﺘﻲ . .
ﹲ ﹶﱠ
ﻻ ﺘﺘﺠﻤﻊ
ﹶﹶ
ﺇﻻ . .
ﻓﻲ ﻨﻘﻁﺔ ﺤﺯﻥ . . !
ِ ﹸﹾ ﹶ ِ
)٠١(
ﻗﻠﺒﻲ :
ﹶِ
ﻗﻨﻴﻨﺔ ﺨﻤﺭ ،
ِﱢ ﹶ ﹸ ﹶ ٍ
ﻭ ﻋﻴﻭﻥ ﺍﻟﺭﻗـ ﺎﺀ :
َ ﺒ ِ
ﻜﺅﻭﺱ ﻓﺎﺭﻏﺔ . . !
ﹸ ِ ﹶ
)١١(
ﺃﻗﺩﺭ . .
ﹾِ
ﺃﻥ ﺃﻀﺭﺏ ﺒﺠﻨﺎﺤﻲ ﺍﻷﺭﺽ . .
ِ ِ ﹶ
ﻓﺄﻓﺠﺭ ﻤﻨﻬﺎ . .
ﹾ ِ ﹾ
ﻴﻨﺒﻭﻋﺎ ﻤﻥ ﻀﻭﺀ ،
ﹰ ِ ٍ
ﻟﻜﻥ . . .
ﻤﻥ ﻴﻀﻤﻥ ﻟﻲ . .
ِ
ﺃﻥ ﺘﺘﺴﻊ ﺍﻷﺭﺽ
ﱠ ِ
ﻷﺠﻨﺤﺘﻲ . . ؟ !
ِ ِ
)٢١(
ﺘﺭﻱ . . .
ﹸ
ﻜﻴﻑ – ﻟﻭ ﺃﺜﻘﺏ ﺍﻟﺸﻤﺱ –
ﹾﹸ ﱠ ﹶ
ﻴﺴﻘﻁ ﻅﻠﻲ . .
ﹸ ﹸ ِﱢ
ﻋﻠﻲ ﺍﻷﺭﺽ . .
ِ
ﻤ ﻜﺘ ﻤ ﻼ . . ؟ !
ﹾﹶ ِ ﹰ
٦٢
- 28. )٣١(
ﻟﻤﺎ ﺘﻜﺸﻔﺕ ﺍﻷﻴﺎﻡ ﻋﻥ ﻗﻠﻘﻲ
ﹶ ﹶ ﱠﹶ ﹾ
ﻭﺭﺤﺕ ﺃﺒﺤﺙ ﻓﻲ ﻋﻴﻨﻴﻙ ﻋﻥ ﺸﻔﻘﻲ .
ﹸ ﹸ ِ ﹶ ِ ﹶ ﹶ ِ
ﻜﻨﺕ ﺍﻟﺘﻘﻴﺘﻬ ﺎ ﻨﺒ ﻴﻥ ﻤﻥ ﺃﻟﻕ
ﹸ ﹾ ﹸ ﹶ ﹶ ﹸ ﻤ ﻌ ِ ِ ﹶ ٍ
ﻴﺴﺘﻔﺘﻴﺎﻥ ... ﻭ ﻗﺩ ﻴﻔﺘﻴﻬﻤﺎ ﺸـﺭﻗﻰ .
ﹾِ ِ ﹶ ِ ﹶ ﹾِِ
)٤١(
ﻤﻥ ﻟﻲ ﺒﺜﻭﺍﻥ ﺘﺘﻭﻗﻑ ،
ِ ِ ﹶ ٍ ﹶﹶ ﱠ ﹸ
ﺃﻭ ﺘﻤﻀﻲ ﻓﻲ ﺒﻁﺀ . .
ٍ
ﺤﺘﻲ ﺃﺘﻤﻜﻥ . .
ﱠ ﹶﱠ
ﻤﻥ ﺃﻥ ﺃﺤﺼﻴ ﺎ . . ؟ !
ِ ِ ُ ﻬ
)٥١(
ﻤﺤﺘﻤل . .
ﹶ ٌ
ﺃﻥ ﺘﺤﺯﻥ ﺤﻴﻥ ﺃﻤﻭﺕ .
ﹶ ِ ﹾ
ﻤﺤﺘﻤل . .
ﹶ ٌ
ﺃﻥ ﺃﺭﻓﺽ ﺃﻥ ﺃﻟ ﹶﻲ ﺍﻟﻤﻭﺕ ،
ﹶ ﹸ ﻘ
ﻟﻜﻲ ﻻ ﺘﺤﺯﻥ .
ﹶ ِﹶ
ﻤﺤﺘﻤل . .
ﹶ ٌ
ﻟﻜﻨﻲ ﺄﻤﻭﺕ .
ﹶ ِﱢ ﺴ ﹾ
***
) أﻏﺴﻄﺲ ٤٩٩١ م (
٧٢
- 29. ﺳﺪرة اﻟﻠﻮن
ِ ْ َُ ﱠ ْ
) إﻟﻰ اﻟﻔﻨﺎن اﻟﺘﺸﻜﻴﻠﻲ / أﺡﻤﺪ اﻟﺠﻨﺎﻳﻨﻰ (
ﺴﺘﻨﺯﻑ ﺍﻟﻔﺭﺸﺎﺓ ﺒﻬﺠﺘﻬﺎ ،
ﹸ ﹶ ﹸ
ﻭ ﻴﺸﺘﺒﻙ ﺍﻟﺭ ﺎﺩ .
ﻤ
ﺇﺫﻥ
ﻻ ﺒﺤﺭ ﻴﺸﺒﻪ ﺯﻫﺭﺓ ﺍﻟﺤﻨﺎﺀ ،
ﹶ ِﱠ ِ
ﻻ ﺤﻨﺎﺀ ﺘﻜﻔﻰ ..
ِﱠ
ﻻﺤﺘﻭﺍﺀ ﺍﻟﻭﻗﺕ .
ِ ِ
ﻫﺫﺍ ﺍﻟﻠﻭﻥ ﺇﻴﻘﺎﻉ ﺘﻠﻅﻰ ﺒﺎﻟﻬﺸﻴﻡ ،
ِِ ﹶ ﱠﹶ
ﻭ ﻫﺫﻩ ﺍﻷﻨﺜﻰ / ﺍﻟﻤﺠﺎﺯ ..
ﺘﺭﻭﺽ ﺍﻹﻴﻘﺎﻉ ..
ﹸ
ﻓﻰ ﻟﻐﺔ ﻘﻴﻡ .
ٍﻋ ٍ
ﻫﺫﻩ ﻟﻐﺔ ﺍﻟﺤﻀﻭﺭ ﺍﻟﻔﺎﺘﻥ ﺍﻷﺨﺎﺫ ..
ِ ﱠِ ِ ﹸ
ﺘﺴﻜﺏ ﻨﺎﺭ ﺎ ..
ﻫ
ﻓﻰ ﻭﺭﺩﺘﻴﻥ ..
ِ
ﺃﻀﺎ ﺘﺎ ..
ﺀ
ﻨﻬﺭﻴﻥ ﻤﻥ ﺃﻟﻕ ،
ِ ﹶٍ
ﻭ ﻤﻥ ﺨﻤﺭ ﻤﺼﻔﻰ ،
ٍ ﱠ
ﻭ ﺍﺼﻁﻔﺎﺀ .
ِ ﹶ
..........،
ﺍﻟﻠﻭﻥ ﻤﺤﺘﺸﺩ ،
ﹶ ِ
ﻭ ﻋﻴﻨﻙ ﺴﻴﺴﺒﺎﻥ ﺍﻷﺒﺠﺩﻴﺔ ،
ﹸ ِ
ﻭ ﺍﻟﺭﻤﺎﺩ ﻤﺤﺠﺔ ﺍﻟﺘﺄﻭﻴل ..
ِ ﹸ
ﻓﻰ ﺍﻟﻠﻐﺔ ﺍﻟﺠﺴﺩ .
ِ
ﺴﻡ ﺍﻟﻔﺼﻭل ﺠﻭﺍﺭﺡ ﺍﻹﻴﺠﺎﺯ ،
ِ َ ﹸ
ﻭ ﺍﻹﻴﺠﺎﺯ ﺴﻭﺴﻨﺔ ﺍﻟﻔﻀﻭل ،
ِ ﹶ ﹸ
٨٢
- 30. ﻭ ﺴﻤﻪ ﻤﻁﺭﺍ ..
ﹰ ِ
ﺴﻴﺼﺤﻭ ﻤﻥ ﺒﺭﻭﺩﺘﻪ ﺍﻟﻐﻴﺎﺏ ،
ِِ ِ
ﻭ ﻴﺭﺴﻡ ﺍﻹﻴﻘﺎﻉ ﻤﺘﻜﺄ ..
ً
ﻷﺨﻀﺭﻩ ﺍﻟﺒﻬﻴﺞ .
ِ ِِ
ﺘﺭﻯ ......
ﹸ
ﺃﻴﺸﺘﺒﻪ ﺍﻟﺩ ﺎﻥ :
ﻤ ِ
ﺩﻡ / ﻫﻴﻭﻟﻰ ،
ﻭ ﺁﺨﺭ ) ﻓﻰ ﻜﻬﻭﻟﺘﻪ (
ِِ
ﻴﻭﺴﺩ ﺯﻫﺭﺓ ﺍﻹﻴﻘﺎﻉ ..
ِ ﹶ
ﺨﺎﺼﺭﺓ ﺍﻷﺒﺩ ..؟
ﹶ
***
ﻟﻠﺭﻴﺢ ﻟﻭﻥ ﻏﺎﻤﺽ ،
ِ ِ
ﺴﻴﺯﻤﻪ ﺯﺒﺩ ﺍﻟﺼﺒﺎﺒﺔ ،
ِ
ﻭ ﺍﻟﺼﺒﺎﺤﺔ ،
ِ
ﻭ ﺍﻟﺼﺒﺎ ﺍﻟﻤﻬﺘﺎﺝ ..
ِ
ﻓﻰ ﻨﺴﻎ ﺍﻟﺘﻭﺤﺵ .
ﹶ ِﱠِ
ﻜﻴﻑ ﺭﺩ ﺍﻟﻠﻴل ..
ﹶ ُ
ﺠﻤﻬﺭﺓ ﻤﻥ ﺍﻷﻟﻭﺍﻥ ..
ِ ﹰ
ﻓﻰ ﻋﻴﻨﻴﻥ ﻤﻥ ﺤﺯﻥ ﺸﻔﻴﻑ ..؟
ٍ ٍ ِ
ﻭ ﺍﻟﻤﺭﺍﻴﺎ ﺘﺴﺘﺭﺩ ﺘﺤﻭﻻﺕ ﺍﻟ ﺎﺀ ،
ِ ﻤ ِ
ﻭ ﺍﻹﻴﻤﺎﺀ ﻤﺘﻜﺊ ﻋﻠﻰ ﺍﻟﺒﻨﻰ
ﱢ ﱠ ِ ٌ
ﻤﺩ ﺩﻤﺎ ..
ﹰ
ﻟﻐﻴﻡ ﺎﺒﺭ
ٍﻋ ٍ
ﺴﻴﻨﺎﻡ ﺤﻴﻥ ﺘﻨﺎﻡ ،
ﻭ ﻟﻴﺼﺢ ﺍﻟﺯﺒﺩ .
***
٩٢
- 31. ﺍﻟﺭﺅﻴﺔ ﺍﻨﻜﺴﺭﺕ ،
ﹾ ﹸ
ﻭ ﻏﺎﻤﺕ ﻨﻅﺭﺓ ﺍﻟﺭﺍﺌﻰ ؛
ﹸ ِ ﹾ
ﻓﺂﻨﺱ ﻤﻥ ﻏﻴﺎﺏ ﺍﻟﻐﻴﺏ ﻨﺎﺭﺍ .
ِ ﹰ ِ ِ
ﺸﺠﻭﻫﺎ ﻤﺭ ،
ﹶ
ﻭ ﻭﻗﻊ ﺍﻟﻀﻭﺀ ﻤﻠﺘﺒﺱ
ﹾ ِ ﹾﹶِ
ﻟﻤﺎﺫﺍ ﻟﻡ ﻴﻌﺩ ﻅﻠﻰ ﺇﺫﻥ ..
ِ ﱢ ﹶ
ﻭ ﺍﻟﻀﻭﺀ ﻤﻨﻜﻔﺊ ..
ﹾ ﹶِ ٌ
ﻋﻠﻰ ﺠﺭﺡ ﺍﻟﻔ ﺍﻍ ..؟
ِ ﹶﺭ ﹾ
***
ﻫﺫﻯ ﺸﻅﺎﻴﺎ ﺍﻟﺭﻭﺡ ..
ﹶ ﹶِ
ﺘﻨﻀﻭ ﻋﻥ ﺤﺭﻴﺭ ﺍﻟﻭﻗﺕ ﻤﻭﺴﻴﻘﻰ ،
ِ ِ
ﻭ ﺘﺜﻘﺏ ﺠﻤﺭﺓ ﺍﻟﺭﺅﻴﺎ .
ﹶ
ﺘﻘﺩﺱ ﻁﻤﻴﻙ ﺍﻟﻐﺽ ﺍﻟﺠﻠﻴل ،
ﹶﹶ ﹶ ُ
ﺘﻘﺩﺴﺕ ﻟﻐﺔ ﺍﻟﺴﺩﻴﻡ ،
ﹶﹶ ﹾ ﹸ ﹶ ﹸ ِ ِ
ﺘﻘﺩﺱ ﺍﻟﺤﻤﺎﺽ ،
ﹶﹶ
ﻭ ﺍﻟﺠﻤﻴﺯ ،
ﻭ ﺍﻟﻠﻴل ﺍﻟﻤﺠﻌﺩ ،
ُ
ﻭ ﺍﻟﺭﺼﻴﻑ ﺍﻟﺒﺎﺌﺱ ﺍﻟﻤﻬﺘﺎﺝ ،
ِ ﹸ ِ ﹶ
ﻭ ﺍﻷﻤﻭﺍﻩ ،
ﻭ ﺍﻷﻤﻭﺍﺝ ،
ﻫل ﺴﻴﺯﻭل ﺤﺏ ﺯﺍﺌل ..؟
ُ ٌِ ْ
ﻭ ﻴﺅﻭﺏ ﻟﻰ ﻫﺫﺍ ﺍﻹﻴﺎﺏ ..؟
ِ
***
) ﻨﻘل ﻓﺅﺍﺩﻙ ﺤﻴﺙ ﺸﺌﺕ (
ﹶﱢ ْ ﹸ ِ ْ ﹶ
ﻓﻼﺕ ﺤﻴﻥ ﺭﺅﻯ
ﹶ
ﻭ ﻫﻴﺊ ﺠﻤﺭﺓ ﻟﻠﻅل ..
ﹰ ﱢ ﱢ
٠٣
- 32. ﻓﻰ ﺃﻓﻕ ..
ِ ﹸٍ
ﻴﻤﺩ ﺤﻀﻭﺭﻩ ﻟﻐﻴﺎﺒﻪ ،
ِ ِ ِ
ﺍﻷﻟﻭﺍﻥ ﺴﺎﺨﻨﺔ
ﹲ
ﻜﻨﻅﺭﺓ ﻋﺎﺸﻕ ﺒﺭﻗﺕ
ٍ ِ ﹶ ﹾ ِ
ﻓﺂﻨﺴﻪ ﺍﻟﻔﻀﻭل .
ﹶ ﹸ ُ
ﻓﻠﻤﻥ ﺃﻗﻭل :
ُ
ﺠﻬﻨﻡ ﻟﻐﺘﻰ ..؟
ﱠ ﹸ ﹶِ
ﻭ ﻜﻴﻑ – ﺇﺫﻥ –
ﹶ ﹶ
ﺃﻗﻭل ..؟
ﹸ ُ
***
ﺸﺠﺭ ﺍﻟﺭﺅﻯ ..
ﹶ
ﻤﺘﺠﺫﺭ ﻓﻰ ﺍﻟﻠﻭﻥ ،
ﹶ ﱢ ِ ﱠ ِ
ﻟﻴل ﺍﻟﻤﺯﻫﺭﻴﺔ ﻁﻤﻴﺔ ،
ِ ِ ُ ﹶ ﹲ
ﻭ ﺴﻨﺎﺒل ﺍﻹﻴﻘﺎﻉ ﺒﺭﻕ ﹶﺎﻤﺽ
ِﹲﻏ ِ ﹶ ِ ُ
ﻴﺴﺘﺤﻠﺏ ﺍﻟﻔﻭﻀﻰ ،
ﹶ ِﹶ
ﻭ ﻴﺴﻘﻰ ﻏﻴﻤﺔ .
ِ ﹶ ﹰ
***
ﺍﻟﻭﺭﺩﺓ ﺍﺸﺘﻌﻠﺕ ،
ﹸ ﹾ ﹶ ﹶ ﹾ
ﻭ ﻋﺭﻯ ﺍﻟﻀﻭﺀ ﻴﺸﺭﻉ ﺴﻴﻔﻪ ،
ِ ﹾ ﹶ
ﻭ ﺍﻷﺤﻤﺭ ﺍﻟﻤﻬﺘﺎﺝ ﻴﻬﺭﻕ ﺩﻫﺸﺔ ،
ﹶ ِ ﹸ ﹶ ﹰ
ﻟﻴﻐﻴﺏ ﻓﻰ ﺩﻤﻙ ﺍﺸﺘﻌﺎﻟﻙ .
ﹸ ِ ِ ِ
ﺜﻡ ﻀﻭﺀ ﻋﺎﺒﺭ ..
ﹶ ِ
ﺴﻴﻔﺭ ﻤﻥ ﻋﺭﻯ ﺍﻟﻘﺼﻴﺩﺓ ،
ِ ِ ﹶ ِ ِ
ﺜﻡ ﻴﻔﺘﺭﻉ ﺍﻷﻓﻕ .
ﹸ ﹾﹶ ِ ﹸ ﹾ
***
ﺴﺘﻔﻘﺱ ﻓﺘﻨﺘﻬﺎ ..
ﹶ ﹾ ِ ِ ﹾﹶﹶ
١٣
- 33. ﺠﻤﺭﺓ ﺍﻟﺤﺯﻥ ،
ﹸ ِ
ﻫﺌﺕ ﻟﻙ
ِْ ﹶ ﹶ
ﺍﻟﻤﻭﺝ ﻤﺸﺘﻌل ،
ﹾﹶ ِ ٌ
ﻓﻠﺘﺤﺎﺼﺭ ﺠﻬﻨﻤﻙ ﺍﻵﻥ ،
ﹸ ِ ﱠ
ﻭ ﻟﺘﻤﺢ ﺁﺜﺎﺭ ﻜﻔﻴﻙ ..
ﹶﱠ
ﻤﻥ ﺭﺌﺔ ﺍﻟﻠﻭﻥ
ِ َِ ﱠ ِ
ﻴﻜﻔﻰ ﺍﻟﻘﻠﻴل
ُ ِ
ﻟﻜﻰ ﻴﺜﻘﺏ ﺍﻟﻅل ..
ﹾﹸ ﱢ ﱡ
ﺸﻤﺴﺎ ﻤﻥ ﺍﻟﺸﻤﻊ ،
ﱠِ ﹶ ﹰ ِ
ﺘﺼﺤﻭ ﺍﻟﻤﺠﺎﺯﺍﺕ ﻓﻰ ﺴﺩﺭﺓ ﺍﻟﻠﻭﻥ .
ﹸ ِ ِ ِ ﱠ ِ
ﻤﻥ ﻟﻠﻔ ﺍﻍ ﺇﺫﻥ ؟
ﹶﺭ ِ ﹶ
ﻭ ﻟﻤﻥ ﺴﺘﻐﻨﻰ ﻗﺭﻨﻔﻠﺔ ﺍﻟﺭﻋﺩ ..
ﹸ ِ ِ ﹸ ﹶﱢ
ﺤﻴﻥ ﺘﻀﻲﺀ ﺍﻟﻜﻤﻨﺠﺎﺕ
ﹸ ِ ﹶ ﹾ ﹸ
ﺃﺸﻴﺎﺀﻫﺎ ﺍﻟﻐﺎﻤﻀﺔ .
ﹾ ﹶ ِ ﹾ
***
ﺴﻴﻤﻨﺤﻙ ﺍﻟﻤﻭﺕ ..
ﹶ ﹸ
ﻤﺘﻌﺔ ﺃﻻ ﺘﻤﻭﺕ ﻜﻌﺸﺏ ،
ﹶ ﹶ ﹾ ٍ ﹾ ﹶ
ﺘﺠﺭﺩﻩ ﺍﻟﺭﻴﺢ ﻤﻥ ﺤﺯﻨﻪ ،
ﹸ ِ ِ ِ
ﺜﻡ ﺘﺸﻌل ﻨﻬﺭﺍ ..
ﹸ ﹸ ﹾ ِ ُ ﹶ ﹰ
ﺒﻌﻴﻨﻴﻥ ﻤﻥ ﺃﻟﻕ ﺸﺎﺌﻙ
ِ ﹶ ِ ِ ﹶ ٍ ﹶ ِ ٍ
ﻜﺎﻟﺭﺅﻯ .
ﻓﺎﺸ ﻉ ﺍﻟﻀﻭﺀ ،
ﹾﺭ
ﻭ ﺍﻋﺘﺩ ﻟﻌﻴﻨﻴﻙ ﻤﺘﻜﺂﺕ ..
ﹶ ِ ﹶ ﱠ ﹶ ٍ
ﻤﻥ ﺍﻟﻅل .
ﱢﱢ
ﻫﺫﺍ ﺍﻟﻤ ﻯ ﺼﻬﻭﺓ
ﹲ ﺩ
ﻭ ﺍﻟﺴﺩﻴﻡ ﻨﺨﻴل ..
ِﹶ ِ ٌ
٢٣
- 34. ﻋﻠﻰ ﺭﺒﻭﺓ ..
ٍ
ﻻ ﺘﺭﻴﻡ .
ﹶِ
***
) ﻳﻨﺎﻳﺮ ٥٠٠٢ م (
٣٣
- 35. هﻜ َا َﺒ َأ اﻟﺤﻠﻢ
َ َﺬ ﻳ ﺪ
ﻫﻜﺫﺍ ﻴﺘﻬﻴﺄ ﻟﻰ ﺍﻟﺩﻑﺀ .
ﹶ ﹶ ِ
ﻫل ﺒﺒﻼﻏﺔ ﺼﻤﺕ ﺤﻨﻭﻥ ..
ِ ٍ ﹸ ٍ
ﺘﺭﺵ ﻤﻭﺍﻗﻌﻬﺎ ﻟﺫﺓ ..
ﹶ ﱡ ِ ﹶ ﱠﹰ
ﻓﻰ ﺩﻤﻰ ..؟!
ِ ِ
ﺃﻡ ﺘ ﹶﺎﻴل ﺃﺴﺌﻠﺔ ﺍﻟﺼﻴﻑ ﻟﻠﻤﺸﺘﻬﻰ ؟
ﹸﺨ ِ ُ ِ ﹶ ﹶ ِ ﹾ ﹶ
ﻭ ﺍﻟﺭﺼﻴﻑ ﺍﻟﻤﻘﺎﺒل ﻟﻠﺤﺯﻥ ؟
ِ ِ ﹶ ِ ِ ِ
ﺘﺸﺭﻕ ﻓﻰ ﺃﻓﻕ ﻤﻥ ﻫﺯﺍﻡ ﻭ ﻤﻥ ﻨ ﻨﺩ ..؟
ِ ﹶﻬ ﻭ ﹾ ٍ ﹸﹾِﹸ ِ ﹸ ٍ ٍِ
ﻫﻰ ﺍﻤﺭﺃﺓ ..
ِ ﹲ
ﻗﺩ ﺃﻗﺎﻤﺕ ﻗ ﺎ ﺘﻬﺎ ،
ﹾ ِﻴ ﻤ ﹶ
ﻭ ﺍﺴﺘﻨﺎﻤﺕ ﻋﻠﻰ ﻟﺠﺔ ﺍﻷﺴﺌﻠﺔ .
ﹾ ﹸ ِ ِ ﹶ ﹾ
ﻫﻜﺫﺍ ﻴﺘﻬﻴﺄ ﻟﻰ ﺍﻟﻌﻨﻔﻭﺍﻥ ،
ﹾﹸ ﹶ ِ
ﻭ ﻤﻤﻠﻜﺔ
ﹶ ﹶ ﹲ
ﻗﺩ ﺘﻁل ﻋﻠﻰ ﻨﺯﻭﺓ ..
ﱡ ﹶ ٍ
ﺘﺴﺘﺒﺩ ﺒﺭﻭﺤﻰ -
ﹶ ﹶِ ِ ِ
ﺘﺨﺎﻴﻠﻨﻰ ،
ﹸ ﹶ ِﹸ ِ
ﻭ ﺍﺤﺘ ﺎﺝ ﻋﻠﻰ ﺭﻏﺒﺔ
ِ ﺠ ﹾ ٍ
- ﺘﺴﺘﻌﻴﺭ ﺩﻤﻰ -
ﹶ ﹶ ِ ِ
ﻴﺤﺘﻭﻴﻨﻲ ﻋﻠﻰ ﺸﺎﻁﺊ ﻤﻔﻌﻡ ..
ﹶ ِ ِ ﹶ ِ ٍ ﹾ ٍ
ﺒﺘﻔﺎﺼﻴل ﺸﺎﺌﻜﺔ ،
ِ َ ﹶ ِﹶٍ
ﻭ ﻤﻭﺍﻗﻊ ﺭﺍﻭﺩﻫﺎ ﺍﻟﻔﺎﺘﺢ ﺍﻟﻘﺭﻭﻯ ،
ﹶ ِ ﹶ ِ
ﻭ ﺘﻭﻕ ﻷﻥ ﺃﻁﻔﺊ ﺍﻟﺸﻭﻕ ﺒﺎﻟﺸﻭﻕ ،
ﹾِ َ ﱠ ﹶ ﱠ ِ ﹶٍ
ﻭ ﺍﻟﻨﺯﻭﺓ ﺍﻟﻤﺴﺘﺒﺩﺓ ..
ﱠ ﹶ ﹶِ ﹶ
ﺒﺎﻟﻨﺯﻭﺓ ﺍﻟﻤﺴﺘﺒﺩﺓ .
ﱠ ِ ﹶِ ِ
ﻫل ﻫﻜﺫﺍ ﻴﺘﻬﺎﻭﻯ ﺍﻟﺨِﻴﻭﻥ ..
ﹶﻠ ْ ﹶ ﹶ ﹶ
٤٣
