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Landscape in Watercolor
Glenn Hirsch
Watercolor Fundamentals
UC Berkeley Extension
next two assignments:
paintings using one or all
of these ideas
Sky and Trees
Aerial Perspective
Linear Perspective
Aqueous Perspective
to see trees you look up
Kevin Dame, student work
to see trees you look down
Student work
trees are strong
Student work
leaves have energy
John Singer Sargent
Hirsch
leaves don’t have to be green
Student work
Student work
Student work
trees create a story
Student work
Student work
Student work
tree technique
Student work
trees thrust out of the ground – they have figurative gesture
Student work
trees thrust out of the ground – they have figurative gesture
Leaves cluster
in branches
Each branch
has a top
(sunlit) and
bottom
(shadowed)
Trees cast a
shadow on
the ground
beneath them
Student work
Sunlight also comes through the branches (lit from behind)
Student work
Sunlight also comes through
the branches (lit from behind)
Student work
In watercolor,
you can
illustrate the
leaves with
precise
drawing
carefully
colored-in
Student work
In watercolor, you
can suggest the
leaves with
improvised wet-in-
wet blobs of color
Student work
Student work
atmospheric
“aerial”
perspective
This photo illustrates aerial perspective – things far away look duller and lighter compared to the foreground
Claude Lorraine
Joseph Turner
Joseph Turner
Hirsch
Student work
Student work
Linear Perspective
Robert Bechtle
Edward Hopper
Edward Hopper
Hirsch
Student work
water
(aqueous perspective)
John Singer Sargent
Winslow Homer
Winslow Homer
Student work
Student work
Student work
next two assignments:
paintings using one or all
of these ideas
Sky and Trees
Aerial Perspective
Linear Perspective
Aqueous Perspective

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Landscape in Watercolor