1. DAY/TIME
LOCATION
BAWSEY
PITS
SHOT #
9**
SHOT TYPE
LONG/OVER
THE SHOULD
“”
10
OVER THE
SHOULDER
(FOREGROUND)
“”
11
WIDE HEAD
“”
12
ESTABLISHING
“”
13
MID
“”
14
HEAD
“”
15
CLOSE UP
“”
16
WIDE
“”
17
MID
“”
18
“”
19
WANT TO GET
A FEW ANGLES
TO SEE WHICH
WOULD BE
BEST,CHOOSE
DURING
EDITING
LONG
DESCRIPTION
LEANING AGAINST AN
OBJECT, HE THEN SEE
HIS FRIENDS AND HAS
TO RUN TO CATCH UP.
WE ALSO
*HAVE ALTERNATIVE
IDEAS FOR THESE SHOT
AS WE MAY
ENCOUNTER
OBSTICLES ON THE DAY
MAIN CHARACTER HAS
FOCUS, RUNNING AND
CATCHUNG UP WITH
HIS FRIENDS.
THIS SHOT WILL BE
FROM BEHIND THE
MAIN CHARACTER AND
WILL SHOW THE
DISTANCE BETWEEN
THEM AS FRIENDS.
STILL BEHIND HIS
FRIENDS, SHOT NEEDS
TO SHOW THAT THEY
ARE TAKING IN THE
NATURAL
SURROUNDINGS. ENDS
BY THEM ALL JOINED
TOGETHER AT THE
TOPOF THE HILL
HE JOINS THEM AND
WANTS TO TAKE IN
THEN NATURE WITH
THEM.
AS HE BLOCKS OUT THE
SUN,THEY WALK OFF
WITHOUT HIM
CLEAR REACTION TO
THEM WALKING
OFF,SHOWS DISTRESS
AND FRUSTRATION
TRYING TO CATCH UP
AGAIN
CONTINUATION OF
HIM TRYING TO CATCH
UP
“”
MAKE FUN OF HIM,
CAN SEE THIS
THROUGH THE BODY
CAST/CREW
CREW;
DIRECTOR: KARL
CINEMATOGRAPHER:
JOSH
CAST;
CARL
FREYA
JAMIE
LEWIS
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2. “”
20
CLOSE UP
“”
21
STAGGEREND
LONG
“”
22
HIGH ANGLE
PAN
“”
23
HIGH ANGLE
(VERY) POV
OF THE TREE
“”
24
ESTABLISHING
“”
25
“”
26
TWO SHOT,
SHARED WITH
NO
DOMINATING
CHARACTER
LONG
“”
27
CLOSE UP
“”
28
WIDE
“”
29
EXTREME
CLOSE UP
LANGUAGE OF THE
CAST
FOCUS ON HIM TO
SHOW HIS
FRUSTRATION AND
ANGER TOWARDS THIS
THE CAST ARE
STANDING IN A
STAGGERED LINE. THE
LEADER OF THE FRIEND
GROUP WILL POINT
TOWARDS SOMETHING
IN THE DISTANCE. WE
AIM TO CREATE A
LITTLE TENSION WITH
THE SHOT AND
ANTICIPATION
THE GROUP RUN
TOWARDS THE OBJECT
IN THE DISTANCE,
POINTED OUT IN THE
PREVIOUS SHOT
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“”
“”
AS THE GROUP
ARRIVE THEY LOOK
UP, CENTRED
AROUND THE
OBJECT, THE GROUP
LOOK UP TOGETHER
SHOW THE TREE
THEY ARE ABOUT TO
CLIMB
“DO YOU WANT TO
CLIMB THE TREE”
“”
THE GROUP BEGIN
TO CLIMB THE TREE
BUT HE
(MAIN)REALEASES
THAT HE CANT
MAKING HIM FEEL
EXCLUDED
SHOWS HIS ANGER
AND FRUSTRATION
WE SEE THE MAIN
CHARACTER RUN
OFF, AWAY HIS
FRIENDS
FOCUS ON WHAT HE
IS DOING; THIS WILL
HAVE A TENSION
CREATING EFFECT AS
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3. “”
30
“”
31
EXTREME
CLOSE UP
WIDE
“”
32
MID SHOT*
“”
33
EXTREME
LONG
“”
34
MID
“”
35
OVER THE
SHOULDER
“”
36
PAN E.S
“”
37
MID SHOT
“”
37*
SIDE ON
“”
38
LOW ANGLE
“”
39
POV
THE AUDIENCE
WONT KNOW
WHERE HE IS
HEADING, LIKE HIS
FRIENDS.
“”
REACTION SHOT OF
FRIENDS
RUNNING TOWARDS
THE CAMERA OR
STATINARY CAMERA
ON A ROCK. WE
WILL AGAIN DECIDE
WHICH IS BEST
DURING THE EDIT
CREATES AN
ISOLATED
ATMOSPHERE BY
SHOWING THE
EMPTYNESS
AROUND HIM
CONTINUED
REACTION OF THE
FRIENDS, MORE
DEVELOPED
UNDERSTANDING OF
THE SITUATION
WITH EMOTIVE
FACES.
LOOKING AT THE
LAKE, GETTING A
REFLECTION OF
HIMSELF TO SHOW
HIM
CONTEMPLATION
PAN ACROSS IN HIS
VIEW ACROSS TO
SHOW THE
ISOLATION
THROWS STONES
INTO WATER. FILM
FROM BEHIND
PICKS UP STONE.
CAMERA LOW ON
FLOOR BESIDE HIM.
HARD TO SEE
DISTORTED OF HIM
IN CAMERA ANGLE
SHOW
EXPRESSIONS/ANGER
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4. “”
40
MEDIUMLONG SHOT
“”
41
MID SHOT
“”
42
SIDE VIEWMEDIUM
“”
43
LONG SHOT
“”
44
MID SHOT
“”
45
MID SHOT
“”
46
CLOSE UP
“”
47
LONG SHOT
TOWARDS FRIENDS
WATCH HIM THROW
THE ROCK INTO THE
WATER. 20O ANGLE
BEHIND HIM.
HANDS BEHIND
HEAD,FUSTRATED,
LIKE HE IS IN PAIN
FROM THIS FEELING
SIDE VIEW OF HIM
UPSET SITTING
DOWN IN A CURLED
POSITION
FRIENDS IN FOREST
COME OUT INTO
OPENING ,SEE HIM
THERE ,POINT AND
TALK ABOUT IT.
SHOT OF THE
FRIENDS STANDING
THERE TOGETHER
FEELING SORRY AND
WANTING TO HEP
HIM.
HAND GOES ON HIS
SHOULDER, LOOKS
UP AND LEWIS IS
SMILING. FRIENDS
ARE STILL IN
BACKGROUND. ALL
WALK OVER AND SAY
SORRY, HAND HIM
AN INSTRUMENT
THEY WERE
CARRYING AND HE
FEELS A LITTLE
BETTER
CLOSE UP ON CARLS
EXPRESSION, STILL
WARY LOOK BUT IS
SHOWING A SLIGHT
SMILE.
RUNNING THROUGH
FOREST AND CARL IS
THEIR CENTRE OF
ATTENTION, THEY
ARE TRYINGTO MAKE
HIM HAPPY
THROUGHOU. HAVE
SEVERAL SEQUENCES
SO THAT CAN USE A
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5. “”
48
LONG-MID
SHOT
“”
49
MID SHOT
“”
50
MID SHOT
“”
51
LONG SHOT
“”
52
CLOSE UP
“”
53
MID SHOT
“”
54
LOW ANGLE
PAN
“”
55
CLOSE UP
“”
56
LONG SHOT,
MOVING
“”
57
OVER THE
SHOULDER
“”
58
CLOSE UP
FEW IF NEEDED
GET BACK TO THE
TREE AREA. START
PLAYING FOR SHORT
TIME AND LIP
SYNCING WITH THE
SONG. ALL IN A LONE
CURVED AND
CAMERA IS DEAD
CENTREIN FRONT.
CLOSE UP OF LEWIS
ON DRUM, MAYBE
PAN AROUND HIM
TO GET VIEW OF TH
OTHERS PLAYING.
FREYA LIP SYNCING
AND CARL PLAYING
GUITAR NEXT TO
HER, JOYFULL AND
CARL IS SHOWING
HAPPY EXPRESSIONS
THROUGHOUT
PLAYING IN A MORE
CIRCLE LIKE AREA
AND ALL HAVING A
GREAT TIME AND ALL
HAPPY
CARL LIP SYNCING
THE MALE VOICE
WITH GUITAR
VIEW OF LAKE SHOT
FROM BEHIND
THEM, ON THE CLIFF
SO IS HIGHER BUT
STILL HAS THEM IN
THEM ALL PLAYING
AND ENJOYING
THEMSELFES
CLOSE UP OF CARL
PLAYING,HAPPY AND
ENJOYING MYSELF
GROUP MOVE TO
BEACH AREA WHILE
STILL PLAYING
LEFT CARL BEHIND
AND HE IS WHO IS
BEING LOOKED
OVER, QUICK SHOT
OF HIS FACE HALF
WAY THOUGH
CARL’S FACE
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6. “”
59
LOW SHOT
“”
60
SIDE ANGLE
“”
61
CLOSE UP
“”
62
EXTREME
CLOSEUP
CLOSEUP. NOT
UNHAPPY ISTEAD
SMILES AND GOES
TO SIT ON THE CLIFF
NEAR THEM AND
THEY ARE STILL
PLAYING.
SITS ON CLIFF AND
LOOKS OVER LAKE
STILL HAPPY AND
OTHERS ARE NOW
SINGING AND
DANCING ON THE
BEACH PART.
DIFFERENT POINT OF
VIEW OF HIM
SMILING SONG STILL
PLAYING AND HIM
AT PEACE WITH
HIMSELF, HAPPY
AND JUST RELAXED
FACE SHOT OF CARL
AND VERY RELAXED
CLOSES HIS EYES
AND GOES BACK TO
ROOM. FOCUS’ OUT
AND BACK IN THE
ROOM.
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