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Questionpreparation
What kindsof fundingdoyoureceive fromlocal professionalclubs,whatkindof fundingif anydo
youget fromsport England?
(Paul) (Marwan)
These will be satdownina typical interview style (shotreverseshot)
I will alsotryto incorporate a passive participantrole intomyinterviewingIwill be runningsome
basicball skillsandhavinga chat with(Rosie andPaul C)
Alsotalkingaboutthe newrugbyleague sportEnglandcutsand whetherthe new amateurclubled
schemeswill workand hopefullyincreaseparticipants.
I will alsobe talkingaboutthe waythat low level fundingcutshave possibly affectednew clubsin
the way of buyingequipment
“The RFL’sbolddecisiontocreate a competitionframeworkforthe communitygame basedonthe
summerwill deliverbothbetterintegrationof competitionstructuresandagreaterflexibilityfor
those wishingtoparticipate atall levelsof the game.Ourdiscussionswiththe RFLhave givenus
confidence thatthe verysignificantinvestmentwe are still makinginrugbyleague willdelivervalue
for money.”
In additiontothe creationof a summerbasedcompetitionframework,the RFLplansto buildonthe
successful workithasbeguninexpandingtouchrugby.Stepsare alsobeingtakentomitigate the
impactof youthrecruitmentbyprofessional clubsthroughanew duel registrationbetweenboth
communityandprofessional clubs.
http://archive.sportengland.org/about_us/our_news/rfl_and_egp_funding.aspx
The EGP’s maximumfundingawardfor2009 – 2013 was £12,851,500. As a resultof SportEngland’s
decisionandthe reductionstoSportEngland’sExchequerfundinginthe Comprehensive Spending
Review,the total SportEnglandinvestmentforthe periodwill be £12,538,477.
£550 a month tobe divertedtoamateurinsteadof the rfl,how will the clubsbe spendingthis
money?
Furtherresearch
The keyto choosingthe rightstorytellingtechniquesforyourdocumentaryistoknow whoyour
primaryaudience will be andwhere/how itwill be viewed.If youraudience isagroupof third
graders,youmay choose a verydifferenttechnique thanyouwouldforagroup of college fraternity
brothersor fora groupof seniorcitizens.Anotherwaytochoose your storytellingtechniqueisto
thinkaboutyour subjectmatter.If yourdocumentaryisaboutwar, youmightchoose a very
differentstorytellingstylethanif yourdocumentaryisaboutadoptingpuppies.The ideaisthatyou
wantto create the propersettingandtone to create an experience foryouraudience.Youwantto
buildthe storyinsuch a way to keepthe audience engagedandfollowingthe story,youdon'twant
themto getborednor do youwant to overstimulate.
Narration– This isa traditional style of storytellingusinganarratorwho isoff-cameraandnever
seen.Thisgeneric“voice”isanobjective storyteller.Thisstyle isoftenusedinnewstype
documentarieslike PBS'sFrontline.
Host – This isa style of storytellingwhere youlearnthe storythroughaguide or a host.You see this
persononcamera and theytake youthrough the storyin theirownwords.The hostcouldbe you,it
couldbe a celebrityoraprofessional hostorjusta personwho has some connectiontothe story.
Thisis a great technique foratravel documentary.IusedthistechniqueinmydocumentaryBriarsin
the CottonPatch withformerUN AmbassadorAndrew Youngasthe host.
No Narration – These are my favorite type of documentarieswherethere isnonarration.The storyis
piecedtogetherusingonlyclipsof interviews,raw footage,on-screentextandgraphics.The Cove is
a compellingexampleof thisstyle.
Recreations/Drama–Thisstorytellingtechnique isoftenusedinhistorical documentarieswhere
importanteventshave alreadytakenplace andthere isnoexistingfootage.Orthere are piecesof
the story missingthatneedtobe dramatized.A greatexample of adocumentaryusingthis
technique isManon Wire.
FollowOne Character– Thisis a style of storytellingwhereyouchoose one persontofollow foryour
story.The filmmakersthatmade the documentaryAnInconvenientTruthtookthisapproach by
followingAl Gore totell a bigand complicatedstory.
All of these are importantwhenitcomesto

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Question preparation

  • 1. Questionpreparation What kindsof fundingdoyoureceive fromlocal professionalclubs,whatkindof fundingif anydo youget fromsport England? (Paul) (Marwan) These will be satdownina typical interview style (shotreverseshot) I will alsotryto incorporate a passive participantrole intomyinterviewingIwill be runningsome basicball skillsandhavinga chat with(Rosie andPaul C) Alsotalkingaboutthe newrugbyleague sportEnglandcutsand whetherthe new amateurclubled schemeswill workand hopefullyincreaseparticipants. I will alsobe talkingaboutthe waythat low level fundingcutshave possibly affectednew clubsin the way of buyingequipment “The RFL’sbolddecisiontocreate a competitionframeworkforthe communitygame basedonthe summerwill deliverbothbetterintegrationof competitionstructuresandagreaterflexibilityfor those wishingtoparticipate atall levelsof the game.Ourdiscussionswiththe RFLhave givenus confidence thatthe verysignificantinvestmentwe are still makinginrugbyleague willdelivervalue for money.” In additiontothe creationof a summerbasedcompetitionframework,the RFLplansto buildonthe successful workithasbeguninexpandingtouchrugby.Stepsare alsobeingtakentomitigate the impactof youthrecruitmentbyprofessional clubsthroughanew duel registrationbetweenboth communityandprofessional clubs. http://archive.sportengland.org/about_us/our_news/rfl_and_egp_funding.aspx The EGP’s maximumfundingawardfor2009 – 2013 was £12,851,500. As a resultof SportEngland’s decisionandthe reductionstoSportEngland’sExchequerfundinginthe Comprehensive Spending Review,the total SportEnglandinvestmentforthe periodwill be £12,538,477. £550 a month tobe divertedtoamateurinsteadof the rfl,how will the clubsbe spendingthis money? Furtherresearch The keyto choosingthe rightstorytellingtechniquesforyourdocumentaryistoknow whoyour primaryaudience will be andwhere/how itwill be viewed.If youraudience isagroupof third graders,youmay choose a verydifferenttechnique thanyouwouldforagroup of college fraternity
  • 2. brothersor fora groupof seniorcitizens.Anotherwaytochoose your storytellingtechniqueisto thinkaboutyour subjectmatter.If yourdocumentaryisaboutwar, youmightchoose a very differentstorytellingstylethanif yourdocumentaryisaboutadoptingpuppies.The ideaisthatyou wantto create the propersettingandtone to create an experience foryouraudience.Youwantto buildthe storyinsuch a way to keepthe audience engagedandfollowingthe story,youdon'twant themto getborednor do youwant to overstimulate. Narration– This isa traditional style of storytellingusinganarratorwho isoff-cameraandnever seen.Thisgeneric“voice”isanobjective storyteller.Thisstyle isoftenusedinnewstype documentarieslike PBS'sFrontline. Host – This isa style of storytellingwhere youlearnthe storythroughaguide or a host.You see this persononcamera and theytake youthrough the storyin theirownwords.The hostcouldbe you,it couldbe a celebrityoraprofessional hostorjusta personwho has some connectiontothe story. Thisis a great technique foratravel documentary.IusedthistechniqueinmydocumentaryBriarsin the CottonPatch withformerUN AmbassadorAndrew Youngasthe host. No Narration – These are my favorite type of documentarieswherethere isnonarration.The storyis piecedtogetherusingonlyclipsof interviews,raw footage,on-screentextandgraphics.The Cove is a compellingexampleof thisstyle. Recreations/Drama–Thisstorytellingtechnique isoftenusedinhistorical documentarieswhere importanteventshave alreadytakenplace andthere isnoexistingfootage.Orthere are piecesof the story missingthatneedtobe dramatized.A greatexample of adocumentaryusingthis technique isManon Wire. FollowOne Character– Thisis a style of storytellingwhereyouchoose one persontofollow foryour story.The filmmakersthatmade the documentaryAnInconvenientTruthtookthisapproach by followingAl Gore totell a bigand complicatedstory. All of these are importantwhenitcomesto